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Web development comparison shopping jobs
I want solutions in the backup and disaster recovery space compared. Including Commvault, Datto, Carbonite & Acronis. Use Cases required are Hyperscale cloud, Backup as a Service, Migrations, Disaster Recovery & point-in-time snapshot.
This is an IOS & Android Location Based Food Search Comparison & Navigation App that will be built by customisation of: [login to view URL] Web applications should be built in AWS. 1) A web crawler that that crawls the restaurant name, cousine, restaurant address, food sub menu names, food item
I need a new website. I need you to design and build my online store.
We want to support writers to create and publicize comparison for the 2019 year for frameworks dedicated to mobile app developers focusing on JavaScript. Purpose of this blog post series is to reach developers that are just entering the business and looking for a solution for them. In any comparison we should emphasize somewhere Tarbis Framework solution
Hello Freelancer - I am looking for a talented designer to design a logo for the website HostingSherpa ([login to view URL]). This website will be a place for web hosting reviews, ratings, tools, and guides. A sherpa, being a guide that helps people travel to the tops of mountains, and I want the website to be a guide to help those looking for help
Hi, I am looking for a designer with knowledge of UI / UX design. The goal is to set up an online comparison site. It will therefore be a comprehensive filter option with a results view on the right. To begin with, I am looking for someone who can take care of the design and can think about good layout. If you can help with this, I'd love to hear
...still need - some remaining development - some tuning and adjustments - some code cleaning Then there is the end user front end to be developed from the beginning, but it is just 2 or 3 responsive page layouts. The project is divided in mini tanks and the budget is estimated in 600USD that could be extended to new development upt to other 300USD. It
2.1. Comparison of data collection between QRadara and your SIEM solution Write a paragraph (150-250 words) to describe how data collection is being done in QRadar and your SIEM solution and compare both. 2.2. Comparison of data processing between QRadara and your SIEM solution Write a paragraph (150-250 words) to describe how data processing
I need a list of ALL the Car Rental Aggregators website on the internet. Aggregators are also are known as Car Rental Comparison websites. Here is two examples 1. [login to view URL] 2. www.carhire.com.au. Please address me as Steve so i know you have read my instructions (AUSTRALIA ONLY)
I need an full list of Websites that offer comparison services . For example, [login to view URL] [login to view URL] [login to view URL] [login to view URL] [login to view URL] all compare travel and flight. (and who else?) [login to view URL] [login to view URL] [login to view URL] [login to view URL] all compare finance products (and who else?) [login to view URL] [login to view URL] [...
Hi. I need someone to start right now. Estimated time of work: 2-3 hours. I have 2 excel documents. Each with 200 lines with approx 20 coloumns. I need someone to manually compare the two and mark each edit with green color. If data exists in one of the files, but not in the other, just a red mark. You need to be able to start ASAP! Done in 2-3 hours.
...were implemented with examples through out the text and mentioning the algorithm that was used to modify the work. Further the optimized Matlab code was migrated to C++ so a comparison between the two languages should be done to show which one is better for the application and how C++ is better in terms of this application. What needs to be done:- The
I had developers in India who were developing my price tracking, comparison website and IOS and Android app. The app designs are very good as I wanted but need slight improvement but the website can be vastly improved. The company has not added any merchant sites to track products and prices and the website is poor, this has disappointed me and I am
I want a price comparison html template for my website which is compatible with latest version of Angular (not angular js). The HTML template include pages Product Listing Page Comparison Page Filter Bar Search Login/Register Product Detailed page also the template is responsive the template code in HTML,CSS,SCSS,Bootstrap
I want a price comparison html template for my website which is compatible with latest version of Angular (not angular js). The HTML template include pages Product Listing Page Comparison Page Filter Bar Search Login/Register Product Detailed page also the template is responsive
I want a price comparison html template for my website. Its compatible with latest angular version ( not angular JS)
Hello, We need a program to compare the prices of our own products with similar products. I'll give you information on which websites to compare.
ComparisonX Style: Professional, modern, forward looking. More information: We are creating a comparison site for business to business products and services, such as creditcards, insurance, accounting software etc. The site will feature product comparison tables and magazine style reviews. Competitor examples are: [login to view URL] https://www
We want to support writers to create and publicize comparison for the 2019 year for frameworks dedicated to mobile app developers focusing on JavaScript. Purpose of this blog post series is to reach developers that are just entering the business and looking for a solution for them. In any comparison we should emphasize somewhere Tarbis Framework solution
He/She should have at least 3 yrs. minimum exp. in the related field. He /She must be able to write the products descriptions for Mobile/Tablets and all related electronic items. He must have good knowledge of the latest technology trendy in the market and must provide the content for the same for our NEWS section of the portal.
Hi everyone. As descriped in the project title I need CSS optimized omparison tables and header boxes for my website (Wordpress). I am using TablePress as table plugin. I have some concrete examples/ideas how the tables and boxes should look like. Header boxes should look like: [login to view URL] Tables should look like: [login to view URL]
A reserach report on two different cultures and report should have 1800 words and should be in APA format and free from plaigarism
I need some help with finding some who can do a 3500 report on both companies in a 24hr turnaround
I'm looking for a PowerShell script that will compare 2 CSV's. CSV A and CSV B Here's how it should work 1. Compare 1st Column only of CSV A to 1st Column of CSV B 2. Output All unique Full rows to CSV C (Only first column has to match to be considered unique) 3. Update/Append CSV A with unique rows outputted to C Must be fast and work with very large files.
I need a shoe price Comparison Website built with java (jsoup) that will scrape and store data in database. Then node.js implementation for rest api backend to fetch data from database and show in the front end. Bootstrap or [login to view URL] framework for front end with ajax calls to node.js backend
...directly the price to be shown. If you go to an price comparison website and search for an item it will show you prices from maximum two-Three websites. I do not want that either. I want it to search the whole internet and show you prices. As you can see from the pick i had attached, this price comparison website found 0 shops selling the Blackxs perfume
SBR and EA, ASM 1 and 2 BOD COD
I need some help with finding someone who can create a financial report . Need a 24hr turnaround must have good writing and financial skills and analytical skills
We are creating a comparison site for business to business products and services, such as creditcards, insurance, accounting software etc. The site will feature product comparison tables and magazine style reviews We need a developer to build the site, with a heavy focus on SEO best practice
... (please look at the comments on the site) So this is basicly what i want. My website is: [login to view URL] theme: [login to view URL] List of what i want: 1 - I want a buttom leading to the form on the frontpage
Hi! We need an UI designer for our new project. It is a flight comparison tool. We will discuss all details later. Check attachments for examples of what style you should work in. We need high level designer, no old-fashioned amateurs, only best of the best. Send your portfolio to make chance to get selected.
I am seeking to build a wordpress comparison website, which only is accessible to paying members. Since it is not an affiliate website, we need to collect the data from different websites/catalogues, build a database and keep it updated. The target group and supplier webshops are located in Germany. The information needed needs to be scrapped from suppliers
I want to create a script that compares crypto currency prices on a exchange - by - exchange basis. I want to see the profit in%. (compare than index price) My site is made by WordPress and I want to make it as follows. exchange price [login to view URL] price [login to view URL] or upbit or coinone [login to view URL] or okex [login to view URL] or Coinex [login to view URL] thailand [login t...
I want a search for Qatar local universities, including those details, 1- description of each university. 2- study period of each university. 3- how much each university cost. 4- necessary thing for study. 5- programmes in each university. 6- the number of student in each university [login to view URL]
I need a high converting clean table comparison website done that is mobile responsive also. I will send examples if picked.
We need an app for client onboarding, that will need to perform the following tasks: * Display a data form, to gather basic info (name, address, etc.), and gather e-signature * Take foto of client ID (both sides) and home address document * Take a selfie of the client's face * Compare picture of the ID with selfie, using biometric technology (report percentage of confidence) * Send the clien...
I need a template for Wordpress which is compatible with woocommerce. The template is for price comparison using the plugin Datafeedr. Please check the attached PDF for detailed information what we are looking for. Thanks.
Financial company comparison of 2 companies
Hi, For personal use, I'm looking for a php-driven website, running on my own server. The output on this page needs to be an odds-comparison between Betfair and one other bookmaker, with the possibility to expand to a few more. It should focus on soccer match-odds. Other markets welcome, but not necessary. I want some color coding and other stuff.
We are looking for a team who can do SMS campaign for our price comparison portal. The team must have DB of valid numbers of Metros having eCommerce interests like Flipkart, Amazon, Paytm mall etc.
...should then find out what trends in annual electrical energy consumption and peak demand are forecast for those countries. Finally, you should comment on the following: • the comparison in the intensity of electrical energy use between the two countries; and • how future demand for electricity is expected to develop in the two countries, how it can be expected
We are looking for an SEO expert with at least 7 yrs. exp. in relevant field for our price comparison portal. The portal is in PHP Code Ignitor and the concerned team should be able to handle it from scratch. The team must follow all Google guidelines for the same.
Looking for SMS marketing team who can promote our price comparison portal through SMS. The team should have a database of at least 30000 valid phone numbers and should be an expert in SMS marketing Campaign.
...expert with at least 5 yrs relevant experience who can do the task following all Google guidelines and help in Google India first page ranking at the earliest. Our price comparison portal is in PHP code Ignitor. The concerned team must take responsibility from scratch and give the best output. Note: We can Assign the task to the Team only after the
Hello, Only apply If you have developed a theme before from Scratch. Best example is rehub theme available on themeforest. What I need: Creative layouts to showcase products and offers. Creative homepage layouts. Creative and multiple page layouts. Multiple widgets(discussed later). A unique search engine in backend present in product page creation which fetch products from API. more details to be...
Develop a private API for Books Price comparison (aka Books Metasearch Engine) among online sellers in India. Some of the online sellers include [login to view URL], [login to view URL], [login to view URL], [login to view URL], [login to view URL]
I have a product I am designing and need to see if it inflicts with any patents in the USA that are current, and if it would be possible to patent it as well. Will give you more information over messaging, thanks!
I need a logo designed for a website Project
250-350 € Hi i need an odds comparison tool similar to betonvalue just between bet365 and pinnacle with % . Because betonvalue stopped showing bet365 odds. I need only betting lines : match winner ; 1x2 ; and over/under.
Hi, I have a website that is using this theme: [login to view URL] We already created a child theme which we changed the aesthetic of the site and some core features but now, we need to enhance even more this child theme with new features. The current theme allows us to set a default currency and we have


