text:
Decisions on a PHEIC always involve politics .... West African countries discouraged a declaration in 2014 after they were hit by the largest Ebola virus outbreak on record, mainly because of concern about the economic impact.------------------------
Since 2017, Trump's travel bans have never been rooted in national security—they're about discriminating against people of color. They are, without a doubt, rooted in anti-immigrant, white supremacist ideologies. This travel ban is no different.On Feb 03, criticizing Trump for his travel restrictions continues. Chinese foreign ministry spokeswoman Hua Chunying (华春莹), a Peking University professors James Liang (梁建章), New York Times, the Nation, OBSERVER, the Boston Globe, Yahoo, and Daily Kos were saying,
China's delegate took the floor ... and denounced measures by "some countries" that have denied entry to people holding passports issued in Hubei province - at the centre of the outbreak - and to deny visas and cancel flights.Also on Feb 03, China is expected to gradually implement a larger stimulus packages (in total) than a USD $572 billion from 2008. — We'd never find out but my guess is that the fund will probably go to Shanghai clique.
The speed ... pushing through a new diagnostic test shows just how seriously they're taking the potentially pandemic threat of 2019-nCoV. It's also a sign that the world is starting to learn how to deal with an onslaught of new pathogens.Also on Feb 04, the Wuhan Institute of Virology and China's Academy of Military Medical Sciences (AMMS, Chief Chen Wei belongs to) have jointly applied to patent the use of Remdesivir. Scientists from both institutes said in a paper published in Nature's Cell Research that they found both Remdesivir and Chloroquine to be an effective way to inhibit the coronavirus.
As countries are trying to develop their own control strategies, they are looking for evidence of whether the situation in China is getting worse or better. [But] We still don't have very basic information. [since the WHO just entered China] We hope that information will be coming out.On the same day, the CDC reports that the 15th case in the US was confirmed. The patient was a part of group who were under a federal quarantine order at the JBSA-Lackland base because of a recent trip to Hubei Province, China.
Fast! There is no time difference to raise urgently needed materials! Some Overseas Chinese have used their professions in the field of medicine in order to purchase relevant materials Hubei province in short of supply (to send them to China). .... Some Overseas Chinese took advantage of the connection resources, opened green transportation channels through our embassies and consulates abroad, and their related enterprises, and quickly sent large quantities of medical supplies (to China), making this love relay link and cooperation seamless.On Feb 18, Reuters reports that 3M is on the list of firms eligible for China loans to ease coronavirus crisis.
There is no indication from the list that loans offered will necessarily be sought, or that such firms are in any financial need. The Bank of Shanghai told Reuters it will lend 5.5 billion yuan ($786 million) to 57 firms on its list.On Feb 21, Xi Jinping writes a thank-you letter to Bill Gates for his foundation's support to China regarding COVID-19 outbreak.
.... the WHO said it has repeatedly asked Chinese officials for "disaggregated" data — meaning specific figures broken out from the overall numbers — that could shed light on hospital transmission and help assess the level of risk front-line workers face. "We received disaggregated information at intervals, though not details about health care workers," said Tarik Jasarevic of the WHO. — The comment, in an email on Feb 22 to the Post, was one of the first instances that the WHO had directly addressed shortcomings in China's reporting or handling of the coronavirus crisis.On Feb 27, after missteps, the CDC says its test kit is ready and the US started to expand testing.
Dr. Li Wenliang said in the interview with Caixin media; [in Dec 2019] another doctor (later turned out to be Dr. Ai Fen) examined and tried to treat a patient who exhibited SARS-like symptoms which akin to influenza resistant to conventional treatment methods. And "the family members who took care of her (the patient) that night also had a fever, and her other daughter also had a fever. This is obviously from person to person" Dr. Li said in the interview."------------------------
If China retaliates against the US at this time, it will also announce strategic control over medical products, and ban exports of said products to the US. ... If China declares today that its drugs are for domestic use only, the US will fall into the hell of new coronavirus epidemic.On Mar 05, Shanghai Index has recovered the coronavirus loss almost completely.
To make it clear again on coronavirus: CureVac has not received from the US government or related entities an offer before, during and since the Task Force meeting in the White House on March 2. CureVac rejects all allegations from press.On Mar 16, the fan club of European globalists has published a piece titled, "China and Coronavirus: From Home-Made Disaster to Global Mega-Opportunity." The piece says:
The Chinese method is the only method that has proved successful [in fighting the virus], is a message spread online in China by influencers, including many essentially promoting propaganda. ... it is certainly a message that seems to be resonating with opinion leaders around the world.On the same day, unlike China that had one epicentre, Wuhan city, the US now overtakes China with most cases reporting multiple epicentres simultaneously.
Although optimal dosing and duration of hydroxychloroquine for treatment of COVID-19 are unknown, some U.S. clinicians have reported anecdotally different hydroxychloroquine dosing such as: 400mg BID on day one, then daily for 5 days; 400 mg BID on day one, then 200mg BID for 4 days; 600 mg BID on day one, then 400mg daily on days 2-5.------------------------
Turkey's lira weakens 4 percent, Trump says won't take pastor's detention 'sitting down'Here are some other articles about this story:
Real-time forex news and the latest trading updates. What you need to know now about the GBP, Dollar, Yen, Euro and minors. Coverage of post-market trading including futures information for the S&P, Nasdaq and NYSE. Forex news from ForexLive. The fastest Foreign Exchange market reporting and analysis. Live Forex and economic news. Technical analysis, headlines, Live quotes. Any news, analysis, opinion, price quote or any other information contained on Forex Crunch and permitted re-published content should be taken as general market commentary. This is by no means investment advice. Forex Crunch will not accept liability for any damage, loss, including without limitation to, any profit or loss, which may either arise directly or indirectly from use of such ... Forex news featuring technical analysis, price summaries, and links to the best commentary on 40 currency pairs -- each updated every 4 hours. Find the latest articles about forex analysis, reports and videos around the forex market, currencies and pairs. Study the present and improved your trade Biden is way ahead in the state, CNN projecting he has taken the state. Electoral College votes for Biden with Michigan now total 253, 270 required to win the presidency. Trump is on 213. By ... CNN President Jeff Zucker - a survivor of corporate drama throughout AT&T's (NYSE:T) purchase and stewardship of CNN parent Time Warner - may be on his "last lap" ahead of a contract expiration ... Politics at CNN has news, opinion and analysis of American and global politics Find news and video about elections, the White House, the U.N and much more. Realtime Forex offers an insight into the primary methods of analysing the Forex markets. All Forex news and analysis is updated at a very minimum, on a daily basis. However, some tools are updated with much greater frequency. This website consists of Forex news, Fundamental analysis, Technical analysis, Technical forecasts and FX tools.
[index] [3271] [11194] [1807] [18842] [21100] [13537] [10565] [28376] [24023] [10654]
🚨🚨Trading Performance 🚨🚨 Improve Your Trading Performance at our Fundamental Trading Academy https://www.toptradersfx.com/academy (Our Academy is 1v1 ... CNN operates as a division of Turner Broadcasting System, which is a subsidiary of Warner Media. CNN identifies itself as -- and is widely known to be - the ... The biggest forex trading opportunity in a decade is right upon us...COVID-19 Trading Performance Improve Your Trading Performance at our Fundamental Trading Academy https://www.toptradersfx.com ... If you're a fan of trading Forex news, just remember you're playing a game you're supposed to lose. It's not a matter of how to trade it, but how to best avo... A CNN panel discusses a series of tweets made by Sen. Marsha Blackburn (R-TN) in which she makes false claims against Lt. Col. Alexander Vindman, a key Natio... CNN's Boris Sanchez had a spirited exchange with Bikers for Trump Founder Chris Cox over his claims on the coronavirus pandemic and its origins. CLICK HERE FOR MORE INFO: https://rebrand.ly/forex33 And start earning in the Forex Market Now! In our expanding international company environment, there are...


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Align.dll , 1 available versions
|Bits & Version
|File size
|32bit 22.214.171.124
|U.S. English
|Align block for Far Manager
MD5 94d234a0703ad46a78cf7c84baae2f06
SHA1 407d71f7a0415812158e918fdeb425a9080fca22
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subset: commoncrawl


text:
TNB: The Jungle
From my vantage beneath a steep bouldering wall at the Movement climbing gym, called by some "the best crag in Boulder," I sat hypnotized by the sight of a tight little package, all hot with hair full of body and bounce, pumping an elliptical machine. I enjoyed this nice moment until the guy (jerk) next to her diverted my attention.
From my vantage beneath a steep bouldering wall at the Movement climbing gym, called by some "the best crag in Boulder," I sat hypnotized by the
sight of a tight little package, all hot with hair full of body and bounce, pumping an elliptical machine. I enjoyed this nice moment until the
guy (jerk) next to her diverted my attention.
I couldn't tell if he was working the machine, or if the machine was working him. He was the rubbery ligament to the elliptical's cranking elbow joint.
His head jutted forward, accentuating his underbite, and his back hunched as if he carried a turtle shell. He was trying really, really hard. I recited
out loud the thoughts I imagined he might be having, matched to the tempo of his earnest workout seizure.
I'm gonna get BIG!
I'm gonna get STRONG!
