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More than 1,700 flights have been canceled at New York City's three major airports.
Flight-tracking website FlightAware shows that Newark Liberty International has 674 cancellations, JFK 528 and LaGuardia 538 as of Friday morning.
It says most domestic carriers will suspend operations between 2 p.m. and 5 p.m. Friday. They will resume sometime Saturday afternoon. International carriers may continue to operate.
Airlines issued so-called "weather waivers," allowing passengers flying in the storm-affected areas to change their flight date without paying a change fee.
Airlines try to get ahead of big storms by canceling flights in advance.


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BOSTON - Approximately 2,500 people filled the Hynes Convention Center auditorium Tuesday afternoon - just a couple of blocks from the site of last year�s marathon bomb blasts - to pay tribute the victims of the 2013 Boston Marathon bombings at a ceremony sponsored by the Boston Athletic Association and The One Fund Boston.
Former Mayor Tom Menino, who was in office when the tragedy struck, spoke of his deep sympathy for the victims, his admiration for first responders, and his pride in the city. Menino was emotional and eloquent and quoted Ernest Hemingway's novel �A Farwell to Arms.�
�The world breaks everyone, and afterward many are strong at the broken places,� Menino said.
Vice President Joe Biden called the event �an important day for survivors and an important day for the nation.�
�You�re an inspiration all across this country,� Biden said. �This is the one thing you vastly underestimate. To all survivors here and elsewhere you are living proof that America can never, never, never be defeated.�
Biden balanced his emotional address with a few light-hearted remarks.
�Even though I�m not a Boston fan,� Biden said, bringing laughter to the room, �I love you guys. You are an incredible, incredible city. You have become the face of America�s resolve not unlike what happened on 9/11 for the whole world to see.�
The Boston Pops, conducted by Keith Lockhart, set the tone for the event by opening it with a performance of John Williams� �Hymn to New England,� followed by �America the Beautiful� sung by local vocalist Renese King.
The families of the three who were killed by the blasts - 8-year-old Martin Richard, of Dorchester, Krystal Campbell of Medford, and Boston University student Lingzi Lu, originally from China as well as MIT police officer Sean Collier who was allegedly shot and killed by the bombing suspects three days later- were all in attendance. Adrianne Haslet-Davis and her husband were seriously hurt in the attack. Haslet-Davis, a dance instructor whose husband had returned from Afghanistan shortly before the attack, lost her left foot in the blast and asked the crowd to use the anniversary as an opportunity to do good.
�Let April 15th be a day where we all work together to make the world a better place,� said Haslet-Davis. �The biggest lesson I�ve learned is, it is up to us to make sure we make every second count, because believe me, they do.�
Boston Mayor Marty Walsh continued on the theme of resilience.
�The 118th resilience,� he said.
Walsh invoked a line from a biblical psalm when recalling the bravery of first responders like MIT police officer Sean Collier and the firefighters from Engine 15 and Ladder 33 just a few doors up Boylston Street, who died fighting a fire on Beacon Street last month.
�We hurt when brave first responders give it their all,� said Walsh. �Weeping may last the night, but a shout of joy comes in the morning.�
Boston Marathon will be a living, breathing celebration of our city�s Patrick Downes, who together with his wife Jessica Kensky each lost a leg in the blast spoke less about the tragedy and more about the support he�s received from friends, family, and strangers, saying that there is no need to �speak philosophically about the capacity of the human spirit,� because he�s seen it first hand.
�I am so proud to be a Bostonian because I am so proud to be connected to all of you,� Downes said.
David Yepez, 16, of Andover, was cheering on a family friend when he and his father, Luis, were injured by the one of the blasts.
�Thank you for your love, compassion and generosity. You have touched our hearts in a way that our gratitude could only be expressed with tears of joy,� said Yepez.
Vice President Biden closed out the ceremonies.
�Next Monday when I�m told that 36,000 people lined up to start the Marathon,� said Biden, �you�ll send a resounding message around the world - not just to the terrorists - we will never yield. We are Boston. We are America. And we will own the finish line.�
Following the tribute, a ceremony was held at the finish line where a moment of silence was held at 2:49 p.m., a year to the minute after the bombs went off last year, followed by the ringing of local church bells and a flag-raising ceremony.
Follow @JimMorrisonTAB on Twitter
Boston Marathon tribute: Time to remember, look forward
BOSTON - Approximately 2,500 people filled the Hynes Convention Center auditorium Tuesday afternoon - just a couple of blocks from the site of last year�s marathon bomb blasts - to pay tribute the victims of the 2013 Boston Marathon bombings at a ceremony sponsored by the Boston Athletic Association and The One Fund Boston.

subset: commoncrawl


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Three young men face charges after allegedly breaking into an Australian aquarium after dark, swimming with the dolphins and taking a penguin home with them, Reuters reported.
Police tracked down the suspects, ages 18, 20 and 21, after they posted on Facebook about their aquatic animal antics. The trio, thought to be drunk at the time, was charged with "trespassing, stealing and unlawfully keeping a protected animal."
They have since turned over videos of them in the park and in their apartment with the penguin the next day to Australian station 7 News.
According to the news clip, the guys panicked when they realized what had happened the night before and released the penguin into the wild instead of returning it to Sea World (a Queensland park that is not affiliated with the U.S. SeaWorld). The animal was rescued and eventually made it back safely.