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When you are looking for daily rent in Ukraine's Odessa, and you are looking for a comfortable and clean place- you have found the correct spot!
In addition to renting your apartment you will also have FREE city tour. You will feel like you are at home!
$ 50 deposit fee is charged.
During your stay, if you have done NO damage to the house and household goods $ 50 dollar deposit fee will be refunded to you when the checkout process by the host.
Reservation Detail:
After you successfully submit your reservation request, you will receive an e-mail response from the home owner or property manager, within the next 24 hours. At this point, the full details of your confirmed reservation including the address of the property and the contact details of your local host will be shared with you through e-mail.
We hope you have a pleasant stay!

subset: commoncrawl


text: I just read about this opportunity for purchasing a retro style California license plate from either the 50's, 60's or 70's. The coolness factor for me to own a retro looking car like the Z8 with a retro license plate is too good to pass up. My top choice is a 1960's black plate with yellow lettering. The only caveat is that 7,500 plates must be pre-purchased by January 2015.


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|2012-12-01, 22:22
|Link #31281
Join Date: Oct 2012
Well on the subject of Shkanon clues I did go back and look through EP1 (skimm'd it mostly) and I did find a couple of interesting things that could hint towards Shkanon.
The first one is what was stated before the part where Kanon talks to himself and says "Even I." Alone that statement doesn't seem very significant but for some reason the Manga actually makes a huge deal out of that. If you read it as Shkanon this scene might suggest the Beatrice persona having feels for Battler still.
The second notable scene is when Battler interrogates Kanon, Genji and Kumasawa. This scene is really weird in itself because the three do a complete 180 and Genji is really out of character. The VN didn't say how much of the conversation Battler heard but the Manga suggest that he heard all of it. Most of what Battler hears is about Kanon complaining that Shannon died. However as soon as Battler enters the three get taken completely off guard and Kanon refuses to look Battler in the eye. Then Kumasawa and Genji start talking for him and then both go all freaky like which is rather out of character for them all. (Maybe not Kumasawa).
Now if we were to assume Kanon was the culprit then this scene doesn't make much sense. Why would Kanon be talking in private about how he hates how Beatrice killed Shannon if Kanon is the culprit? This scene however could be suggesting Kanon does have multiple personalities.
As far as making Kanon the culprit of that gameboard. Lambdadelta at the end of EP4 suggests that Beatrice disproved that someone was hiding under the bed. True there are ways to work around the red but Lambda knows the solution and was pretty convinced that Battler's theory was disproven. So the only other way I see that locked room being done is with Kanon. It makes no sense for Lambda to be lying there.
In short, EP1 seems to suggest that Kanon has multiple personalities.
Also Shannon does say something kinda interesting when they are on the beach. She says that a young servant told her about scorpions repelling magic. Yasu anyone?
|2012-12-01, 22:59
|Link #31282
Senior Member
Join Date: Apr 2012
|2012-12-01, 23:45
|Link #31283
Blick Winkel
Join Date: Apr 2010
Location: Gobbled up by Promathia
|2012-12-02, 12:35
|Link #31285
Senior Member
Join Date: Sep 2007
Location: Buffer overflow
#1: Ignoring the other heart
The gameboards represent about half of the time spent on the Question Arcs. If it's ignoring the heart to skim over the meta scenes, isn't it also ignoring the heart to say there are no clues in the mystery scenes? After all, Yasu apparently enjoyed writing mysteries even more than she enjoyed the purely magic side she shared with Maria. Meta-scenes are definitely necessary, but can they really be our only clues to the answer?
#2: What Beatrice is
As I understand it, Beatrice represents the rule saying "the most plausible explanation presented wins". The witch theory "wins" only when people accept it, and they'd only accept magic if no other complete theory can (or will) be presented.
For the meta-world, this is trivial, but on the gameboard, it's a pretty important point. Since the human Yasu can't actually jump out in front of everyone and do magic, she has to "present" her explanation of what Beatrice is indirectly. She can only control Beatrice by leaving clues pointing to parts of Beatrice's personality and powers.
The point here is that accidents or the actions of entirely unrelated people can change "Beatrice's" personality. More importantly, since meta-Beatrice is obligated to show meta-Battler an explanation for everything with herself as the culprit, she also has to pretend everything that happens is according to her plan, or else the plan of someone with the power to oppose a witch. So we have to be very wary of what we learn about Beatrice in meta scenes.
|2012-12-02, 15:00
|Link #31286
The True Culprit
|2012-12-02, 17:07
|Link #31287
Senior Member
Join Date: Sep 2007
Location: Buffer overflow
Since she claims to actually be the killer herself, she needs her personality to match what we know about that killer. Therefore, the events on the gameboard necessarily influence her behavior.
|2012-12-02, 17:41
|Link #31288
The True Culprit
Except that doesn't actually hold up when you consider that Beatrice doesn't bother keeping her own magical narrative consistent from episode to episode and in line with the Meta-World narrative.
|2012-12-02, 21:43
|Link #31289
Senior Member
Join Date: Sep 2007
Location: Buffer overflow
How Beatrice decides to commit the crimes changes drastically in each episode. However, it's part of her character to do things on a whim, just for the hell of it. So that alone doesn't qualify as a plot hole as long as she can think of a plausible excuse.
|2012-12-02, 23:36
|Link #31291
Senior Member
Join Date: Sep 2007
Location: Buffer overflow
Obviously Beatrice has many motives beyond just playing the role of the culprit, but acting the part of the culprit is clearly one thing she does throughout most of the question arcs.
|2012-12-04, 17:38
|Link #31293
Senior Member
Join Date: Jul 2012
Say is the manga canon?
I know its been done more than enough but from what I can tell it certainly has quite the amount of things leading to Rosa.
The letters Nanjos son, Sabakichi and Ange received being adressed to Hokkaido which is where Rosa was with "her boyfriend" (Sent at the 3rd, received after incident) or Evatrice mentioning Rosas past intentions of becoming a witch and believing in the forest witch and wishing to fly around like a butterfly as well as her relation to spider webs and having said herself she tried to solve the riddle in the past.
And she trapped butterflied in webs while the people on the Island were once referred as butterflies.
Just feeling kinda mindf'd now.
Ryukishi is at the very least trying to make it look like Rosa and that REALLY hard as said, above are just examples, there is tons.
I don't care if its a Red Herring or Truth, Ryukishi is putting on massive amounts of Rosatrice things, at least I understand why people believe it so much now.
Maria: "Beatrice turns to Butterflies!Uuu-"
Evatrice: "Yep, you told me that you wanted to become a Butterfly and flutter around the Garden." "You told me that you wish to become a witch when you were young. "How about dancing in this eternal dream?"
Dammit Ryukishi.XD
On a different note:
Why did all 3 letters have 07151129 notes with them?
Last edited by Kiltias; 2012-12-04 at 18:28.
|2012-12-04, 18:57
|Link #31294
Senior Member
Join Date: Aug 2011
Ryukishi said he would add extra clues in the manga, which is why in EP 8 manga version the game that Ange plays with her relatives is pretty different and filled with clues. However I don't know if he started adding clues right from the first volumes of the manga or in those he gave the manga authors more freedom.
If i don't remember wrong in EP 3 there were clues pointing to Kyrie/Kyrie's gun being the one who shoot at Hideyoshi for example.
|2012-12-05, 08:38
|Link #31295
Senior Member
Join Date: Nov 2011
I wonder if they changed that line in the PS3 version too? I can definitely imagine Kyrie shooting Hideyoshi better than I can Rudolf, so it wouldn't surprise me if that's something Ryukishi changed his mind on or something.
|2012-12-05, 09:10
|Link #31296
Join Date: May 2009
I would presume the manga is canon, at least in the sense that it's been said that Ryukishi has input over what gets put into it. I don't think they'd just make up new details without consulting him, and if a detail were incongruous with what he intended he'd veto it. Hopefully.
|2012-12-05, 19:54
|Link #31297
Senior Member
Join Date: Aug 2011
To make things vaguer, it's also said that Hideyoshi took the gun of one of them but the novel said it could be one of the other.
So the gun that was closer to Rudolf could have belonged to Kyrie since the novel took care to say it was unknown which gun Hideyoshi took.
At least that's what is said in the fantasy scene as likely the bodies weren't moved after their dead.
Due to the vagueness of the novel I like to think the manga is giving us an hint about Hideyoshi being shoot by Kyrie or being betrayed by her (in the magic scene he's shoot in the back). [Ep 3 chap 14]
Interesting enought the anime (Ep 16) uses a gun that's far from both.
On a sidenote I've always thought that EvaBeatrice represented the alliance between Yasu and Eva so in the mystery side she was nothing else but a Yasu who had sided with Eva which makes rather interesting her argument with MetaBeato as it shows the two Beatos having different goals.
MetaBeato wants to be acknowledged by MetaBattler but EvaBeatrice has no such goal, nor care for MetaBattler who, in a discussion, is defined as a person with which EvaBeatrice wasn't supposed to interact (and, interesting enough, it will be Battler who'll 'force her' to interact with him)
And we've 2 Beato even in Ep 6 and one of them can't care less about Battler and don't interact with him while the other does. Interesting enough the one we call Beato the elder is however close to the other Beato and apparently seems to have the same goal as her although ChickBeato's motive is that she wants to please Battler by becoming the Beato he wanted her to be while Beato the elder doesn't share this feeling and, although presented as a piece that's from the past, she interacts with the present.
If we assume Beato the elder is actually PieceBeato and that Yasu began to write tales in which she figured were written prior to Battler's return and therefore prior to trying to send a message to him she's technically a Beato of the past who originally had a completely different goal than 'making Battler remember' although in the end she also tried to work to help the other Beato to reach her own goal.
Yes, young Beato is defined as a piece that Battler 'set on the gameboard' but I wonder if the gameboard involved is the one of the mystery tale or a meta one.
Besides MetaBattler too was defined as a piece in the beginning and, although he looks like he wants to challenge Erika, in truth is possible he was using Erika to have Beato remember. In short he was sort of challenging her in a gentler way than the one Beato used with him.
To make short a long story I'm still of the opinion that the goal of MetaBeato and PieceBeato aren't exactly matching and that PieceBeato is a piece that MetaBeato is trying to use to reach her own goal.
There's also this interesting bit of discussion in Our Confession between Shannon and Beato:
So, Shannon's goal here seems more to fulfill MetaBeato's will than her own.
If she and MetaBeato were the same person it'll look like Yasu is insane but if she's just a character in MetaBeato's story it'll make more sense that she will accept the author's goal as her own.
[Although a good writer shoulden't force a goal on a character... however it's possible that the 'forcing' represents that the real Shannon wasn't a killer but that in the story her PieceVersion becomes one to fulfil the author's purpose more than the purpose of the real Shannon. Due to this her actions were 'forced' as they wouldn't fit the real Shannon but they needed to be as such to fit with MetaBeato's purposes]
Another sidenote.
In Ep 5 Natsuhi said she confessed being the cause of the servant's dead in front of the servant's husband grave few years ago.
Although likely Natsuhi didn't mean to be heard it's possible she traveled to where the guy was buried with someone else (for example Shannon) and this person overheard her saying so without her noticing. This would explain why Yasu knows Natsuhi caused the baby to fall a thing Natsuhi apparently didn't tell anyone.
Of course another possibility is that, since Ep 5 was written by Battler, it was Toya who found out this. Since it's said that the servant and the baby were rushed to the hospital both apparently still alive the servant might have said something like 'madam pushed me' but the whole thing was hushed by the Ushiromiya's money or whoever picked up the servant's confession didn't dare to report it to the police in fear of the Ushiromiya's power and due to lack of proof and that tattled it out only after the incident, helping to build up a Natsuhi culprit theory in Toya's time.
Last edited by jjblue1; 2012-12-05 at 20:29.
|2012-12-06, 05:27
|Link #31298
Senior Member
The manga also adds the line "Eva did not kill Hideyoshi.", the novel and console version removed the red on the line "the above 15 people are dead" when Evatrice counts Kanon and Shannon seperately.
|2012-12-06, 09:08
|Link #31299
Join Date: May 2009
It's easy to imagine that, yeah. There's a lot of things that would be clearer to convey in a manga or animated format, but I don't really trust anything from the anime because it was a mess visually. The manga seems to be kept on a considerably tighter leash, so if there's additional hints there they're probably reliable.
|2012-12-06, 11:21
|Link #31300
Senior Member
Join Date: Sep 2007
Location: Buffer overflow
|Thread Tools