People are gonna LIKE ME!
My friend Dave cackled cruelly. Gyms are funny. We were in a microcosm of normal life, replete with the same existential dilemmas concerning how we spend
our time. There's nothing better than watching all the absurd things that people do, and thinking about whether any of it really makes a difference.
Will climbing on plastic translate to getting better at climbing outside, the climbing that actually matters? (Technically, outdoor climbing also doesn't
matter, but never mind that).
We watched a skinny, pimply kid, of 15 or 16 go bonkers in the weight room. His ignorance for proper form was only surpassed by his enthusiasm for moving
the heaviest possible thing he could find.
Joe Kinder darted up a V1 warm-up problem like a pouncing panther. He jumped, landed on the mat and puffed his chest. "Still got it," he declared.
Joe's 30 now. He's proud that he can still climb so well in his "old" age—which isn't that much of an exaggeration when you look at all the kids
with half as many years, climbing nearly as well.
A ray of midday sunlight found its way through a window into the gym. It was perfectly nice outside. The trapezoidal block of light highlighted one corner
of the bouldering wall, where a male climber stood, milking a no-hands in full-splay stemming position, six inches off the blue mats. He was wearing
a halter-top and sported two chalk bags, one on each side like gun holsters, a totem to John Sherman that I instantly recognized and admired for its
superfluity. He chalked both hands simultaneously, though for what reason I doubt even he could say.
The climbing gym is the watering hole: a place where all the little creatures of our climbing kingdom come to frolic, play, swagger, sashay, find mates
and throw feces. It's a meat market. A dojo. Occasionally, a dance club. A training ground. A proving ground. A one-upping ground. A place where everyone
knows your name. It's also a place where many of us now spend a majority of our climbing life while maintaining that our time there has nothing to
do with why we call ourselves climbers. The gym is so real, but at the same time, it's not real at all.
Yet nothing else has had a more deviously profound effect on what it means to be a climber. Over the last 25 years, the gym has slowly altered our
perceptions of convenience, and route and move aesthetics; made mutants of our children; aided in raising standards; and been a catalyst for hundreds
of thousands to the outdoors. It is the single most influential aspect of today's climbing culture. Maybe we should talk about it.
I don't want to go into some tired elegy for the bygone days of no climbing gyms. (For that and other recurring hits—including gumby-bashing, retired-climber
self-affirmation, and a great compendium of overly complicated, often dangerous directions to procedures like belaying, leading, cleaning, jugging
and hauling—please visit any online climbing forum.)
Also, I don't feel like commenting on whether the "kids coming out of climbing gyms" will have the right set of ethics to earn their forefathers'
respect. Plenty of kids have come out of gyms and gone on to slay the gnar in good style, just as plenty of gym-bred weenies go on to act like total
fart-breathers at Red Rock's Gallery, ruining everyone's good time with their loud swagger, while simultaneously teetering on the verge of an accident
due to sheer ignorance. Anyway, I'm pretty sure both types existed before gyms.
Gym culture, however, has its own idiosyncrasies that set it apart from other forms of climbing. Certainly my favorite is the Belay Test, which is sort
of like a climbers' Bar Mitzvah. In this Jewish ceremony a boy at age 13 finally becomes responsible, in the eyes of the community elders, for his
actions. In this case, the adolescents are climbers and the elders are the gym owners, who live in perpetual fear that they might be sued.
Everyone takes the Belay Test, and if they don't pass, they remain in a state of arrested development, doomed to boulder like children until one day
managing to grow up and catch a lead fall like an adult.
As an award-winning author of an award-winning book that teaches how to belay and lead climb properly, I always feel funny taking the Belay Test.
It's not that I feel "above" it (I am), it's that I hate it when people watch me do anything, especially something that I could do in my sleep (which,
basically, I have: during one partner's four-hour aid lead).
Fortunately, Belay Tests are all basically the same, so I know what to expect. First your partner climbs, while you belay; then you switch roles. Normally,
the gym has reserved one particular route for the Belay Test, and it is usually rated something farcical like 5.9, even though if it were outdoors
mountain goats would be standing all over the holds. Meanwhile, a designated gym employee monitors you, absolutely basking in this rare moment of power
like he's the cop, and you are the illegal immigrant with a pocket full of llello.
If you try to do something "weird," like tie in with a double bowline or belay left-handed, it throws the tester into a fit that won't stop until you do
something that looks familiar to him. And you just have to do what he says because it's easier than arguing. But that doesn't mean you can't tip the
balance of power by screwing with the tester.
If I have to belay before my friend, I thread my Grigri 2 with the rope normally, but then grab both sides of the rope and start jerking back and forth
on them. Then I say something dumb, like, "Hey, it works BOTH ways!"
Preferably, though, I get to climb first. As I tie in, I play it real cool so neither my partner nor the person testing me suspects anything. Theatrically,
I ask if I am on belay and if I have everyone's permission to climb (PLEASE?!). Then I step onto the wall and launch the largest double-handed dyno
I think I can possibly stick.
"Woohoo, this route is SICK!" I say, flashing the shaka sign down to the wide-eyed tester, who by this point has taken a crouched position, fully locking
down his back-up belay. The tester passes me just so he doesn't ever have to give me a Belay Test again.
Another fun thing to do in gyms is the Chain of Shame, which essentially is a close cousin to pool shark. Everyone has done this, and all of you already
know exactly what I'm talking about. Anyway, to be clear, the Chain of Shame involves watching some boulderer work on a problem that is obviously hard
for him or her. You realize that a) you've already done that problem but this climber doesn't know that, or b) you are pretty certain you can flash
it. Upon recognizing this climber as your unwitting prey, you have trouble containing the wicked grin that soon spreads across your face. You stroll
up to this schlemiel, this rube, and sit and watch him or her climb for a minute. Maybe you try something else first, so as not to be too obvious.
Then, as your victim flails once more, you pretend to be courteous, asking permission, which, by the way, is a truly bizarre bit of bouldering etiquette.
(Has anyone ever said no?)
"Do you mind if I try this with you?" (Beware if you ever hear this!)
The climber will say, "Of course, go right ahead." Then you smoke that problem and drop down onto the mat and say something modest like, "Wow, that was
cool," which really means, "Wow, I can't believe how much better I am at climbing than you."
With each problem you dispatch, you can feel the power of your ego grow while that of your enemy dwindles. Basically these are the same rules as Highlander,
only the Chain of Shame works in reverse. Once you've slain someone, it's this person who advances on to find someone dumber and weaker than he to
Recently, I went to Atlanta's Stone Summit, the newest, biggest gym in the country. Because I don't live anywhere cool, I'm used to training on dingy
garage walls and also a high-school woody that is in a basketball gym (where Tuesday Night Bouldering—the real-life event, not this column—involves
the objective danger of dodging errant high-speed soccer balls). But Stone Summit, to borrow a word from the realm of outdoor climbing, is a destination.
Officially, I was in the Dirty over the holidays to check out what may be the best bouldering in the U.S. Unofficially, I was equally excited to climb
at Stone Summit.
Checking my messages that morning, I read a forwarded e-mail to the magazine. A self-described old guy was taking us to task for printing controversial
articles that challenged his way of thinking, and as I drove to the gym, this note lingered glumly in my head. I wondered if climbers' dogmas and ideologies
would be quagmires that would undermine the roots of our sport, and its potential for growth, for as long as climbing exists. In 50 years, will we
still be citing the Bachar-Yerian, Ron Kauk, top-down, ground-up, et al. and will the radio still be playing "Don't Fear the Reaper" and classic rock?
Upon arriving at Stone Summit, I was immediately in awe—though to be clear, it was nothing like the first time I saw El Cap, or the Southern Alps
or even the Motherlode. It was a different type of wonder, a man-made wonder, which I was neither above nor below appreciating. Compared to the rinky-dink
indoor walls of the 1990s—climb a dead vertical panel to a dead horizontal roof (sucks)—Stone Summit has the grandeur of a modern-day Coliseum.
Standing in a long line to buy my ticket, I felt a bit exuberant, like a kid, not quite recognizing that here climbing had been combined with Disney
World. In fact, 650 people were in the gym that day—most of them kids on high-school teams (Team Texas, Team Illinois) who had traveled with
their coaches specifically to train here during the holiday week.
After passing the Belay Test (stuck the double-dyno!), I scurried over to the lead wall and tied in for a 5.11. It was the first place I ever climbed
indoors where climbing actually felt similar to the experience outside. Unlike most lead walls, which are straight-angle sprint fests, or dumb short
bulges, this wall was tall (55 feet) with well-designed angle changes that forced you to stop and shake mid-route, and created opportunities for multiple
cruxes. Unlike most walls, where the routes get harder because worse slopers are set farther apart, these routes built on themselves. Like "real" routes.
Here you could set true 5.14s and maybe even 5.15s that weren't "dumb."
There were still all the same funny and absurd sights of people working out—hotties on ellipticals; the guy who carries multiple locking carabiners
on his harness and has the "Daisy Chain G-String" flossing his crotch, and so on.