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This event occurred in the past
CCSL: Directors Forum Bonus Session
This event occurred in the past
Date and Time
- Sunday, January 27, 2013 from 2:30 p.m. to 4:45 p.m.
Kroc Institute for Peace & Justice Theatre
"Regulatory and Legal Issues in the Year Ahead: What Directors, Shareowners, and Management Should Know"
Presented By
The University of San Diego School of Law's Center for Corporate & Securities Law
- 2:30 p.m. - 3:15 p.m. — What to Expect in Regulation, introduced by Cynthia Richson, Co-Director, CCSL
- Keynote Speech by Lynn Turner, Former SEC Chief Accountant
- 3:15 p.m. - 3:30 p.m. — Break
- 3:30 p.m. - 4:45 p.m. — What to Expect in Litigation
- Frank Partnoy, Co-Director, CCSL (Moderator)
- Koji F. Fukumura, Cooley LLP
- The Honorable Ronald S. Prager, San Diego Superior Court
- Darren J. Robbins, Robbins, Geller, Rudman & Dowd LLP
There is no charge to attend the event, but reservations are required
The University of San Diego School of Law is a State Bar of California approved MCLE provider and certifies that this activity is approved for 2.0 hours of general credit.
Review the suggested reading material for this event:
- Cornerstone Research Accounting Class Action Filings and Research
- International Comparative Legal Guide to Class and Group Actions 2013
- Flash Update: 2012 Trends in Securities Class Actions
- SEC's Settlement Trends: 1H12 Update
- SEC Work Plan for Incorporating IFRS
Directors Forum 2013
- 5:00 p.m. — Directors Forum 2013: Directors, Management & Shareholders in Dialogue. Register for the Directors Forum.
Affiliate Sponsor
Location & Directions
Joan B. Kroc Institute for Peace & Justice
Peace & Justice Theatre
University of San Diego
5998 Alcala Park, San Diego CA 92110
|From the North
|From the South
|From the East
|> Use I-5 South
> Exit Sea World Dr. &
Tecolote Rd.
> Proceed left at stoplight
toward Morena Blvd.
> Turn right on Morena Blvd.
> Left on Napa
> Left on Linda Vista Rd.
> Turn left on Marian Way
for West Entrance
to campus
|> Use I-5 North
> Exit Morena Blvd.
(signs will say: Morena
Blvd. use I-8 East)
> Stay to the right and follow
signs for Morena Blvd.
> Take the first right onto
Linda Vista Rd.
> Turn left on Marian Way
for West Entrance
to campus
|> Use I-8 West
> Exit at Morena Blvd.
> Go right onto
Linda Vista Rd.
> Turn left on Marian Way
for West Entrance
to campus
From all directions, once you enter the west entrance, stop by the parking kiosk for a complimentary visitor permit, then:
- Proceed up the hill to the Institute for Peace & Justice, which will be the first building on your right side (across from Mother Rosalie Hill Hall)
- Then make a right on Camino Way (first 4-way stop).
- Turn right in the first driveway for parking.
- After you park, go to the 1st floor.
- Check-in is located in the Rotunda.
- Campus Map. Look for building #12 on the map.
Lynn Turner
Lynn Turner is the former Chief Accountant of the U.S. Securities and Exchange Commission and the current Managing Director of LitiNomics, an economics and forensic consulting firm. He was a partner in Coopers & Lybrand, now PricewaterhouseCoopers. He has served as a director on corporate, pension and mutual fund boards. He has served as an expert and arbitration panel member.
Frank Partnoy
Professor Frank Partnoy is the author of F.I.A.S.C.O., Infectious Greed, The Match King, and – most recently – WAIT: The Art and Science of Delay. Formerly an investment banker at Morgan Stanley and a practicing corporate lawyer, he is one of the world's leading experts on market regulation and is a frequent commentator for the Financial Times, the New York Times, NPR, and CBS's 60 Minutes. Partnoy is a graduate of Yale Law School and is the George E. Barrett Professor of Law and Finance and the founding director of the Center for Corporate and Securities Law at the University of San Diego.
Koji F. Fukumura
Koji F. Fukumura is Co-Chair of Cooley LLP's Securities Litigation Practice Group, and is resident in the firm's San Diego office and also part time in the Colorado office. Mr. Fukumura's practice focuses on complex commercial litigation, including the defense of securities class actions, derivative suits, M&A-related class actions and government investigations. He regularly conducts internal investigations for boards as well as their audit and special litigation committees. Mr. Fukumura also counsels public companies, directors, officers, and principal shareholders about a wide range of issues relating to corporate governance, antitrust/unfair competition, FCPA, SEC enforcement, insider trading, disclosure obligations under and compliance with federal and state securities laws. His nationwide practice includes representation of companies such as Gateway, Inc., Qualcomm, Inc., Genoptix, Inc., Smith Micro Software, Inc., Brocade, Charlotte-Russe Holdings, The Titan Corporation, Quest Software, Inc., Gemstar TV-Guide and SAIC. He is currently a Co-Chair of the Securities Litigation Committee of the American Bar Association Section of Litigation and was a Co-Chair of that Committee's SEC Enforcement Subcommittee. Mr. Fukumura has been repeatedly honored in San Diego Super Lawyers as one of the "Top 50 Lawyers in San Diego" (2009-2012) and has been named in that publication's category of "Securities Litigation" (2007-2012). He was named the 2013 Lawyer of the Year for Securities Litigation (San Diego) and the 2012 and 2013 Lawyer of the Year for Mergers & Acquisitions Litigation (San Diego) by Best Lawyers in America. He was also named to Best Lawyers in the categories of Commercial Litigation (2009-2013), Securities Law (2009-2013), Litigation - Mergers & Acquisitions (2012-2013) and Litigation - Regulatory Enforcement (2012-2013). He has been recognized in Euromoney's Benchmark Litigation Guide of Leading Firms and Lawyers as one of California's "litigation stars" (2010-2013). He holds the highest peer-reviewed rating (AV) by Martindale Hubble.
The Honorable Ronald S. Prager
The Honorable Ronald S. Prager is a Judge of the San Diego Superior Court. He began his judicial service in 1988. Judge Prager has been a civil independent calendar judge presiding over a wide spectrum of civil cases, including complex statewide coordinated tobacco class actions, natural gas antitrust cases, and a range of corporate and securities disputes. He is a frequent panelist on civil litigation topics before various bar associations, Inns of Court and the Association of Business Trial Lawyers. Judge Prager has served as a judicial advisor to the Executive Committee of the Litigation Section of the State Bar of California, and is a co-author of CEB's California Summary Judgment. Judge Prager is a graduate of the Gould School of Law of the University of Southern California.
Darren J. Robbins
Darren J. Robbins is a founding Partner of Robbins, Geller, Rudman, & Dowd LLP. He has been named California Lawyer Attorney of the Year and recognized as one of the nation's top securities litigators by several prestigious organizations, including The American Lawyer. He has extensive experience in federal and state securities class action litigation. Mr. Robbins has recovered billions of dollars for shareholders while serving as lead counsel in numerous securities class actions, including In re UnitedHealth Grp. Inc. PSLRA Litig. ($925 million recovery and sweeping corporate governance reforms); In re TXU Sec. Litig. ($150 million recovery plus significant corporate governance reforms); In re Prison Realty Sec. Litig. ($120 million recovery); and In re Dollar Gen. Sec. Litig. ($172.5 million recovery). In January 2007, Mr. Robbins was recognized as one of The American Lawyer's Young Litigators 45 and Under for making significant strides in the securities litigation field. Similarly, Mr. Robbins received the California Lawyer Attorney of the Year Award in 2004 for his role as lead counsel in In re Hanover Compressor Sec. Litig., which resulted in an $85 million recovery for shareholders and landmark corporate governance reforms. Mr. Robbins is a frequent speaker at conferences and seminars and has lectured on a wide-range of topics related to securities litigation such as the Influence of Pension Schemes on Corporate Governance in 2011.


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Event Server Job
$150.00 estimated pay
Instructions and details
About Instawork Gigs
Instawork is the best place for hospitality workers to find temporary jobs on-demand. From Michelin-star restaurants to small coffee shops, Instawork makes it easy for bartenders, cooks, servers, dishwashers and other experienced hospitality workers to find work at local businesses and earn up to $30/hr on a flexible schedule. No interviews or paper resumes. Just book the gig in the app and show up to do the work. Se habla español.
An event server role refers to a front of house worker whose primary responsibility is to assist the guests in having a positive experience.
Event Server responsibilities:
Run food from the kitchen to the banquet hall on demand.
Prepare coffee breaks, carts and stations with appropriate supplies
Organize tables, action stations, buffets, and carts for service.
Communicate any additional meal requirements or special requests to the kitchen.
Ensure courses are properly cleared and crumbed in a timely fashion .
Manage the presentation of tableware so that it is accessible for the guests .
Monitor cleanliness and proper sanitization of tables, stations and service areas .


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17th century England & New England
I discovered a well written blog about two of my ancestors who were historical figures, William & Mary Dyer. The blog's author is an actual published author named Christy K. Robinson, who is descended from another of William and Mary's children. Christy is currently researching and writing a historical novel on Mary Barrett Dyer, 1611-1660.
Her blog about the Dyers was begun in August 2011 and so far has seven entries, all fascinating! If you have any interest in England or America during the 1600s, you will want to check out this blog.
Link to the initial blog entry:
Happy Reading!
Karen the AncesTree Sprite
P.S. My DYER Family branch names:


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Jazzed up: 107.5 change rocks Kidd fans
When Heather Kilmer turned on her car radio Monday morning, March 8, she spent several minutes trying to find her favorite station, Mix 107.5. No luck.
"I thought my sons or husband had changed the radio settings," says Kilmer, 21, a self-proclaimed "huge fan" of the Kidd Kraddick in the Morning show.
Instead, Kilmer learned– along with other Charlottesville Kidd lovers– that after seven years, 107.5 had undergone a dramatic programming change on Saturday, March 6, morphing from the pop rock offerings of the '80s, '90s and the present to smooth jazz, a genre encompassing everyone from Kenny G to Barry White.
"I can't stand it!" rails Kilmer about the new sound.
She's not alone. On the Kidd Kraddick website, kiddlive.com, messages from disappointed Charlottesvillians are popping up like spring flowers. Poster Fred Telegdy even started an online petition– which sported 147 signatures by Monday, March 15– to bring Kidd back to the local airwaves. (The petition site is petitiononline.com/cv4kidd.)
"It's not quite Howard Stern," says web designer Telegdy, of the Texas-based Kidd Kraddick show. "Kids can listen to it." And of the Kidd crew, which includes Kellie Rasberry and Big Al Mack, Telegdy says, "They're just funny; they don't need to go overboard."
Telegdy says he hopes to garner enough signatures to convince any radio station in town that grabbing Kidd Kraddick is a smart business move.
"I'll tune in to whatever station has it," says Telegdy. "Just bring it back, somehow, someway."
Kraddick, reached in Dallas, says he's touched by the Charlottesville outpouring. "You find out how much they love you when you're kicked out of town," he says. And for those who are among the disappointed, he says there's some hope. When the show was kicked off the air in Austin, Kraddick says a grassroots campaign convinced a different station to bring it back.
But Regan Keith, operations manager for the six Clear Channel stations in the Charlottesville market, says Kidd won't be back on 107.5 anytime soon.
"It was purely a business decision," says Keith. "Mix has been on a steady downward trend for a number of years." And while he says Kidd Kraddick did soften the decline, the show couldn't carry the station on its own.
That, Keith says, combined with the fact that Kraddick was pulling listeners from another Clear Channel program, Valentine in the Morning on HOT 101.9, made the decision easy. "We were in a situation," he explains, "where we were competing with ourselves."
So why smooth jazz?
Keith says listeners made the choice.
Twice a year, a company called Arbitron randomly surveys 680 local listeners about their radio listening habits. All area radio stations, says Keith, use the results of these surveys to plan future programming.
Keith says that year after year, fewer Charlottesville listeners have reported tuning in to Mixit came in eighth out of 11 local stations this year– and more have expressed a desire for a jazz station. Using numbers from similar radio markets, Keith says, Clear Channel decided Charlottesville was ripe for jazz.
While some jazz musicians agree that Charlottesville is ready for more jazz, they say "smooth jazz" is a misnomer.
"Smooth jazz, to be totally blunt," says trumpeter John D'earth, "is not jazz. To many people's ear, it's not music. It's the musical equivalent of wallpaper."
Musician Jeff Decker says hearing watered-down versions of jazz "being used as elevator music or as background for the weather," can be frustrating for jazz musicians, who know the rich history and meaning of their art form.
But, he says, "light jazz" has its place, and he believes there is a market for it.
Not so Telegdy, who thinks the new format spells doom for 107.5, no matter what Clear Channel's Keith claims.
"Why don't you just say, 'We're trying to kill our ratings, trying to kill our radio station," he asks.
So where are all the smooth jazz fans? The Hook was unable to find anyone happy about the 107.5 format change, but UVA government professor David Waldner gave a clue as to what might be going on.
"No one's going to admit they like smooth jazz," he laughs. "That's like saying, 'I hum Karen Carpenter in the shower.'"
Fred Telegdy, with his online petition, misses Kidd Kraddick