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DailyDirt: Wuzzle Means To Mix. Sculch Is Junk. Alate Means To Have Wings. A Baloo Is A Bear....
from the urls-we-dig-up dept
- The New York state Education Department recently threw out standardized test questions related to a nonsensical story about talking animals and a sleeveless pineapple. Apparently, a lot of 8th graders were confused about the moral of this story, but the larger lesson might be that standardized tests shouldn't be taken too seriously. [url]
- The headmaster of one of NYC's top private schools (Riverdale) doesn't have a high opinion of standardized IQ tests for admissions. "This push on tests ... is missing out on some serious parts of what it means to be a successful human." [url]
- In Florida, it looks like 5th graders are getting their answers marked wrong even when they're correct. Science is so subjective these days. [url]
- Finnish schools don't administer standardized tests until the last year of high school, but somehow Finnish students seem to do well on the PISA (Program for International Student Assessment) exams. Is there something to be learned from the Finnish school system? [url]
- To discover more interesting education-related content, check out what's currently floating around the StumbleUpon universe. [url]


text:
Sandra Bullock & Louis: Playground Pair
Sandra Bullock and her adorable son, Louis, go to a playground together on Sunday (March 20) in New York City.
The 46-year-old actress is in town to shoot her latest movie, Extremely Loud and Incredibly Close. Filming began on the project last week!
It was also announced last week that Sandra has donated $1 million toward tsunami relief after the natural disaster in Japan occurred earlier in the month.
FYI: Sandra is wearing Signature Bootcut jeans in Surrey Wash by Hudson.
10+ pictures inside of Sandra Bullock and Louis heading to the playground…


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Memory Cards for Samsung Infuse 4G
You'll likely be storing a bunch of your favorite music, movies and apps on your Infuse 4G. The internal 16GB that the Samsung Infuse 4G provides is better than average, but may still not be enough for the power-user that has the above-average library of multimedia. By using memory cards for the Samsung Infuse 4G, you eliminate the risk of effecting performance of your Samsung Infuse 4G by adding that extra 8GB, 16GB, or even 32GB of space to your phone.
Memory Cards for Samsung Infuse 4G
Memory Cards for Samsung Infuse 4G allow you to store a much larger amount of personal data, whether it be music, movies or apps. By simply inserting these microSD cards into the back of your Samsung Infuse 4G, you free up internal phone storage and are able to manage your data more efficiently.
Samsung Infuse 4G Memory Card Readers
Memory Card Readers make it extremely convenient to transfer the data stored on your Samsung Infuse 4G's memory card via the USB plug on the card reader. When you're done, simply unplug the card reader and clip it on your keyring or keep it in your pocket.


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"I have some varieties up my sleeves for the Indian batsmen," he said. Ajmal said the series will be a tough test for his side since India have a formidable batting line-up.
"For T20 and ODI's they have a strong batting set up and it is going to be a challenge against them. It does not matter whether I am bowling to Sachin Tendulkar or Virat Kohli my aim is to get wickets for my team," he said.
Ajmal, who has remained among the top three bowlers in the ICC Test, ODI and T20 rankings since last year, said he was prepared to bowl on batting tracks in India.
"But I have always believed that a quality spinner shows his class on such pitches against good batsmen," he said. The spinner said he did not see the series as any revenge series for the defeats Pakistan suffered at the hands of India in the Asia Cup and World T20 Cup this year.
"Every match is a new match we have a good strong side and we know that beating India in India will be a significant achievement for us. So we are focusing on this series as a new series," he told Geo Sports.
Ajmal was all praise for uncapped off-spinner Adnan Rasool, who performed well in domestic cricket this season.
"This guy has loads of talent and he is the future Saeed Ajmal of the team. Head coach, Dav Whatmore is also impressed with him and I think he should get his chance in the Pakistan team soon," he said.


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Luxury gold square frame with decoration of spirals and a cross on the satin black background. Is used transparent. This antique frame fits; ceremonies, as a banner, as a business card, an invitation to the celebration. You can remove the black background and use only gold frame. Black background can be changed to a different color in the vector file, that is easy to is edited
Vector Illustration.EPS-10.
Main files and "fully editable": Ai; EPS; PDF formats (with minimum Adobe version CS).
Additional format: TIFF; PNG; JPEG.
Smart Object of the key.80-80, 590-700
80-80, 590-700 of the total cropped file 900-900


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Incarnation Lyrics
Incarnation, bring it to life, bring it to life embody the soul.
The soul, the spirit, the essence of life.
Life's now absent in our consciousness.
In this world death just exists.
I know that we can live today but tomorrow's more important.
The future looks despondent, don't mean it's hopeless.
Carpe Diem is great with focus and duration.
It's time to live again, incarnation.
Associate the masses in a world that's worth existence.
Endure the pain, universalize the message.
We've got to kill the fear that halts us in relations.
It's time to live again, incarnation.
It's time to live in a world worth living, a sense of hope a sense of feeling.
Recognize death, life is celebration. Start today, incarnation.


