text:
Exhibition dates: 20th October 2012 – 3rd March 2013
Many thankx to the Museum Der Moderne Salzburg for allowing me to publish the text and photographs in the posting. Please click on the photographs for a larger version of the image.
Janet Cardiff / George Bures Miller
Road Trip
Dia-und Audioinstallation
Fotos: Anton Bures, Ton: Janet Cardiff und George Bures Miller
15 Minuten / Loop
© Janet Cardiff/George Bures Miller / SAMMLUNG VERBUND, Wien
Courtesy the artists, Galerie Barbara Weiss, Berlin
Anthony McCall (British, b. 1946)
Line Describing a Cone
16-mm-Film, s/w, ohne Ton; Installation
30 Minuten
© Anthony McCall / SAMMLUNG VERBUND, Wien
Courtesy the artist and Gagosian Gallery, Paris/London
Foto: Hank Graber, © Whitney Museum of American Art, New York
In the exhibition open spaces | secret places, the MUSEUM DER MODERNE SALZBURG is showing artistic positions from 1970 until today from the SAMMLUNG VERBUND. The phenomenons of the perception of spaces and places will be visualised. The first part of the exhibition is dedicated to the medium of photography. Jeff Wall stages mysterious fragments of urban environments in peripheral area. Joachim Koester, Bernd and Hilla Becher, Tom Burr, Teresa Hubbard / Alexander Birchler and David Wojnarowicz explore the fragility of the present in the light of historical changes of space and time. Louise Lawler draws our attention to places where works of art are stored and presented. Janet Cardiff / George Bures Miller stage a journey through memories as an audiovisual space of experience…
The increasing spatialization of art goes hand in hand with our life style, which has changed considerably in social and cultural terms as a result of new spatial conditions (virtual space, increased mobility). It is this fluctuating presence which seems to make us more acutely aware of our location. In the past we asked other people on the telephone "How are you?", today we ask "Where are you?
All text from the Museum Der Moderne Salzburg website (including below)
Jeff Wall (American, b. 1946)
The Crooked Path
Grossbilddia in Leuchtkasten
Jeff Wall / SAMMLUNG VERBUND, Wien
Courtesy Jeff Wall Studio, Vancouver and Marian Goodman Gallery, New York/Paris
Jeff Wall
Boys Cutting Through a Hedge, 2003
The Crooked Path, 1991
Forest, 2001
For more than thirty years now, Jeff Wall has been best known for his large-format light boxes in which the colours of his giant transparencies are brilliantly illuminated. In the first few decades of his career, he was celebrated as a peintre de la vie moderne [the painter of modern life] – to use Charles Baudelaire's term – on account of his ability to combine traditional composition with themes of modern life. For the past decade, however, he has produced a number of large format black-and-white photographs that clearly belong in the context of his affinity for traditional documentary photography or straight photography. The group of three photographs in the SAMMLUNG VERBUND shows peripheral, unimportant places, underscoring Wall's interest in the "unofficial use of places" (Jeff Wall). In Forest two people are claiming a makeshift private territory in a forest. The Crooked Path and Boys Cutting Through a Hedge, meanwhile, show places in which people have to find their way on the other side of conventional topography.
Joachim Koester (Danish, b. 1962)
The Kant Walks
Aus der 7-teiligen Serie
47.5 x 60.3cm
© Joachim Koester / SAMMLUNG VERBUND, Wien
Courtesy the artist and Galerie Jan Mot, Brussels
Joachim Koester
The Kant Walks, 2003-2004
histories, 2003-2005
Historically and philosophically charged places form the prime themes in the photographical work of Danish artist Joachim Koester. The series The Kant Walks follows the great philosopher's daily and precisely scheduled walks through his hometown Kaliningrad (formerly known as Königsberg), which Kant allegedly never left throughout his life. Drifting through Kaliningrad's "psychogeography" (Joachim Koester), the artist rediscovers Kant's walks. His photographs evoke impressions, both from the past and the present, as they visualize overgrown roads, disintegrating concrete buildings, and presumably abandoned and forgotten places.
Likewise, Koester creates a link to the past in histories. Juxtaposing historic, not less than 30 year old photographs – taken by Gordon Matta-Clark or Bernd and Hilla Becher to name just a few – with recently taken shots from the very same location evokes not one, but two "histories": that of conceptual photography, and that of the places and events depicted.
Bernd (German, 1931-2007) und Hilla Becher (German, 1934-2015)
Bernd and Hilla Becher
Entwürfe für Typologien, aufgenommen in den 1960er-Jahren, zusammengestellt 1970-1971
Gasbehälter, 1965-2001
Within 20th century art only a few artists have been able to combine their enduring artistic concept with an outstanding history of reception of their own work. The German photographer couple Bernd and Hilla Becher has been working strictly with documentary photography since the 1950s, and thus influences publications, exhibitions and art collections worldwide up to this day and even beyond the death of Bernd Becher in 2007, providing crucial impulses for the theory and history of art.
Ever since they started working together, Bernd and Hilla Becher were creating an inventory of industrial architecture, both in Europe and in the United States. Their black-and-white photographs depict furnaces, water towers, winding towers, factory buildings, cement and lime plants, entire mining sites as well as timbered houses. A sense of objectivity is innate to their approach to documentary photography. Bernd and Hilla Becher avoided any dramatic setting and confidently relied on the formal aesthetics of analog photography. Through strictly standardising the photographic process, the couple created the possibility to categorise their entire work in typologies, adding a whole new and important conceptual level to their oeuvre.
Tom Burr (American, b. 1963)
Lackiertes Sperrholz, Zedernschindeln, Asphaltschindeln
285 x 248 x 157cm
© Tom Burr / SAMMLUNG VERBUND, Wien
Courtesy the artist and Galerie NEU, Berlin
Tom Burr
Split, 2005
Unearthing the Public Restroom, 1994
Tom Burr addresses a long-obsolete phenomenon. In 2005, he presented a white wooden house cut in two halves, entitled Split, outside on a lawn. Burr's house is a response to the multiple-seat outhouse from the premodern era. Despite (or perhaps because of) the cramped conditions, he sees in it the symbol of "a lost type of intimacy", repressed by our western societies from their collective consciousness "in favour of cool, smooth, and clean porcelain surfaces." Considering Burr's penchant for referencing selected avant-garde works, what comes to mind in relation to this work is Marcel Duchamp's urinal Fountaine of 1917 and certainly Matta-Clark's bisected Splitting house, also shown in the exhibition, as well as Minimal Art. Burr stages Split with aesthetic minimalism – cool, austere, and sober. At the same time, however, he unfolds a strange associative field of uncomfortable conditions: of closeness and intimacy, shame, smell, at times even disgust. The earth toilet was common from ancient times up until the 19th century. Installing a version of it in public space today is intended to have the function of an "alien", a foreign element. Burr's earlier photo series Unearthing the Public Restroom of 1994 traces experiences of public access, hygiene, privacy, sexuality, criminality, and surveillance that cluster around, and in fact produce, the history of the public restroom. Crime and sexuality, particularly homosexuality, caused many of these spaces to be shut down. What interests the artist is precisely this state of non-use, of abandonment, and the ghost-like presence.
Teresa Hubbard / Alexander Birchler
Filmstills, Odeon
Aus der 4-teiligen Serie
140 x 259cm
© Teresa Hubbard / Alexander Birchler / SAMMLUNG VERBUND, Wien
Courtesy Teresa Hubbard / Alexander Birchler Studio, Austin, Texas
Teresa Hubbard / Alexander Birchler
Filmstills, 2000
Arsenal, 2000
The photo work Filmstills, created in 2000, marks a crucial step in the oeuvre of Teresa Hubbard and Alexander Birchler. Up to this work, the two Irish-Swiss artists were mainly known for their large-size photo series, such as Falling Down, Holes, or Gregor's Room which were choreographed down to the smallest detail. Filmstills was the first work done outside the studio and on the spot. Filmstills show movie theatres in Berlin, which have been getting on in years. The Rio was closed some time ago and let go to ruin, whereas the Odeon still tries to maintain its hold against the flood of standardised movieplexes. Both shots are based on the same formal principle. A very narrow detail shows the respective main entrance with the cinema's name written in big letters. The digital processing of the photographs as well as their sizes make the viewers perceive the cinemas as film stills or clips from a movie. In contrast to filmic illusion, here reality is fictionalised. The series Arsenal delivers melancholic interior views of the deserted premises of an abandoned independent cinema in Berlin, wherein only a female usher is still present.
David Wojnarowicz (American, 1954-1992)
Arthur Rimbaud in New York
1978-1979 / 2004
Aus der 44-teiligen Serie
32.8 x 24.5cm
© Estate of David Wojnarowicz / SAMMLUNG VERBUND, Wien
Courtesy Estate of P.P.O.W. Gallery, New York and Cabinet Gallery, London
David Wojnarowicz (American, 1954-1992)
Arthur Rimbaud in New York
1978-1979 / 2004
Aus der 44-teiligen Serie
32.8 x 24.5 cm
© Estate of David Wojnarowicz / SAMMLUNG VERBUND, Wien
Courtesy Estate of P.P.O.W. Gallery, New York and Cabinet Gallery, London
David Wojnarowicz
Arthur Rimbaud in New York, 1978-1979 / 2004
In the summer of 1979, David Wojnarowicz a twenty-four-year-old self-taught artist, borrowed a broken camera to produce a series of black-and-white photographs entitled Arthur Rimbaud in New York.
The Rimbaud series proposes hypothetical scenarios involving the French Symbolist outlaw poet as if he existed a century later, showing Brian Butterick, the friend and temporary lover of the artist, with a mask of Rimbaud. Arthur Rimbaud in New York tracks provocative "locations and movements." Meatpacking district, subway, piers and Coney Island (off-season) further characterise a generally invisible marginalisation reinforced by abiding unsightliness, tawdriness, and rustication. Desolate Hudson river pier warehouses or anonymous Times Square's red-light district allude to cavalcades of outsiders whether artists, thieves, queers, young runaways, sex workers, injection drug users, the poor, or homeless. The Rimbaud series would forge links between the artist's engagement in his own social marginality to that of peers and prior heroes, each one demonstrating the transformative potential of creative response to existential crisis.
Louise Lawler (American, b. 1947)
Not Yet Titled
Louise Lawler (American, b. 1947)
Cibachrom auf Polyester kaschiert
99.1 x 135.9cm
© Louise Lawler / SAMMLUNG VERBUND, Wien
Courtesy the artist and Metro Pictures, New York
Louise Lawler
Not Yet Titled, 2004-2005
Abbau, 2002
Not Yet Titled, 2004-2005
It Could Be Black and White, 1994-1996
Wall Pillow, 2010/2012
Louise Lawler's gaze is fixed not on a single, isolated work of art, but rather on the institutional environment in which that particular work is viewed; this, astonishingly, turns out to lend works a completely different meaning. It is the private, semi-public or public context of the gallery or the museum which constantly reshapes, redefines, and refigures a work of art. In principle, Lawler takes pictures of existing situations, in the sense that she does not rearrange the works or make any changes to their position relative to each other. She quite often adopts an off-stage stance to this end, enabling her to view an exhibition from an angle which would normally be closed to visitors.
Wall Pillow, for instance, reveals the verso of a painting, while Abbau shows the absence of art – the two nails and a spotlight shining on a bare wall are all that remains after the work itself has been removed. For what she has done is to sever the magic thread that connects the work per se to the aura it acquires through its hanging. What is evident from Not Yet Titled and CS #204, is that the artist is clearly attracted first and foremost by those works of art which she herself values highly, such as by Gordon Matta-Clark's façades and Cindy Sherman's self portraits. Lawler's photographs focus on the other side of the coin of institutional art presentation. Yet for all her apparent deconstruction, one still has the feeling that she wants to "rescue" these works and in doing so restore their original dignity.
Ulla von Brandenburg (German, b. 1974)
16-mm-Film transferiert auf Digibeta PAL, s/w, ohne Ton
2:30 Minuten / Loop
© Ulla von Brandenburg / SAMMLUNG VERBUND, Wien
Courtesy the artist and Produzentengalerie, Hamburg
Ulla von Brandenburg
Around, 2005
The striking presence of female figures in Ulla von Brandenburg's work suggests an interest in the conflicted role of nineteenth-century women and the continued complexity of the performance of gender roles and attitudes in contemporary society. Our uncertainty about the position of these women, who are frequently presented in a liminal state, and their potential vulnerability, align perfectly with von Brandenburg's interest in shifting roles and meaning: Though commanding of attention, von Brandenburg's female figures are often on the verge of hysteria or loss of control – a state of powerlessness that nevertheless enforces their centrality in the action taking place. The artist's work Around, 2005 best embodies this state of deferral or ambiguity: von Brandenburg filmed a tightly packed group of figures standing in the middle of a street with their backs to the camera. As the camera travels around the group the figures shift their position so that no frontal aspect is ever revealed. A view of their faces is never revealed in this conspirative meeting. Around we go waiting for the glimpse that will reveal, well, what exactly? We are left standing in front of the projection watching this group of performers, each of us struggling to find the "right" position.
Eleanor Antin (American, b. 1935)
100 Boots
100 Boots in a Field, Route 101, California.
February 9, 1971, 3:30 p.m.
Aus der 51-teiligen Serie, S/W-Postkarte
11.4 x 17.7cm
© Eleanor Antin / SAMMLUNG VERBUND, Wien
Courtesy the artist and Ronald Feldman Fine Arts, New York
Eleanor Antin (American, b. 1935)
100 Boots
Aus der 51-teiligen Serie, S/W-Postkarte
Eleanor Antin / SAMMLUNG VERBUND, Wien
Courtesy the artist and Ronald Feldman Fine Arts, New York
Eleonor Antin
100 Boots, 1971-1973
For her 51-piece instalment 100 Boots Eleonor Antin positioned one hundred ordinary black rubber boots on various locations all over Southern California and consequently in New York City. She took photos, printed them on postcards and assembled a mailing list of about a thousand names – mainly artists, writers, critics, galleries, universities and museums – who received the various postcards over a period of two and a half years between 1971 and 1973. The first card, 100 Boots Facing the Sea, was mailed on the Ides of March, 1971, unannounced and without further comment. A few weeks later it was followed by 100 Boots on the Way to Church and three weeks thereafter by the next one.
In a total of 51 photographs, Eleanor Antin documented the travels of the 100 Boots, her so called "hero" – from a beach close to San Diego to a church, to a bank, to the supermarket, trespassing, under the bridge, to a saloon and on their travels eastward. Finally, on May 15th, 1973 100 Boots arrived at the Museum of Modern Art in New York. By this time, 100 Boots had long become an epic visual narrative and a picaresque work of conceptual art.
Ceal Floyer (British, b. 1968)
On Air
Metallbox, Plexiglas, Licht, Kabel
12.6 x 25.6 x 6.2cm
© Ceal Floyer / SAMMLUNG VERBUND, Wien
Courtesy the artist and Esther Schipper, Berlin
Ceal Floyer
On Air, 2009
Me/You (Love Me Tender), 2009
The works of Ceal Floyer are minimalist and restrained. Some visitors will walk past them without even taking note of them. What the artist addresses everyday situations and activities. It is this apparent insignificance that Ceal Floyer refuses to accept, and so the conceptual strategy she pursues is interrogating our modes of perception. For her piece Me/You (Love Me Tender) from 2009, the artist installs two loudspeakers facing each other, from which the words "me" and "you" can be heard. Between them, the silence becomes palpable. The title can be read as the key to the work since it makes clear that what is heard is an excerpt from Elvis Presley's song "Love Me Tender." Ceal Floyer condenses love to its very essence here, namely, to the notions of "me" and "you."
On Air (2009) is a work in which title and material are one and the same. The words "on" and "air" do not usher in the work, they are the work itself. Ceal Floyer uses the red neon letters used by radio and TV stations to signal that a live broadcast is going on and mounts them above the museum's or gallery's exit door. As soon as the viewer connects with the recording studio it becomes clear that this is about a shifting of our perception: We see five letters and realise that the real content of this work is what can be heard. All the sounds, voices and talks from outside the museum are put "on air" here, and the museum, the place where we have learnt to contemplate works of art in silence, pauses to listen to everyday life outside the walls of the institution.
Gordon Matta-Clark (American, 1943-1978)
Splitting (b)
Gordon Matta-Clark
Conical Intersect, 1975
Splitting: Exterior, 1974
Office Baroque, 1977/2005
Untitled (Cut Drawing), 1975
Circus No. 14 (from Circus Book), 1978
Artpark, 1974
In spring 1973 Gordon Matta-Clark presented his gallerists Holly and Horace Solomon with an unusual idea. He wanted to saw a house into two halves, and asked them if they knew of anything that might be available. As it happened, Horace Solomon had just the thing. He had bought a house in a speculative real estate deal, and it was soon to be demolished. Matta-Clark was given permission to do what he wanted with it, although it was clear that the work would not last.
Matta-Clark completely cleared the house and, taking a chain-saw and a plumb line, made two parallel incisions into the house. He then cut diagonally through one half of the foundations of house. Next, one half (weighing fifteen tons) of the house started to slope downwards until a split appeared that measured sixty centimeters at the top of the roof. Lastly, Matta-Clark sawed off the four top corners of the house. These were later exhibited as a sculpture entitled Four Corners. The whole project took about four months in total and was demolished shortly after completion. A film, a series of photographs, photomontages, and an artist's book – all autonomous works of art in their own right – documented the process.
Museum der Moderne Salzburg
Mönchsberg 32
5020 Salzburg
Phone: +43 662 842220
Opening hours:
Tuesday – Sunday 10.00am – 6.00pm
Wednesday 10.00am – 8.00pm
Monday closed


