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Dolly Parton draws huge crowd to Glastonbury Pyramid stage
Dolly Parton has drawn a huge crowd for her debut Glastonbury set, performing some of her biggest hits as thousands of fans chanted her name.
The audience was larger than that for Friday and Saturday's headliners, Arcade Fire and Metallica.
Parton told the audience: "I've been waitin' a long time for this."
The country singer and cultural icon sang tracks including Why D'You Come In Here Lookin' Like That? 9 to 5, Jolene and Coat of Many Colors.
She wore a white, diamante trouser suit and said: "I'm just glad you came to see me."
The singer also performed a song about the mud that she wrote in the early hours of Sunday morning, which included the lyrics: "Mud, mud, mud, mud/Up to our bums in all this crud."
And she wooed the crowd with lots of classics such as Islands in the Stream, 9 to 5 and her encore, I Will Always Love You.
She played for about an hour on the Pyramid stage.
"I grew up in the country, so this mud ain't nothing new to me - and it ain't nothing to you either," she said.
At an earlier news conference, she said: "My daddy was a farmer, I grew up in East Tennessee and we made our living on a farm, so I thought, 'Well this isn't all that different'."
She added: "Mud is mud, wherever you are."
Dolly delight
By Mark Savage, BBC News entertainment reporter at Glastonbury
"Somebody said: 'Oh, Dolly you always just look so happy,'" recalled the singer before her Glastonbury debut. "I said, 'that's the botox!'"
Botox or not, the emotion was written across her face as she ended her set on the Pyramid stage.
The country superstar had been greeted by the biggest crowd of the weekend, many dressed in Dolly wigs with fake balloon boobs. One flag in the audience read: "Dolly, take me to your bosom."
They were all there for the original homespun superstar - a performer who's authentically down-to-earth despite the rhinestone banjos and improbable hair.
A carefully honed set list focused on the up-tempo numbers - Baby, I'm Burning, Why'd You Come In Here Looking Like That?, Islands In The Stream - while making space for a few numbers to plug her new album. She even mimed the Benny Hill theme, Yakety Sax, on a tiny diamante saxophone.
Kenny Rogers, who played the same slot last year, struggled with a crowd unfamiliar with some of his biggest numbers. Dolly had no such problems, leading a mass singalong to 9 to 5.
"Wow," she exclaimed. "What an honour. What a thrill. Thank you so much for being such a great audience."
But the 68-year-old said she had struggled to write the set list.
"It was kinda tricky knowing what to do under a festival situation because in my show, as a rule, I usually do a couple of hours but they said, 'You can't do but an hour, maybe an hour and 10.'
"So I thought, I can't do a bunch of sad, slow songs because everyone's drunk and high.
"There's two or three songs they have to hear, like Coat of Many Colors. But we've tried to do a set where we can keep it movin' pretty good, and not bring 'em down too much."
Before her show, the singer was presented with a special award in recognition of selling more than 100 million records worldwide. The singer said she would hang it in her Dollywood Museum in Tennessee.
Her performance has been the talk of the weekend, with several performers jokingly threatening to abandon their performances on other stages to catch the singer in action.
Bands lucky enough not to be in competing slots said they intended to catch the show.
"I think she's an amazing writer, and I'd love to see her in the flesh," said Yukimi Nagano of Little Dragon.
Even Lars Ulrich, of Saturday night headliners Metallica, planned to take it in. "I'll have a hangover on Sunday but I want to see The Horrors, The Black Keys and Dolly Parton," he told The Mirror.
"I'm a big fan. We all bow to the altar of Dolly."


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The Only 100% Oil on Canvas Artist - the Highest Quality Original Paintings!
"The darkest thing about Africa has always been our ignorance of it"
George H. T. Kimble, from the book Inside Africa
Established in 1999, Inside African Art is the Online Home of Original African Paintings
Featured Artists
Joel Ngoko
"I have sold many of my wildlife paintings to so many parts of the world since I started my career as an artist. I believe my wildlife paintings are among the most attractive to many of my customers. As a specialized artist I have traveled widely in Kenya's wildlife reserves. Art is a great challenge!"
Nothing says 'Tanzania' more than the exquisite beauty of TingaTinga art. Artists span from Daudi, the son of the Edward, the father of TingaTinga, to many of the artists from the UK TV show TingaTinga Tales.
YEB - Silk Thread Art
Our 18th Anniversary Special is going on now! Special pricing is in effect for the month of October! See the discount and how to take advantage of these incredible prices, for incredible original silk thread art!
What? A New Website?