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Play Boi (Rapper Who Alledgely Has Waka Flocka & Yung Joc's Chain Hostage) - Gucci Bandanna Freestyle [Dissing Waka Flocka Flame, Yung Joc & Gorilla Zoe]
One of our sources has told us the streets is buzzing about rapper Play boi snatching Waka Flocka Flame & Yung Joc's Chain. Rumor report
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Kati McCormick is the 2012 Mom Congress Delegate for Maine. She is a mom of 5 boys that has been volunteering at her boys' schools since her first son entered Head Start. Her experience in Head Start's Parent Group and Policy Council readied her to be an active, confident, involved parent, prepared for her kids to enter Kindergarten, and beyond. Having recently moved from the small town where she and her husband were raised, to the "big city," Kati went from being the-mom-in-the-know to the newcomer. She's eager to meet her community members, build relationships, and continue to assist in her children's education, as needed. When people say to Kati, "I don't know how you do it," (it being raising 5 boys), she replies, "I do all the same things you do, momma, I just pass out a few more sandwiches at lunchtime." Her secret weapons? Excedrin and chocolate.
What book is currently on your nightstand? Before this summer, there hadn't been any! I've not read a book that wasn't a baby board book (complete with drooly teeth marks) since the twins were born. But this summer, I've utilized my library card in our new city and have enjoyed fun parenting selections, such as Even June Cleaver Would Forget the Juice Box by Ann L. Dunnewold. I am looking forward to Sh*tty Mom: The Parenting Guide for the Rest of Us arriving. I'll delve into deeper topics and novels once school starts.
One thing that is going great in education in your state: The people. Maine people are great and Maine teachers are EXTRAORDINARY!
One thing you wish could be improved in education in your state: I'm sure this answer has been given a lot: funding—or lack thereof. I'd also LOVE to see a greater presence of PTA in Maine at the state level. We could use Indiana as an example. I am in awe of their work out there!
Secret indulgence: Mom blogs, chocolate, and the occasional margarita—sometimes all at once! I also enjoy nights out with friends and solo trips to Target. Target is my happy place.
Favorite subject in school (and why): I was a number cruncher in school. Loved all math, except calculus—blech! It was just dreadful! I also enjoy business and took a couple of independent-study Accounting classes in high school. Nowadays, I wonder if I'd be able to count past 5...that's how many little boy heads I have to count at the pool!
Biggest wish for your kids: I wish them all health and happiness, success and love. I want them to never settle and always do what's best. I want them to be good citizens, to hold doors for people, to believe and to dream. And someday, I wish them to bless us with many grandbabies that I can spoil and send home. Just not until they're like 30, m'kay?
Most rewarding/challenging stage of parenthood thus far (and why): The most challenging stage has been my oldest getting, well…older. We've come to the point where it's time for momma to start loosening the reigns a bit and allow him to be the great kid that he is. Letting go is the hardest part of parenting. It goes against everything we've done thus far as Moms.
Minivan or SUV: I loved the legroom of the SUV, but prefer the gas mileage of our minivan, by FAR!
Favorite family tradition: We leave energy drinks for Santa, but my favorite is every Father's Day we venture down to Canobie Lake Park in NH. We've been doing it for a few years now (it's MUCH easier now without the triple-WIDE stroller!), enjoy the rides and the fun (and the free admission for dads!). We are there until they shut the lights out, every year.
Favorite family activities: Anything in, near, or on the water makes my boys happy. I enjoy sharing new places and adventures throughout our great state. We don't do the typical touristy things (well, besides lobster!), but I hope one day they'll look back on all the neat places that we tried and reminisce about things I might have missed while I was shooting one of their siblings "the look."


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"Traveler" (KOAT-7 9 p.m.) Three college pals get blamed for a deadly terrorist bombing in New York City. Unable to prove their innocence--and mysteriously unable to locate their third friend—stars Matthew Bomer ("Tru Calling") and Logan Marshall-Green ("The O.C.") spend each week on the run and trying to unravel one of those dense continuing conspiracies you can only see on "Prison Break" or "24" or "Lost" or "Heroes" or "Drive" or "Vanished." According to ABC, "this action-packed drama taps into our paranoia" and features "a conspiracy that will take years to unravel." In other words, it will be canceled in a few weeks and producers will be given three episodes on ABC.com in which to wrap it up.
"Let the Good Times Roll: The Bunco World Championships" (Lifetime 9 p.m.) Apparently, this Civil War-era dice game (source of the term "Bunco Squad") is all the rage among affluent suburban housewives. Tonight, the world's best players (an odd designation, since the game is based entirely on luck) roll them bones for the championship.
"2006 Brat Eating Championships" (ESPN2 5 p.m.) Followed at 6 p.m. by "2006 World Hamburger Eating Championships." Followed at 7 p.m. by "2005 Hot Dog Eating Contest." Followed at 8 p.m. by "2006 Hot Dog Eating Contest." I'd watch them all, but I'm pretty sure I'll be full after the first hour.
"Mother's Day Marathon" (Boomerang 10 a.m.) Spend Mother's Day with one of animation's most famous moms, Wilma Flintstone. This seven-hour marathon traces Wilma's life from her first meeting with Fred to becoming a grandmother in the new animated feature Hollyrock-A-Bye Baby.
"Raising Celebrity: Tales of Hollywood Moms" (E! 9 p.m.) Yeah, who raised all these drunken, drug-abusing, no-panty-wearing camera hogs anyway?
"Superjail"/ "The Drinky Crow Show" (Cartoon Network 12:30/12:45 a.m.) CN tests out two groovy new Adult Swim shows—the animated prison psychodrama "Superjail" and a cartoon spin-off of Tony Millionaire's popular cartoon strip "Maakies" (seen in this very paper)!
"King of Queens" (KRQE-13 8 p.m.) The longtime CBS sitcom signs off the air with a one-hour series finale. Where, oh, where will we get our weekly fix of fat-
"42nd Annual CMA Awards" (KRQE-13 7 p.m.) Reba McEntire hosts. Kelly Clarkson, Kenny Chesney and Brooks & Dunn perform. I turn off the TV and listen to AC/DC instead.
"Rogue Nature" (Animal Planet 7 p.m.) AnPlan's new series tracks animals that have gone "rogue," hunting humans instead of their normal prey.
"The Price is Right Million Dollar Spectacular" (KRQE-13 7 p.m.) You heard right: Owd Bob is retiring after about a hundred years on TV. CBS is sending him off with a couple nights worth of specials, starting with this last primetime hurrah for Mr. Barker's venerable gameshow.


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Pep Band
This is strickly a volunteer group that performs at many home basketball games. No audition required. The Pep Band performs for the first time at the Bevo Francis Tournament weekend and then in the second semester games beginning in January. Most games are on weekends however some weekday events are scheduled. Shown here are some of the members participating in the annual Homecoming Parade.
Membership is open to all instrumental students including bass, guitar, and keyboard.
For more information, or to schedule a visit, contact Carrie Napora, Department Secretary, or Gary Stewart, Symphonic Band Director.


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I am a competitive person.
I am a competitive person. I simply don�t like to lose. Of course, I�m not sure that given the choice that many would take losing over winning. Winning, after all, is just better.
Still, in the world in which we live, winning is something of a rarity. There�s just one winner, and as the saying goes, second place is simply the first loser.
With that being said, I don�t consider myself a sore loser. I understand that some people are just going to be better than me. What upsets me is when I fail in doing something of which I am completely capable, such as fielding a ground ball and throwing to first base or hitting a pitching wedge from 100 yards out to the green.
I had never run a 5K race before Saturday�s Tucker Creek Homeowners Association event at the West End Fire Station in Havelock. A bout with food poisoning back in February got me thinking more about my health, so I�ve been jogging a lot lately � I�m down about 30 pounds � and decided I would give the run a try.
Plus, the race raised money for the Havelock Fire and Rescue Department�s Brave Enough to Wear Pink campaign, an effort aimed and providing needed funds to cancer patients. More than testing my running skills, that was reason enough to participate.
I had limited expectations going into the race. Jogging around my neighborhood is not running a 5K race, but I was confident I could finish the race. I just wasn�t sure how long it would take me and whether I would require medical attention when I finished. Fortunately, the finish line was right at the fire station, so I knew I would be in good hands.
I ran the race with my daughter. A senior in high school who has been on the track team, she has always been faster than me, but she was nice enough to hold back and run with me during most of the race. After all, I was falling behind by the time we reached the first half-mile � and fading fast.
Along the route, people with Havelock High�s NJROTC program and others encouraged us along the way, as one mile turned into two and runners ahead of me began disappearing from my view.
I asked one of the volunteers at one point if anyone was behind me. He looked and hesitated before telling me that there was indeed one person behind me. That made me feel good. Here I was in my first 5K race and I was actually ahead of someone.
Well, that someone turned out to be a woman pushing a stroller with her young daughter inside. Reality quickly set in that my only hope of beating anyone in the race was to beat a woman pushing a stroller. I know it�s sad, but you find motivation where you can.
After the race, she told me that running with the stroller takes her about three or four minutes longer than when she runs without it. She didn�t finish that far behind me, so it�s a good thing for me the kid was along for the ride.
As we hit the last stretch of the 3.1-mile run, I saw my wife alongside the road. I�m not sure if she was there to cheer me on or to witness my death. Who knows? Maybe it was both.
My daughter had finally had enough of running with me. She started to pull away in the last half mile. I simply couldn�t keep up.
I had set a goal to finish the race in 35 minutes. As I approached the finish line, I heard one of the volunteers shout out my time � 30:45. Suddenly, I had a new goal. I had to finish in less than 31 minutes. I sprinted the last few yards, completing the race in 30:54 � last place among all the men who had entered. The winner of the race, John Morefield, had finished nearly 12 minutes before I crossed the finish line.
As it turned out, I didn�t need medical attention. I had finished the race and would live to tell the tale. Now I�m thinking of finding other 5K races in which to run, with an eye toward beating my time and perhaps finishing in less than 30 minutes. After all, I�m a competitive person. But having said that, finishing last in the men�s division never felt so good.
Ken Buday is the editor and general manager of the Sun Journal. He can be reached at 444-1999 or at email@example.com.