text:
Now, I want to check out that impression by reading the whole speech.
The first section consists of generic cries of "Fired up!," introductory thank yous, references to his time living in Boston — Cambridge, really, wasn't it? — and an indirect reference to the Red Sox in the form of a reference to the White Sox. And that was an indirect reference to Coakley's cockup about Curt Schilling.
Finally, he's ready to talk about Coakley.
And today I've come to talk about one thing.Coakley?
I've come to talk about Tuesday.Oh, Tuesday!
On Tuesday, you have the unique and special responsibility to fill the Senate seat that you sent Ted Kennedy to fill for nearly 47 years. And I am here to tell you that the person for that job is your attorney general, Martha Coakley. (Applause.)Finally, the name has been spoken.
Now, there's been a lot said in this race about how it's not the Kennedy's seat -- it's the people's seat.He quotes Scott Brown's best line.
And let me tell you, the first person who would agree with that was Ted Kennedy.Good. Play off Brown's line.
See, the only thing he loved more than the people of this commonwealth was serving the people of this commonwealth.Huh? He loved the people, and he loved serving the people even more than he loved the people. Well, okay. Ted was a people guy, a man of the people, a servant of the people, really into serving. Servile as all get-out.
There follows a paragraph about all that Ted did for the people. That segues into the representation of Martha Coakley as a woman of the people — "raised in North Adams, one of five kids... worked her way up..." — who has worked for the people. This is the part of the speech that is specifically about her as opposed to Obama's agenda and the need for another Democratic vote in the Senate. It is 2 paragraphs long and — I counted — about 7% of the total verbiage. He says:
Look at her record. As a prosecutor, she took on cases most of us don't even want to think about, putting murderers and child abusers away.And the Amiraults too. Who wants to think about that?!
As attorney general, she took on Wall Street and recovered millions for Massachusetts taxpayers -- (applause) -- took on predatory lenders that were taking advantage of Massachusetts families. She went after big insurance companies that misled people into buying coverage only to deny it when they got sick. She went after big polluters who put the health of your family at risk. Time and again, Martha has taken on those who game the system at expense of hardworking, middle-class families.Oh, here's where that heckling takes place and Obama takes forever to end the disruption, with the audience eventually coming in with booing and then a "Fired up!" chant. You can look at the clip here. I can't figure out what the guy is yelling. "One more [???]!" One more Chevy?
AUDIENCE MEMBER: Let's go, Martha! (Applause.)
THE PRESIDENT: That's the kind of leader the people of Massachusetts need now more than ever. (Applause.) You need somebody -- (audience interruption) --
Hmmm. I kind of get the feeling Obama is glad to be interrupted there. Sort of: Oh, good, now I don't have to talk about Martha Coakley anymore. Just let this play out. Maybe I'll look like the underdog and people really will get fired up.
Hmmm. Any chance the interruption was a scripted part of the presentation?
Finally, he gets back to his prepared remarks. Conveniently, he's through with the details about Martha. He tells us we need "somebody who has fought for the people" because times are tough. He's got something to say about "Martha's opponent":
He's driving his truck around the commonwealth -- (laughter) -- and he says that he gets you, that he fights for you, that he'll be an independent voice. And I don't know him, he may be a perfectly nice guy. I don't know his record, but I don't know whether he's been fighting for you up until now, but --So he doesn't know anything about the guy he's about to tear down, but please laugh at the man who drives a truck. He doesn't worry that the truck might backfire. It becomes a theme in the next section:
Forget the truck. (Laughter.) Everybody can buy a truck. (Laughter.)...
... I'd think long and hard about getting in that truck with Martha's opponent. (Laughter.) It might not take you where you want to go....Now, the repeated recurrence of the truck may be a good distraction, because this section of the speech is incoherent. Obama wants to tell us that the Democrats will build up the economy and cut taxes the right way, but he also demonizes business and wants us to reject Republicans because they are on the side of business. The key seems to be to distinguish between small business and Wall Street bankers. In this framework, it's hard to explain all the money — tax money — that we — including the Democrats — handed to bankers:
It was your tax dollars that saved Wall Street banks from their own recklessness, keeping them from collapsing and dragging our entire economy down with them.So you helped the banks, but you don't want to say it was great that the help worked. Do you want them to succeed or not? Would it be better if we all suffered together?
But today, those same banks are once again making billions in profits and on track to hand out more money in bonuses than ever before, while the American people are still in a world of hurt.
Now, we've recovered most of your money already, but I don't think "most of your money" is good enough. We want all our money back. We're going to collect every dime. (Applause.) That's why I proposed a new fee on the largest financial firms -- to pay the American people back for saving their skin.What is the connection between a "new fee" and getting all our money back? Isn't it great that we've got most of the money back, and isn't it enough to get the rest the money back? Why the fee? To punish success? To my ears, it's a non sequitur.
But instead of taking the side of working families in Massachusetts, Martha's opponent is already walking in lockstep with Washington Republicans, opposing that fee, defending the same fat cats who are getting rewarded for their failure.But you didn't explain the fee. You're demonizing the bankers — "fat cats" — the very people that you gave our tax money too. And how are they "getting rewarded for their failure" if the bailout worked? Why aren't you pleased with the effective use of our tax money? It's incoherent.
Now, there's a big difference here. It gives you a sense of who the respective candidates are going to be fighting for, despite the rhetoric, despite the television ads, despite the truck. (Laughter.) Martha is going to make sure you get your money back. (Applause.)Get our money back or impose that "new fee"? Scott Brown isn't against getting the bailout money back, is he? This is deliberate obfuscation, it seems.
She's got your back. Her opponent has got Wall Street's back. (Applause.)That sounds nicely slogan-y, but what does it mean? You can count on Democrats to be hostile to business? How is it defending us to attack Wall Street, and if it is, why did you give so much of our money to Wall Street?
Obama wants to say that he's helping the economy:
We're forcing the banks finally to start lending again on Main Street, and not just worried about profits.That's an attitude about the economy that people ought to examine. Forcing lending? Isn't that what led to the mortgage crisis? Don't we want banks to worry about profits so they don't go back to making all those bad loans? And don't we want the hope of profit to motivate people to take risks? Apparently not.
So understand what's at stake here, Massachusetts. It's whether we're going forward, or going backwards.And with that, Obama makes the special election in Massachusetts into a referendum on the work he and the Democrats in Congress have been doing for the past year. You were excited about me, he says. You wanted change. If you want us to keep moving on in the direction we ran after you gave us the power, we need you to elect Coakley. The election transcends anything personal about her — or Scott Brown, whom Obama purports to know nothing about other than that he's a Republican (and has a truck).
AUDIENCE: Forward!
THE PRESIDENT: It's whether we're going to have a future where everybody gets a shot in this society, or just the privileged few. If you were fired up in the last election, I need you more fired up in this election.
Obama wants that vote, and that vote comes in the form of Martha Coakley. It's the "people's seat," as Scott Brown called it, but it's the Democrats who are for the people — and against business (unless it's small!) — so fire up and vote for Martha.