Yet I also saw another side of the indoor experience. The number of levels that must come together for any gym to work gave me a whole new respect
for indoor climbing, and had me wondering how far it can be pushed. The first level is the wall itself. An architect designs the walls, envisioning
all the angles and features that lend themselves to an enjoyable, challenging, useful climbing experience that must parallel nature. Climbing holds
make up the second level. From sharp uncomfortable stones drilled into home woodies, to the incredibly imaginative polyurethane shapes of today, climbing
holds have come a very long way. They are crucial to whether we enjoy or hate a route.
On the third level is the route setter, who uses vision and creativity to bring the work completed in the first two levels to life. The final level is
the climber, whose interaction brings meaning to all the prior stages of work. Even the climber's style can be recognized as art, like a performance.
There is nothing real about indoor climbing, yet it's simultaneously so real. None of this would be possible if all the artists weren't inspired by
the organic patterns and shapes of the natural vertical world. No matter how good indoor gyms become, our goals, aesthetics and values as climbers
must remain firmly rooted in the outdoor world. Above all else, the climbing teams I got to see that day at Stone Summit impressed me most. They
filled me with pride and even envy. Some of the kids were really good, lapping 5.12 and 5.13. A lot of them, however, were working on 5.10 and completely
psyched about their projects. None of them were screwing around, and none of them had attitudes or negative preconceptions. They were leading and belaying
each other well, and projecting in good style. By the end of the day, I had forgotten about the old guy's letter, dismissed it as irrelevant. The future
looked pretty good to me.
Andrew Bisharat wants to thank all the hold shapers, and the owners, builders and route setters that have worked to make Movement and Stone Summit destinations.


text:
Pendleton Quiltworks
Historic Architecture
Pendleton Quiltworks is housed in a 1904 brick building in historic downtown Pendleton, Oregon.
Aborigine Originals
The shop is known for its excellent selection of batiks and Western-theme prints among its 1,500 bolts. It also carries Australian aboriginal fabrics–a rarity in quilt shops.
Meet the Staff
Front row, from left: Kathy Holden, Rachelle Doherty (owner), and Malina Lindell;
back row: Jan Keough, Johanne Moore, Tina Witherell, Kathy Peal, and Colleen Blackwood.
Quilts in all sizes are arranged on the brick walls at Pendleton Quiltworks. Here, a sampling of seasonal quilts adds to the decor.
Small Details
Rachelle and her husband, David, bought the building in 2003. David and a cousin completely gutted and renovated the structure. When they found deep gouges in the fir floors, David filled the holes with old poker chips and silver dollars.
Monkeying Around
At Pendleton Quiltworks, they're devoted to sock monkeys. Two stuffed simians dressed in seasonal garb always occupy the front window.
Quilts Aplenty
Pendleton Quiltworks displays a large selection of stitched samples, including The Neighborhood by Sweetwater Patterns.
Dressed Up
In addition to quilt patterns, the shop offers patterns for childrens's clothing, such as Pepper's Easy Dress by Vanilla House Designs and To Tie for Dress by Olive Ann Designs.
From the Outside In
Rachelle Doherty, Pendleton Quiltworks owner, and employee Colleen Blackwood designed From the Outside In for Quilt Sampler® Fall/Winter 2012 magazine.
Machine-Quilting Details
Johanne Moore, a staff member at Pendleton Quiltworks, machine-quilted overlapping curls in the brown batik rectangles of each Churn Dash block and in the star point units. She stitched curved triangles in the triangle-squares, added a four-pointed star in each block center, and quilted the tan batik areas of the blocks, setting triangles, and corner triangles with wave motifs. The inner border features a pattern of curls and loops, and the outer border is filled with a feather pattern.
Get the Magazine!
Contact Pendleton Quiltworks to purchase a copy of the Fall/Winter 2012 issue of Quilt Sampler magazine, pick up the magazine at your local quilt shop or newsstand, or get the digital issue online.
Peek inside Sweet Home Quilt Co., another quilt shop featured in Quilt Sampler Fall/Winter 2012.


text:
Skill and competency of medical staff
Speed in completing examination and reports
Equipment for modern diagnosis and treatment
Accuracy and completeness in filling out reports
Satisfaction with responsiveness (waitings) in medical institutions
These data are based on perceptions of visitors of this website in the past 3 years.
If the value is 0, it means it is perceived as very low, and if the value is 100, it means it is perceived as very high.
Our data for each country are based on all entries from all cities in that country.
Your use of this service is subject to our


text:
Adult Surviving Sepis Campaign Guidelines (Hour-1 Bundle)
Children's Surviving Sepsis Campaign Guidelines
Adult ICU Liberation Guidelines and Bundle (A-F)
Management of Adults with COVID-19
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Posted: 14-May-23
Location: Nashville, Tennessee
Salary: Open
Internal Number: R-601
Job Summary:
The Respiratory Therapist performs routine respiratory care procedures in the acute care, critical care and outpatient environment; perform respiratory care assessments and diagnostic testing procedures associated with respiratory care under occasional guidance.
Vanderbilt University Medical Center (VUMC) has been rated the #1 Hospital in Nashville and the state of Tennessee by the US News & World Report. VUMC's Diagnostic Laboratories - consisting of Laboratory Client Services (LCS), Clinical Pathology Services (CPS), Diagnostic Molecular & Genetics Services (DMGS), and Anatomic Pathology Services (APS) - have state-of-the-art automation and exceptional employees to meet the demands of accurately and timely performance of tests, while providing our patients and their families with enhanced and exceptional care. VUMC is rated in the Top 100 Most Wired Hospitals with advanced LIS systems and technologies.
Vanderbilt's Adult Respiratory Care team is comprised of 7 ICU units and independent arterial blood gas laboratories, as well as acute care areas. VUMC Adult Respiratory Care supports our adult patients in the inpatient and clinical settings. Our fast-paced, team oriented culture gives you the opportunity to contribute to breakthroughs with healthcare advancements. We support your career growth with an established Professional Advancement Pathway as a Respiratory Therapist.
POSITION SHIFT: Traditional 12-Hour Shifts and Flex-Shifts Available
Discover Vanderbilt University Medical Center:
Located in Nashville, Tennessee, and operating at a global crossroads of teaching, discovery and patient care, VUMC is a community of individuals who come to work each day with the simple aim of changing the world. It is a place where your expertise will be valued, your knowledge expanded and your abilities challenged. It is a place where your diversity -- of culture, thinking, learning and leading -- is sought and celebrated. It is a place where employees know they are part of something that is bigger than themselves, take exceptional pride in their work and never settle for what was good enough yesterday. Vanderbilt's mission is to advance health and wellness through preeminent programs in patient care, education, and research.
VUMC Recent Accomplishments
Because we are committed to providing the best in patient care, education and research, we are proud of our recent accomplishments:
* US News & World Report: #1 Adult Hospital in Tennessee and metropolitan Nashville, named to the Best Hospitals Honor Roll of the top 20 adult hospitals, 10 nationally ranked adult specialty programs, with 3 specialties rated in the top 10 nationally, Monroe Carell Jr. Children's Hospital at Vanderbilt named as one of the Best Children's Hospital in the nation, with 10 out of 10 pediatric specialties nationally ranked.
* Healthcare's Most Wired: Among the nation's 100 "most-wired" hospitals and health systems for its efforts in innovative medical technology.
* Becker's Hospital Review: named as one of the "100 Great Hospitals in America", in the roster of 100 Hospitals and Health Systems with Great Oncology Programs and to its list of the 100 Hospitals with Great Heart Programs.
* The Leapfrog Group: One of only 10 children's hospitals in the to be named at Leapfrog Top Hospital.
* American Association for the Advancement of Science: The School of Medicine has 112 elected fellows
* Magnet Recognition Program: Received our third consecutive Magnet designations.
* National Academy of Medicine: 22 members, elected by their peers in recognition of outstanding achievement
* Human Rights Campaign Healthcare Equality Index: 6th year in a row that Vanderbilt University Medical Center was a Leader in LGBTQ Healthcare Equality.
Allied health is among the fastest growing occupations in healthcare today. This area can be defined as credentialed professionals who perform supportive, diagnostic, and therapeutic health care services to promote health and prevent disease in a variety of settings.
These areas are crucial to Vanderbilt Health's reputation for excellence in these areas that has made us a major center for patient referrals from throughout the Mid-South.
Each year, people throughout Tennessee and the southeast choose Vanderbilt Health for their health care because of our leadership in medical science and our dedication to treating patients with dignity and compassion.
Core Accountabilities:
Core Capabilities :
Position Qualifications:
Work Experience:
Experience Level :
For a copy of the physical requirements of this position to determine if you can perform the duties with or without an accommodation or to request an accommodation, please contact VUMC Employee Relations at 615-343-4759 or firstname.lastname@example.com.
Don't miss an opportunity! Access the latest job postings from your mobile device. Career Central is available within the SCCM App.


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Art Appraisal in Grant, AL
Professional Art Appraisals is your regional expert on Art Appraisal in Grant, AL. Call 888-240-1179 when you're prepared to begin organizing your Art Appraisal task and require expert experience to ensure success. We want to help you accomplish your objectives. We can respond to the questions you have, offer you expert advice, and assist you to evaluate the advantages and disadvantages of the choices available for you. You'll have to make several simple and more difficult decisions on the way. Our company is here to make sure that you are informed about each decision that you make. Learn more by getting in touch with us today.