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The Lafourche District Attorney's Office is accusing a man jailed on three counts of murder of raping some of his victims, according to court records.
The Lafourche District Attorney's Office is accusing a man jailed on three counts of murder of raping some of his victims, according to court records.
In a notice filed in court Tuesday, prosecutors now list nine reasons they're seeking the death penalty against David Brown, 35, of Houma, who is charged with the murders of a Lockport mother and her two daughters.
When they first announced their intention to seek the death penalty, they accused Brown of the sexual battery of 7-year-old Gabriela Nieves and her mother, Jacqueline, as one of their reasons to do so. Now they accuse him of rape.
The District Attorney's Office received new evidence from the Jefferson Parish Crime Lab within the past three weeks, District Attorney Cam Morvant said. He declined to say more.
Among prosecutors' other reasons they're seeking the death penalty: More than one person was murdered, the children were both younger than 12, he's accused of starting a fire in their home that same night and "the offenses were committed in an especially heinous, atrocious or cruel manner," the notice says. Each of those stipulations qualify for the death penalty, according to state law.
Brown is accused of stabbing Gabriela, 20-month-old Izabela and their 29-year-old mother on the second floor of their apartment Nov. 4 as the husband and father, Carlos Nieves Jr., slept on the floor below. Detectives believe Brown entered the Nieveses' bedroom and sexually assaulted the two before stabbing all three several times each, said Deputy Brennan Matherne, the Lafourche Sheriff's Office spokesman. Brown was arrested the next day on separate but related charges, and he was charged with the murders in January.
Brown has denied committing the crimes. The night before the three were found dead in the apartment, Brown went out drinking with Carlos Nieves Jr., Brown's attorney Jeffrey Smith said.
Death penalty cases often take much longer to go to trial than other murder cases.
"The is the kind of case that takes hundreds of hours to work on," Smith said.
Smith's job is not only to prove it is reasonably doubtful that Brown is guilty of the crimes he's accused of but that Brown should not be sentenced to death.
Smith said he has hours and hours of research ahead of him, including looking at the mental health records of two generations of some of Brown's relatives.
On Tuesday, Morvant condensed the charges against Brown — which originally included arson and sexual battery — into three charges of first-degree murder. As Judge Jerome Barbera III read each count aloud Tuesday, Brown responded with "not guilty."
State law defines first-degree murder as a situation where the killer intended to kill the victim while he or she was also committing another violent crime, such as arson, armed robbery, cruelty to juveniles, kidnapping, aggravated rape or robbery.
Smith said this case is proceeding faster than cases usually do in Orleans Parish, where he's based.
"Considering I'm representing two murder cases in Orleans Parish that are four years old, this case is moving along pretty quickly," Smith said.
But Smith said he is not used to a majority of parish residents being familiar with his murder cases, which could make choosing a jury problematic.
"Half the town has already decided David's guilty," he said.
Staff Writer Katie Urbaszewski can be reached at 448-7617 or email@example.com.