subset: commoncrawl


text:
Search Term
Advanced Search
0 Items (Empty)
Store Home
> Colds
Products for Colds.
Default | Name Up | Name Down | Price Up | Price Down
1 oz. For symptoms of Bronchitis, RSV, Upper & Lower Respiratory Infections that dont seem to heal.
There are a growing number of respiratory infections that are not responsive to anti-biotics as well as standard herbals and homeopathics.
Bronchi-Quest can stimulate your lungs to heal and stop the bronchial symptoms and problems.
Immuno-Quest Tea
2.0 oz. Bulk Herbal Tea Reduces symptoms of Colds and Flu Non-Irradiated Herbs
An herbal "drugstore in a bottle." Contains Echinacea Augustifolia (the expensive one), Goldenseal and more! Excellent for all types of colds, flus and infections.
This remedy has been used by practitioners in many types of infections including blood borne bacteria with success. It is truly an herbal marvel.
No home should be without several bottles of this all purpose healer!
1 oz. For symptoms of Cough.
Coughi-Quest can stimulate your body heal and stop the cough symptoms and problems.
1 oz. A combination Herbal and Homeopathic (HomeoHerbal(c) designed for symptoms of aerial spraying and multiple chemical toxicities. Stops health paralysis and moves the body into healing mode rapidly.
More information on ChemBuster can be found at www.chembuster.us
Note: This statement has not been evaluated by the FDA. This product is not intended to diagnose, treat, cure, or prevent any disease
P.O. Box 208 Bridgeport, Alabama 35740 United States
© 2023 Life Quest® Formulas, Inc.. All rights reserved worldwide.


text:
- Who We Are
- What We Do
- Publications
- Resources
- Events
- Membership
- Contact Us
- Current Events
Find any document publicly available on this site.
There are many document libraries on this site devoted to specific topics. If you are looking for something that fits into one of the following categories, just click on the category to go to that library.
(handouts and presentations)
(past issues)
If what you are looking for does not fit into one of those categories then try searching by keyword in the document library below.


text:
The ANA Board of Governors voted to allow both paper and electronic voting for the 2013 ANA election during a special session held Jan. 11 in Orlando, Fla.
The ANA Board of Governors voted to allow both paper and electronic voting for the 2013 ANA election during a special session held Jan. 11 in Orlando, Fla.
Money.org Blog and Forum Terms & Conditions of Use / Disclaimer
This is a community-sourced blog. Any views or opinions represented in this blog are personal and belong solely to the blog post's author, and do not represent the views or opinions of the American Numismatic Association, and may not represent the views or opinions of people, institutions or organizations that the author may or may not be associated with in professional or personal capacity.
All content provided on this blog is for informational purposes only. The American Numismatic Association (ANA) makes no representations as to the accuracy or completeness of any information on this site or found by following any link on this site. The ANA does not monitor the blog on a constant basis.
The ANA will not be liable for any errors or omissions in this information, nor for the availability of this information. The ANA will not be liable for any losses, injuries, or damages from the display or use of this information.
Downloadable Files and Images
Any downloadable file, including but not limited to pdfs, docs, jpegs, pngs, is provided at the user's own risk. The ANA will not be liable for any losses, injuries, or damages resulting from a corrupted or damaged file.
Blog/Forum Posts and Comments
In these terms and conditions, "user content" means material including without limitation text, images, audio material, video material, and audio-visual material that you submit to this website, for whatever purpose.
Blog/forum posts and comments are encouraged. However, the ANA reserves the right to edit or delete any blog/forum posts or comments without notice. User content deemed to fall under the following categories will be removed and may prompt disciplinary actions, including, but not limited to, review and suspension/revocation of blog and forum privileges:
In addition, user content shall not be illegal or unlawful, shall not infringe any third party's legal rights, and shall not be capable of giving rise to legal action whether against you, the ANA, or a third party under any applicable law.
The ANA may terminate your access to all or any part of the website at any time, with or without cause, with or without notice, effective immediately. If you wish to terminate this Agreement or your Money.org account (if you have one), you may simply discontinue using the website. All provisions of this Agreement which by their nature should survive termination shall survive termination, including, without limitation, ownership provisions, warranty disclaimers, indemnity and limitations of liability.
The ANA reserves the right to display advertisements on your account and blog pages.
This blog's terms & conditions of use / disclaimer is subject to change at anytime.


text:
It is difficult to imagine how people can live in a modern world without money. Even having a great job position and a regular income, a person can face some unexpected financial problems. Among the most widespread issues are medical treatment, car repair, apartment rent, utility bills, etc. All of them require finding a quick and efficient solution. It doesn't mean you need huge amounts of money as even $200 may be of great help to you. In this case, the banks are not the best option since such financial organization does not lend small amounts. They are ready to provide you with impressive sums of money with high APR and many extra fees. If you live in Lafayette, Tennessee, you may consider taking Payday Loans at a lending company.
Payday Loans are a popular type of short-term credit that should be repaid on the day when your employer gives you a salary. It means you have at least 14- 30 days to return funds to the lender and still solve all your problems efficiently. The process of getting such borrowing is simple and quick. You should not provide the lending service with tons of documents for getting fast payday loans and then wait for weeks until it approves your application. The only thing you should pay attention to, is quite high fees and interest rates that will be added to the initial amount you are going to apply for. So, before signing the application form, make sure you understand all terms and conditions clearly not to face any uncertainties afterward.
It is recommended to find out all financial nuances of obtaining Payday Loans before deciding this type of borrowing is what you really need. As usual, lending companies take about $15 for every $100 if you apply for payday loans near me at a local loan store. As for online services, be ready to pay more, at least $20. Initially, you should pay the credit back until the next payday, however, you can ask the lender to prolong this period but be ready to face extra fees. All in all, some companies that give Payday Loans in Lafayette, Tennessee will not reveal all loan terms until you give official acceptance. But do not hurry to sign the application form as the final decision whether to accept a provided offer is up to you. You must clearly understand all the fees and terms before. Otherwise, you can face some unpleasant issues.
Most residents of Lafayette, TN applied for Payday Loans at least once in their life. Unfortunately, some of them went to a debt hole in the long run as didn't cope with conditions a lending company established. But it is not the only reason for such a consequence since some people just approached the wrong service. That's why, you'd better pay attention to a few simple but still effective tips on choosing the right company specialized in Payday Loans in Lafayette, Tennessee:
After choosing the right lending service which by the way may be either an online company or a storefront location, you can reach it to fill the application form. The process will not take you much time and effort. Basically, you need to provide the company with Social security number, proof of regular income (at least $1,000) as well as details of a banking account. This is all required information both for payday loans online and those which are obtained at the nearest organization. However, the process may be even simpler in case you choose an online company. It means you can provide it only with your employer's phone number and a banking account number.
Also, keep in mind a few points that you must meet as well for getting Payday Loans in Lafayette, Tennessee:
If you are sure, you will not have difficulties with all these points, then learn how Payday Loans work and apply for short-term credit without any hesitations.
Payday Loans in Lafayette an Tennessee is a great way out for those who find themselves in a poor financial situation. If you think about getting the best online payday loans, then look at how they work:
In case the person is not able to return Payday Loans, he or she should be prepared for getting additional fees to the primary sum. In the long run, a small amount can transform into a high credit due to the penalties. Anyway, it is recommended to contact a lending company in Lafayette to clarify the situation. The specialist will provide you with a "rollover" and extend the loan period until the next payday.
1. What Are the Costs of Payday Loans in Lafayette, Tennessee?
The actual cost varies from lender to lender and is decided for a particular person when discussing available options. In general, Payday Loans are considered to be quite an expensive solution to financial problems. The APR is high. For example, you are going to pay $15 for every $100 you borrow. The final cost also consists of some extra fees for provided services.
2. When It Is Safe to Obtain a Payday Loan?
It's recommended to obtain the Payday Loans in Lafayette Tennessee only in case of emergency and absence of other alternatives. Make sure you will be able to return the money on time. Make calculations before signing the application form and getting funds on your banking account.
3. What Happens If the Borrower Doesn't Repay on Time?
In this case, the lending company will charge additional fees that will enhance the initial amount. In the long run, a person will pay even more that it took.
4. What If a Consumer Has a Bad Credit Score?
You can apply for bad credit loans in Lafayette in Tennessee as the lending companies do not check your previous credit history.
5. What Are the Reasons For Denying Payday Loans in Lafayette, Tennessee?
You can get refusal if you don't meet some of the requirements. That is if you are younger than 18, have no stable income or provide invalid data.
6. How Is the Borrowing Date Identified?
There is nothing special as the date is determined by the day when your employer gives you a salary. Exactly on this day, you need to pay a credit back.
It's the sort of credit you take when different emergencies happen. There are such examples as medical bills, house maintenance, car repair, etc. Of course, each customer has his own purpose.
Applying does NOT affect your credit score!
No credit check to apply.