We Strive for Customer Satisfaction
Our specialists believe that our personal encounters with horrendous customer care previously is what makes our experts so fantastic at offering outstanding customer care. Whether it's waiting forever to be helped or being dealt with as if someone more important is on the other line, this is simply not the way to treat a potential customer, and it won't ever take place at our Grant, AL Art Appraisal company. As a result, our clients tend to send us a lot of referrals.
Will Your Organization Work with My Financial Budget
If you're like many people seeking Art Appraisal in Grant, AL, odds are that you have an idea of what it is you're planning to order, but prior to making a verdict, you probably want to find out what it's going to cost. Luckily, in contrast to many organizations, our specialists make it an easy task to get a cost-free quote. This means you won't have to spend a large amount of time attempting to escape a pushy salesman. For a free estimate, give our business' specialists a call at 888-240-1179 today!
Why Our Experts Reward Customers for Referral Business
Every Art Appraisal company owner knows that finding customers isn't a free venture. Our organization, however, chooses to do things a little differently by providing a superb referral program that puts cash back in your pocket in return for you sending your family and friends to our experts for assistance. And, you'll most likely want to send our pros referrals anyway as soon as you see how well we treat our business' consumers.
Maximizing the Bang for Your Buck
Our company's Grant Art Appraisal experts would be ecstatic to hear from you if you're wanting to get the most bang for your buck. If you let us help with your Art Appraisal needs, you're sure to receive superb value because we order all of our organization's products from suppliers who are widely recognized for robust products. For additional details on the outstanding value our company has to supply, don't hesitate to call us at 888-240-1179!
Providing Products from The best Manufacturers
At Professional Art Appraisals, we recognize that you might manage to save a little more money by getting cheaper Art Appraisal products, but in over time, you'll come out ahead spending a little more for greater quality. This is exactly why all of the products our specialists provide are ordered directly from leading manufacturers who do a superb job of backing their products with fantastic warranties that they really honor. Let our specialists tell you more about our remarkable products by calling 888-240-1179 at this time!
Fast Service
To us, it's incredibly irritating any time you feel as though you have to beg an organization to assist you. As this is the case, we ensure that we always have plenty of Grant, AL Art Appraisal specialists ready to assist with your needs. For more information on our unbelievably fast service, call our experts at 888-240-1179 today!
Great Things About Our Employees Loving Their Job
How many times have you called or visited a business and feel as if you can cut the stiffness with a knife and can tell the personnel are just waiting to go home for the day? It's most likely something you've experienced pretty often, but you won't have to stress about this whenever you let our business' Art Appraisal professionals assist.


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Bank officials warn of fraudulent phone calls
Bank officials Thursday warned of a phone scam reported by area residents.
State Bank of Toulon officials said Thursday customers have reported receiving cell phone calls notifying them that their debit cards had been temporarily deactivated.
The customers said the calls seemed to be from an automated system, which prompted them to enter their debit card identification number.
Bank officials said the calls were fraudulent and reminded customers of the importance of never releasing their personal information to an unknown person.
Anyone receiving a deceptive call should report it to their bank, they said.
Financial institutions will never call or e-mail requesting personal financial information such as card numbers, passwords, personal identification numbers or account numbers.
Customers should never give any sensitive information over the phone or via e-mail, bank officials said.


text:
Dear Annie: This letter describes my life experiences with bullies and how I managed to succeed.
Print subscribers have FREE access to clevelandbanner.com by registering HERE
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About the District
The community and the staff of the Hawthorne School District are committed to providing a rigorous standards-based educational program to its students. Students are challenged and encouraged to excel in all curricular areas. The staff aspires to encourage continuous individual development and a lifetime love of learning, and prepare students to be successful in a culturally diverse society.
Hawthorne School District is dedicated to educational excellence and the continuous academic growth of all students. Located in Southern California's Los Angeles basin, minutes from the Los Angeles International Airport, the Hawthorne School District educates close to 10,000 pre-kindergarten through twelfth grade students in the diverse urban community of Hawthorne. Founded in 1907, the District is proud of its long tradition of academic excellence. There are currently seven elementary schools, three middle schools, and a charter high school in the District. All schools follow a modified traditional school calendar. The District's high school, Hawthorne Mathematics and Science Academy, opened in the 2003-04 school year and offers a rigorous, college-preparatory program. Students from Hawthorne School District not attending the charter high school attend high schools in the Centinela Valley Union High School District.


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: Hiring Our Heroes
CAMDEN, SC - The U.S. Chamber of Commerce Foundation's Hiring Our Heroes initiative and Toyota Motor North America presented veteran SSG Kashona Oakman, U.S. Army, Retired with a 2020 Toyota RAV4 during a ceremony today at Lugoff Toyota in Camden, South Carolina.
Six months after Second Lady of the United States Karen Pence celebrated San Antonio's Military Spouse Economic Empowerment Zone, she's back in the Lone Star State highlighting the challenges that
Three years ago, 15 military service members preparing to transition to civilian employment gathered at Joint Base Lewis-McChord near Tacoma, Washington, to participate in the pilot cohort of a new corporate fellowship program.
Army veteran Gregg Softy named winner of Transition Trucking: Driving For Excellence award


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I cannot believe we are leaving Bali next week! I keep having dreams about Berkeley and I already feel part of myself transitioning to that other life of ours. Even though we have another month of travel before we step foot in California, I feel in limbo. I am totally excited to see Bangkok, Greece, and Turkey, but after ten months on the road, I am also happy to be coming home.
I am putting together a few more posts from Indonesia to share with you in the coming weeks. These Sweet Potato Fries are the first...
As I have mentioned before, we are always trying to get creative about snacks for Otis and Lilah, who seem to be having continual growth spurts accompanied by insatiable appetites. A while back, our friend Johnny loaned us this little, light-weight box of an oven that rests on top of our two-burner stove. I thought you might get a kick out of this clever invention.
As you might imagine, we were thrilled to have an oven. We baked many batches of cookies and started regularly roasting veggies for supper. The temp gauge wasn't exactly accurate and some corners of the oven were way hotter than others, so we've had to be pretty flexible about the whole affair. But who cares - we had an oven!
Recently The Notorious Experiments posted gorgeous sweet potato fries, which totally inspired me. Then I saw more yummy fries at A Chow Life. I thought, why can't we make some of those here in Bali? Always a sucker for dishes using only 3 ingredients, I ended up doing a very simplified version of the fries. I hope you'll give coconut oil a try. It gives such a subtle sweetness that works beautifully with the sweet potatoes.
(Printable Recipe)
- a few tablespoons of coconut oil (or olive oil would work here)
- 2 large sweet potatoes
- plenty of sea salt
Preheat oven to 425-450 degrees.
Peel sweet potatoes and cut into french fry-style sticks. Place potato pieces in a bowl and toss with coconut oil and a few pinches of salt to coat.
Scatter fries on a baking sheet (I did some batches using tin foil to cover the baking sheet, but finally gave up on the foil finding it unnecessary.) Place fries in the hot oven. After about 7 or 8 minutes, remove fries and turn them over to insure even cooking on all sides. Bake for a total of 15-20 minutes (depending on thickness of fries) until potatoes are tender and cooked through.
Sprinkle with additional sea salt. Serve. Enjoy!
Okay. Some of my fries are a little burnt, but I am doing the best I can with this funky oven! Otis and Lilah didn't complain at bit.


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Free online lectures: Explore a world of ideas
The John F. Kennedy Presidential Library and Museum is dedicated to the memory of our nation's thirty-fifth president and to all those who through the art of politics seek a new and better world. Our purpose is to advance the study and understanding of President Kennedy's life and career and the times in which he lived; and to promote a greater appreciation of America's political and cultural heritage, the process of governing and the importance of public service. We accomplish our mission by: preserving and making accessible the records of President Kennedy and his times; promoting open discourse on critical issues of our own time; and educating and encouraging citizens to contribute, through public and community service, to shaping our nation's future.break
12.9.2014 (1:31:43)
Politics and the Pope
11.20.2014 (1:06:29)
A Conversation with President Jimmy Carter
1.25.2012 (1:38:37)
A Conversation with Jim Lehrer
1.23.2012 (1:37:49)
The Literary Life of Jacqueline Kennedy Onassis
1.15.2012 (1:12:33)
Assessing Obama's Presidency
12.12.2011 (1:03:06)
Cissy Patterson: The Most Powerful Woman in 20th Century America
12.11.2011 (1:15:46)
Hemingway's Letters: From Childhood to Paris
11.30.2011 (1:03:28)
Chris Matthews on JFK
11.18.2011 (1:24:16)
A Conversation with Annie Leibovitz
11.7.2011 (1:01:12)
A Conversation with Stephen King
10.12.2011 (1:22:43)
Ernest Hemingway and the Sea
10.4.2011 (1:18:47)
A Conversation with Margaret Marshall
10.3.2011 (1:20:50)
Jacqueline Kennedy: Historic Conversations
9.26.2011 (1:33:32)
50th Anniversary: The Missile Gap Controversy
9.12.2011 (1:25:31)
Protecting Jacqueline Kennedy
6.14.2011 (1:35:45)
A Conversation with Boston Globe Pulitzer Prize-winners


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IOS Office icons pack
IOS Office font pack Download
IOS Office pack iconPackages
Ancient GlyphStyle
1.00 April 14, 2012, initial releaseCopyright
Typeface (your company). 2012. All Rights ReservedDescription
This font was created using FontCreator 5.5 from High-Logic.com
IOS Office pack iconPackages
1; Luty 2001Company
High-Logic - Erwin Denissen 1999Trademark
ORYGINAL DESIGN by: ENDIE email@example.com
IOS Office pack iconPackages
Telidon CdStyle
2.01 2003Company
Ray LarabieTrademark
Telidon is a trademark of the Typodermic foundry.Copyright
Copyright (c) Typodermic, 2001. All rights reserved. Do not distribute. Report piracy to firstname.lastname@example.com
Copyright (c) Typodermic, 2001. All rights reserved. Do not distribute. Report piracy to firstname.lastname@example.com
IOS Office pack iconPackages
Mns GrebckAuthor
Mns GrebckTrademark
Channel is a trademark of Mns Grebck.Copyright
Copyright (c) 2011 by Mns Grebck. All rights reserved.Description
Copyright (c) 2011 by Mns Grebck. All rights reserved.License
Mail firstname.lastname@example.com for commercial license.