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Some Taxpayer Assistance Centers Are Open
Our centers operate by appointment. When you arrive, wear a mask and stay 6 feet away from others. Reschedule your appointment if you are feeling ill.
Face-to-Face Tax Help
Nearly every tax issue can now be resolved online or by phone from the convenience of your home or office. Through IRS.gov you can:
- Set up a payment plan.
- Get a transcript of your tax return.
- Make a payment.
- Check on your refund.
- Find answers to many of your tax questions.
- File your tax return online.
- View my account information.
All Taxpayer Assistance Centers (TACs) now operate by appointment. When calling to schedule an appointment, customer service representatives are available Monday through Friday, 7 a.m. to 7 p.m.
Caution: Many of our offices are located in Federal Office Buildings. These buildings may not allow visitors to bring in cell phones with camera capabilities.
Multilingual assistance is available in every office through telephone interpreters. Hours of operation are subject to change.
Before visiting your local office click on "Services Provided" in the chart below to see what services are available. Services are limited and not all services are available at every TAC office and may vary from site to site.
|Street Address
|Days/Hours of Service
|4400 Leeds Ave
North Charleston, SC 29405
Monday-Friday - 8:30 a.m.- 4:30 p.m.
Office Information
Make Appointment
|1835 Assembly St.
Columbia, SC 29201
Monday-Friday - 8:30 a.m.- 4:30 p.m.
Office Information
Make Appointment
|401 W. Evans St.
Florence, SC 29501
Monday-Friday - 8:30 a.m.- 4:30 p.m.
**This office is closed 8/17 & 9/4**
Office Information
Make Appointment
|440 Roper Mountain Rd.
Greenville, SC 29615
Monday-Friday - 8:30 a.m.- 4:30 p.m.
Office Information
Make Appointment
|Myrtle Beach
|601 19th Ave. N.
Myrtle Beach, SC 29577
Monday-Friday - 8:30 a.m.- 4:30 p.m.
**This office is closed 8/17-8/21**
Office Information
Make Appointment
For information on where to file your tax return please see Where to File Addresses.
The Taxpayer Advocate Service: Call 803-312-7901 in Columbia or 877-777-4778 elsewhere, or see Publication 1546, The Taxpayer Advocate Service of the IRS (PDF). For further information, see Tax Topic 104.
IRS and organizations all over the country are partnering to assist taxpayers. Through these partnerships, organizations are also achieving their own goals. These mutually beneficial partnerships are strengthening outreach efforts and bringing education and assistance to millions.
For more information about the programs for individuals and families and how your organization can be a part of this partnership read more at Become an IRS Partner. Organizations interested in operating a free tax preparation site through the Volunteer Income Tax Assistance or Tax Counseling for the Elderly programs may consider applying for a VITA or TCE Grant. Anyone interested in volunteering to prepare free tax returns can read how to become an IRS Tax Volunteer, or if you need to find a volunteer site to have your tax return prepared absolutely free, go to Free Tax Return Preparation for you by volunteers.
For more information about these programs for businesses, your local Stakeholder Liaison office establishes relationships with organizations representing small business and self-employed taxpayers. They provide information about the policies, practices and procedures the IRS uses to ensure compliance with the tax laws. To establish a relationship with us, use this list to find a contact in your state:
Stakeholder Liaison (SL) Phone Numbers for Organizations Representing Small Businesses and Self-Employed Taxpayers.


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True story: An October day in 1992 at the Country Music Hall of Fame in Nashville. Two blue-haired ladies stand in front of Elvis Presley's famous gold Cadillac and stare admiringly. One turns to the other and says, "Elvis isn't really dead, you know. I hear he's on a mission for the C-I-A."
The Elvis sightings and rumors of such are down these days, though the image of the King will reign from Memphis to Tokyo this weekend as fans around the world mark what would have been his 75th birthday.
Jan. 8 is a bittersweet day for Elvis fans, but it's more palatable than the other time of year when his name regularly comes up in the news: the anniversary of his August 16, 1977 death at age 42. The specter of Elvis also was raised frequently last June, not always in a positive context, following the sudden death of another pop king, Michael Jackson.
Too often, the appreciation of talent and accomplishment get lost in the strange brew of instant iconography and salacious revelations that flows after the unexpected demise of a troubled superstar.
So let's look at Presley's landmark birthday as an opportunity to celebrate the Elvis who brought an music-changing infusion of rhythm-and-blues and country to "That's All Right" and "Mystery Train" – and not the one who sheepishly crooned his way through such cringe-worthy rubbish as "Yoga is as Yoga Does" and "Queenie Wahine's Papaya."
It's a chance to recall the Elvis who grabbed moviegoers with promising, at times teasingly electrifying performances in flicks like "King Creole" and "Jailhouse Rock" – and not the hack contract player who sleepwalked through teen B-movie junk like "Fun in Acapulco" and "Clambake."
It's a time to remember the Elvis who loved his mama and his little Lisa Marie – and forget about the stripper-wrestling chimpanzee and the general, bloated excess that ended in the bathroom of his Memphis palace/refuge, Graceland.
As with Jackson, who squirreled away in his Neverland Ranch with his own chimp and demons, it's difficult at times to separate the music from the tawdry downfall – even if in Presley's case evidence indicates the person he hurt most was himself.
Playing the guessing game of what kind of music Elvis would have produced if he'd been around for the last three decades is folly. But we know that the spirit of rock-and-roll he helped create is alive, and that it's proving ageless. Chuck Berry, Presley's contemporary and one of his fellow co-founding fathers of rock, is still performing at age 83. Bob Dylan, Paul McCartney and Bruce Springsteen are making new, relevant music post-60, long after first hearing "Heartbreak Hotel."
"When we were kids growing up in Liverpool, all we ever wanted to be was Elvis Presley," McCartney once said.
If Presley's goal was to get us rocking – and not, say, faking his death and working on a secret assignment for the CIA – he can consider the mission accomplished. So Elvis, wherever you are: Happy birthday – and thank you very much.
Hester is founding director of the award-winning, multi-media NYCity News Service at the City University of New York Graduate School of Journalism. He is the former City Editor of the New York Daily News, where he started as a reporter in 1992. Follow him on Twitter.


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After what no doubt started to feel like forever, Michael Jackson's daughter Paris was finally able to tweet that her grandmother, Katherine, was back home again.
"grandma's here! #thankyougod," the 14-year-old wrote early Thursday, adding: "5 hours of sleep last night, been awake for 23 ... time to #hibernate."
However, while Paris has been very vocal via Twitter regarding her grandmother's whereabouts over the past week, her brother Prince has been silent. Until now.
U.S. & World
Katherine Jackson Not Kidnapped, "Devastated" to Lose Custody of Michael's Kids
The eldest of the late pop star's children tweeted the following regarding all the drama surrounding his family.
"I would first like to start off by thanking the fans that have always stood by me and my family, my dad really appreciated your support and I still treasure it to this day. As I am sure everyone is well aware of the events that have been going on. I have been holding off on backing up my sister and her tweets avidly because I was waiting for the time to reveal my side.
"As long as I can remember my dad had repeatedly warned me of certain people and their ways. Although I am happy my grandma was returned, after speaking with her I realized how misguided and how badly she was lied to. I'm really angry and hurt.
"The following image is of a group chat I had started to several family members. This group text message I had started was replied to but they didn't know that I could see the responses. For this whole time, they denied us contact to our grandmother. If you continue with your lies I will continue with the truth."
Prince, 15, signed the tweet with his real name: Michael Jackson Jr.
Katherine Loses Custody of Michael's Kids
As for the group text message he was referring to, Prince posted a screengrab from July 23 that read:
"This is enough so I am texting you for the simple fact that WE DEMAND TO SPEAK TO MY GRANDMA NOW!!!"
Meanwhile, prior to returning to her Encino, Calif., residence, Katherine herself finally spoke out in a taped statement to ABC News on Wednesday.
Inside the Jackson Family Feud: A Who's Who Guide
"I am here today to let everybody know that I am fine and I am here with my children, and my children would never do a thing to me like that, holding me against my will. It's very stupid for people to think that," she said with Rebbie, Randy and Janet Jackson by her side in Tuscon, Ariz., where she has been resting at a spa for the last several days.
She added, "There's a lot of lies that have been put out there and I am going home to straighten them out...So I want to say goodbye and I am on my way home."
Of course, home is a bit different now seeing how Katherine temporarily lost custody on Wednesday of her grandchildren Prince, Paris and Blanket. T.J. Jackson, Michael's nephew and Tito Jackson's 34-year-old son, was appointed temporary guardian of the three kids after Paris and Prince consented to being in T.J.'s custody in the absence of their grandmother.
Marlon Jackson Breaks Down, Walks Off While Talking About Mother's Whereabouts
Singer Diana Ross, whom Michael listed as a backup guardian in his will if anything were to prevent Katherine from fulfilling the role, has been given notice of the situation in case she wants to be appointed guardian. Also informed of the custody change was Debbie Rowe, the biological mother to the two elder children.
T.J. has filed a request to be named permanent guardian.
Per Wednesday's order, the children cannot be removed from California.