text:
Note: Re-configuration May Require Additional Components. Request Details
The ecoSmart Inline Displays are design-driven, reconfigurable, and user-friendly. Using the most sustainable materials on the market, these displays prove that you don't need to look green to be green, and you don't need to spend more either. You'll always get the best of both with an ecoSmart.
With endless accessory options, low price points, and free design services, look no further than the ecoSmart display line.
Don't see exactly what you want? Give us a call. We'd love to design an affordable display that meets your specific exhibit marketing goals.
It depends, but in almost all cases, eSmart Displays cost the same or less than the industry standard. It is our philosophy that it should not cost more to own a Sustainable Display.
All of our eSmart products are designed and constructed with the most environmentally-friendly materials available.
If you do not see a design that meets your specific needs, let us know. We have a complimentary design service. Allow us to create a unique, custom display that is specific to your needs.
No Problem. We have a complimentary design service. We can create a unique, custom display specific to your needs.
Simply contact us, and we'll get started right away.
All eSmart Designs are based on the following:
Yes. Many eSmart Displays are designed to be reconfigurable to different sizes with minimal additional components.
If you would like to see renderings of how a specific display can be reconfigured into another size, please contact us!
Some Examples:
We use the most eco-friendly materials available on the market, without sacrificing design or price.
For example:
Please contact us for full details about our sustainable materials.
Yes, these are located in the eSmart Accessories Gallery.
The lead time for the ECO-1068 | Backlit Sustainable is 15 - 20+ Business Days - Click for Details.
Add designs and photos to your personal gallery simply by clicking on the +My Gallery links
Then email your "My Gallery" to colleagues, friends, or your favorite exhibit designer. There's no better way to begin designing a display that reflects your exhibit marketing goals.
Note: My Gallery uses a temporary browser cookie to store your gallery. We recommend that you send your gallery to your email address if you need to retain it for longer than 30 days.


text:
Happy new year! 2010 is going to be a good one, yes? Nod your head yes. Good! My new year is already off to a good start, I have no oven but that's ok because soon I will be in my own kitchen. One month to go. My current landlord wants to try and repair the 36-year old oven. Whatev.... What did everyone eat for new year's? Leftovers? Or did you try something new? I tried something new and very tasty. This latest creation comes from the help of a very good blogging friend. She's a california buddy, so that makes her super cool. She's keeping an eye on California for me until I move back there. And when we chatted on the phone it was like we were best friends: all giggly and non-stop talking. Esi over at Dishing up Delights made these asian meatballs that literally made me print them out, throw the recipe in my to-make pile and then forget about it (I hate when I do that). But then I saw her food porn photo again and just had to make them, asap. She makes a lot of good meatball recipes: Esi the meatball maker! These meatballs were so good. You must try them. If you love the taste of ginger, this is it. I took her recipe and of course kicked it up a few knotches by adding in a sauce and swapping out the noodles for peanut fried rice. Can I tell you the smell in the house while these were cooking was so warming, so tempting, so, well good. It lingered in the house for a couple days too. I had leftovers and to be honest I ate them cold. Yes, a cold asian meatball sandwich with shredded carrots, lettuce all wrapped up in warmed Naan bread. Oh yeah! So good! I think I got all the ingredients down for the recipe. I never really measure when I'm cooking. I always measure when I'm baking but never cooking. I sort of eyeball what needs to go in there. So, that's why you'll see a lot of "or so" when I type out recipes. Basically add in as much or as little as your cute little tastebuds like. OK? asian meatballs in garlic black bean sauce over peanut fried rice print recipe Meatballs: ¾ pound ground pork 1/4 cup grated white onion 1 egg 3 fresh garlic cloves, minced 2 ts fresh ginger, grated 1/4 ts salt 1/8 ts black pepper ½ ts red chili pepper flakes 2 ts soy sauce ½ cup (or so) panko flakes Chopped scallions or chives, for garnish Garlic-honey black bean sauce: 2 TB (or so) honey 4 TB (or so) black bean garlic sauce 4 – 5 TB (or so) of soy with ginger sauce (or ginger like sauce) Dash of pepper Peanut Fried Rice: 3-4 cups (or so) of cooked rice (any kind is good, I've even used pilaf) 1 ts canola oil (for pan, might need more) 1-2 TB chopped garlic ¼ cup (or so) of fresh, chopped carrots (chopped into strips) 4 green onions, chopped ¼ - ½ cup of chopped water chestnuts ¼ - ½ cup of chopped bamboo shoots A couple dashes of soy sauce ¼ cup of dry roasted peanuts Soy sauce to taste (a couple dashes) 3 TB of pad thai sauce (or a sweet & sour sauce) Preheat the oven to 400 degrees. Combine meatballs ingredients in a bowl, mix well and form 1 to 1-1/2 inch meatballs. In a large fry pan heat up some canola oil and fry the pork meatballs. Get them nice and brown on all sides then transfer to a preheated 400 degree oven and finish cooking off. About 15 minutes. recipe by dawn finicane. Drain off the oil from the large skillet, leave a bit of oil in there along with any bits from bottom of pan. In a bowl combine all the ingredients for the black bean sauce, mix well, then transfer to back to the reheated large skillet and stir. Get the sauce nice and bubbly then add back in the meatballs. Coat the meatballs well in the sauce. To make the fried peanut rice, just heat up a bit of canola oil in a large skillet or wok. Add in the garlic, then add in the rice, stir well, add in the carrots, the bamboo shoots, water chestnuts, and peanuts. Mix this well. Then make a small well in the middle of the wok and add in the pad thai sauce, soy sauce, then incorporate into the rice. When all is mixed through, sprinkle on the chopped green onions, and combine. Serve immediately.
50 comments:
Happy New year Dawn! This looks delicious!ReplyDelete
Those sound awesome! We did prime rib on NYE and tonight we are fondueing steak and chicken and spuds.ReplyDelete
Happy New Year! Can't wait till you can post your new digs :)
This looks SO GOOD. I haven't eaten anything but a muffin and a few cheese and crackers all day. I would totally welcome this dish. Meatballs AND rice.ReplyDelete
We had subs (which were horrible) and some cheese, crackers, shrimp cocktail later in the evening. I had made a cake and we forgot we even had it so it never got touched!! Oh, I also had about 5 cranberry & absolute. ;o)
I love Esi's blog! These meatballs look fantastic, even great cold. Happy new year!ReplyDelete
Looks fantastic. I had meatballs yesterday, too -- but it wasn't like this.ReplyDelete
Happy New Year Dawn!!!
happy new year - what a great looking dish -ReplyDelete
Happy New Year, my friend! That plate is mouth watering!ReplyDelete
Dawn, I love you! I am so loving the way you made these and peanut fried rice!! Happy new year! So excited for your move :)ReplyDelete
That damn landlord..does she know who she is messin with? Yummy recipe Mizz DawnReplyDelete
What a great meatball twist - they look fabulous! Happy New Year!ReplyDelete
the combination looks wonderful!Happy New Year!ReplyDelete
i'm glad your year is off to a fabulous start, dawn! even as someone who shies away from asian cuisine, i have a great attraction to this recipe. i think the black bean sauce is reeling me in. :)ReplyDelete
Bookmarking this one, it looks so yumReplyDelete
That looks amazing! It's going on my must-make list, too! Happy new year!ReplyDelete
somehow, there's something abt the black bean sauce that attracted my attention, not much of a meatball person though :pReplyDelete
wow! That's a very good start! I have to try making those balls...happy 2010!ReplyDelete
Of course 2010 is gonna be good, great in fact! I ate shrimp but would eat this in a heartbeat!ReplyDelete
Sweet... I have cute taste buds :)ReplyDelete
2010 is gonna be awesome for us. Why? Because we deserve it and we're positive cats.
The bigger question is what other cool baking ideas are in that fabulous head of yours?
- Anonymous1/2/10, 11:29 PM
Looking fabulous! The meatballs glisten amazingly!ReplyDelete
Wow! That is a TERRIFIC creation...genius! I love this Asian spin on the ultimate American comfort food!ReplyDelete
This one went immediately into the make pile on the computer...really great recipe and photo... the rice is an excellent idea with meatballs.ReplyDelete
I was drooling at Esi's post on these and here is no different. These look great - especially on the peanut fried rice! Happy New Year!ReplyDelete
i have started doing the "or so" more and more :) hope that oven gets fixed asap!!ReplyDelete
This looks SO good. Oh Man, like run to the store to get the pork and make it kind-of-good!ReplyDelete
Agreed...we all need to look through our to-make file! You found a lovely recipe and yes, your photo is pure food porn. I can imagine it was delicious cold too.ReplyDelete
Last of my kids leaves today so I am fooded out! Never takes me long to recover though.
Happy New Year Dawn!ReplyDelete
What a fabulous way to start a new year, gorgeous recipe!
This looks so yummy and tasty! I always like a good meatball! ;)ReplyDelete
This loks absolutely deeeevine!!!!ReplyDelete
I loveeeeeee Esi and all of her fabulous recipes and beautiful pictures. I've actually made these before for Josh and he thought they were outstanding. Hope you are having a Happy New Year!!ReplyDelete
I'll say those meatballs are a Happy New Year...wow.ReplyDelete
omg those meatballs, i would just eat those straight... droolReplyDelete
I am so making this, this week. I bought the pork today!ReplyDelete
Oh my goodness - this looks absolutely amazing!!ReplyDelete
Oh man the flavors just POP with this recipe. Let's see...I had lobster tail, colossal shrimp...melted butter to dip them in, rice pilaf, salad, french bread, cinnamon bread pudding, bundt cake and champagne with strawberries. I WAS IN HEAVEN. Lol!ReplyDelete
Happy New Year, Dawn!!
Michelle and the kitties
Happy New Year...this is a must make for me too!ReplyDelete
Wow...this looks so good, Dawn. Did you have a good New Year's Eve? Party hard? lol. I wish you the best in 2010, my friend and look forward to hearing all about the new house. I hope to chat with you soon and take care.ReplyDelete
Mind sending me a few of these meatballs? ;)
Mmm, this looks delicious. I have some pre-made meatballs already in the freezer, but bet I could add your sauce ideas and turn them from boring to special. Thank you for the inspiration.ReplyDelete
I sure wish I could eat that for lunch today - it looks so tasty. I especially love the peanut fried rice.ReplyDelete
The french toast down below has me drooling. Mmmmmm.
Hello dawn!! What a lovely, colourful & tasty looking dish!ReplyDelete
A must try! Thanks!
- Anonymous1/6/10, 5:01 PM
How interesting!! Love this asian inspired recipe :)ReplyDelete
2010 will be the BEST! Looking forward to all the good to come for everyone. These meatballs look good too! Saw them on Esi's site, and you gave them a nice twist.ReplyDelete
oh my, this looks absolutely delicious. Reading all the ingredients, I imagine all the flavors would balance out really nicely. Peanut fried rice sounds good enough to eat on its own, even.ReplyDelete
Mmmm, mmmm. I made your sauce and it was delicious. Hope you don't mind, I've posted a link to this :) Thanks for the yummy recipe.ReplyDelete
Oh wow, these look amazing! Happy New Year and good luck w. that oven :)ReplyDelete
I'm totally the same way I always measure when baking (naturally) but I hever measure anything when i'm cooking savory food! I like to wing it. Hmmm, i've had italian meatballs, Mexican meatballs, and swedish meatballs, but never asian meatballs. Must try!ReplyDelete
What a tasty meal!ReplyDelete
I think the flavorings would work well with chicken or beef meatballs, too. I'm going to try it.ReplyDelete
I hope 2010 does get better than 2009. Too much stress last year! I'm obsessed with black bean sauce. It's one of my favourites asian sauces along with Korean BBQ.ReplyDelete
Just made the meatballs and sauce for lunch and had over some rice pilaf. A party in your mouth!ReplyDelete
Another one I am starring. This is right up my alley...I would love those meatballs girl!ReplyDelete