IOS Office pack iconPackages
Jeremy DooleyAuthor
Jeremy DooleyTrademark
Cabrito is a trademark of Jeremy Dooley.Copyright
Copyright (c) 2014 by Jeremy Dooley. All rights reserved.Description
Copyright (c) 2014 by Jeremy Dooley. All rights reserved.
IOS Office pack iconPackages
DJB Hand Penned FontStyle
1.00 October 4, 2014, initial releaseCopyright
Typeface (your company). 2014. All Rights ReservedDescription
This font was created using FontCreator 5.6 from High-Logic.com
IOS Office pack iconPackages
Hans SamuelsonAuthor
Hans Samuelson Samuelstype DesignTrademark
Colin Samuels Regular is a trademark of Hans Samuelson.Copyright
Copyright (c) 2003 by Hans Samuelson. All rights reserved.License
Samuelstype End User License AgreementEnd user licensing terms:The Font Software is licensed for use at one (1) location with a maximum of five (5) devices.Using the Font Software at more than one (1) location or with more than five (5) devices requires a Multi-Device Site License upgrade. A device is defined as a computer, printer, character generator, server or any other machine that uses font data to rasterize letterforms.Upon completion of job a service bureau, if involved, must delete the font software or purchase their own license.Except as permitted herein, you may not modify, adapt, translate, reverse engineer, decompile, disassemble, alter or otherwise copy the Font Software.You are permitted to make a single back-up copy. The Font Software may not be sublicensed, sold, leased, rented, lent, or given away to another person or entity.The Font Software may be returned or exchanged only if defective. Defective software will be replaced when accompanied by a valid sales receipt and Samuelstype is notified within two weeks of purchase.Embedding of the Font Software in any form is strictly prohibited without an additional license.The Font Software is protected under domestic and international trademark and copyright law. You agree to identify the Samuelstype fonts by name and credit the Samuelstype ownership of the trademarks and copyrights in any design or production credits.This Agreement is effective until terminated. This Agreement will terminate automatically without notice from Samuelstype if you fail to comply with any provision contained herein. Upon termination, you must destroy the written materials, the Font Software, and all copies of it, in part and in whole, including modified copies, if any.Samuelstype makes no warranties, express or implied as to merchantability, fitness for a particular purpose, or otherwise. Without limiting the foregoing, Samuelstype shall in no event be liable to the Licensed user or any other third party for any direct, indirect, consequential, or incidental damages, including damages from loss of business profits, business interruption, loss of business information, arising out of the use or inability to use the product even if notified in advance. Under no circumstances shall the Samuelstype liability exceed the replacement cost of the Software.Because some states do not allow the exclusion or limitation of liability for consequential or incidental damages, the above limitation may not apply to you.
IOS Office pack iconPackages
Barber shopStyle
1.00 April 4, 2006, initial releaseCopyright
Typeface (your company). 2006. All Rights ReservedDescription
This font was created using Font Creator 5.0 from High-Logic.com
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EumundiSerifBoldItalic is a trademark of Type Associates Pty Limited.Copyright
Copyright (c) 1994 by Type Associates Pty Limited. All rights reserved.Description
Copyright (c) 1994 by Type Associates Pty Limited. All rights reservedLicense
Type AssociatesSINGLE-USER LICENSE AGREEMENT Fonts offered for sale by Type Associates are subject to the following AgreementBy downloading the selected font/s you acknowledge that you have read and accepted the terms and conditions of this Agreement. If you do not wish to be bound by the Agreement, you cannot access, use or download the Font Software. Please read all of the Agreement before you agree to be bound by its terms and conditions. You may not copy or distribute the Font Software except in the following circumstances: you may make one backup copy for archival purposes; you may electronically distribute Font Software embedded in a Portable Document Format (PDF) document or when the Font Software embedded is in a static graphic image (for example, a gif, tiff, jpeg etc) or other embedded electronic document in a secure format that permits only the viewing and printing (and not the editing, altering, enhancing, or modifying) of such static graphic image or embedded document; you may provide a copy of the Font Software used in the production of a specific document to a service bureau or a commercial printer for use by that service bureau or printer in reproducing the specific document but only if the service bureau or printer represents to you that it has acquired a valid license to use the specific Font Software. You may not embed Font Software in a Commercial Product without a separate written license to do so. You may not reverse compile or otherwise edit the data contained within the Font Software without written permission. Each Type Associates font is licensed for use on up to 5 CPUs (Central Processing Units). Multi-User licenses are available for situations where more than 5 CPUs are required, the price is dependant on the number of CPUs for which you need licensing. Contact Type Associates for details at firstname.lastname@example.com or your font vendor. The Agreement shall automatically terminate upon failure by you (or any authorized person to whom you have given permission to use the Font Software) to comply with its terms and conditions in which case you must remove and destroy all copies of the Font Software. All rights reserved. Disclaimer: TYPE ASSOCIATES DOES NOT WARRANT THE RESULTS YOU MAY EXPECT FROM THE FONT SOFTWARE. EXCEPT FOR THIS LIMITED WARRANTY TYPE ASSOCIATES MAKES NO REPRESENTATIONS OR WARRANTIES EXPRESS OR IMPLIED AS TO FITNESS OR MERCHANTABILITY FOR ANY PARTICULAR PURPOSE. IN NO EVENT WILL TYPE ASSOCIATES BE LIABLE TO YOU OR ANYONE ELSE FOR ANY CONSEQUENTIAL OR INCIDENTAL LOSSES, INCLUDING WITHOUT LIMITATION ANY LOSS OF PROFITS, DATA OR BUSINESS OPPORTUNITIES. TYPE ASSOCIATES WILL REPLACE FONT SOFTWARE DEEMED TO BE DEFECTIVE IF NOTIFIED WITHIN 90 DAYS FROM DATE OF PURCHASE.