text:
archive(redirected from active archiving)
Also found in: Dictionary, Thesaurus, Encyclopedia.
archivenoun A collection of historical documents or records.
verb To store and file images or data for future retrieval and/or analysis.
archive(ar′kīv″) [Fr. fr. L. fr. Gr. archeia, public offices]
1. A database; a bank of stored information.
2. A location in which documents, images, or records are preserved.archival (ar-kī′văl), adjectivearchivist (ar′kĭ-vist)


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1929 Ford lowboy roadster - Retro Ride - Street Rodder
Don Raker's Rad Roadster
When it comes right down to it, we all have a pretty good idea of just what we want in a hot rod. Take this cool roadster for example. In the mind of its owner, Don Raker, this one had to be a hardcore traditional with the look of an early '60s show car-not one of those over-the-top cartoon cars of the day, but a good-looker that would be as at home on the street as it would be under the lights and wrapped in angle hair. And, as you can see, the result was a complete success.
The story behind this '29 began in the not-too-distant past. Don happened to be shootin' the bull with his pal, hot rod builder Rich Oakley, and naturally the subject of Don's future project came up. Rich's North Carolina-based shop, Retro Rides by Rich, is known for some of the coolest traditional-style hot rods around (I featured my first Oakley-built rod around eight or nine years ago), so it wasn't much of a stretch for the casual conversation to turn into concrete plans for a build; heck, if anyone could relate to Don's vision, Rich certainly could. It wasn't long before Rich got back to Don with an artist's rendering of his take on the project, and Don signed off on it right off the bat.
The '29 began as a vintage Anderson Industries 'glass body and not much else. Rich began work on Don's ride by fabricating a neat low-slung rectangular- and round-tube frame as a foundation. It was designed so the car would have a ground-scraping stance without the need to channel the body very far over the framerails. This was accomplished by designing the frame to accept the suspension above the 'rails rather than below, as is almost always the case. Rich laid out and assembled the perimeter frame per his design, and then drilled and sleeved the front 'rails for a cool traditional look.
Up front, a Super Bell axle is supported by a Speedway Motors transverse spring and custom radius rods, then fitted with a pair of '40 Ford spindles, Pro shocks, and disc brakes. A VW bus box and column was used too, as its size and unique mounting assembly worked perfectly for the under-slung frame. Out back, a Chrysler rearend was mounted to the round-tube portion of the frame using coilovers and custom-fab'd Retro Rides four-bar and Panhard bars. A Mustang master cylinder, custom plumbing, and a quartet of Radir Tri-Ribs wrapped in wide whites transformed the frame into a roller, readying it to accept the driveline and body.
The Vintage 'glass body was meticulously prepped, blocked, and readied for paint. Rich mixed up an eye-popping green candy color using Sem transparent toners. An early '70s SBC was freshened, painted, and traditionally dressed with a pair of vintage Cal Custom valve covers, an Offy four-deuce intake topped by a gaggle of Rochesters wearing Speedway Motors scoops, and a pair of modified Speedway Motors headers. A Powerglide two-speed auto backs up the muscular Mouse motor, and a custom-made driveshaft completed the driveline.
Rich then fitted the '29 body with a machine-turned aluminum firewall insert as well as a matching dash insert. He also used a cut-down '32 grille shell and grille. A pair of Dietz headlights and '50 Pontiac taillights, along with a period-perfect helping of green and white upholstery, go a long way in finishing up this awesome example of one rodder's vision and another's traditional skill and expertise.
Don's gotta be pleased as punch with this baby-I know it really knocked my socks off when I saw it for the first time, and I'm betting you folks are just as impressed.
|Frame / Manufacturer
|Chassis plumbing
|Rearend / Ratio
|Chrysler / 3.73:1
|Rear suspension
|Rear brakes
|Chrysler 11" drum
|Front suspension
|Front brakes
|Master cylinder
|'67 Mustang
|Steering box
|VW Bus
|Front wheel make, size
|Radir Tri-Rib (Montville, NJ), 15x4
|Rear wheel make, size
|Radir Tri-Rib, 15x8
|Front tire make, size
|U.S. Royal, 5.60/15
|Rear tire make, size
|Radir Cheater Slicks, 10.0/15
|Gas tank
|Speedway Motors (Lincoln, NE), 11-gal. spun aluminum
|'70 Chevrolet
|Water pump
|Speedway Motors
|Cooling fan
|custom, copper / brass
|Speedway Motors
|Chevrolet, iron
|Valve covers
|vintage Cal Custom
|Manifold / Induction
|Offenhauser 2x4 / (4) Rochester 2G
|Carb scoops
|Speedway Motors
|Ignition / Wires
|PerTronix (San Dimas, CA)
|Retro Rides-modified Speedway Motors
|'60 Chevrolet Powerglide
|Retro Rides
|custom, Piedmont Truck (Greensboro, NC)
|Body style / Material
|roadster / fiberglass
|Body manufacturer
|vintage Anderson Industries
|Body mods
|sectioned 3"
|chopped '32 Ford
|Retro Rides
|Paint type / Color
|acrylic lacquer / candy mint green
|Rich Oakley, Retro Rides by Rich
|Harrold Page (Winston-Salem, NC)
|Headlights / Taillights
|Dietz / '50 Pontiac
|Outside mirror
|eBay find
|Other body items
|rear bellypan
|Insert / Gauges
|spun aluminum / Stewart Warner (Lancaster, PA)
|Retro Rides
|Steering wheel
|Grant Products (Glendale, CA)
|Steering column
|Retro Rides
|Interior mirror
|eBay find
|Bob Hill (Trinity, NC)
|Material / Color
|vinyl / white, green
|cut pile


text:
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text:
Reduces the scheduled down time that is associated with adding or deleting VTAM terminals.
Users can now establish an IMS session from any VTAM terminal in the network.
Relate output messages to users, rather than to terminals.
Reduce the number of macros required to define the terminal network – decreasing system definition time and storage requirements.
For ETO terminals and user structures, resources are not allocated until they are actually required. And when they are no longer required, they are deleted.
Fewer skilled system programmer resources are required to maintain static terminal definitions.