text:
请选择语言偏好 / Please Set Language Preference
Let us know how to properly address you.Update Your Name
Change Your Zip Code
Inventory information and delivery speeds may vary for different locations.
Location History
Stir-fried Kimchi 160g
Stir-fried Kimchi 160g
Currently unavailable.
We don't know when or if this item will be back in stock.
|Net Content
|Brand Origin
Product packaging, specifications and price are subject to change without notice. All information about the products on our website is provided for information purposes only. Please always read labels, warnings and directions provided with the product before use.View Full Terms of Use
Added to Cart
More to Consider
{{ item.currency }}{{ item.market_price }}
{{ item.currency }}{{ item.unit_price }}
{{ item.currency }}{{ item.unit_price }}
Share this item with friends
Yami Gift Card
Get this exclusive deal when paying with gift card
Terms and Conditions
Gift card deals are special offers for selected products;
The gift card deals will automatically be activated if a customer uses gift card balance at check out and the balance is sufficient to pay for the total price of the shopping cart products with gift card deals;
You will not be able to activate the gift card deals if you choose other payment methods besides gift card. The products will be purchased at their normal prices;
If your account balance is not enough to pay for the products with gift card deals, you can choose to reload your gift card balance by clicking on the Reload button at either shopping cart page or check out page;
Products that have gift card deals can be recognized by a special symbol showing 'GC Deal';
For any additional questions or concerns, please contact our customer service;
Yamibuy reserves the right of final interpretation.
Sold by Yami
Service Guarantee
United States
Standard Shipping is $5.99 (Excluding Alaska & Hawaii). Free on orders of $49 or more.
Local Express is $5.99 (Available in Parts of CA, NJ, MA & PA). Free on orders of $49 or more.
2-Day Express (Includes Alaska & Hawaii) starts at $19.99.
Return Policy
Yami is committed to provide our customers with a peace of mind when purchasing from us. Most items shipped from Yamibuy.com can be returned within 30 days of receipt of shipment (For Food, Beverages, Snacks, Dry Goods, Health supplements, Fresh Grocery and Perishables Goods, within 7 days of receipt of shipment due to damages or quality issues ). Some products may have different policies or requirements associated with them, please see below for products under special categories, or contact Yami Customer Service for further assistance.Learn More
Sold by Yami
Terms and Conditions of Yami E-Gift Card
If you choose "Redeem automatically" as your delivery method, your gift card balance will be reload automatically after your order has been processed successfully;
If you choose "Send to Email"as your delivery method, the card number and CVV will be sent to the email address automatically;
Any user can use the card number and CVV to redeem the gift card, please keep your gift card information safely. If you have any trouble receiving email, please contact Yami customer service;
Yami gift card can be used to purchase both Yami owned or Marketplace products;
Yami gift card will never expire;
Yami gift card balance does not have to be used up at once;
All rights reserved by Yami.
Return Policy
Gift card that has already been consumed is non-refundable.
Sold by Yami
Service Guarantee
United States
Standard Shipping is $5.99 (Excluding Alaska & Hawaii). Free on orders of $49 or more.
Local Express is $5.99 (Available in Parts of CA, NJ, MA & PA). Free on orders of $49 or more.
2-Day Express (Includes Alaska & Hawaii) starts at $19.99.
Sold by Yami
Service Guarantee
Yami-China FC
Yami has a consolidation warehouse in China which collects multiple sellers' packages and combines to one order. Our Yami consolidation warehouse will directly ship the packages to your door. Cross-store free shipping over $69.
Return Policy
You may return products within 30 days upon receiving the products. Sellers take responsibilities for any wrong shipment or missing items. Packing needs to be unopened for any other than quality issues return. We promise to pack carefully, but because goods are taking long journey to destinations, simple damages to packaging may occur. Any damages not causing internal goods quality problems are not allowed to return. If you open the package and any quality problem is found, please contact customer service within three days after receipt of goods.
Shipping Information
Yami Consolidation Service Shipping Fee $9.99(Free shipping over $69)
Sellers in China will ship their orders within 1-2 business days once the order is placed. Packages are sent to our consolidation warehouse in China and combined there. Our Yami consolidation warehouse will directly ship the packages to you via UPS. The average time for UPS to ship from China to the United States is about 10 working days and it can be traced using the tracking number. Due to the pandemic, the delivery time may be delayed by about 5 days. The package needs to be signed by the guest. If the receipt is not signed, the customer shall bear the risk of loss of the package.
Sold by Yami
Service Guarantee
Standard Shipping $5.99(Free shipping over $49)
Local Express $5.99(Free shipping over $49)
Fresh Delivery $5.99(Free shipping over $49)
Express Two-Day (Alaska/Hawaii) $19.99
Download the Yami App
Back Top
Your suggestions help us improve together
Please contact to Customer Service talk about Order & Return~
Please select feedback type(Select at least one)
Enter a valid email
Recommended for You
Reviews{{'('+ commentList.posts_count + ')'}}
Have your say. Be the first to help other guests.Write a review
- {{i}} star {{i}} stars {{ parseInt(commentRatingList[i]) }}%
Community photosView All
{{ showTranslate(comment) }}Show Less
{{ strLimit(comment,800) }}Show moreShow Original
{{ comment.content }}
{{ formatTime(comment.in_dtm) }} VERIFIED PURCHASE {{groupData}}
{{ showTranslate(comment) }}Show Less
{{ strLimit(comment,800) }}Show moreShow Original
{{ comment.content }}
{{ formatTime(comment.in_dtm) }} VERIFIED PURCHASE {{groupData}}
No related comment~
Please add your comment.
- A nice nickname will make your comments more popular!
- The nickname in your account will be changed to the same as here.
If you find this content inappropriate and think it should be removed from the Yami.com site, let us know please.
Are you sure to delete your review?Cancel
JAYONEView All
Fish Meat Sausage With Cheese 360g
300+ Sold
Dried Glass Noodle Mung Bean 300g
200+ Sold
100+ Sold
Roasted Spicy Seasoned Monkfish Fillet, 5.64oz
200+ Sold
300+ Sold
Honey Passion Fruit Tea Marmalade 1.1lb
100+ Sold
200+ Sold
Canned Napa Cabbage Kimchi 160g
100+ Sold
Roasted Monkfish-Original 160g
50+ Sold
Dried Glass Noodle Sweet Potato 500g
100+ Sold
Honey Passion Fruit Tea, 35.27oz
70+ Sold
Seasoned & Rosted Seaweed Snack 60g 12pc
200+ Sold
Roasted & Seasoned Seaweed 80g
80+ Sold
Korean Kalguksu Knife Cut Noodles 3lbs
50+ Sold
BBQ Sauce Powder for Lamb Mild 268g
70+ Sold
Dried Glass Noodle-Sweet Potato 680g
80+ Sold
40+ Sold
400+ Sold
60+ Sold
Dried & Seasoned Squid Sliced Red 6oz
Crunchy Rice Snack original 80g
80+ Sold
Crunchy Rice Snack Honey Cinnamon 80g
100+ Sold
20+ Sold
ALOE Drink Pomegranate Flavor 500ml
100+ Sold
10+ Sold
You've Recently Viewed
{{email ? __('Got it!') : __('Restock Alert')}}
We will notify you by email when the item back in stock.
Your email: {{remindEmail}}
Subscribe successfully!
You will receive an email shortly
at :