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Wensleydale Gothic NBPStyle
Nate HalleyTrademark
FontStruct is a trademark of FSI FontShop International GmbHCopyright
Copyright Nate Halley 2012Description
Wensleydale Gothic NBP was built with FontStructLicense
Creative Commons Attribution Share Alike
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Joshua Darden & Phil's Fonts, IncAuthor
Joshua DardenTrademark
Freight Sans is a trademark of Joshua Darden & Phil's Fonts, Inc.Copyright
Copyright 2004, Joshua Darden & Phil's Fonts, Inc. All rights reserved. Published by Garagefonts USA 301-260-2285 www.garagefonts.comLicense
---------------------GARAGEFONTS---------------------Phil's Fonts/GarageFonts End User License AgreementSoftware means the computer program contained in this package (which may include digitally encoded, machine readable, scalable outline font data as encoded in special format), together with all codes, techniques, software tools, formats, designs, concepts, methods and ideas associated with the computer program and all documentation related thereto.Phil's Fonts, Inc./GarageFonts (Phil's), hereby grants you, and you agree to accept a non-exclusive, non-transferable, limited license (the License) to use the Software solely for your own customary business or personal purposes. Under the terms of this License Agreement, you have the right to use the software on up to five (5) CPUs.If you need to have access to the Software on more than five (5) CPUs, you must pay Phil's the applicable fees for typefaces used in a multi-system environment. You acknowledge that licensing fees for the Macintosh and PC formats are separate and individual fees.Fonts can be embedded in files such as Adobe Acrobat PDF files for viewing and printing purposes only.No rights are granted to you other than a License to use the Software on the terms expressly set forth in this Agreement.You agree to maintain the Software and other proprietary information in strict confidence and to establish reasonable procedures regulating access to and use of the Software.You will not make or have made, or permit to have made any copies of the Software or portions thereof, except as necessary provided, however, that you may make one copy for back-up purposes for its use with the authorized number of systems hereunder. You agree that any such copies shall contain the same proprietary notices which appear in the Software.Except as stated above, this Agreement does not grant you any right to patents, copyrights, trade secrets, trade names, trademarks (whether registered or unregistered), or any other rights, franchises or licenses in respect of the Software.You agree that you will not modify, alter, disassemble, decrypt, reverse engineer or decompile the Software.This License shall continue until the last use of the Software, unless sooner terminated. This License may be terminated by Phil's if you fail to comply with the terms of this License and such failure is not remedied within thirty (30) days after notice from Phil's. When this License expires or is terminated, you shall either return to Phil's or destroy all copies of the Software as requested.You agree that you will not export or re-export the Software in any form without the appropriate United States and foreign government licenses.The parties agree that all warranties, express or implied, including warranties of fitness for a particular purpose, merchantability and noninfringement are excluded.Your sole and exclusive remedy and the sole liability of Phil's in connection with the Software is repair or replacement of defective parts, upon their return to Phil's. In no event will Phil's be liable for lost profits, lost data or any other incidental, or consequential damages, or any damages caused by abuse or misapplication of the Software.You shall not sublicense, sell, lease or otherwise transfer the Software without the prior written consent of Phil's.Use, duplication or disclosure by the Government is subject to restrictions as set forth in subparagraph (c)(1)(ii) of the rights in Technical Data and Computer Software clause at 252.227-7013. Maryland, USA law governs this agreement.You acknowledge that you have read this agreement, understand it, and agree to be bound by its terms and conditions. Neither party shall be bound by any statement or representation not contained in this agreement. No change in this agreement is effective unless written and signed by properly authorized representatives of each party. By opening this package or downloading these font files from the internet you agree to accept the terms of this agreement.Call Phil's Fonts if you need to purchase additional licensing.In USA and Canada call 1-800-681-9375, all others call 1-301-879-6955. Fax: 1-301-879-0606.Phil's Fonts/GarageFonts License Upgrade ScheduleEach Phil's Fonts/GarageFonts Font package is automatically licensed for use with five (5) computers (CPUs) at a single (1) location(site) in a single format (e.g. Mac PostScript). Licenses for additional CPUs must be purchased. Additional formats and/or platforms may be purchased at the same time as the original purchase for 50% of the price of the first format. Individual sites, persons or business entities must purchase individual licenses beginning with the original price. The following upgrade cost schedule is calculated based on multiples of the original list price of each font or family:-------------------------------------------------6 to 25 CPUs, multiply original font or family price by 1-------------------------------------------------26 to 50 CPUs, multiply original font or family price by 2-------------------------------------------------51 to 75 CPUs, multiply original font or family price by 3-------------------------------------------------76 to 125 CPUs, multiply original font or family price by 4-------------------------------------------------126 to 175 CPUs, multiply original font or family price by 5-------------------------------------------------176 to 250 CPUs, multiply original font or family price by 6-------------------------------------------------251 to 375 CPUs, multiply original font or family price by 8.5-------------------------------------------------376 to 500 CPUs, multiply original font or family price by 11-------------------------------------------------501 to 625 CPUs, multiply original font or family price by 13.5-------------------------------------------------626 to 750 CPUs, multiply original font or family price by 16-------------------------------------------------751 to 875 CPUs, multiply original font or family price by 18.5-------------------------------------------------876 to 1000 CPUs, multiply original font or family price by 21 -------------------------------------------------For more than 1,000 CPUs use the following formula to get multiplication factor:CPUs: In increments of 250.(maximum number of CPUs divided by 100) plus 11 (=Multiplier).Example: End user has 1350 CPUs, so the Multiple User License price is to be calculated as follows:(1500 divided by 100) + 11 = 26 (= Multiplier)(c)Phil's Fonts/GarageFonts501 Olney Sandy Spring Road, Suite 201Sandy Spring MD 20860Ph. 301.260.22851.800.681.9375Fax 301.260.2277
IOS Office pack iconPackages
1.00 April 20, 2012, initial releaseTrademark
Typeface (your company). 2012. All Rights ReservedDescription
This font was created using FontCreator 6.0 from High-Logic.com
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Sergio Ramrez LlamasAuthor
Sergio Ramrez LlamasTrademark
Mayonez Heavy is a trademark of Sergio Ramrez Llamas.Copyright
Copyright (c) 2013 by Sergio Ramrez Llamas. All rights reserved.Description
Copyright (c) 2013 by Sergio Ramrez Llamas. All rights reserved.
IOS Office pack iconPackages
1.00 May 26, 2009, initial releaseCopyright
Typeface (your company). 2009. All Rights ReservedDescription
This font was created using FontCreator 5.6 from High-Logic.com
IOS Office pack iconPackages
1 ; ttfautohint (v0.92.18-e454-dirty) -l 8 -r 50 -G 200 -x 0 -w gCompany
Vernon AdamsAuthor
Vernon AdamsTrademark
BenchNine is a trademark of vernon adams.Copyright
Copyright (c) 2012, vernon adams (email@example.com), with Reserved Font Name 'BenchNine'License
This Font Software is licensed under the SIL Open Font License, Version 1.1. This license is available with a FAQ at: http://scripts.sil.org/OFL
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Wilma Mankiller modernStyle
Light SemiCondensedVersion
Chung deh TienAuthor
Unicode platform by Chris Harvey ( www.languagegeek.com ) & typeface design by Chung deh TienTrademark
Wilma Mankiller is a trademark of Chung deh Tien.Copyright
Copyright (c) 2012 by Chung deh Tien. All rights reserved.Description
Copyright (c) 2012 by Chung deh Tien. All rights reserved.License
LICENSE AGREEMENT This typeface is the property of Chung deh Tien and its use by you is covered under the terms of a license agreement. You have obtained this typeface software either directly from Cherokee Nation or Chung deh Tien. or one of his associates who have help create this typeface. Cherokee nation, Native americans, Aboriginal community members and projects relating to Aboriginal languages are the only ones who are allow to distribute the font freely and can use it in any and all context. This, as well as download, copy, share freely as long as they desire. All others must Contact Chung deh Tien at email@example.com to get this distribution permission.This font took a lot of work to make, so please, if you are not Native American or someone who have not entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation for your own publishing use. You may not copy or distribute this software.
IOS Office pack iconPackages
S-Core Co., Ltd.Author
Lee, Hyun-Seung ; Hahm, Dae-Hoon ; Ham, Min-JooTrademark
Core Sans NR 73 Ex ExtraBold Italic is a trademark of S-Core Co., Ltd..Copyright
Copyright (c) 2013 by S-Core Co., Ltd.. All rights reserved.Description
Copyright (c) 2013 by S-Core Co., Ltd.. All rights reserved.License
NOTIFICATION OF LICENSE AGREEMENT You may use this font as permitted by the EULA for the product in which this font is included to display and print content. You may only (i) embed this font in content as permitted by the embedding restrictions included in this font; and (ii) temporarily download this font to a printer or other output device to help print content.
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David Bergsland, Bergsland TypeAuthor
David BergslandTrademark
Aerle is a trademark of David Bergsland, Bergsland Type.Copyright
Copyright (c) David Bergsland, Bergsland Type, 2009. All rights reserved.Description
You can install this font on any two computers: Mac or PC. You are allowed to send copies of the font to service bureaus, printing companies, and the like for output use only.
IOS Office pack iconPackages
2.000 2004Company
Ray LarabieAuthor
Ray LarabieCopyright
1997 Ray Larabie. This font is freeware. Read attached text file for details. Info & updates visit www.larabiefonts.com. Donations gratefully accepted at www.larabiefonts.com/donation.html. Also visit my commercial type foundry at www.typodermic.com. This font was updated in 2004.Description
Larabie Fonts is able to offer unique free fonts through the generous support of visitors to the site. Making fonts is my full-time job and every donation, in any amount, enables me to continue running the site and creating new fonts. If you would like to support Larabie Fonts visit www.larabiefonts.com for details.