text:
Forget Independence Day. If you really want to see Earth get it, you can't do any better than Tim Burton's Mars Attacks!. It's a destructo orgy without any phony-baloney sanctimony about the fellowship of man--or spaceman.
Burton isn't interested in intergalactic amity; he's not even interested in preserving the Earth. He's like a precocious, nut-brained kid pumped with '50s sci-fi pulp. But he doesn't take his pulp straight. Burton turns inside out the tacky stalwart grandeur of such films as The Day the Earth Stood Still and Earth vs. the Flying Saucers. Part homage and part demolition job, Mars Attacks! is perhaps the funniest piece of giddy schlock heartlessness ever committed to film.
Pure id runs riot: Movie stars get incinerated right along with the extras; Sarah Jessica Parker's head gets transplanted onto a Chihuahua's body; Martians morph into robotic Playboy babes with beehive 'dos and torpedo tits. Everything about Mars Attacks! is flagrantly lewd, yet presexual--a preadolescent's fever dream. The real sex in this movie is in the wacko mayhem and the gorgeousness of the grotesquerie. It's a nonstop kitsch spritz.
With screenwriter Jonathan Gems, Burton draws not only on '50s sci-fi, but on images from Cocteau, Dr. Strangelove, The Bride of Frankenstein and pulp comic books and trading cards--including, of course, the 1962 Topps Mars Attacks! series, which was withdrawn from the market for being too lurid. He riffs on the '70s cycle of disaster epics such as The Towering Inferno and Earthquake.
The implicit joke behind those straight-faced disaster films was that destruction was a turn-on; in Earthquake, audiences grooved to L.A.'s collapse--it was Biblical-style retribution for Sin City. In Mars Attacks!, Burton brings the joke out into the open; he doesn't disguise his glee in blowing things up, and his main targets--Washington, D.C., and Las Vegas--are eminently blow-up-able. They're America's yin and yang: The White House and the MGM Grand are the twin tepees of our national imagination.
Everybody gets it in Mars Attacks!. (Everybody deserves to get it.) We first see a herd of cattle on fire stampeding through the Kansas heartland; it's a tip-off the Martians have arrived. A credit sequence follows in which their saucers wheel through space like giant hubcaps, while, on the soundtrack, the woozy sound of the theremin gives us cold creeps. Then we switch from the heartland to the Pentagon--commonly a reassuring trajectory in '50s sci-fi.
But the Washington honchos here are far from reassuring: President James Dale is played by eyebrow-flexing Jack Nicholson, who also plays the sequined Vegas real estate hustler Art Land--hustlers high and low. General Decker (Rod Steiger) is a bald-pated horror whose game plan for the impending Martian touchdown is simple: "Kill! Kill! Kill!" His opposite number, Paul Winfield's General Casey, sees the Martian arrival in the Arizona desert as a peace offering; he greets them with the intergalactic sign of the doughnut. The interminably pipe-puffing government scientist Donald Kessler (Pierce Brosnan) is so preternaturally calm he's practically an alien, too. He's all intellect--all head--so when the Martians actually reduce him to a floating cranium, he's essentially the same guy. If he seems vaguely denuded, it's not because he's bodiless, but because he's pipeless.
Sci-fi movies usually thump either for Pentagon power or we-the-people gumption. But Tim Burton is an equal-opportunity scourge. It's as if he read all those high-toned tracts on the "meaning" of '50s sci-fi flicks--how they were a metaphor for the Cold War and nuclear holocaust--and decided to diddle those theories every which way. You can't call Mars Attacks! reactionary sci-fi. True, the heartland masses, led by trailer-park patriarch Joe Don Baker, are mostly stunted yokels--but then, so are Washington's top brass. The Pentagon is just a goofball phallic symbol. The Martians snip it and tip it. Mars Attacks! is prepolitical in the same way it's presexual; it uses its demonic emblems of force kiddy-cartoon-style.
When Stanley Kubrick and Terry Southern lampooned the military in Dr. Strangelove, they did it with an overlay of jokey sophistication--it was supposed to be black comedy for "knowing" adults. Burton's visual fantasias--the way, for example, he turns Vegas into a fan dance of irradiated reds and blues and greens--are certainly sophisticated. But his sensibility isn't--at least not in the usual ways. He's making fun of '50s schlock sci-fi in Mars Attacks!, but he's also deeply drawn to it; this is why he could make a movie such as Ed Wood, which enshrines schlock. Success in the movie business hasn't made Burton "knowing." He's goofing on '50s schlock, but he's not "commenting" on it: To do that would be to disown the love he feels for it.
The love runs pretty deep, and the genuine scariness that sometimes arises from Mars Attacks! is keyed to just how deeply all this schlock has burrowed into Burton's brain. There are people who couldn't stomach Burton's Beetlejuice and Batman and, especially, Edward Scissorhands. The pop dementia on view seemed too unsettling; he set us up for a cartoon romp and then went all ghastly on us. Burton takes audiences farther out into the realms of pop-comic heebie-jeebies than any other director, but some audiences respond to him the way they more often respond to David Lynch. They want to know why this guy is dumping all his sicko stuff on us.
It's easy to be affronted by Burton's movies because there is an element of cruelty in his relationship with the audience; there's a joy buzzer in his handshake. He wants to give us the willies because he's already got them--and he doesn't want to be alone with them. Better we should all be spooked.
The Martians in Mars Attacks! are a full grade scarier than we might expect from a sci-fi spoof. As designed by the wizards at Industrial Light and Magic, they're computer-generated gargoyles with big brains like curlicued blooms of tufa; their lidless bulging eyeballs and skull smiles are not remotely cute. When the Martians create a playmate to heat up the president's libidinous press secretary Jerry Ross (Martin Short) and gain access to the White House, their creation (Lisa Marie) resembles the dream-walking undead in a film by Cocteau or Franju (specifically The Eyes Without a Face). Her herky-jerky gyroscopic glide through the hallways of power is one scary-funny wiggle. Jerry is so smitten with her that he starts to move like her. When he pulls on her flesh, her cheek falls away (so does Jerry). This Martian Girl is a pinup nightmare--the wrath of plastic.
The Topps Mars Attacks! cards, painted by veteran pulp magazine artist Norm Saunders, were dandy little decals of luridness: The cards' titles--such as "Destroying a Dog," "Burning Flesh" and "Beast and the Beauty"--were emblazoned on lascivious scenes of destruction backgrounded by blood-red skies. There's nothing spoofy about them.
Burton connects to the kid-stuff horror in the cards. He also feels affection for their frights. He wants us to know that the bluenoses were right--the cards were dangerous. In Mars Attacks!, Burton, who started out as an animator, uses the cards' luridness as inspiration, but then he gooses us. Mars Attacks! is scary-funny in ways we haven't seen before--except perhaps in other Burton movies or in Peter Jackson's Dead Alive, which also goosed us with overkill.
The one character in the film who comes across as genuinely heroic--as opposed to mock-heroic--is Lukas Haas' Richie, the Kansas slacker who, helped inadvertently by his dotty grandmother (Sylvia Sidney), figures out a way to burst the Martians' brains. (Their craniums appear to be engorged with Prell.) It's perhaps no accident that Richie, with his shambling alertness and scraggly locks, resembles Burton. Richie brings out Burton's Boy Scout side. When, on a Kansas back road at night, a giant Martian robot clomps after the boy attempting to escape in his truck, we fear for him in a way we don't for anybody else in the movie.
How could we fear for anybody else? Burton's satiric point is that the humans are just as soulless and far-out as the Martians. They're too stunted even to react properly to the invasion; while the world is being incinerated, Vegas still packs 'em in and the White House is still giving tours. A TV reporter (Michael J. Fox) tries to wangle a Martian interview; he might be trying to score a celebrity. Tom Jones, who seems ageless enough to be an alien himself, continues to croon "It's Not Unusual" even when his back-up singers turn out to be barking aliens.
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The '50s sci-fi movie stalwarts, such as John Agar or Richard Carlson, were so deeply bland that they might as well have been androids. But their blandness wasn't intended satirically. In Mars Attacks!, the more straight-arrow you are, like Pierce Brosnan's pipe puffer, the weirder--and more laughable--you seem. Burton casts Jim Brown as an ex-heavyweight boxing champ who, dressed as an Egyptian, works as a Vegas casino greeter; it's such a funny image, and Brown is so imperially blank, that you almost don't mind that Burton hasn't really figured out what to do with him. (He ends up boxing the Martians--big wow.) Burton's clunkiness, at least, is in the service of a higher clunkiness.
It would be too bad if smart adults turned away from Mars Attacks! and left it to the smart kids. A lot of drippy movies are out there appealing to the child within; Burton's new film appeals to the brat within. Despite a few forced efforts at topicality and political jokesterism--like the scene in the White House in which the Reagan chandelier crushes Glenn Close, as the president's shrewish wife, or the way Paul Winfield recalls General Colin Powell--Mars Attacks! stays resolutely within its nut-house campgrounds.
Fifties sci-fi movies may have been a skewed response to Cold War fears, but Mars Attacks! is a post-Cold War romp. The Russians don't even figure in it. And with no commies around to target, Burton goes blooey and targets everything. We've come a long way. Dr. Strangelove, our greatest Cold War comedy, was, of course, subtitled How I Learned to Stop Worrying and Love the Bomb. In Mars Attacks!, Burton has his Martians inhale a nuclear missile and get high on the radiation. You can't love the bomb any more than that.
Mars Attacks!
Directed by Tim Burton; with Jack Nicholson and Glenn Close.