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Artopia: April 2006 Archives
David Smith with Australia, 1951
Three More Painters
Poet John Ashbery, who had published my poems in both Locus Solus and Art and Literature, was back from Paris and seemingly in charge of recruiting a new batch of starving poets to write reviews for Art News. So I had my interview with king-maker Thomas Hess. What do you think of Action Painting? Answer: Some of it's good; some of it's bad. What do you think of Pop Art? Answer (this was in 1964): Some of it's good; some of it's bad.
I was hired. But then Hess gave me advice I shall never forget. Never write about your friends, he said. Whatever you write will never be good enough for them. This was from the man who wrote about his friends de Kooning, Alex Katz and a host of others. And then he said: Never compare artists; artists hate it.
Well, he was wrong about that one too. Artists may indeed hate comparisons with other artists; they are brought up to think they are unique. They need to believe they are, but one should not let that get in the way of a fine strategy of contrasts and connections; similarities and disconnects. Comparisons, like category changes (such as labeling a critic an artist), are figures of speech, and if you don't understand the power of figures of speech or think they only include metaphors and similes, then you are missing a great deal.
Opposing or connecting two apparently disparate bodies of work is difficult enough; comparing three is fun. David Smith, Donald Judd and Betty Woodman on the surface would appear to have little in common. "David Smith, A Centennial" is at the Guggenheim (1071 Fifth Avenue) until May 14; Donald Judd, oddly enough, can be seen to great advantage at Christie's (1230 Sixth Avenue) until May 9 when there will be an benefit auction of the works now on view in a stripped down Chelsea-like space 20 floors above Rockefeller Plaza; "The Art of Betty Woodman" is at the Metropolitan Museum of Art (1000 Fifth Avenue) until July 30.
Smith and Judd, representing different generations, seem to be in two different worlds. Yet if you look a little closer they might be seen --- and have been seen --- as father and son in as Oedipal a feud as can be imagined, at least from the Judd perspective.
On the other hand, it is instructive that Smith's relationship to Picasso (his direct predecessor) is tame indeed. Smith saw Picasso's open-work sculptures (and the welded works of Gonzalez) and ran with the ball. As far as I know there was no anxiety of influence, there was no guilt. Smith merely produced the sculpture that Picasso could have produced if he had stopped painting -- minus myth, politics, sex and anger. But don't get me wrong; in terms of my infamous gift test, I would not turn down any Smith in the exhibition now at the Guggenheim. Smith was certainly the master of improvised form --- or form that looks improvised. Welding and the use of readymade bits and pieces (and sometimes tools) allow this. Woodman's ceramics look improvised too, but the improvisation is based on deeply somatic skills and is only the beginning of what it takes to make one of her flights of fancy, one of her battles between taste and nerve.
Donald Judd, Untitled, 1989
The Writing Is On the Wall
Judd's work is about as far away from improvisation as one can get. You make the diagrams then construct the bins, boxes and shelves. Or, more often than not, hire others to meticulously fabricate the bins, boxes and shelves. The odd thing is that there is more madness in Judd than there is in Smith, where you would expect it, in terms of his influences (Picasso, Picasso and Picasso).
So is Smith's art, unlike Picasso's, all about form? Not entirely, although formalists would prefer this to be the case. Smith did take up a bit of Picasso's playfulness. But the difficult part to grasp is that many of his sculptures are "written." Some early works are directly inspired by cuneiforms and hieroglyphs. There is definitely a feeling you should read them from left to right or vice versa. Here the horizontal connects with horizons and landscapes. And since the sculpture is usually flat and frontal, the air they hold becomes a page, like a landscape too.
Smith's works are not really as sculptural (i.e. three-dimensional) as they ought to be. They are, as often described, drawings in space. Smith himself thought he was operating somewhere between paintings and sculpture; but given the few painted sculptures in the current exhibition that go beyond monochrome, he had no talent for that other art form, and certainly no eye for color or interrelationships of colors, or interrelationships of colors and forms, as does Betty Woodman, the third artist we are considering.
Woodman, now in her '70s but two or three art generations away from Smith, in triptychs and even wall installations made up of clay "fragments" is also engaged in a kind of writing. First there is this, then there is that, and then there is thus. By "writing" I mean narrative too, so that, without pressing the issue, we can similarly see Judd's repeated boxes taking a leaf from Gertrude Stein's storytelling technique: and, and, and, and, & and.
Smith's written sculptures are all fronts; whereas Woodman's big, free-standing vase-forms are about fronts and backs. Neither Smith nor Woodman seem to be interested in sides. She thinks of herself as a sculptor, but one could also profitably see her as a painter who likes to paint on both the front and back of her clay canvases.
And Judd? Yes, the simple way of looking at his work is to see his bins as open, lined-up, rather than "composed" versions of Smith's cubes in the late Cubi Series. But Judd's wallpieces, which I think are his best and most beautiful, have the frontal, horizontal, landscape feeling of Smith's welded writings in air. They too have no backsides that you can or want to look at. Going deeper, Smith was depicting landscapes; Judd was showing vaginas and breasts, on the wall, like trophies or like feeding stations/ storage units. I never though I would think that Judd was better than Smith; but there you have it.
Like Woodman, Judd however has the container problem. Many will only want to stick flowers in Woodman's sculptures; in fact, she has provided "painted" sculptures for the flower displays in the Metropolitan's lobby, even larger than the ones she once created for MoMA's front desk. In this regard, I confess I cannot look at a Judd wallpiece without imagining it with books all lined up or tasteful arrangements of bud-vases and perhaps a figurine or two.
Betty Woodman, Diptych, n.d.
An American Picasso
Many have spent years looking for the American Picasso, and here she is. Woodman's illusion vs. materiality trope; her surface vs. substance trope; her color vs. structure trope; and above all her exploitation of multiple points of view make her Neo-Cubist. Or is she the American Matisse?
Her works, in clay and otherwise, have the look of passion (Picasso) with a daring yet infallible sense of color (Matisse). Unlike Picasso (or Smith, or Judd) her dream is of the voluptuous and the gorgeous. Time after time that dream comes true. If you want more meaning than that, you will be befuddled; for there is none. Well, there are historical references and appropriations that will be obvious to students of ceramics. And there is the struggle with the vase and utility. But that is the dark side of her work, a shadow that gives the beauty more weight than we have the right to expect.
Woodman and Judd deal with beauty in opposite ways, but without opposite results. This is ironic, since Woodman early on was aligned with the Patterning and Decoration movement of the '70s which was anti-minimalist to the core: more is more, not less is more; fill in that boring grid; bring back beauty. Because it is so distanced by history and talent, Woodman's work (and we have been following it for 25 years or so) is colder than we at had imagined; whereas Judd's has a lot more emotion then was visible at first. Withdrawal into perfection is Platonism served up on a silver plate. Or in a galvanized steel or sheet metal box. Restraint these days looks positively inflammatory.
All three artists deal with the problem of polychrome sculpture: Smith in a minor and, I feel, unsuccessful way; Judd by conflating colors and materiality; Woodman by full-blown painting. Painting is painting, whether you are using clay slips, glazes or pigments suspended in oil or acrylic. You might even, like Woodman, use all three. No one has ever claimed that the support must be canvas.
The Greenbergian Stake
This week I have a few thoughts about Clement Greenberg, not that we need another nail in his coffin or stake through his heart. All the dirty work was done upon the occasion of Florence Rubenfeld's 1998 Clement Greenberg: A Life. Aside from the claim that he alone discovered and nurtured Jackson Pollock, there is little to praise or dispute. Oh, yes, his writing style was clear although his logic was warped. And he did make value judgments.
Besides, he was cremated in 1994, so nails and stakes are irrelevant. Alice Goldfarb Marquis's newly released Art Czar: The Rise and Fall of Clement Greenberg, a definitely more measured biography, provides the excuse for my no doubt long-awaited take on Devil Clem. I was never a fan, preferring his arch-rival Harold Rosenberg, but, let's face it, both lost it when Pop displaced their painterly pals and neither understood Dada or Duchamp.
If Rosenberg ever really looked at a painting it never showed in his writings. Greenberg looked and it showed. But I sensed more poetry in Rosenberg, more complexity, more culture and even more philosophy. Greenberg, I did however meet. Late in his career and early in mine, we were jurors together for a Syracuse University drawing show. Syracuse University was his alma mater. After the first session, during which he voted too enthusiastically for any drawing that showed a woman's breasts, the third juror hatched a plan to hide his ever-present bottle of vodka. He was, nevertheless, quite jolly, quite avuncular, and one could see why many male artists loved his studio visits. Where was the bully? Where was the moralistic thug?
Almost simultaneously, as curator of the Everson Museum of Art in Syracuse, it was my duty to make studio visits to see the works of the locals. A group of Greenberg's guys was stranded in that once lively Erie Canal hub. He visited once a year and gave them advice, some would say orders. Through that experience I learned the drill. His visits were long and intense and there had to be a bottle of booze. The artists, to a man, expected me to pick and choose and even edit. There was also what one of them called "the around the clock thing." Clem would sit there besotted and, as the lucky painter rotated one abstract gel-painting after another, he would announce which end was up; and that end stayed up. That artist expected me to also tell him which end was up, but since no end was better than any other - Day-Glo gel is Day-Glo gel, no matter how you smear it around -- I was out the door.
Greenberg may have mellowed in his dotage, but even Marquis' well-balanced biography makes it clear that in his prime Clem was a first class rat. There was a reason Clement was eventually disowned by his successful businessman father. Moody and lazy, young Clement obviously despised his father for being too Jewish and, more importantly, because he did not see his oldest son's artistic talent, a gift that was certainly not manifested in any actual drawings, paintings or watercolors. Clem's artistic talent took another form, as we shall see later. It must be said, however, that the few artworks of his I have seen are not quite as bad as his attempts at poetry quoted by Marquis, such as, from1935: "If you ruin your life at 26, can you ever pick it up again/ Will you ever find someone to love you?/ Time isn't big enough. It takes years to find a loving heart/ For yourself. Love's Pilgrim. Oh weary road."
This was about the time he abandoned his first wife and newborn son in California. But let's not go into his many personal disasters. Suffice it to say, that when he chose a shrink it was a certain Ralph Klein, who created a kind of cult around the idea that close personal relationships were the cause of emotional problems and should be ended. Let's not go into the odd fact that Greenberg's best friend and constant correspondent for twenty years (Harold Lazarus) was a gay man he met at college. Some have accused Greenberg of homophobia, but two gallerists whose ears he had were gay: John Bernard Meyers and Betty Parsons. And, of course, he was a womanizer who seemed to dislike women as artists and as intellectuals. And that...
We can blame the times. We can blame the Depression and Greenberg's battle with depression (not helped by alcohol and sleeping pills).
The writings, some of which I have dutifully assigned students over the years, are, when closely examined, supremely muddled. They read as if they are logical, but they are not. Assertion is not argument. No matter what the cause, he was a bully even in his writings and that served him well. He knew the truth about art, or so he claimed. He had taste, which was all that was needed to judge art. There is indeed something attractive about merciless conviction; there is something seductive about a world where it is only high abstraction vs. kitsch. Who wants to be told that what he or she likes is kitsch? Greenberg virtually invented the use of the word in English but seemed never to realize that some of the paintings he had begun to promote was abstract kitsch or pastry for the eye.
We do not mourn Greenberg's simplistic view of modernism. That he was once right --- about Jackson Pollock --- gave him immense clout, because, then as now, the art world was made up of conformists. Once right, it turns out is not right enough; once right might have been luck. Also, at that time American art needed a hero. De Kooning, in many ways a more likely candidate, was foreign-born, and although incredibly handsome spoke with an accent. He looked like an ad for Dutch Boy paint, whereas Pollock looked like James Dean.
Which do you think is more interesting as a photo-op: de Kooning patiently scraping oil paint off a canvas on an easel or Pollock flinging house paint on a canvas rolled out on a floor? Which is more dramatic? It was a battle between the arm and the body, and the body won. Images of Pollock painting said freedom writ large. It was that "freedom" that the State Department used to sell America around the world, sending Greenberg here and there, to lecture about Abstract Expressionism as artistic freedom, implying it was a stand-in for political freedom.
Jackson, Clement, Helen, and Lee at the beach.
Changing Canada, But Not the World
But then Greenberg failed. In terms of his Post-Painterly Abstraction ploy to repeat his Pollock win, he was right -- for the wrong reasons -- about Barnett Newman but, I fear, misguided about all of the others in his Post-Painterly stable. Without Papa Clem to provide guidance, the painters he directed floundered, weakened, lost it. And his main man Jules Olitski could have used much more editing. Pretty is not beauty; pretty is not sublime. But, as far as I can see, Greenberg was not much interested in the sublime.
What can we possibly think about Kenneth Noland now? Surely he is in the long run better than Frank Stella whom Greenberg had no interest in at all. But is that saying much? Isn't there really more in a Jasper Johns target (even though it is "representational") than in a Noland target (even though it is "abstract")? The best we can say about Noland is that, unlike Johns, he has never been sarcastic.
As we have seen, Greenberg made extremely aggressive studio visits, choosing and editing paintings, basically telling artists what to do. By the time the Sixties rolled around we had entered the realm of the MFA artist, accustomed to being coached and cajoled. Connections, then as now, were everything. Greenberg could get you a gallery. He had good relationships with a network of art galleries and curators at museums. Because of the latter, America's museums are still stuffed and stacked with worthless Post-Painterly Abstract paintings, most mercifully in storage. It's doubtful there will be a shift in taste; that tide-wrack is slowly rotting (or fading away in the case of all that Day-Glo gel). One can almost chart Greenberg's lecture engagements by the Post-Painterly residue. Canada itself has become lopsided because of the weight of bad abstractions inspired by Greenberg repeated studio visits.