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P22 type foundry, Inc.Author
Richard Kegler, Amy GreenanTrademark
P22 Victorian Swash is a trademark of P22 type foundry, Inc..Copyright
Copyright (c) 2011 by P22 type foundry, Inc.. All rights reserved.Description
2007 by P22 type foundry, Inc. All rights reserved.License
P22 End User License Agreement and Limited WarrantyThank you for purchasing P22 fonts. To ensure that P22 continues to bring you more exciting, historically relevant type, please take the time to read this agreement. It might not be the most fascinating read, but its very important and may answer many questions that you may have. Please register your fonts and remember that free software is an exception, not the rule. 1. Notice to user. You (End User) have not purchased the ownership rights to this font, but rather a license to use this font on a limited basis. Purchasing a license for any P22 font or font distributed by P22 (International House of Fonts, Sherwood Collection and other) via download, or e-mail, constitutes an agreement between P22 type foundry, Inc (P22) and the end user of the enclosed typefaces (software) that the terms and conditions of this contract will be followed. If the fonts are purchased in hard copy format (CD-ROM or floppy disk), removing the media from its protective sleeve (paper pouch, DVD cases, or other) in which the media is contained constitutes the same agreement. If you do not agree with the terms of this agreement, return the complete package with the CD or floppy disk sleeve unopened to the place of purchase. If downloaded or received by e-mail, all files must be deleted. A signed affidavit may be required to receive a refund.2. Grant of License. The basic P22 distributed software license is limited for use on a total of 5 devices at one site for use on a single platform. A device is defined as a computer, printer, character generator, server or any other machine that uses font data to rasterize letterforms. A site is defined as one physical location. Platform refers to operating systems designated as 'Macintosh', 'Windows' or other. A laptop may be one of the devices in the basic license of 5 devices as long as the laptop is associated primarily with the licensed location. Simply working offsite on a laptop is permissible in the basic license and is regarded as an extension of the site. Work transported from one distinct network to another distinct network, via a laptop requires each network to be licensed properly.Additional licensing is also required if you are installing the font(s) on more than 5 devices (Site License), or a LAN/WAN Server with more than 4 devices, or, if you and/or additional users will have access to the font(s) at more than one location (Corporate License), or, if your printer/service bureau is installing the fonts for job output for more than one-time use (Service Bureau). Upon completion of job, service bureau must delete the font software or purchase their own license.--To calculate the required additional license, call P22 at 716 885 4490 or visit: http://www.p22.com/licensing.html to receive a quote.One copy of the font software may be made for backup. You may transfer the original software to another party provided All materials, including back-up copies are transferred and that the recipient agrees to the licensing terms and conditions contained in this agreement, and all copies are removed from the originating end user's (your) devices. 3. Fair Use. The basic P22 license is intended to accommodate personal use as in the course of everyday correspondence and document writing, or in the design of self-promotion pieces like business cards, newsletters and brochures. Other uses designated as professional or commercial may require additional licensing.Professional use is work performed by, not limited to, freelance designers, small design firms and corporate advertising firms that incorporate P22 fonts within a design for a client or self-promotion. Most alphanumeric fonts are allowable without additional licensing provided that the Grant of License guidelines are met. However, the use of illustrative elements (also known as dingbats, extras, ornaments) within logo design requires an additional one-time license. If you have purchased the font(s) license for use on a large scale campaign such as in the course of entertainment promotion, advertising, corporate identity design, product packaging, store signage or in any way that requires the multi media (television, internet, print or other) output of the font(s), an additional license may be required. This applies to in-house or client based work. Call P22 at 716 885 4490 to receive your large scale campaign quote. A royalty based Commercial license is required when P22 font software is used to create a product sold for profit. If you have purchased the font(s) license for use as the principle design element to create a product to be sold such as, not limited to, rubberstamps, refrigerator magnets, or if the usage of the font adds value (value added) to a product to be sold such as wrist watches, house numbers, stencil kits, decals, digital art (screensavers, 3-D models, or other computer application), please call P22 at 716 885 4490 if you have any questions, for permission or to receive your commercial license quote or visit: http://www.p22.com/comlicensing.html for examples.The font may be modified if properly licensed for non-commercial or in-house use. The modified font software may not be sold or distributed.4. Font Embedding. The basic P22 license allows for the embedding of P22 fonts only if the document created is set to Print and Preview. If P22 fonts can be extracted, edited and therefore transferred in any way, an additional license is required to account for each recipient of the document and font file(s)5. Copyright. The software and accompanying documentation are copyrighted and contain intellectual property information protected by law. You may not make or distribute copies of this software or accompanying documentation without the express written consent of P22.6. Disclaimer and Limited Warranty. P22 warrants that the font software is free of errors and will be replaced within 90 days of purchase in the event of defective media. If failure of the font software results from accident, abuse, or neglect, P22 assumes no responsibility to replace the software. THE SOFTWARE AND ACCOMPANYING WRITTEN MATERIALS ARE PROVIDED AS IS, WITHOUT WARRANTY OF ANY KIND, EXPRESSED OR IMPLIED, AND P22 SPECIFICALLY DISCLAIMS THE WARRANTIES OF FITNESS FOR A PARTICULAR PURPOSE AND MERCHANTABILITY. IN ADDITION, P22 DOES NOT MAKE ANY REPRESENTATIONS REGARDING THE USE OR THE RESULTS OF THE USE OF THE SOFTWARE OR THE WRITTEN MATERIALS IN TERMS OF CORRECTNESS, ACCURACY, RELIABILITY, CURRENTNESS OR OTHERWISE. THE ENTIRE RISK AS A RESULT OF THE PERFORMANCE OF THE SOFTWARE IS ASSUMED BY THE USER.7. Update Policy. At the option of P22, there may be updated versions of the software which will be offered to registered users.8. Purchaser's Indemnity. You agree to inform any person (employee/co-employee/employer) having access to the P22 Software and copies thereof, of the terms and conditions of this Standard License Agreement and to ensure that these terms and conditions are abided. You agree to indemnify and hold P22 harmless from any and all claims, liabilities, and costs including attorney's fees, arising out of your breach of this agreement or promises you made. If these terms are not agreed to and respected P22 reserves the right to revoke Grant of License.9. Construction. This agreement is governed by and constructed in accordance with the laws of the State of New York. All disputes between P22 and the end user whether or not arising hereunder shall be conducted within the courts and jurisdiction of Erie County, New York.Please register your fonts. If you have purchased your font(s) directly from P22 you have been automatically registered. If you ordered your font from an authorized P22 reseller please keep a record of the time and place of the purchase; or if you purchased a CD, send in the reply/registration card enclosed within each package. (c)2004 P22 type foundry, Inc. -- Not Your Typical Type(tm) -- http://www.p22.com -- PO BOX 770 -- Buffalo, NY 14213
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Linotype GmbHAuthor
Akira KobayashiTrademark
ITC Woodland is a trademark of International Typeface Corporation.Copyright
Part of this font software is copyrighted 2006 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. (c) Copyright 1994-1996 International Typeface Corporation. All rights reserved.Description
ITC Woodland is the work of Japanese designer Akira Kobayashi. It is based on Kobayashi's hand lettering with a flat brush or square-edged pen. I wanted to design each weight to act its own part, says the designer. The light version tends to look almost fading in small sizes, but the heavy weight is as black as Cooper Black. The cheerful ITC Woodland is ideal for graphics, greeting cards, correspondence, and other applications requiring a light touch.License
NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418
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Talbot TypeAuthor
Adrian TalbotTrademark
Kamerik 205 is a trademark of Talbot TypeCopyright
Copyright (c)2012 Talbot Type. All Rights ReservedDescription
Part of the Kamerik 205 Collection by Talbot Type
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Larabiefont InkStyle
1.0; 2000; initial releaseAuthor
Larabiefont Ink is a trademark of Ray Larabie.Copyright
Copyright (c) Ray Larabie, 2000. All rights reserved. Do not distribute. This font is part of the Larabie Fonts Ink Deluxe font package.Description
Do not distribute. This font is part of the Larabie Fonts Ink Deluxe font package.
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Active ImagesAuthor
John 'JG' RoshellTrademark
CCAdamantiumTalon is a trademark of Active Images.Copyright
Copyright (c) Active Images, 1999. All rights reserved.License
Active Images Font License AgreementPlease read this license agreement carefully before youinstall your fonts. By installing fonts sent to you byACTIVE IMAGES, you accept this license agreement. If you donot accept the terms and conditions of this license, do notinstall the fonts in question.1. LICENSE Active Images is the exclusive owner of theelectronically transferred computer lettering fonts. Wegrant you, and you accept, a non-exclusive license to usethe electronically transferred fonts, but you are not theowner of them. Your right to use the fonts under thislicense agreement is called the license. By fonts, we referto the electronically transferred fonts and any embodimentor use that you make of the fonts in any form.2. AUTHORIZED USER AND USE You alone, as the purchaser ofthe fonts, are authorised to use the fonts under the licensefor personal, business or distributed projects. With fewexceptions: fonts are licensed for use on 5 CPUs and/or 1output device. Additional licenses are available on a ratioof 5 CPUs to 1 output device. Call us if you are not clearon whether you require additional licenses. Any otherduplication or use by any other person or entity constitutessoftware piracy, a criminal offense.3. LIMITED WARRANTY Active Images makes no warranties,express or implied, regarding the electronically transferredcomputer software, its merchantability or its fitness forany particular purpose.Active Images warrants the magnetic media to be free fromphysical defects for 90 days, after purchase. Active Imageswill replace the disk free of charge should it fail withinthis time. These fonts are sold for use only on the computerplatform indicated on the packaging. Use of these fonts onany platform other than that for which it was originallyintended is not recommended and invalidates any warranty.Active Images reserves the right to terminate this Licenseat any time and void your license if you fail to comply withthe terms and conditions of this License.If you have any questions about the License Agreement, ourreturn policy, security and on-line ordering, or anythingelse, please feel free to contact us firstname.lastname@example.com, or at the telephone number below.ACTIVE IMAGES8910 Rayford DriveLos Angeles, CA 90045Tel: 310 215-0362Fax: 775 890-5787www.activeimages.com
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Dark RoastStyle
Brittney MurphyAuthor
Brittney MuprhyTrademark
Dark Roast is a trademark of Brittney Murphy.Copyright
Copyright (c) 2013 by Brittney Murphy. All rights reserved.Description
Copyright (c) 2013 by Brittney Murphy. All rights reserved.License
Free for personal and nonprofit use. For commercial use, please donate 5.