text: All About 'Urbanality 20 P' These designs and colors are intentionally suited for urban spaces and multi-family housing. Anywhere people enjoy forward thinking decor. This collection features clean, simple-grained woods like white oak and maple - alongside striations that are wood like but don't represent a species. Product Specifications Flooring Type Resilient Style 0330V URBANALITY 20 P Color 00633 CITY MARKET Collection Array Construction RESIDENTIAL RESILIENT LVT-DRYBAC<=2MM Width 5.90 in. Length 36.22 in. Installation Grade ABOVE, ON, BELOW Wear Layer 20 MIL Made in the USA NO Country Of Origin Korea VOC Shaw Industries and each of its brands carefully consider the impact of our products throughout their lifecycle. The resilient (vinyl) products we sell - whether manufactured by Shaw or sourced from others, both residential and commercial - contain no ortho-phthalate plasticizers (including benzyl butyl phthalate). Our resilient products are also formulated using only virgin vinyl polymer to avoid the challenges of legacy chemicals that often come with post-consumer recycled content in this product category. Downloads Hard Surface Care & Maintenance Tile and Plank Download PDF Resilient Plank & Tile Inst guide Download PDF Resilient LVT Limited Warranty Download PDF


text:
Rathbone reads rave-reviewed first book
You write your first novel and get a rave review from the New Yorker, which compares your protagonist to Catcher in the Rye's iconic Holden Caulfield, only the venerable periodical declares your hero is "a good bit funnier and a lot less mopey."
That fairy tale scenario really happened to Charlottesville resident Emma Rathbone, 2006 UVA MFA creative writing grad, whose The Patterns of Paper Monsters came out in August and is picking up kudos as fast as reviewers get a copy. Rathbone will read from her tale of a teen in juvenile detention at 5pm Thursday, September 23, at the Iris Magazine fall release party/literary soiree at the Women's Center across from the White Spot on University Avenue. Free and open to the public.
Read more on: emma rathbone


text:
How to Play Mummy Tag: A Halloween Twist on an All-Time Favorite
Do your kids love to play tag?
Looking for a spooky twist on this timeless childhood game?
A simple roll of toilet paper transforms a traditional game of tag into a cool new experience your kids will remember for a long time: Mummy Tag.
In this article I will show you a delightfully creepy alternative to a game of tag that will have your kids squealing with delight.
Why Mummy Tag?
There's something about the game of tag that never gets old—the thrill of chasing and being chased.
It's always a trip down memory lane when I see my boys playing tag at school or at the park. Freeze tag and cartoon tag were my favorite playground variations when I was a kid. What were your favorite tag games?
I was excited to test this Halloween version of the game with my boys. To my delight and theirs, it was a hit! I'm sure your family will have fun playing Mummy Tag, too.
Mummy Tag is a great way to tap into the Halloween holiday excitement, engage with your kids and get everyone off the couch.


text:
Wireless security
From DD-WRT Wiki
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[edit] Disabled
- No encryption.
[edit] WPA
- Implements the majority of IEEE 802.11i, but with different headers (so can operate both in same network).
- Designed to require only a firmware upgrade (full 802.11i usually requires hardward change).
- As designed, WPA uses TKIP and Michael for message integrity, based on RC4 for encryption.
[edit] Pre-shared (personal) vs Enterprise (RADIUS)
Defines the type of authentication used.
- WPA (and WPA2) may operate in enterprise mode, using a RADIUS server to hold per-user keys. This allows individual access to be controlled in a large network.
- For a small network, e.g. home network, without a RADIUS server a pre-shared key (PSK) may be used. The same key is used by all clients, so may require more work to update.
[edit] TKIP vs AES-based CCMP
Defines the algorithm used for message integrity and confidentiality.
- WPA was designed to be used with TKIP (and WPA2 designed to use stronger AES-based).
- However, some devices allow WPA (not WPA2) with AES (and WPA2 with TKIP).
- AES is optional in WPA; in WPA2 both AES is mandatory, but TKIP is optional.
- Note that TKIP is not directly comparable to AES; TKIP is an integrity check, AES is an encryption algorithm. In the context of wireless security this actually means TKIP vs "AES-based CCMP" (not just AES).
TKIP is a lower end encryption protocol (WEP2) and AES is a higher end (WPA2/802.11i) encryption protocol. AES is preferred.
[edit] TKIP+AES
This is what the encryption standards are for WEP2 (TKIP) and WPA2/802.11i (AES). It will attempt to use AES if available and fall back to TKIP if not. This setting offers the most compatability but won't guarentee a higher level of encryption if a device falls back to TKIP.
[edit] WPA2, aka 802.11i
- Fully conforms with 802.11i as it implements all mandatory features.
- Guarantees interoperability certification.
- Effectively WPA2 is Wi-Fi Alliance's brand name for 802.11i.
- Note: In some cases other optional features of 802.11i may be required, but interoperability may not be guaranteed.
- Support for AES encryption and AES-based CCMP message integrity is mandatory (is optional in WPA).
- As well as mandatory AES, WPA2 also adds PMK (Pair-wise Master Key) and Pre-authentication to help fast roaming.
[edit] EAP options
- Authentication options for 802.11i.
- Two initial types - pre-shared key (personal) or RADIUS (enterprise), same as per WPA.
- Additional types of enterprise authentication types now available (usually not relevant for home users).
[edit] AES-based CCMP
- WPA2 mandates AES-based CCMP for message integrity and confidentiality.
- TKIP (weaker) is optional.
[edit] WPA2 mixed
- Mixed mode allows device to try WPA2 first, and if that fails fall-back to WPA.
[edit] WEP
WEP was supposed to provide Confidentiality, but has found to be vulnerable and should no longer be used.
- Has been found to be vulnerable.
- Is often the default; this should be changed.
- Most devices that support WEP can be firmware/software upgraded to WPA.
- Do not use unless some devices can not be upgraded to support WPA.
WEP has been outdated for years and has better replacements. The 40-bit encryption is just not strong enough to keep data secure and can be broken rather easily. Newer encryption methods use stronger encryption and have yet to be broken while WEP can be broken in a minute according to this resource.
Use WPA where possible.
[edit] Preference Summary
To keep things simple, the best options, in decreasing order of preference, may be:
- WPA + AES (only if all devices support it).
- WPA + TKIP+AES (only if all devices can support it).
- WEP (will only keep out people with none or poor experience in computers)
- Disabled (no security)
The most common two options will be WPA2 + AES and WPA + TKIP, because they match the mandatory requirements in the standards (WPA2 requires AES, WPA requires TKIP).
You can use WPA + AES for higher security than TKIP, but only if your devices support it (it is optional). For this reason it is not very common. You also do not get the improved roaming features of WPA2.
WPA + TKIP+AES provides a fallback in case AES is not supported by a device in that it switches to the more common TKIP. The disadvantage is that it might switch to TKIP unexpectedly but is more backwards compatable if needed.
Currently TKIP has no known vulnerabilities, so for broadest compatibility stick with WPA + TKIP.
The remaining combination, WPA2 + TKIP, is possible (as TKIP is optional in WPA2), but doesn't make much sense because AES is more secure and mandatory for all WPA2 devices.
[Comment added 12/04/07 by mithrill]]
I've created some very detailed how-to instructions for Securing Your Wireless Network on my site with lots of screen captures. I wanted to contribute to the DD-WRT community in some way in appreciation of everyone's hard work. Due to the extent of my directions, I couldn't post them on this Wiki. Hopefully these instructions will provide help to everyone in the community. Check them out at http://www.mandladventures.com/2007/04/21/securing-your-wireless-network/ but don't forget to read all of the other great stuff already included on this Wiki.
[edit] SSID
The SSID is what the router broadcasts as the name of the network. All wireless networking products have the option of broadcasting the SSID or not. This should not be viewed as a form of security however as wireless sniffers can detect this anyway. It might be useful to hide SSIDs for some reasons but this should always be used with a high level of encryption where possible.
[edit] Mixed Security Modes
It seems possible (at least on the Linksys WRT160NL) to have mixed WEP and WPA security. Having mixed WEP keys does not seem to work.


text:
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-Be sure to moisturize skin before foundation application, especially if your skin is dry.
-After moisturizing, prep skin with Pro Filt'r Instant Retouch Primer (sold separately) for best results.
-Always shake before use to activate.
-When testing shades, remember to let the foundation dry completely to find your perfect match.
For full coverage:
-Apply one to two pumps of Pro Filt'r Foundation on the back of your hand.
-Using the Full-Bodied Foundation Brush 110 (sold separately), dot product onto the center of your face, and blend outward.
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For medium, customizable coverage:
-Apply one pump of Pro Filt'r Foundation onto the back of your hand.
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-For fuller coverage, add another pump.
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text:
Blame, blame, blame. Fox News Sunday broadcast former Republican presidential candidate Mitt Romney's first interview since losing the 2012 election. Romney blamed his loss on his poor performance among "minorities" and the "lower incomes" whom he claimed were seduced by the Affordable Care Act.
ROMNEY: We did very well with the majority population, but not with minority populations, and that was a failing, that was a real mistake.
CHRIS WALLACE: Why do you think that was?
ROMNEY: Well, I think the Obamacare attractiveness and feature was something we underestimated, particularly among lower incomes. And, uh, just didn't do as good a job in connecting with that audience as we should have.
Oh and this ... again:
Ann Romney said she blamed the media for unfairly treating her husband. The portrayals of them as rich and out-of-touch kept the public from getting "to know Mitt for who he was." While she shed tears after the loss, she said, "I'm mostly over it. But not completely."
But we're completely over you, hon. Via Think Progress, watch AFTER THE JUMP ...