text:
I don't think people realize what it means to have Celiac disease.
First and foremost, it is not obsessive once you get the hang of things. There is no need for panic.
Second, it does make one much more likely to think about food ahead of time far more than your typical person.
Third, when you don't do the second thing, you will either want to (a) eat your own arm while out and about or (b) kick yourself repeatedly and then (3) eat something less than satisfactory but still within the "safe" range of "food".
Think of it like a Hurricane Category Scale. It works something like this:
Hurricane Definition: Very dangerous winds, could cause some damage.
Celiac Definition: Celiac knows hunger will happen and therefore attempts to plan AHEAD to meet the hunger pangs.
Hurricane Definition: Extremely dangerous winds, will cause some damage.
Celiac Definition: Hungry Celiac has insufficient food plan, crabbiness ensues and the plan is adjusted.
Hurricane Definition: Devastating damage will occur.
Celiac Definition: Hungry Celiac fails to plan and now dreams of eating own arm while driving to next appointment.
Hurricane Definition: Catastrophic damage will occur.
Celiac Definition: Hungry. Crabby. Can no longer communicate.
Hurricane Definition: Catastrophic damage will occur.
Celiac Definition: You so don't even want to know….Worst of all: I have only myself to blame if I fail to plan, *I* fail myself.
Thursday was one of the days of my life that I ended up in a Category Three hunger mode.
My diary for Thursday would read something like this:
5:40AM: Why in God's name am I awake? Oh yes, because I finally fell asleep at 3:15AM (thank you, obnoxious neighbors… but that's another story), so naturally I should wake up, right?
7:00AM: Both girls are cuddled up with me reading a book and checking the very cool visual weather apps on the iPad.
8:00AM: All 3 of the girls are dressed and downstairs. Dad is off to work. Girls are eating breakfast and pestering each other. I am wondering where the coffee scooper is. Guess I should eat a little Greek yogurt too (thinking the protein will sustain me a little…).
9:30AM: And we're off… to the bank, to the gas station, to day care and then to the airport. (I took pictures for a couple whose newly adopted son just arrived from South Korea.)
3:30PM: Wait, what? It's 3?? Holy hell! It took forever for that little guy to make it through customs (seriously 2+ hours = unreal). Way to go, SeaTac for planning the arrival of 8 international flights within an hour. Oh yea. Awesome. But now, I thought I'd be back on the road by 2:45-3. Attempt to call hubby to check and day care to let her know. Cell battery is dead. Wonderful. Pit stop for car-charger and oh look… a Starbucks. I contemplate the dangers of buying the "protein" plate and tossing the bread/cracker thing and eating the rest… but I can't figure out how it is package and whether I would be able to eat anything in it after the bread is tossed? (Is the bread packed separately or part of the mix? There in lies the question.) I am freakin' hungry.
4:00PM Back on the highway for long drive home (considering traffic and that it is 44 miles to go). Still hungry. Seeing signs for McDonald's, BK, blah…blah…blah… and I'm trying to hold out for dinner. After all, if I eat now, I'm not going to want dinner but will still be cooking it… BUT if i don't eat something, I might just have to eat my arm off before too long.
4:25PM Reach into "secret hiding spot in car" in hopes that I have one remaining pack of nuts or jerky or SOMETHING. Disappointed to find *nothing* remaining. Open purse. Eat tic-tac. Anger at self ensues.
4:30PM My Love calls. Notices I'm "crabby" and responds with "just go get something". My "crabbiness" is somewhat restrained as I contemplate shouting "AS IF IT IS THAT EASY" into the Bluetooth. (PS. That would so not have been cool, I'm glad I had some reserve brain power in order to hold my tongue.) Instead, I say… hey honey, what do you say we get pad thai or something tonight. He responds with "good idea, I was going to suggest the same". See. I do love him. 😀
4:50PM Get kids. Chat with CH (day care wonder woman). Stomach growls. Apparently one tic-tac is not going to cut it.
5:30PM Husband is home and notices defrosted chicken. Calls to say "Hey… should we just stay in to eat the chi…." He is cut-off my raging hunger beasts (there are now three hungry ladies in the car) who say "HEY! I thought we could get pad thai tonight!" (And no, I was not alone in my response. Zoe was gladly louder than I was too. LOL)
6:30PM Veggie Summer Roll (rice paper, lettuce, noodles, carrots, etc) in hand with homemade sweet ginger dipping sauce. My brain returns to normal slowly over the course of the meal.
7:45PM I think about being able to grad whatever/whenever. How, with a clear head, I can easily find something to eat – and even problem-solve; but when I'm hungry I totally cannot. I wished we had the money to start a gluten free food truck with wraps, sandwiches and soups. Because I really needed that: sandwich, wrap or soup. Something. Man, it can be frustrating sometimes.
But as I said, I have no one to blame but myself. I should have packed something – anything. A handful of almonds, a wrap sandwich, a little homemade spam musubi in a lunch tin, … etc. .. SOMETHING. I promise myself as I go to bed that night that I will try to avoid this in the future.
And I know full well it will happen again.
And then I wish for that freakin' food truck again.
Hmm… if only.
Avoid hunger meltdowns. Make these and pack one for your next outing. I can't call them apple turnovers (which usually use puff pastry) because they are not. This morning it hit me: these babies are like Hostess Fruit Pies… only minus the chemicals and gluten. Do you remember those?
Really – we (the girls and I) just tossed these together because they wanted to cook… and I wanted to use the apples up. I didn't want another apple pie and I didn't want to look up my recipes for pie crusts; thus this was born.
Actually, the dough is super pliable. I really like that. I rolls easily/nicely between two pieces of parchment paper. However, it is NOT a flaky crust. It totally is a Hostess Fruit Pie crust.
I think I will take this dough and play around with rolling in some bread pats or shredded butter (frozen stick = shredded in food processor) to form a flakier crust. But for now? This completely fits the bill. I am holding a tartlet/pie thingy in my hand as I write. I'm in heaven.
Tomorrow the girls and I will convert this to a savory pie. I have visions of cheesy goodness (although Zoe is dreaming of peanut butter and jelly within hers and Rory wants laver/seaweed (???!!) in hers). I guess we will see where this takes us.
If you give it a whirl, please come back and let us know what you did with yours!
AND PS: Next time, I'll take pictures of us rolling it out. Guess I didn't get those done as I was managing my two kitchen assistants (egad!) and their love of the stand-mixer. 😀
Crust Recipe
1 teaspoon xanthan gum
1 1/2 cups GF Flour Mix
1/2 teaspoon salt
3 Tablespoons cold butter
1/4 cup COLD water
1 Tablespoon lemon juice
1 egg yolk PLUS 1 whole egg
- In the bowl of your food processor (with the blade attachment), mix together your dry ingredients. Add the butter in pats (3 Tbsps. COLD butter cut into smaller pieces). Blend again until the butter is distributed evenly into tiny peas or smaller.
- Add the cold water, lemon juice and egg. Mix again until it comes together to form a ball.
- Scrap out and form into a disc. Wrap in plastic (or insert into a plastic bag) and refrigerate until ready to use.
When ready to use:
- Preheat oven to 375F.
- Divide dough into 6-8 pieces (depending on the size of your tartlets/pie thingies). We made 4 large triangles (made from 6-inch or so squares (BIG, IMHO!) and one open tart (8″ x 5″) for Dad.
- Roll out your dough between two pieces of parchment paper to the desired thickness (about 1/4 inch). Fill with 2-4 Tablespoons (more/less depending on the size of you dough) of your desired filler. (We used mostly cooked apples with cinnamon a la apple pie filling for the ones in the photos – See below for a rough guess as to our "measurements").
- Bake on a piece of parchment paper for 15 minutes at 375. Lower the temperature to 350 and bake an additional 10 minutes until the outer edges of the crust turn golden.
- Top with icing, if so inclined. (I used a pat of softened butter, 2 Tablespoons of milk and well… umm.. I didn't measure but about 1/2 – 2/3 cup of powdered sugar. Mix to a semi-thick glaze and drizzle over the warm pie-lets).
3 Fuji apples (hard for me to measure, as my "helpers" helped themselves to lots of apple slices as we prepped)
2 Tablespoons lemon juice
1/4-1/3 cup of sugar (depending on the sweetness desired/sweetness of the apples)
1 Tablespoon cinnamon
2 Tablespoons of butter
2 Tablespoons of GF Flour mix
- Peel and core your apples. Slice into thin strips (about 1/4 inch thick). Toss the strips with the lemon juice as you go in a bowl.
- Preheat a pan over medium. Add the butter. Dump in your apple slices, sugar, cinnamon. Cook over medium heat until the apple slices are tender but NOT mushy (8 minutes or so).
- Taste and adjust your sweetness level. (Add lemon juice, if desired too)
- Sprinkle the 2 Tablespoons of GF Flour mix over and stir in. Cook an additional 2-3 minutes until the moisture/sauce begins to thicken.
- Remove from the heat and set aside until ready to use. (I had left overs, so I added them to the bottom of a oven-puffed pancake for breakfast the next day after storing in the fridge overnight.)


text:
- Make sure this fits by entering your model number.
- For rooms up to 1500 square ft
- Oxidizes odors, fungi, mold and other parasites, and toxic chemical gases
- Surpases (HEPA) and other methods like electrostatic filtration, ozone, ultraviolet light & ionzers
- Destroys microorganisms like bacteria and viruses
- Warranted against defects in material and workmanship. 3 Year Limited
Airwise is based on advanced technology that goes beyond mechanical filtration methods like high-efficiency particulate air (HEPA) and other methods like electrostatic filtration, ozone, ultraviolet light and ionizers. Airwise technology (photocatalysis plus WisePointeTM) oxidizes odors, fungi, mold and parasites, and toxic chemical gases. At the same time, it settles dust and other large particles out of the air and destroys microorganisms like bacteria and viruses. Airwise creates inductive warmth, drawing humidity into the purifier. When humidified air enters the target area, a photocatalytic reaction occurs and superoxide ions and hydroxyl radicals are created. As an added benefit, positively charged indoor pollutants are treated by the WisePointe technology which generates active negative ions at an accelerated rate, thereby enhancing the speed at which dust and other airborne particles are dropped out of your breathing space. Airwise technology works "outside of the box so it is not necessary for polluted air to actually enter the purifier. This process significantly reduces allergens such as pollen, pet dander, dust and smoke; and it destroys viruses, bacteria, mold and mildew. So, why settle for stick (grid) units or noisy fan machines? Air that is not circulated through those units is never purified! Airwise needs no fan, so it's totally silent. And it has no grid or filter, so it requires no cleaning or filters replacement. All you do is replace the photocatalytic lamp module once a year (no tools required).