Inside African Art's website platform for the past 17 years became obsolete. This forced me to build a new website - this one. Rest assured that IAA is still run by the same people and in the same way - it's just a different look!
The Artists
Since the inception of this website in 1999, Inside African Art has been devoted to the promotion, exposure and marketing the talents of African artists. We showcase their skills while providing them with an alternative income. From you to the artists - via this website.
Our Philosophy
Simple: Win-Win-Win: You 'Make an Offer' and receive a wonderful original African painting at a reasonable price, the artists receive the financial benefits, and I pocket enough to keep improving this website. Win-Win-Win!
Frequently Asked Questions
Because I lived in East Africa for 20 years, I know of only one way to buy anything – the African way, by bartering – no fixed prices! I came up with this idea and incorporated it into my website in 1999, as a great way to engage the audience, as well as have you actually think about the value of the paintings – to yourself, as well as the artists who created them. We all look at art differently! Read more about 'Making an Offer'.
Well, we're no longer based in Nairobi, Kenya. Me and my people recently moved to just outside of Orlando, FL, USA. The paintings you see on this website are here with us. On confirmation of payment I zip them over to the post office, usually the next business day, and they are on their way to you - wherever you are. I've shipped over 4,000 paintings to practically every country on the planet and (knock on wood), have yet to lose even one painting.
My family and I travel quite a bit to and from Kenya to visit family and friends. Every trip we take is also a business venture as our days are filled with visiting with artists, catching up, drinking tea (or a beer), and exploring their latest artistic creations. By the end of the day, I have a some fantastic paintings and the artists have some some funds to put food on the table of their family, pay for school and medical fees, and ensure there's a roof over their heads. Some of the artists on this website I've known for more than 25 years! In that time some of the artists have unfortunately passed away (Shiundu, Thairu, Mbugua, Kolii Paul), while others have thrived and continue to nurture their passion. It is our mission to continue to support these artists through it all, and as their skills evolve.
Absolutely! Since I am in touch with many of the artists frequently, I can request a custom painting per your specifications. Artists like N'gan'ga Ndeveni, Patrick Kinuthia and Martin Bulinya specialize in this type of thing and have fulfilled many special orders. As well, Yeb can create just about anything from a photo, especially incredible portraits in silk thread. It never hurts to inquire - you never know! Go to each of their pages to see an example!
Paintings Representing All Genres
There's no painting style as vibrant and dynamic as a TingaTinga painting. Painted with high-gloss oils usually used on bicycles, TingaTinga paintings are bold and vivid, reflecting both the artists and life in Tanzania. We are overflowing with TingaTinga paintings, with over 100 in stock. Check them out!
Art reflects culture, but it also can reflect emotion! If someone asked you to paint a picture of say, joy, how would you even begin? Characterized Maasai women dancing without inhibition to the beat of music only they can hear. The paintings of prolific artist Martin Bulinya reflect true joy as well as many other emotions. Have a look!
There is no more challenging media to paint with than watercolors. Staining, washing, masking - so many techniques. And then there is the blending of colors - and contending with white - the total lack of color. Premier artist Joseph Thiongo is a master, and stands as probably the most skilled watercolor artist today. See Thiongo's paintings...
A test of observation and painting prowess, it's difficult not to consider realistic wildlife painting a true challenge. Spending days in the Maasai Mara merely to observe and sketch in an effort to refine their skills. Oil painting artist like Joel Ngoko and acrylic artist Wycliffe Ndwiga are some of the best.

subset: commoncrawl


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Eric Daffron
is a registered architect with over 15 years of experience. I design and oversee construction for residential and commercial projects. My practice of architecture is focused on using the skills I have developed to help clients build the project they want and need.
A graduate of the Boston Architectural College, I started my architectural career in Boston, MA, where I worked at large corporate architecture firms, a small custom residential design firm and in my own design consulting practice.
I have been an avid whitewater kayaker since I was a teenager, and I still find some time to enjoy the wild rivers of Western North Carolina. I also play jazz guitar very badly.
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New Books by symposium speakers and organizers
A contagious cause: the american hunt for cancer viruses and the rise of molecular medicine
By Robin Wolfe Scheffler
University of Chicago Press, 2019
For more information CLICK HERE
Is cancer a contagious disease? In the late nineteenth century this idea, and attending efforts to identify a cancer "germ," inspired fear and ignited controversy. Yet speculation that cancer might be contagious also contained a kernel of hope that the strategies used against infectious diseases, especially vaccination, might be able to subdue this dread disease. Today, nearly one in six cancers are thought to have an infectious cause, but the path to that understanding was twisting and turbulent.