text:
Ask the Critic: Can I Do Tasting Menus with My Food Intolerances?
You have restaurant questions? We have answers. Where to take a dinner date? Restaurants good for parents or picky eaters? Food etiquette? Food and restaurant writer Carey Jones answers your questions. Email [email protected] to submit.
Editor's note: Here to answer your questions is contributing writer, former managing and SENY editor, and frequent author of our NYC restaurant reviews Carey Jones. We'll take a few of your questions each week and give you the New York restaurant advice you're looking for. Email [email protected] with the subject line Ask the Critic to submit your question!
This week on Ask the Critic: Can I eat at high-end restaurants, and even try their tasting menus, despite my severe food intolerances?
Can I Do Tasting Menus With My Food Limitations?
Hi Carey,
I'm a serious eater with (thankfully) not-very-active Crohn's disease. I find myself in really awkward positions ordering sometimes on account of my particular restrictions. For example, I can't eat sesame seeds, celery, corn, coconut, etc. in their whole form, but I'm not allergic to ANY of those things! Tahini? Love it! Celery in a broth? No problem! Coconut milk? Sure! There are so many things I can ALMOST eat if one ingredient were different/removable.
The main culprit is insoluble fiber, so for instance I can't eat kernels of corn, but if you passed a corn pureé through a fine strainer or a cheesecloth I could eat the resulting... soup?
Oil flavored with cumin, but not the seeds themselves^mdash;this applies to most whole spices. Most vegetables I can eat cooked but some just never get there. In celery it's the strings—they never quite break down. This also applies to asparagus, eggplant (the seeds and the skin), okra, etc. Fruits like raspberries and strawberries are out on account of the seeds. I love apples but I can't eat the skin. Then again, peas, beans, potatoes, carrots, onions, most lettuces and spinach, kale (if cooked) and plenty of other things work just fine for me, in moderation of course.
How can I explain this in advance of getting a tasting menu without being an enormous pain in the butt? I want the experience of the kitchen sending out what they want to send, but if I'm paying that much money I don't want to have to pick out 1/3 of a dish or send something back that's perfectly cooked on account of my disease—both of which I've had to do in the past. Is it appropriate to compose a sort of cover letter and send it over prior to my reservation?
I just don't want to be "that guy", y'know?
It's an awful feeling to be "that guy." And I sympathize; I myself try to avoid being "that girl." Out of nowhere about three years ago, I developed a severe allergy to raw carrots; it sounds ridiculous, even to me. I'd always raised an eyebrow when people claimed such specific allergies; peanuts or soy, sure—carrots, really? But after a rather harrowing episode of anaphylactic shock, IV antihistamines, and an allergy test to confirm, I realized that I'd better avoid 'em.
At restaurants, I try to be as unobtrusive as possible; don't like calling attention to myself, don't like to make special requests. And carrots are bright orange—I can just eat around them, right? Still, after a few dinners worrying that that vegetable soup might have carrots hidden in it, or not knowing whether a roasted vegetable mash had parsnips (can't do those, either), I learned that I'd better just leave it to the kitchen. The more information they have, the better. No one wins when I can't eat the food they prepared for me.
But with your level of restrictions, things get a little more complicated. So I asked four high-end New York chefs about your quandary. Here's what they had to say.
Bill Telepan of Telepan
"It's totally possible to go to a high-end restaurant with dietary restrictions. Most restaurants will generally be able to put something together for you with advanced notice. The best thing to do if you have these restrictions is to just call ahead and find out what the menu is, and tell them what your situation is before you come in. It's not that they can't, it just becomes harder when you come in on a Saturday at 8 p.m. and you then tell them all your restrictions. If you're able to call in ahead of time that's great, if not, I'm sure restaurants are able to accommodate you. Generally, any issues we've received, we've been able to address one way or another."
Bryce Shuman of Betony
"The short answer is yes! You can dine! We would never turn away a guest or make the person feel anything but welcome, no matter the restrictions. As long as we have a little bit of time (advance notice is always nice, but absolutely not necessary), we're happy to accommodate special requests, from Crohn's Disease, to gluten intolerance, to vegetarianism. A culinary instructor once told me that he used to scoff at cooking for vegetarians, but then he realized that they were seriously considering the food that they ate, rather than just indiscriminately consuming it like the rest of us, and therefore deserved his respect too. I learned another lesson on a personal level when my mother found out 4 years ago that she had been living with a gluten intolerance for her whole life, along with all its symptoms: fatigue, headaches, GI distress, etc. She's always been an excellent baker, and now she makes a number of gluten free rolls and baked goods that are just as fantastic as the treats she made me when I was growing up. She helped me to be aware that many people have certain dietary restrictions.
"I've tried to carry this awareness into the kitchen. For example, at Betony we offer gluten free alternatives for our rolls and crunchy snacks, and gluten free crumbles on the deserts and croutons on salads. When I worked at Eleven Madison Park we once had a gentleman come in for lunch who only liked to eat potatoes, beef, and onions, so I prepared 11 courses of nothing but dishes containing those items. I am not saying we are a free-for-all, come get whatever you want; if you want mac and cheese from a box or kung pao chicken, we'll steer you in a direction that is closer to the style of food we prepare and are proud of, but we will do whatever we can to make sure our guests leave happy with their experience, rather than worried about any special dietary requests. We'll adapt and cater to your needs the best we can; with a little planning and communication, anything is possible."
Harold Dieterle of Perilla, The Marrow, Kin Shop
"We make an effort not only to accommodate most every kind of dietary restriction, but also challenge ourselves in the kitchen to do something awesome for those customers; not simply make the dish "acceptable," which would be kind of mailing it in. For example, in response to customer demand, we've created a number of dishes at Kin Shop that are specifically gluten free. As for Crohn's Disease, which we know really has a lot of restrictions associated with it, if a customer calls in advance to ask the ingredients in Perilla's tasting menu, then tells us which ones they can't eat, we're happy to tweak those dishes."
Michael Anthony of Gramercy Tavern
Generally speaking, we're in a pretty luxurious situation at a restaurant like Gramercy Tavern—with the number of cooks, the size of the kitchen, the nature of the menu; we have a ton of flexibility. It's built into the woodwork of the restaurant—from the very beginning, we have servers approaching the table, listening carefully, empowered by knowledge and familiarity of dealing with special requests.
"What's best is if the guest calls about 24 hours in advance; that makes it easiest, so I can put some ideas together, then run it by the guest and say—how does this sound? It gives the guest the time to say "I can eat this, I can't eat that"—that's the ideal situation. But if you're just walking in the door, and say 'Here's my story,' that's manageable too.
"We're also able to accommodate requests given the way we cook; we prep our ingredients to get ready for service, of course, but don't do much cooking pre-service—dishes are fired from raw to order. That makes it ultra-easy to hold back certain ingredients—we're lucky to be able to deal with special requests well, with a great amount of dexterity.
"I could imagine that it's difficult for a guest with serious allergies or restrictions to walk into a restaurant; you're counting on a lot of people to listen to you, and understand your needs very specifically. You might have learned from experience that things can go wrong, which must be painful and probably often scary. But we train our servers to take restrictions seriously. It's in the culture of the restaurant to listen closely and always accommodate."
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text:
|Episode 4143
| Antonio
After being tickled by Antonio, Grover explains to Antonio that tickling is exercise.
| Antonio
Grover asks Antonio what vegetable he would want to be.
| Ariella
Grover asks Ariella about sharing food.
|Episode 0294
| Brian
Grover asks Brian to explain which of them is "you" and which is "me."
|Episode 0432
| Brian
Grover and Brian show loud and soft.
|Episode 2730
| Caroline
Grover instructs Caroline to read the word you, and acts crazy when she keeps telling him to read it.
|Episode 3261
| Carrington
Grover learns that Carrington is 3 years old.
|Episode 3265
| Carrington
Grover makes sure that Carrington knows the difference between loud and soft.
|Episode 3281
| Carrington
Grover talks to Carrington about their nose and how they both have it in the same place.
|Episode 3289
| Carrington
Grover and Carrington show how they look when they're cold.
|Episode 2404
| Chelsea
Chelsea tells Grover what love is.
|Episode 2453
| Chelsea