Why the Art World Turned Against Clem
Nevertheless, Greenberg --- and I have been saying this in classes and lectures for years -- was one of the better post-Pollock artists. Not a Johns or a Rauschenberg, but certainly in the disguise of or in his de facto collaborations with Noland, Olitski, Larry Zox, Morris Louis, Larry Poons, and even Gene Davis (who should have known better) he was a better artist than Larry Rivers, Marisol, and most of the Second Generation Abstract Expressionists.
Greenberg is one of the most undervalued, under-acknowledged artists of the '60s. The key to understanding Greenberg as an artist (whose criticism thereby becomes totally self-serving) is to grasp that art is collective. You don't have to actually make it yourself to be the author. Everyone drinks out of the same stream; no one goes it alone. And once you move from the myth of self-expression to the myth of pure form, it is possible to see collaborations, even unacknowledged ones between artists and their critics, as radical -- in a way that even the minimalists and their successors, the conceptualists, barely touched or fully plumbed. The heroic artist is left behind.
The artist as prophet, chained to self-expression or transformed by same is toppled. There might, of course, be a group subjectivity. Indeed some art posits and might even demonstrate such a transpersonal consciousness. I am thinking of the Surrealist Unconscious and the Spiritual Superconsciousness. But so-called objective aesthetics is the point here, in a discussion of Greenberg's role in artmaking, his "philosophy" of taste.
Greenberg's struggle was against the subjectivity (and inter-subjectivity) of the dreaded Surrealist Decadence, with its alchemy, fraternity and liberty - and its playing around with various Exquisite Corpses. It was a bourgeois struggle against yet another False Messiah. But this time the False Messiah was first Andre Breton and then Marcel Duchamp. For all of Greenberg's undigested Hegelism, he behaved like a logical positivist of the worst sort. That late in his career he can be caught reading Wittgenstein is telling. It is now generally conceded that the apodictic is a mysticism of the lowest kind, as pernicious in its own way as the notion that history itself has a will, is a kind of inescapable all-controlling entity -- or should we say demiurge? Now we know better or should. Nothing is self-evident; nothing is predetermined. That is our terror, and our freedom.
That Greenberg fell victim to a psychoanalytical cult indicates his childish need for absolutes. At least when he was a Trotskyite in the late '30s he was in good company; many of the best and brightest had made that error. Trotsky, the deposed head of the Red Army, let on that culture-workers had a part to play in the coming world revolution. Stalin offered no such hope; and proved it by his systematic repression and the Moscow Trials.
Greenberg, it turns out, is not all that important as an art critic. Although it was obviously difficult for him to deal with the fact that everyone but he himself was making money from his pronouncements, his subsequent bad behavior is simply a question of ethics. Talk about value judgments! More important is his role as artistic collaborator, because this destabilizes art and, yes, individualism. Art gifts? The French did it way before him. Critic as art dealer? Who cares. The shocker is his role as a fixer. Not as in horse race, but as in fixer-upper. He had a hand in the art! Suddenly all roles were blurred. And that was easily repressed by focusing on his love life, his double-dealing, and other shenanigans.
If the truth be told, the moment we recognize something as art we are in collaboration with whomever has presented the art proposition. But even before this mystical communion, other collaborations have taken place. Do not art professors, either through inspiration or force, co-create the works of their students and, in a not-so-subtle way, long after graduation? Does not the critic or curator who comes into a studio and says "this one, but not that one" co-create the results?
Greenberg did more than point. We have seen photographs of his masking tape edits on unstretched canvases of painters he was promoting as the next great thing. And critic Rosalind Krauss, once a Greenbergian herself, startled the art world with before-and-after photographs of Greenberg's alterations of David Smith sculptures. He ordered paint stripped from at least ten sculptures, having always disliked Smith's attempts at polychrome. This is what did him in. The artist is sacred; art is sacred and death is a sacred seal. The artist, even after death, must have the final say. But what if the person involved, like Greenberg, has been a collaborator, a co-creator all along? If Gilbert altered what he and Sullivan had created would that have been a mortal sin? If Abbot went on to change an Abbot and Costello joke would that have resulted in hellfire?
Here's the rub: Greenberg was right. If you look at where he taped the Louis paintings, there is no better cut. Smith's painted sculptures were really bad.
Tiravanija and deSuvero, etc.: Peace Tower, 2006
Better Than An Art Fair; Faster, Bigger, Darker
What is there left to say? The Whitney Biennial (through May 28) always has enough for everybody ... to hate. I, however, being of an infuriatingly sunny disposition, always find something to love.
Two innovations this time are of note. The Biennial has a title: "Day for Night," after Francois Trouffaut's film (not his best) L'Nuit Americaine. "Day for night," translated into French as "American night," means filming in daylight with filters to create the look of nighttime. Does this mean that what some now perceive as The American Night is an illusion? Is the war in Iraq only a Hollywood fantasy?
These are dark times.
I have taken to this proclamation, whispering it in my deepest, most ominous voice, directly into the ear of my victim, usually someone who is complaining or ranting. I don't think I have to explain.
So if the two Biennial curators, Chrissie Isles of the Whitney and Philippe Vergue of the Walker Art Center, intend to capture this darkness (as they seem to indicate) then there is indeed a sociological and perhaps a political statement being attempted.
"Day for Night" is a catchy title, open to many meanings. The prevalence of films, videos, and mass media in the Biennial offering, is the most superficial. But the theme is not rigorously (or rigidly) defined orworked out. The Biennial, if nothing else, is a large group show and prey to all the difficulties inherent in that form. A title (or a theme) is only a partial solution to the inherent incoherence of multiple art sensibilities forced to sit and behave under one tent. The title/theme must be provocative, which is certainly not a problem here. But although ourtendancy is to be indulgent to a first-time slant, we are dealing with a catch-all phrase. Almost anything could fit under this poetic rubric.
Are there other, perhaps less poetic themes that might prove more useful? Future Biennial might be media-specific. In the deep dark past the Whitney alternated painting and sculpture surveys, annually. A painting Biennial? A projected-art Biennial? Why not? Do we really want, as is presently the case, to be forced to compare soup to nuts? Paintings to full-scale Hollywood-type film-art? Pierre Huyghe's truly weird penguin movie A Journey That Wasn't to Francesco Vezzoli's delicious trailer for a non- existent remake of Gore Vidal's Caligula? In terms of the former, this viewer's love of arctic and Antarctic landscapes (rapidly melting, it turns out) was undercut by an afterimage of that stupid, other penguin movie, The March of the Penguins, beloved by right-wing proponents of so-called family values. In terms of the hilarious Caligula, it's always worthwhile even just to get a glimpse of Karen Black, the only movie star (other than Dan Duryea) I have ever wanted to meet.
Ironically both products are flawed by production values. As with a Matthew Barney film, I see dollar signs imbedded in every take, cut, costume, prop. Production values, may we be saved from production values by a strong dose of Arte Povera, soon! No one ever said it was cheap to be an artist, but it seems to be getting increasingly expensive, and I do not mean merely the cost of lofts. We always suspected that what we call art is art for the rich, but it is now dawning on some that perhaps now art can only be made by the rich or those with immensely creative fundraising capabilities.
Geography could be another Biennial theme. Artists of the American South, the Southwest, the Pacific Northwest. Or, since we are consciously international (i.e. global) why not a Biennial made up entirely of Latin American artists? Or Australians?
Peace Tower (detail), 2006
But Is It International?
The Biennial is now officially "international." But, by the way, when you go to the Biennial on-line catalogue the statistics are less than awesome:
East Coast - 34
West Coast - 17
Central U.S. - 9
Puerto Rico - 3
International - 11
No Region - 7
"No Region" is my favorite, and not only because it includes jazz great, the late Miles Davis and the Artopia-approved Critical Art Ensemble. "No Region" suggests a parallel universe, which more and more, like Artopia, may be the best place to be.
Traditionally the Biennial has been limited to U.S. artists, which always involved a little nit-picking. Out of necessity foreign-born artists (de Kooning, Rothko, etc.) were included. Modern art has always had an international or at least a North Atlantic bent. The term Euro-American Modern would be a blatant redundancy. Yet some important artists, although residing in the U.S., but technically not citizens, were excluded from the Whitney in the past.
Art is nomadic. Artists are nomadic. We are all citizens of Continental Airlines, Time-Warner, and Microsoft. The daily Existentional question is no longer "who am I?" but "where am I?"
National is international and local is national. In Phoenix last month, what did I see? Two splendid exhibitions: Pat Steir at the Bentley Gallery and a Petah Coyne survey at the Scotsdale Museum of Contemporary Art. Where was I? Hadn't I just seen (and written about) Coyne at the Sculpture Center in Queens? Three years ago when I was in Berlin, whose work did I see at the Berlin Guggenheim? Richard Artswager. I had to go all the way to Berlin to see Artswager?
There is no longer any regional art or any national art; it is all "American" art even when it's not made by an American. Is this why all Chinese installation artists produce works that could have been made at the Chicago Art Institute or Yale or in Dusseldorf? That's what globalism means. The dark side of globalization is that everywhere art is the same.
In the late 19th and early 20th centuries art and artists came from Russia, Italy, Spain, Scandinavia, The Netherlands, Latin America and so forth, to Paris. Then modern art moved to New York. Now, building on what happened here, modern art spreads out again, around the world, and even back to Europe. It is one big, gigantic conversation; members of one big family at each other's throats. All commodities are by their very nature global; art is a commodity. Global is not news; the end of the gallery system, struck down by art fairs, is.
Or may be soon.
Dealers will always be required. A dealer once explained to me why artists selling directly out of their studios might not only be breaking implied contracts and cheating their reps, but were risking doom: collectors really didn't like to deal with grubby artist types. I think it is the other way around: artists prefer not to deal with up-tight, uninformed, money-grubbing, investor/collectors. Better to let the dealers do the dirty work, bless their souls. Nevertheless, I predict that art dealers, like artists, will be homeless, stateless, nomadic. As an art sales rep, moving from one art fair to the next, your website is your only permanent address.
Peace Tower (detail), 2006
Elder Art (You Heard It Here First!)
Finally, I suggest that a larger number of older, accomplished artists be included in future Biennials as was once the case in ancient times. It was always a big boost for newcomers to be shown next to elders, rather than just among other tots and toddlers. Here the best we can say is that we have an anti-war poster by Richard Serra, Mark diSuvero's recreated 1963 peace tower (with Rirkrit Tiravanija) and scattered work by musicians (Tony Conrad), filmmakers (Kenneth Anger and Michael Snow) and an underground celebrity (Taylor Mead).
L.A. Noir
Servo: Untitled Projection Apparatus, 2006
Like many, I lack the patience to watch most time-locked, media presentations in galleries and museums. Is it hyperactive me? The form? Or the ill-begotten mini-movies themselves? I was also in L.A. last month and did see "Dark Places" (through April 22) at the Santa Monica Museum of Art. There, a 76-artist, time-art presentation beguiled me. As at the Whitney, darkness is a theme, but the moving images are presented simultaneously on monitors at the ends of the tentacles of the central presentation module, or projected from same. This strange structure by the Servo architecture collective, is the new Medusa. The art part shifts from the individual offerings to curator Joshua Dechter's overall bath of moving images, which --- although probably unfair to the artists --- is deliciously overwhelming. The sum is more than the parts.
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Boston Architectural College
Story by Michelle Ameno
The Boston Architectural College is pleased to announce that Jaryd McGonagle, a student in the College's Master of Landscape Architecture program, was named a 2014 University Olmsted Scholar in the Landscape Architecture Foundation's (LAF) Olmsted Scholars Program, the premier national award program for landscape architecture students.
LAF's Olmsted Scholars Program recognizes and supports students with exceptional leadership potential who are using ideas, influence, communication, service, and leadership to advance sustainable design and foster human and societal benefits.
"My passion for the field of landscape architecture has been a direct result of my time spent working between the disciplines of environmental science, engineering and architecture," said Jaryd. "Currently, I am focused on completing my MLA degree at Boston Architectural College, while working full time in a small landscape architecture firm in Boston specializing in municipal projects across New England."
Jaryd is currently finishing his third year at the BAC, and is entering thesis studio this coming fall while working in practice at Warner Larson Landscape Architects. Before coming to the BAC, Jaryd graduated from UMass Amherst with a bachelor's degree in environmental design focused on natural resource planning and design. This academic pursuit was inspired by everyday experiences growing up amongst the beautiful coastal landscapes on Cape Cod. As a member of the BAC community, Jaryd had previously participated in an independent design project for a new historical plaza design in Harvard, MA, collaborating with fellow students and Maugel Architects to envision and build a communal outdoor space.
Named for Frederick Law Olmsted, the father of American landscape architecture, the Olmsted Scholars Program with its $25,000 graduate and $15,000 undergraduate prize is the premier national award program for landscape architecture students. Now in its seventh year, the program recognizes one outstanding student from each accredited landscape architecture program in the US and Canada, along with the jury-selected graduate and undergraduate national award winners and finalists. Students are both honored for past achievements and recognized for their future potential to influence the landscape architecture profession.
These future leaders of the profession join a growing community of over 300 past and present Olmsted Scholars. The prestige and publicity associated with the award serve to promote the significance of the landscape architecture profession and help attract inspired and motivated leaders.