A Contagious Cause is the first book to trace the century-long hunt for a human cancer virus in America, an effort whose scale exceeded that of the Human Genome Project. The government's campaign merged the worlds of molecular biology, public health, and military planning in the name of translating laboratory discoveries into useful medical therapies. However, its expansion into biomedical research sparked fierce conflict. Many biologists dismissed the suggestion that research should be planned and the idea of curing cancer by a vaccine or any other means as unrealistic, if not dangerous. Although the American hunt was ultimately fruitless, this effort nonetheless profoundly shaped our understanding of life at its most fundamental levels. A Contagious Cause links laboratory and legislature as has rarely been done before, creating a new chapter in the histories of science and American politics.
astounding: JOhn w. campbell, isaac asimov, robert a. heinlein, l. ron hubbard, and the golden age of science fiction
By Alec Nevala-Lee
Hey Street Books, Harper Collins, October 23, 2018
Also available as an E-book and Audiobook
For more information and to purchase CLICK HERE
Astounding is the landmark account of the extraordinary partnership between four controversial writers—John W. Campbell, Isaac Asimov, Robert A. Heinlein, and L. Ron Hubbard—who set off a revolution in science fiction and forever changed our world.
This remarkable cultural narrative centers on the figure of John W. Campbell, Jr., whom Asimov called "the most powerful force in science fiction ever." Campbell, who has never been the subject of a biography until now, was both a visionary author—he wrote the story that was later filmed as The Thing—and the editor of the groundbreaking magazine best known as Astounding Science Fiction, in which he discovered countless legendary writers and published classic works ranging from the I, Robot series to Dune. Over a period of more than thirty years, from the rise of the pulps to the debut of Star Trek, he dominated the genre, and his three closest collaborators reached unimaginable heights. Asimov became the most prolific author in American history; Heinlein emerged as the leading science fiction writer of his generation with the novels Starship Troopers and Stranger in a Strange Land; and Hubbard achieved lasting fame—and infamy—as the founder of the Church of Scientology.
Drawing on unexplored archives, thousands of unpublished letters, and dozens of interviews, Alec Nevala-Lee offers a riveting portrait of this circle of authors, their work, and their tumultuous private lives. With unprecedented scope, drama, and detail, Astounding describes how fan culture was born in the depths of the Great Depression; follows these four friends and rivals through World War II and the dawn of the atomic era; and honors such exceptional women as Doña Campbell and Leslyn Heinlein, whose pivotal roles in the history of the genre have gone largely unacknowledged. For the first time, it reveals the startling extent of Campbell's influence on the ideas that evolved into Scientology, which prompted Asimov to observe: "I knew Campbell and I knew Hubbard, and no movement can have two Messiahs." It looks unsparingly at the tragic final act that estranged the others from Campbell, bringing the golden age of science fiction to a close, and it illuminates how their complicated legacy continues to shape the imaginations of millions and our vision of the future itself.
Handbook of anticipatioN, Theoretical and Applied Aspects of the Use of Future in Decision Making
By Roberto Poli
Springer, 2018
Available as an E-Book. For more information and to purchase please CLICK HERE
This Handbook presents the state of the art overview of current research on anticipation studies. It develops anticipation from both the theoretical and applied points of view. Via this comprehensive overview of the research on anticipation, this Handbook makes clear that anticipation is a serious topic of research that can and should be connected to Futures Studies research, perspectives and orientation. The Handbook uses the anticipatory viewpoint as a unifying framework able both to stop the progressive fragmentation of the human and social sciences and begin a process aimed at progressively closer integration, mutual knowledge and dialogue among the human and social sciences. It sets the agenda for the field, helps futures studies to come of age, and contributes to changing the orientation of the human and social sciences from their dominant past-orientation to a new future-orientation.
The Handbook presents research from a variety of fields such as: Biology, ecology, psychology, social sciences, humanities, engineering, and computer science. The editorial board consists of scholars from various sciences, such as futurists, sociologists, economists, statisticians, computer scientists, designers and game builders.
The Future of the World: Futurology, Futurists, and the Struggle for the Post Cold War Imagination
By Jenny Andersson
Oxford University Press, August 2018.
For more information and to purchase CLICK HERE
The Future of the World is devoted to the intriguing field of study which emerged after World War Two, futurism or futurology. Jenny Andersson explains how futurist scholars and researchers imagined the Cold War and post Cold War world and the tools and methods they would use to influence and change that world.