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Trial by CupcakesAuthor
Laura CondourisTrademark
Quickpen is a trademark of Trial by Cupcakes.Copyright
Copyright (c) 2014 by Trial by Cupcakes. All rights reserved.Description
Copyright (c) 2014 by Trial by Cupcakes. All rights reserved
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Linotype GmbHTrademark
ITC Cheltenham is a trademark of International Typeface Corporation Registered in U.S. Patent & Trademark Office and may be registered in certain other jurisdictions.Copyright
Copyright 1990, 2001 Adobe Systems Incorporated. All Rights Reserved.License
NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418
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CAT LinzStyle
Peter WiegelAuthor
Peter WiegelTrademark
CAT Linz is a trademark of Peter Wiegel.Copyright
Copyright (c) 2015 by Peter Wiegel. Open Font under Terms of following Free Software Licenses:GPL (General Public License) with font-exception and OFL (Open Font LicenseDescription
Copyright (c) 2015 by Peter Wiegel. Open Font under Terms of following Free Software Licenses:GPL (General Public License) with font-exception and OFL (Open Font LicenseLicense
GPL- General Public License AND OFL-Open Font License
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Macromedia Fontographer 4.1 6/8/01Author
Copyright 2001 Sara (www.saraarts.com); all rights reserved. Distribute freely & use how you like, but do not sell this font or any variation thereof.Description
Repackaging and resale absolutely prohibited without express written consent of creator. No such rights will be granted for anything other than secular charity purposes. Write to firstname.lastname@example.com for more information.
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Rian Hughes / Device FontsAuthor
Rian HughesTrademark
Rogue Sans Bold Italic is a trademark of Rian Hughes / Device Fonts.Copyright
Copyright (c) 2004 by / Device Fonts. All rights reserved.Description
Copyright (c) 2004 by / Device Fonts. All rights reserved.
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1.10 July 11, 2012, second releaseAuthor
Zdenek Gromnica a.k.a. FutureMillenniumCopyright
2012 Zdenek GromnicaLicense
Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported
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Mary Jane LarabieStyle
Apostrophic Laboratories. All rights reserved. firstname.lastname@example.com
Apostrophic Laboratories. All rights reserved. email@example.com
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Dieter HofrichterAuthor
Dieter HofrichterTrademark
Carat is a trademark of Dieter Hofrichter.Copyright
Copyright (c) 2012 by Dieter Hofrichter. All rights reserved.License
Hoftype Standard LicenseBy buying this font you are agreeing to be bound by the terms of this Agreement. This Agreement, in conjunction with the receipt that accompanies each purchase from Hoftype, constitutes the complete agreement between you and Hoftype.1. Allowed usesYou may use the licensed fonts to create images on any surface such as computer screens, paper, web pages, photographs, movie credits, printed material, T-shirts, and other surfaces where the image is a fixed size.You may use the licensed fonts to create EPS files or other scalable drawings provided that such files are only used by the household or company licensing the font.2. Number of usersThe maximum number of simultaneous users is specified in the applicable receipt. All users must belong to the same company or household purchasing the font.3. Third partiesYou may provide the font to a graphic designer, printer or other service bureau that is working on your behalf only if they agree to use the font exclusively for your work, agree to the terms of this license, and retain no copies of the font on completion of the work.You may not provide the font or make it accessible to any other third parties.4. EmbeddingYou may embed the licensed fonts into any document you send to third parties provided such embedding is restricted to viewing and printing that document.You may not embed the licensed fonts into software or hardware products in which the fonts will be used by the purchasers of such products. Such use requires a different license (OEM). Please contact firstname.lastname@example.com for information on OEM licenses.5. ModificationsYou may import characters from the font as graphical objects into a drawing program and modify such graphical objects.You may not modify, adapt, translate, reverse engineer, decompile, disassemble, or create derivative works based on the licensed font itself without Hoftype' prior written consent.6. CopyrightThe font and the accompanying materials are copyrighted and contain proprietary information and trade secrets belonging to the foundry owning the font. Unauthorized copying of the Product even if modified, merged, or included with other software, or of the written materials, is expressly forbidden. You may be held legally responsible for any infringement of the foundrys intellectual property rights that is caused or encouraged by your failure to abide by the terms of this Agreement.7. TerminationThis Agreement is effective until terminated. This Agreement will terminate automatically without notice from Hoftype if you fail to comply with any provision contained herein. Upon termination, you must destroy the written materials, the Product, and all copies of them, in part and in whole, including modified copies, if any.8. Product UpgradesHoftype may, from time to time, update the Product. Product upgrade pricing may apply.9. Disclaimer and Limited WarrantyHoftype warrants the Product to be free from defects in materials and workmanship under normal use for a period of twenty one (21) days from the date of delivery as shown on your receipt. Hoftype' entire liability and your exclusive remedy as to a defective product shall be, at Hoftype' option, either return of purchase price or replacement of any such product that is returned to Hoftype with a copy of the invoice. Hoftype shall have no responsibility to replace the product or refund the purchase price if failure results from accident, abuse or misapplication, or if any product is lost or damaged due to theft, fire, or negligence. Any replacement product will be warranted for twenty one (21) days. This warranty gives you specific legal rights. You may have other rights, which vary from state to state.EXCEPT AS EXPRESSLY PROVIDED ABOVE, THE PRODUCT, IS PROVIDED AS IS. Hoftype DOES NOT MAKE ANY WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE.The entire risk as to the quality and performance of the Product rests upon you. Hoftype does not warrant that the functions contained in the Product will meet your requirements or that the operation of the software will be uninterrupted or error free.Hoftype SHALL NOT BE LIABLE FOR ANY DIRECT, INDIRECT, CONSEQUENTIAL, OR INCIDENTAL DAMAGES (INCLUDING DAMAGES FROM LOSS OF BUSINESS PROFITS, BUSINESS INTERRUPTION, LOSS OF BUSINESS INFORMATION, AND THE LIKE) ARISING OUT OF THE USE OF OR INABILITY TO USE THE PRODUCT EVEN IF Hoftype HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.Because some states do not allow the exclusion or limitation of liability for consequential or incidental damages, the above limitation may not apply to you.10. Governing LawThis agreement is governed by the laws of Germany.


text:
Tyre labelling
Tyre variants
Product description & features
Dependable steering stability and superior traction on any road, wet or dry.All-weather performance lets you concentrate on driving without worrying about road conditions.
The C.drive's 'Full Logic' asymmetrical tread pattern has now been enhanced even further. The positioning of the grooves provides superior performance on both wet and dry road surfaces. The minimized groove area in the outer zone and the shortened lug grooves on the inside shoulder are designed to maintain rigidity when cornering, whilst the four wide straight grooves (1) and the spiral drain grooves (2) on the centre ribs are effective in draining water. Diamond-shaped bevels (3) ease the stress on the central rib, which prevents uneven wear
A newly-developed compound with polymers which have a higher molecular weight and an increased volume of silica has now been developed. The increased silica provides excellent wet grip while maintaining a good level of rolling resistance, which reduces your fuel costs. The long polymers are intertwined with one another, thus increasing the strength of the rubber and thereby giving excellent handling performance as well as great mileage.
Ratings & Reviews


text:
Tagged: Kate Goldwater
Happy things for Mets fans to read and watch
I'm often told by readers that when they read my blog they always leave in a better mood than when they came. Well hey, that's what I aim for. And considering last night's excruciating 13-2 loss to the Diamondbacks, I think it's time for some happy Mets distractions.
1) Ike Davis on Mets Weekly. Pick Me Up Some Mets friend Julie Alexandria continues to give Mets fans delightful, charming, and informative player interviews this season. My favorite so far has been with Ike Davis. He says of his father, Ron Davis, "The best thing he's ever told me was like, hey, I don't care if you
play baseball. I'm gonna love you no matter what, you're my son. But if
you're gonna play baseball, you better give it all you have while you're
playing it. And if you don't want to play, just quit, and I won't think
anything different." How can you not give a little "awww."
Afterward, an interview with Ron Davis himself continues to make the former big league reliever seem like a great dad. At Yankee Stadium for the subway series, Julie asks "What's it like for you to be here today?" And Ron Davis replies about his son, "Just to come out and watch him play, I don't care who he plays against, just to get to watch him play, that's all I care about."
2) How 'bout that All-Star game? No, no, not what's come after it during the West Coast road trip, but the game itself, with the National League's first win since 1996, and our David Wright putting his stamp on the game with an impressive two hits and a stolen base. David knows the fans went out of our way to give him a push late in the voting, and how could he better show us his appreciation? Our boy keeps making us proud.
3) Look at my cute baseball dress that I wore in honor of the All-Star game. This garment began as an XXL Gary Keith and Ron t-shirt honoring Ron Darling, (donated by the delightful Lynn Cohen), until I brought it to the skillful, creative hands of AuH2O's Kate Goldwater. Based on the designs featured on her website, I chose a neckline and length, and she turned my GKR tee into a sexy little halter dress. Don't hesitate to contact Kate should you have any t-shirts or dresses you'd like remade into new t-shirts and dresses. She's fab!
4) Finally, I'll leave you with this quote from our own Gary Cohen, which came in the later innings of last night's unfortunate blow out. "The Yankees are entitled to all their fans, but it takes great character to be a Met fan."
You and me, kids. Tons of character.