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British Lions Memorabilia - South Africa 2009
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British Lions Memorabilia - South Africa 2009British and Irish Lions
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British Lions Memorabilia is one of the most popular areas of Rugby collectables, as is All Blacks Memorabilia, Australia Memorabilia, South Africa Memorabilia and France Memorabilia.
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The Lions team was filled with rugbys greatest legends such as JPR Williams, Phil Bennett, J.J. Williams, Fran Cotton, Gareth Edwards and Barry John.
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2012 Donor Roll
Welcome to the 2012 MacMurray College Honor Roll of Donors. This list reflects donations made from June 1, 2011 through May 31, 2012 (our 2012 fiscal year). We are pleased to offer the Honor Roll of Donors online in an effort to join the many "green" initiatives on campus and to fulfill our commitment to wise fiscal stewardship. By publishing online, we continue to honor our many generous donors while saving energy and resources — resources best used in transforming lives.
We have made every effort to ensure that the above lists are accurate and as complete as possible. Please accept our apologies if your name has been misspelled or omitted, and contact the Office of Institutional Advancement so we can correct our records.
Names of those who gave anonymous gifts have not been printed by their request.


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Did Rihanna Make Racial Slurs Against Chris Brown's Girlfriend?
We hope this isn't true, but if it is — not cool, Rihanna! After tweeting a photo of a package of rice cakes adorned with sunglasses and earrings, many are saying RiRi is taking potshots at Chris Brown's half-Vietnamese girlfriend, Karrueche Tran.
Rihanna tweeted the photo on the left with the caption, "Ima make you my b—-." (Compare it to this recent photo of Tran wearing similar accessories.) The line is a lyric from Rihanna's infamous 'Birthday Cake' remix, on which RiRi duetted with Brown. In the same song, Rihanna sings that she is "sweeter than a rice cake."
For those who don't know, "rice cake" is commonly used as a racial epithet towards women of Asian descent. Rihanna uses "birthday cake" as a euphemism for her own, er, lady bits, so it's not overreaching to say that she's using "rice cake" as a reference to Tran's.
We're hoping that this is all a great big misunderstanding, but the evidence suggests otherwise. It's especially unfortunate considering that Rihanna herself is no stranger to racism from others.
In the event that this is, in fact, true, this will mark the second time in just a few weeks that the 'We Found Love' singer has taken jabs at people over Twitter (remember when she traded words with a fan via the social networking site?). Rihanna's better than this — and her fans deserve better than this.


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Wanted to make it taller but ran out of the right colors, any ideas welcome.
Moderators: Dr. X, ikensall, fredde
solvess wrote:Spikes, chicken wire, fire, turret/big guns, greebling.
stubby wrote:You were inb4beluga.
Have wanted to do something like that but space,time and parts are going to be a big problem. I have an old table that would fit a city just need to reassemble it and I have enough base plates. The way my parts are though it would probley be a very white and black city as thats all i really have for building in massive scale. Then time wise Im going off to basic in 6 months and everything goes in storage for at least a year until things settle down.Hoboman wrote:I like where this is going J+B.
Will you be doing a lot fo these and creating a city?
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Edwin Zhang and Brian Oldfield won in both the singles and doubles competition, as the Engineers took two out of three doubles matches. Zhang and Larry Pang won at first doubles 8-4, while Oldfield and Andrew Cooper defeated Aaron Chin and Dan Hall 8-1. The Cougars salvaged their only point at third doubles thanks to an 8-5 win by Bram Smith and Spencer Brightman over Neel Patel and Max Nelson.
It was all MIT in singles play as Zhang won easily 6-1, 6-0 over Diego Angel and Oldfield defeated Harris Rollinger 6-2, 6-3. Curtis Wu took third singles over Chin 6-0, 6-2 and Vlad Firoiu beat Hall 6-3, 6-2. MIT took the fifth and sixth spots through Troy Astorino (6-0, 6-1) and Robert Wheeler, who defeated George Arno 6-2, 6-1 at sixth singles.
The Engineers improve to 7-1 on the spring season, with a 2-0 conference mark. They will continue a string of four games in four days on Thursday when they host Brandeis University at 4:00 PM. The Cougars drop to 1-6 on the season (0-1 NEWMAC) and will play another conference game on Saturday at 1:00 PM at Wheaton.


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I know many of you are envious of my role as a perennial judge in the Allentown Fair's chocolate cake baking contest, despite my protestations that it's much more grueling than it appears.
People don't want to hear that. They just see some lucky slob up there eating mounds of free chocolate cake every year and figure he's living a charmed life.


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By Cliff Hight
Title: Louis H. Douglas papers, 1957–1999
Primary Creator: Douglas, Louis H.
Extent: 0.5 Linear Feet
Date Acquired: 06/06/2003
Subjects: Kansas State University history
Languages: English
Repository: Morse Department of Special Collections
Access Restrictions: No access restrictions: All materials are available for research.
Use Restrictions: The researcher assumes full responsibility for observing all copyright, property, and libel laws as they apply.
Physical Access Note: Original materials available during open hours of repository and online digitized materials are available with Internet access.
Acquisition Source: University for Man
Acquisition Method: Records transfer.
Separated Materials: Seventy-five (75) photocopies of newspaper articles and ephemera related to Lou Douglas Lecture Series and speakers transferred to Vertical File—Douglas, Lou (filed alphabetically under the speakers' last name).
Preferred Citation: [Item title], [item date], Louis H. Douglas papers, Box 1, Folder [number], Morse Department of Special Collections, Kansas State University Libraries.
Processing Information: Processed after 2003 and revised in 2016 by university archivist Cliff Hight.
Finding Aid Revision History: Revised in 2016 to conform with archival description standards.