Grover talks to Chelsea about what their ears, eyes, nose, and mouth can do. Chelsea mentions that they both have them and also have feet, hands, bellies, necks, arms, back, and shoulder. Grover replies they have a cornucopia of parts, which means they have a lot of good stuff.
|Episode 2402
| Chelsea
Chelsea asks if Grover knows what "YES" and "NO" spell.
|Episode 1300
| Christopher
Grover shows Chris a sign with the word STOP. He asks Chris to tickle him until he holds up the STOP sign, and Chris obliges.
|Episode 1484
| Christopher
Grover and Christopher talk about what love is.
| Christopher
Grover asks Chris what his sign says (NO).
|Episode 0544
| Debo
Grover and his friend Debo notice the letter "S" sitting on a brick wall. Grover exclaims that the letter is an old friend, and shouts, "Hey, S, babyyyy!" and slaps it off the wall. He remarks, "I hope he did not take that personally."
|Episode 2753
| Debo
Grover tells Debo that the letter that's on the wall is an X, but that it's a secret. Kermit overhears Grover mention a secret and wants to know what letter the X is.
|Episode 0629
| Debo
Kermit asks Grover and Debo what the letter A is.
|Episode 1642
| Erik
Grover acknowledges that he has fur while Erik has skin. "Nobody's perfect", says Grover.
|Episode 1754
| Erik
Grover and Erik play a rhyming game. Grover tries to see if Erik can figure out what begins with the word "toy", and Erik wants to know if Grover can find a word that rhymes with "Monster".
|Episode 1639
| Erik
Erik shows Grover his teeth, and tells him how teeth are used.
|Episode 1689
| Erik
Grover and Erik surprise each other.
|Episode 0780
| Heather
Doctors Can Marry Doctors
|Episode 0787
| Heather
Grover demonstrates high and low by having Heather scratch his back.
|Episode 0789
| Heather
Grover and Heather talk about rhyming.
|Episode 0814
| Heather
Heather teaches Grover how to count up to 20. She skips over 19, and Grover reminds her that there's a number missing. It takes Heather a moment to grasp what Grover is talking about.
|Episode 0951
| Heather
Grover and Heather count from 1 to 10.
|Episode 1383
| Heather
Heather and Grover stand up, then sit back down.
| Hunter
Grover asks Hunter what one does to keep healthy.
|Episode 3132
| Jake Riley
Grover asks a boy how much he can count. The boy says he can count "millions of hundreds," and is hesitant at first, but Grover assures him that they have enough time to count. The boy gets up to 22 before Grover cuts him off.
| Jennifer
Kermit and Jennifer bend their knees. Grover comes out of a hole in the ground, and Jennifer invites him to join them, but Grover remarks, "When you start talking about noses, give me a call."
|Episode 2573
| Jesse
Grover and Jesse talk about love.
|Episode 2490
| Jesse
Grover asks Jesse to define marriage. They conclude that married people kiss, hug, live together, and help each other.
|Episode 4068
| Jo
Grover asks Jo about what happens if she falls off her bike. Jo replies that she doesn't fall off because she has training wheels. It surprises Grover.
|Episode 0547
| John-John
John-John wants to count backwards. Grover tells him to count backwards from 10, but John-John has a little trouble.
|Episode 0600
| John-John
Grover and John-John take turns counting to 20.
|Episode 0797
| John-John
Grover tells John-John that he loves him. John-John tells Grover to count a penny. Grover counts it: "One!" John-John is delighted.
|Episode 3563
| Jordan
Jordan sings the alphabet for Grover.
|Episode 3174
| Kana
Grover and a girl breathe in air.
|Episode 2483
| Karlena
Grover and Karlena talk about the word "love" on a sign.
|Episode 0784
| Kate
Kate tells Grover about snow.
|Episode 0795
| Kate
Grover and Kate make faces.
|Episode 1188
| Kate
Grover and Kate talk about various careers.
| Kate
Kate gives Grover a hug and a kiss. He kisses her back and tells her it means "I like you."
|Episode 1653
| Katie
Grover asks Katie to hug him and scratch his tummy.
|Episode 1644
| Katie
Grover and Katie find rhyming words, such as moon-spoon.
| Katrina
Grover asks Katrina if she shares her toys.
|Episode 1388
| Kimberly
Grover, Kimberly, and Kermit demonstrate first and last.
This segment was taped on February 9, 1979.
|Episode 1415
| Lisa
Grover and Lisa complement each other's noses. Lisa also likes Grover's (big) mouth.
|Episode 1393
| Lisa
Lisa shows Grover what big, bigger and biggest are.
|Episode 1449
| Lisa
Grover asks Lisa about the difference between up and down.
|Episode 1489
| Lisa
Grover asks Lisa what "DANGER" means.
|Episode 1500
| Lisa
Grover and Lisa discuss love.
|Episode 0290
| Loren
Grover and Loren count from 1 to 20.
|Episode 0432
| Loren
Grover and Loren demonstrate loud and soft.
|Episode 1177
| Marlena
Kermit and Marlena demonstrate what the number 12 looks like. Grover is supposed to send up a balloon with the number 12 on it; however, he sends up balloons with the number 3, 9, a letter "A", and Cookie Monster before he finally gets it right. To celebrate that he sends up another balloon with a drawing of himself, but he doesn't let go of the balloon so he floats away with the balloon.
|Episode 3887
| Matthew
Grover watches Matthew type the letter L on a computer.
|Episode 3899
|Matthew types an F on the computer for Grover.
|Episode 3904
| Matthew
Grover and Mathew type a letter X on the computer.
|Episode 3904
| Matthew
Grover and Matthew type a 4 on the computer.
|Episode 3917
| Matthew
Matthew types a 5 on the computer for Grover.
|Episode 3964
| Matthew
Grover watches Matthew type his name on a computer.
|Episode 1641
| Maya Bernstein
Grover asks Maya to help him follow an arrow. The arrow keeps changing direction until Grover falls down, exhausted.
|Episode 4085
| Maya
Grover talks to a girl, Maya, about what we should eat to keep healthy and she says vegetables. Grover ask what's her favorite food and Maya says carrots because they are yummy to eat.
|Episode 4086
| Maya
Grover asks Maya what her favorite exercise is.
| Maya
Maya shows Grover a plié and he he concludes that dancing is exercise.
|Episode 3696
| Megan
Grover and Megan pretend to go to the moon.
|Episode 3728
| Megan
Megan and Grover discuss the moon and some of Chinese stories surrounding it.
|Episode 3897
| Megan
Megan shows Grover how to draw a triangle on the computer.
|Episode 3911
| Megan
Megan shows Grover how to draw a face on the computer.
|Episode 3133
| Morgan
Morgan sings the alphabet for Grover.
|Episode 3197
| Morgan
Grover asks Morgan where his eyes, nose, mouth, and arms are and Morgan points them all out on Grover. Morgan then lifts up her shirt to show Grover her belly button, explaining that that's a body part too.
|Episode 3138
| Morgan
Morgan and Grover count in English and Spanish.
|Episode 3697
| Patrick
Grover and Patrick observe that the moon doesn't talk.
|Episode 3701
| Patrick
Grover and Patrick, "moon buddies," pretend to go to the moon. They see some aliens eating moon pizza, and some astronauts.
|Episode 0324
| Polly
Grover recites the alphabet with Polly (Jon Stone's daughter)[1]
|Episode 0345
| Polly
Grover and Polly demonstrate five fingers.
|Episode 4001
| Sabrina
Grover asks Sabrina about her missing tooth.
|Episode 3526
| Samantha
Samantha says she'll count to eleven for Grover, but she can't help getting to twelve.
|Episode 3531
| Samantha
Samantha talks to Grover about what she does when she gets angry.
|Episode 3559
| Samantha
Grover and Samantha see what body parts she has 2 of.
|Episode 3579
| Samantha
Grover and Samantha say the alphabet.
|Episode 3562
| Samantha
Grover and Samantha demonstrate what people look like when they're happy and sad.
|Episode 3615
| Samantha
Samantha counts backwards from 5 for Grover.
|Episode 3561
| Samantha
Samantha teaches Grover how to play "Duck, Duck, Goose".
|Episode 3698
| Samantha
Part 1: At night, Grover asks Samantha if she can count to 20, and she says she can count to 100. She starts counting, and Grover says they'll be back in a moment.
Part 2: Samantha is still counting to 100, and has gone past 40. Grover says they'll be back later.
Part 3: Samantha is still counting to 100. Grover advises the audience to get a cup of coffee.
Part 4: Samantha finally reaches 100, and Grover cheers.
Episode 3703
| Samantha
Samantha and Grover talk about the moon. Samantha asks if Grover has ever wondered about talking to the moon, so they both try. When the moon doesn't answer they decide it is better to look at the moon.
|Episode 2608
| Sarah
Grover and Sarah talk about the word QUIET.
| Stephanie
Grover asks Stephanie for a kiss because he's lonely. No one will play with him, but Stephanie says she will.
|Episode 3988
T.J. teaches Grover how to sing the song "Sticky Bubble Gum."
|Episode 4099
| Tale
Grover counts how many times Tale can jump.
|Episode 4079
| Tamara
Grover talks to Tamara about playing instruments and practicing.
|Episode 4082
| Tamara
Grover and Tamara talk about winning and losing.
|Episode 1435
| Tanya
Grover and Tanya talk about the word "HELP."
|Episode 1602
| Tanya
Tanya helps Grover learn the difference between up and down so they can play a game about it.
|Episode 2233
| Tanya
Grover asks Tanya to explain what "exit" means.
|Episode 2516
| Tanya
Grover and Tanya play the "hug/stop" game.
|Episode 2588
| Torian
Grover shows Torian the difference between back and front.
|Episode 2611
| Zelda
Grover asks Zelda if she knows the difference between "fast" and "slow". She doesn't, so Grover demonstrates.
|Episode 2615
| Zelda
Grover and Zelda look above and below.
|Episode 4066
|Grover asks a boy how he would feel if Goldilocks ate his porridge without asking him first. The boy says that he would be upset, but he'd be okay if Goldilocks ask first and would share with her.
|Grover and a boy talk about his family and how he has two dogs.
See also
Community content is available under CC-BY-SA unless otherwise noted.


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