Futurists were a motley crew of Cold War warriors, nuclear scientists, journalists, and peace activists. Some argued it should be a closed sphere of science defined by delimited probabilities. They were challenged by alternative notions of the future as a potentially open realm.
Futurism also drew on an eclectic range of repertoires, some of which were deduced from positivist social science, mathematics, and nuclear physics, and some of which sprung from alternative forms of knowledge in science fiction, journalism, or religion.
These different forms of prediction laid very different claims to how accurately futures could be known, and what kind of control could be exerted over what was yet to come. The Future of the World carefully examines these different engagements with the future, and inscribes them in the intellectual history of the post war period. Using unexplored archival collections, The Future of the World reconstructs the Cold War networks of futurologists and futurists.
Calculated Values: Finance, Politics, and the Quantitative Age
By William Deringer
Cambridge, MA and London: Harvard University Press, February 2018
For more information and to purchase CLICK HERE
Modern political culture features a deep-seated faith in the power of numbers to find answers, settle disputes, and explain how the world works. Whether evaluating economic trends, measuring the success of institutions, or divining public opinion, we are told that numbers don't lie. But numbers have not always been so revered. Calculated Values traces how numbers first gained widespread public authority in one nation, Great Britain.
Into the seventeenth century, numerical reasoning bore no special weight in political life. Complex calculations were often regarded with suspicion, seen as the narrow province of navigators, bookkeepers, and astrologers, not gentlemen. This changed in the decades following the Glorious Revolution of 1688. Though Britons' new quantitative enthusiasm coincided with major advances in natural science, financial capitalism, and the power of the British state, it was no automatic consequence of those developments, William Deringer argues. Rather, it was a product of politics—ugly, antagonistic, partisan politics. From parliamentary debates to cheap pamphlets, disputes over taxes, trade, and national debt were increasingly conducted through calculations. Some of the era's most pivotal political moments, like the 1707 Union of England and Scotland and the 1720 South Sea Bubble, turned upon calculative conflicts.
As Britons learned to fight by the numbers, they came to believe, as one calculator wrote in 1727, that "facts and figures are the most stubborn evidences." Yet the authority of numbers arose not from efforts to find objective truths that transcended politics, but from the turmoil of politics itself.
Note from the Author:
Grappling with the Futures participants might take particular interest in Chapter 6, "Futures Projected: Robert Walpole's Political Calculations," which describes future-oriented thinking—including a kind of quantitative "scenario" analysis—in 18th century political thought. The history of the future is also a prominent theme in Chapters 2 and 5.
How Do We Explore Our Futures?
Edited by Sirkka Heinonen, Osmo Kuusi & Hazel Salminen
Acts Futura Fennica 10, The Finnish Society for Futures Studies (www.futuressociety.fi)
The book is available in paperback and PDF HERE
This book comprises 21 leading Finnish futurists revealing their practical and theoretical knowledge of futures studies. The texts are a cross-section of twenty years of futures research. The writers present methods and their practical applications, demonstrating various interactions between futures research and other fields of science.
The book samples a large variety of modern futures studies' methodology including sections on evolutionary and systems thinking, expert-based knowledge evaluation and time-series based methods like Delphi and Causal Layered Analysis (CLA). The book also deals with communicative futures methods such as futures workshops and scenario work. In addition, it includes three chapters focusing on newer methods such as the anticipation of Weak Signals and Black Swans.
This book is a comprehensive reading for anyone interested in futures studies theory and its practical applications. As a fundamental publication of futures studies methods this book is also suitable for lecture support material for universities. The purpose of the book is to familiarize the reader with the idea of futures studies and the basic methods of futures as a scientific discipline. We hope that the readers will find this publication and its arguments a stimulating trigger, launching creative argumentation about our responsibility to imagine alternative futures.
memories of the future, On countervision
By Stephen Wilson and Deborah Jaffé, editors
Peter Lang Publishing, 2017
Also available as a PDF and E-Book
For more information and to purchase, please CLICK HERE
What is a memory of the future? Is it a myth, a fiction of a severed arm, a post-human debate or a broken time machine? In an increasingly insecure future-world there is an urgency to consider and debate these questions. Memories of the Future: On Countervision addresses these concerns by speculating on the connections between memory and futurity in fields such as counter-histories, women's studies, science fiction, art and design, technology, philosophy and politics. This book reveals how these subjects regenerate at the intersections of vision, counter-cultural production and the former present. The volume links the re-imaginings of memory into the present with topics such as the fever dream allegory of the adolescent social experience, soft technologies of future dress, reinventions of monetary exchange, rekindled subjectivities of school days, and technics and human progression. These countervisions argue against the homogenizing status quo of the present in order to challenge the customs, traditions and conventions of the past and propositions of the future.