text:
Vintage Film Projector Patent Print
You will love this unique archive print of a 1902 Film Projector patent, presented as a vintage industrial or steampunk style drawing. It is part of our curated collection of the most unique, novel and elegant vintage industrial style prints, perfect for any home décor style.
Industrial style prints have a unique combination of rustic charm and timeless style, in a way that works equally well for your living room or your workshop. Displaying historical patent prints as art recognizes and celebrates the beauty of innovation and industrial design. This print is available in a range of sizes and styles, please see the above options to select the perfect combination for your space.
Rather than a work of fanciful fiction, each of our designs is based on an authentic historical American patent drawing, carefully restored and remastered to its original simple beauty. To realize the vision for our signature styles, high resolution textures, colors and lighting adjustments were painstakingly assembled to create a variety of rich visual textures with lifelike texture, color, and patterns of wear.
Each order is carefully hand printed with an Epson Stylus Pro 7900 ink jet printer on 10.3 mil heavy weight Epson Enhanced matte paper, resulting in a crystal clear rendition on a velvety smooth finish that is as pleasing to touch as it is to look at. After printing, each piece is thoroughly inspected and then carefully packed by hand to ensure it arrives in perfect condition, ready for framing.
We aim for perfection with every order. To help ensure this, 8x10 prints are packed flat in durable mailers, while 12x16 and larger prints are rolled in a mailing tube. If anything is wrong with your order, just let us know and we'll make it right.
Questions about processing and shipping times? Please see our Shipping page for more details.


text:
A private university of 11,000 students near the center of Dallas, SMU offers strong undergraduate, graduate, and professional programs through seven schools.
Page Not Found
We're sorry! The page you are looking for does not exist. You may have mistyped the URL or clicked on an out-of-date link.
You might find what you're looking for in our site index listing, or try a search.
Here are a few things that you will find at SMU!
SMU's student-faculty ratio is 11:1, and 3 out of 4 classes have fewer than 30 students, so professors know students by name. Devoted to teaching, they value the classroom experience as much as pursuing groundbreaking research. Get all the facts about SMU.
SMU students are having amazing adventures, living and studying in Europe, Australia, Asia and other exciting locations and sharing their tales online. 148 programs in 50 countries offer courses, cultural immersion, research and internships abroad.
SMU is a great place to live and learn. Tree-lined paths, outdoor art, soothing fountains and colorful gardens invite you to enjoy SMU's serene setting and the great Dallas weather. SMU is serious about sustainability and is committed to building only eco-friendly, LEED-certified green buildings.
SMU offers more than 100 majors and 75 minors in the humanities, sciences, engineering, business, communication, performing and visual arts, and education. Traditional disciplines are complemented by innovative programs, such as arts entrepreneurship and human rights.
SMU draws on the resources of its location in Dallas – a larger-than-life city that is among the leading centers in the nation for business, innovation, culture and service. A steady economy and #3 national ranking for Fortune 500 corporate headquarters make Dallas a great place for internships and potential jobs in many industries.


text:
Israeli-Palestinian clashes erupt in West Bank
- At least 10 Palestinians wounded in clashes
- Israeli army raids into Palestinian areas to seize activists, militants are common
- Israeli military said it arrested a "terrorist affiliated with the Islamic Jihad terror group."
TAMOUN, West Bank (AP) — An arrest raid by undercover Israeli soldiers disguised as vegetable vendors ignited rare clashes in the northern West Bank on Tuesday, residents said, leaving at 10 Palestinians wounded.
Israeli army raids into Palestinian areas to seize activists and militants are fairly common. The raids are normally coordinated with Palestinian security forces, and suspects are usually apprehended without violence.
The clashes began early Tuesday after Israeli forces disguised as merchants in a vegetable truck arrested one man. Regular army forces then entered the town, prompting youths to hurl rocks to try to prevent more arrests.
Israeli forces fired tear gas, rubber bullets and live ammunition as youths set tires and bins on fire to block the passage of military vehicles. In several hours of clashes, dozens of masked youths hid behind makeshift barriers, hurling rocks and firebombs at soldiers.
Faris Bisharat, a resident of Tamoun, said 10 men were wounded, some by live fire. Bisharat said the wanted men belong to Islamic Jihad, a violent group sworn to Israel's destruction. It wasn't clear how many men Israeli forces sought to arrest. There were no immediate details on how seriously the 10 were hurt.
The Israeli military said it arrested a "terrorist affiliated with the Islamic Jihad terror group." It said two soldiers were injured during the raid.
The fighting, which broke out in several parts of the town of some 8,000 people, were a rare, angry response. It was also unusual for Israeli forces to use live fire toward Palestinian demonstrators. Israel says it uses live fire only in extremely dangerous situations.


text:
Desciption : Watch free daily collected Easy going college girl ready to offer a hand sex videos. Enjoy the biggest indian porn video website and watch the best Easy going college girl ready to offer a hand porn videos.
Welcome to indian porn video website. Daily update thousands of free indian sex videos for free. Just select the video which you like and go ahead. You dont need to be a member, pay money for watching or other things. Just watch the best hd Indian Sex Videos for free. We add new porn videos everyday. The videos are in hd quality and all them are fast. Also you can watch free porns from mobile, pc and all other devices which has the internet connection. Free Indian Sex, Tamil Porn, xxx indian, indian tube, sex videos, free porn


text:
ChaCha random number generator
No vulnerabilities detected
Sonatype Lift installs as a Github app to automatically flag vulnerabilities on every pull request, and reports
findings as comments in code review. Lift catches high-risk issues and screens out likely false-positives,
helping you fix the things you care about most. See what Lift finds in your project.


text:
Available Now!
Clouds, chalk, pale hydrangeas on a rainy day. A cool, airy, grayish white.
Mushrooms, coffee with cream, cowboy hats. A warm, round, pale brown.
Cinchona, hard spices, scorched earth, red rock cooling in canyon shadow. A stately, burnt, terra cotta.
Toasted oat milk, buttered biscuits, slow dough-rising. A warm, tan-toned, off-white.
Hazy Polaroids, tiger oak beams, baked apples. A honeyed, nostalgic ochre.
Lake pebbles, wet concrete, slate. A medium, clean, classic blue-gray.
Double yolks, No. 2 pencils, high noon. An incandescent, buoyant peach.
Rubber garden boots, rally car, tourmaline. A deep, riparian green.
Lilacs, chalcedony, violet ice cream. A tender, muted, pastel purple.
Pressed damask roses, sunrise mesa, ancient bronze coin. A shimmery, dusky mauve.
Mondrian, Matisse's dancers, the Blue City of Morocco, a brand new ball cap. Ancient, classic, and futuristic. True blue.
Surf wax, salty hair, retro VWs, the sun rising over the Santa Monica Mountains
Tiki drinks, orange groves, suntans, and the sun sinking into the Pacific Ocean.
Grape must, raw amethyst, papal gowns. A confident, grounded, humble purple.
Moonlit lake, beetle shell, wet fir. A dark, frosty, teal.
Opuntia flower, baby chick, banana taffy. A radiant, luminous yellow.
Grass, matcha, baby beech leaves. A fresh, grounding, vegetal green.
Periwinkles, powder blue butterflies, clear summer mornings. A dreamy, milky, atmospheric blue.
Art Deco dawn, cat's nose, parlor sofa, beach dusk. A sanded, present-tense pink.
Desert rocks, glowing bonfire, dusty sunsets. A soft, rusty, lambent orange.
Christmas flowers, holly berries, and winter cardinals. A radiant, luminous, holiday red.
Sand, palomino, créme caramel. A light, delicate, mellow beige.
Wet soil, mahogony wood, coffee beans. A dark, calm, chocolatey brown.
Rose milk, blush, late summer meadowsweet. A gentle, balmy, velvety pink.
Campfire crackle, 70s shag carpet, only for the bold
Coniferous trees, swiss chard, wet moss. An earthy, bold, forest green.
Deep water, blueberries, night sky. A weighty, natural, navy blue.
Our plates have a slight upward lip for spill-proof serving and easy stacking.
Cake Plate
a piece of tres leches cake,
a few cookies,
a thick slice of buttered sourdough
Side Plate
a turkey sandwich,
a bánh mì,
a slice of lasagna,
tacos al pastor
Dinner Plate
kebabs with rice,
coq au vin over potatoes,
a burger and fries,
a whole 9" round cake
The Platter
a pile of steaks, high-to-the-sky pancakes, charcuterie, artful arrangement of fruit
The bowls in this series are wide slung and have a trimmed foot.
(to the brim)
Breakfast Bowl
granola with yogurt,
Everyday Bowl
spaghetti alla puttanesca,
daal and rice,
a garden salad,
hummus for a party
Weeknight Serving Bowl
a whole roasted and sliced chicken,
a bag of lemons,
tortilla chips
The Coupe
foods with sloshy sauces, a pile of pasta, an entree salad
The bowls in this series of have steeper sides, rounded bottoms and flat feet.
Bitty Bowl
tea bags,
dipping sauce,
Ice Cream Bowl
two scoops of mint chip,
a carton of figs,
a kitchen sponge
Soup Bowl
butternut squash soup,
lucky charms with milk,
Popcorn Bowl
potato chips,
fully loaded ramen,
pancake batter,
a big green salad for one
Mixing Bowl
bread dough,
birthday cake batter,
one dozen apples,
party-size orzo salad
Blown in Asheville, NC by Hayden Wilson
Handblown Rocks Glass -
OLD Amber
OLD Black
East Fork Linen Napkin -
$32 - $38
Black Mountain
Gingham Piglet
Blue Ridge


text:
My latest column at RH Reality Check discusses the fact that last week was the tenth anniversary of National Latino AIDS Awareness Day, and delves a bit into the causes of race-based health disparities.
I was inspired to write about this topic after hearing scholar and Professor Dorothy Roberts speak at Barnard College. She's the author of two incredible books about race and health, Killing the Black Body–an absolute must read for anyone interested in reproductive rights, and Fatal Invention, her most recent book (which I reviewed here last year).
Fatal Invention takes on the question of race and genetics, and addresses the growing movement which tries to connect race-based health disparities to genetic difference, despite very little evidence to support these claims.
Latinos do not experience higher rates of HIV and AIDS because of any unique genetic propensity or susceptibility toward the disease, but instead because of the social and economic reality faced by Latinos that lead to higher rates of HIV infections and AIDS-related illnesses. Things like lack of access to health care, homophobia, lower rates of condom use, and language barriers among other causes.
To some it may seem absurd to think that anyone would argue that race-based health disparities are a result of genetic or biological differences among racial groups, but the fact is this argument is on the rise, and it isn't new. Studies with these kinds of claims grace the front page of the New York Times science section on a regular basis. Rather than acknowledge disparities, some want to highlight the concept of difference—meaning that racial groups have biological differences that account for these statistics, rather than blaming the conditions of racism that shape our lives and our health.
This distinction feels as important to highlight as the problem of race-based health disparities themselves, particularly in an era where the FDA can approve a race-specific drug (BiDil, a drug for congestive heart failure) with little scientific evidence backing the claim that it successfully targets African Americans over other groups.
Our work to address health disparities needs to be based outside of the laboratory or pharmaceutical industry, and instead placed in the broader social context that is likely to blame for these disparities in the first place.
Precisely because I talk so much about these race-based health disparities, I think I, and all of us, need to do a better job of explaining the likely cause. Because if not, in our silence, the assumption can be made that the statistics are simply a matter of differences. This obscures the real and horrific injustice of poverty, racism and all of the other social factors at play.


text:
Former Creedence frontman Fogerty gets book deal
NEW YORK (AP) — Add one of rock 'n' roll's most admired and most uncompromising stars to the list of memoir writers: John Fogerty.
The former frontman for Creedence Clearwater Revival has a deal with Little, Brown and Co., the publisher announced Monday. The book is scheduled for 2014 and is untitled. Fogerty, 67, is known for writing and singing such classics as "Proud Mary" and "Bad Moon Rising" and for his clashes with band members and record executives.
"I want to tell the story of how I fought — hard — to maintain my artistic integrity in the face of opposing forces," Fogerty said in a statement issued through Little, Brown and Co., which in 2010 published Keith Richards' million-selling "Life."
Creedence Clearwater is widely regarded as one of the great American rock bands, defying the trend of long jams in the late 1960s and early '70s and turning out an amazing run of tight, top 10 singles. But the righteous edge to Fogerty's vocals and lyrics was matched by his determination to have his own way, including with his brother and fellow Creedence performer, Tom Fogerty. By the mid-'70s, the band had broken up and Fogerty would spend years battling his former music label, Fantasy Records.
His solo career has been sporadic, but he has had hits with "Centerfield" and "The Old Man Down the Road." Fogerty has an album scheduled for next year and plans collaborations with the Foo Fighters and Keith Urban among others.
"The kid from El Cerrito (Calif.) wanted to be the best musician in the world — my promise to myself," Fogerty said in his statement. "I accomplished that goal against all odds, only to have it fall apart on top of me. The songs and the music stopped; you didn't hear from John Fogerty for years. All of this took its toll on me. I couldn't write a song, sing a song. And it was so hard on me, all of the lawsuits and betrayals. I was personally fading away. My story will share the ups and downs and how it all affected me. The road back was a bumpy one, and I knew that it would take years to come out of it, but I did. Happily, I did, with my dear wife, Julie, by my side.
"I have come to a place where I can look back and reflect on those stories and share what really happened. I am the guy who lived it, and you will hear me tell the story for the first time."


text:
Get the Ad-Free Experience
Do you find Quizly fun and want to support us? Become a subscriber!Learn more
About This Quiz
Music moves the soul, or so it is said. How many of these musical instruments can you identify?
Take this quiz and find out!
About Quizly
Trivia meets entertainment on Quizly. Since 2015, Quizly has been the leading provider of entertainment on the web, on mobile devices, and on social media. We are dedicated to both entertaining and educating our millions of quiz takers around the world.
Through topics like history, language, and general knowledge, our quizzes motivate users to not only test their existing knowledge but to cultivate new learning experiences at the same time. Has it been a long time since you left school? Challenge what you have learned from those days in this elementary school exam, high school literature test, and high school quiz.
Lifelong learning is very important. For a different spin to your run-of-the-mill school quizzes, have a go at this 8th grade test from 1912 or 1895 exam. Don't forget to get your IQ score in this intelligence test.
We draw inspiration from food and world travel, to music and movies, helping us create smile-inducing personality quizzes even if you only have just ten minutes away from work. Do you ever wonder what your name should really be, who your celebrity soulmate is, and what lies in your future? Our personality quizzes are designed to be highly engaging and appealing to a wide audience. How would you make your dream pizza, build an all-star superhero team, or create your imaginary family? Our passion for all things good in life brings out the odd, quirky, and straight up bizarre in all our team, and we wouldn't want it any other way.
The team at Quizly loves reading the reviews you leave for us. Sometimes it may be highlighting an error we made on a quiz, but often it is a kind comment to say you enjoy our quizzes and to keep going!
At Quizly, we make it our business to keep you happy and entertained as this is our raison d'être! We feed on the positive energies you leave here so please keep your comments coming! Got a great quiz idea? Please let us know. Even better, if you'd like to contribute in writing a quiz, write in anytime! Contact us here.


text:
You may need approval to place commercial waste in a public place for the purpose of collection by a waste contractor.
Commercial waste includes effluent, trade waste and garbage. Effluent is an outflow of water or gas from a sewer, sewage facility, sullage pit or grease trap. Trade waste is liquid or gas from any industrial, chemical, trade or business process, including any building or demolition work. Garbage is wasted or spoiled food and other refuse, as from a kitchen or household.
A licence defines the need to obtain recognition / certification and registration to undertake a certain business activity.
Please consult the Contact Officer for more information regarding eligibility requirements.
Fees Details for this service in table format.
Please consult the Contact Officer for information on fees to be submitted.
Local Government Act 1993 New South Wales
Local Government (General) Regulations 2021 New South Wales
Bayside Council
Contact Email, Phone and Address Details for this service in simple two column table format, header then data.
Bayside Council


text:
The system will be unavailable for updates from 12:30 on Tuesday 23 May to prepare for the upgrade of the software platform.
Novel treatment strategies for HER-2 positive breast cancer
; ; ; ; (2013)
Please help populate SUNScholar with the full text of SU research output. Also - should you need this item urgently, please send us the details and we will try to get hold of the full text as quick possible. E-mail to firstname.lastname@example.com. Thank you.
Geneeskunde en Gesondheidswetenskappe
Proceedings National


text:
We are looking at a coastal flood around New York City region tonight that is nearly certain to be record-breaking. The morning flood at The Battery and other nearby locations was close to the flood elevation of Irene, and only about a foot lower than the record-setting flood there of Hurricane Donna (1960). We may even best the highest flood elevations in NYC history, which occurred in 1821. This morning's flood elevations are a useful preview of what will occur this evening as Sandy's worst comes our way — expect roughly 2-7 ft higher flood elevations, and find high enough ground to be safe from the higher end of that, just in case!
I am basing this on the range of expected storm surge, 6-11 ft, as well as the fact that the flood is likely to come near high tide at 8:48 pm, which adds 2.4 feet more (relative to mean sea level, MSL, similar to NAVD88). This total water elevation (storm tide) is 8.4-13.4 ft above MSL whereas 7.4ft above MSL is the record elevation from 1960's Donna. That is, this flood is likely to beat the Battery record by 1 to 6 ft! And the estimates of the 1821 flood elevation are roughly 11 ft above MSL, so we may even best that approximate level that is thought to be the highest in all ~400 years of New York City (and New Amsterdam) history.
This is no celebrating matter, as this puts seawater roughly 2.5 to 7.5 ft above the city's lower seawalls and deep water may quickly come into the city's lower neighborhoods.
Make no mistake — this isn't just a concern for Evacuation Zone A, it could be a danger to people at low elevations in all the Evacuation Zones. People in basement apartments or on the first floor should be ready and watching out this evening for floodwaters, and have a plan for quickly getting to a higher floor if they aren't already "evacuating" to a friend's apartment.


text:
Oklahoma tornado: Crews dig desperately through night
MOORE, Okla. — Spotlights bore down on massive piles of shredded cinder block, insulation and metal as crews worked through the night lifting bricks and parts of collapsed walls where a monstrous tornado barreled through the Oklahoma City suburbs, demolishing an elementary school and reducing homes to piles of splintered wood. At least 51 people were killed, including at least 20 children, and those numbers were expected to climb, officials said Tuesday.
The storm left scores of blocks in Moore barren and dark. Rescuers walked through neighborhoods where Monday's powerful twister flattened home after home and stripped leaves off of trees to see if they could hear any voices calling out from the rubble. A helicopter buzzed above, shining lights on crews below.
As Monday turned into Tuesday, the town of Moore, a community of 41,000 people 10 miles south of the city, braced for another long, harrowing day.
Families anxiously waited at nearby churches to hear if their loved ones were OK. A man with a megaphone stood Monday evening near St. Andrews United Methodist Church and called out the names of surviving children. Parents waited nearby, hoping to hear their sons' and daughters' names.
While some parents and children hugged each other as they reunited, others were left to wait, fearing the worst as the night dragged on.
Crews continued their desperate search-and-rescue effort throughout the night at Plaza Towers Elementary, where the storm had ripped off the school's roof, knocked down walls and turned the playground into a mass of twisted plastic and metal as students and teachers huddled in hallways and bathrooms.
Children from the school were among the dead, but several students were pulled out alive earlier Monday from under a collapsed wall and other heaps of mangled debris. Rescue workers passed the survivors down a human chain of parents and neighborhood volunteers. Parents carried children in their arms to a triage center in the parking lot. Some of the students looked dazed while others appeared terrified.
James Rushing, who lives across the street from the school, heard reports of the approaching twister and ran to the school, where his 5-year-old foster son, Aiden, attends classes. Rushing believed he would be safer there.
"About two minutes after I got there, the school started coming apart," he said.
As dusk fell, heavy equipment rolled up to the school, and emergency workers wearing yellow crawled among the ruins, searching for survivors. Crews used jackhammers and sledgehammers to tear away concrete, and chunks were being thrown to the side as the workers dug.
Douglas Sherman drove two blocks from his home to help.
"Just having those kids trapped in that school, that really turns the table on a lot of things," he said.
Another school, Briarwood Elementary, was also damaged by the tornado, but not as extensively as Plaza Towers.
Oklahoma Gov. Mary Fallin deployed 80 National Guard members to assist with rescue operations and activated extra highway patrol officers.
Fallin also spoke Monday with President Barack Obama, who declared a major disaster and ordered federal aid to supplement state and local recovery efforts.
In video of the storm, the dark funnel cloud could be seen marching slowly across the green landscape. As it churned through the community, the twister scattered shards of wood, awnings and glass all over the streets.


text:
This policy attempts to balance the rights of many parties, including those who have posted content to public lists and forums, those who own and administer the public lists and forums, and those who link to and reference the MarkMail® archives as an information source.
MarkMail does not take message removal lightly. If there is content you would like removed from MarkMail that fits one of the cases below, please fill out the form at bottom with the relevant details. We prefer requests from the archive owner and/or requests that come with evidence that the content has been removed from the originating source.
Case 1: Content in Violation of the MarkMail Content Policy
Any content in violation of the MarkMail Content Policy is subject to removal. This includes:
- Spam or other advertising
- Pornographic, violent, or hateful content
- Personal, private or confidential information
- Viruses or malware
- Attempts to perpetrate fraud
- Unlawful content
- Infringing content
Case 2: Content Removed from Original Source
For all other content, MarkMail policy is to remove only on request from the administrator of the originating archive. We will also remove content that has been removed from the originating archive as well. To request removal of content that was removed from the original archive, use the form below and include the URLs as well as a pointer to the original archive that no longer serves the content.
Request form
Please use the form below to request content be removed.