Introduction to anticipation studies
By Roberto Poli
Springer, 2017
Also available as an E-Book. For more information and to purchase please CLICK HERE
This book presents the theory of anticipation, and establishes anticipation of the future as a legitimate topic of research. It examines anticipatory behavior, i.e. a behavior that 'uses' the future in its actual decisional process. The book shows that anticipation violates neither the ontological order of time nor causation. It explores the question of how different kinds of systems anticipate, and examines the risks and uses of such anticipatory practices. The book first summarizes the research on anticipation conducted within a range of different disciplines, and describes the connection between the anticipatory point of view and futures studies. Following that, its chapters on Wholes, Time and Emergence, make explicit the ontological framework within which anticipation finds its place. It then goes on to discuss Systems, Complexity, and the Modeling Relation, and provides the scientific background supporting anticipation. It restricts formal technicalities to one chapter, and presents those technicalities twice, in formal and plain words to advance understanding. The final chapter shows that all the threads presented in the previous chapters naturally converge toward what has come to be called "Discipline of Anticipation"
foresight in action, developing policy-oriented scenarios
By Marjolein B. A. van Asselt, Susan A. van 't Klooster, Phillip W. F. van Noten and Livia A. Smits
Routledge, 2010, 2015 (Paperback)
For more information and to purchase please CLICK HERE
Assessing the future is vital in informing public policy decisions. One of the most widespread approaches is the development of scenarios, which are alternative hypothetical futures. Research has indicated, however, that the reality of how professionals go about employing scenarios is often starkly at odds with the theory - a finding that has important ramifications for how the resulting images of the future should be interpreted. It also shows the need for rewriting and updating theory. This book, based on an intensive five year study of how experts actually go about assessing the future, provides a groundbreaking examination of foresighting in action. Obtained via ethnographic techniques, the results lay bare for the first time the real processes by which scenarios are made. It is also the first book to examine foresighting for public policy, which is so often overlooked in favour of business practice. From handling of discontinuity to historical determinism, the analysis reveals and explains why foresight is difficult and what the major pitfalls are. Each chapter ends with a toolkit of recommendations for practice. The book aims to help readers to reflect on their own practices of public-oriented foresight and thus to foster a deeper understanding of the key principles and challenges. Ultimately, this will lead to better informed decision making.
PHILOSOPHIC-METHODOLOGICAL Analysis of Prediction and its Role in Economics
By Wenceslas J. Gonzalez, Springer, Dordrecht, 2015 ("Theory and Decision Library A: Rational Choice in Practical Philosophy and Philosophy of Science")
Also available as a PDF and E-Book
For more information and to purchase please CLICK HERE
This book develops a philosophico-methodological analysis of prediction and its role in economics. Prediction plays a key role in economics in various ways. It can be seen as a basic science, as an applied science, and in the application of this science. First, it is used by economic theory in order to test the available knowledge. In this regard, prediction has been presented as the scientific test for economics as a science. Second, prediction provides a content regarding the possible future that can be used for prescription in applied economics. Thus, it can be used as a guide for economic policy, i.e., as knowledge concerning the future to be employed for the resolution of specific problems. Third, prediction also has a role in the application of this science in the public arena. This is through the decision-making of the agents — individuals or organizations — in quite different settings, both in the realm of microeconomics and macroeconomics.
Within this context, the research is organized in five parts, which discuss relevant aspects of the role of prediction in economics: I) The problem of prediction as a test for a science; II) The general orientation in methodology of science and the problem of prediction as a scientific test; III) The methodological framework of social sciences and economics: Incidence for prediction as a test; IV) Epistemology and methodology of economic prediction: Rationality and empirical approaches; and V) Methodological aspects of economic prediction: From description to prescription. Thus, the book is of interest for philosophers and economists as well as policy-makers seeking to ascertain the roots of their performance. The style used lends itself to a wide audience.
Zukünfte, Aufstieg und Krise der Zukunftsforschung 1945-1980
[Visions of the Future. The Formation and Crisis of Western Futures Studies, 1945-1980]
By Elke Seefried
De Gruyter Oldenbourgh, 2015
For more information and to purchase, please CLICK HERE
After 1945, new methods and tools for forecasting the future grew out of the dynamic developments that were taking place in science and technology. Conceptions of futures research or futures studies as approaches to forecasting, planning and envisaging the future grew out of transnational circulations of knowledge in the 1950s and 1960s. The futures field was epitomized by the perception of many possible futures to be forecast and shaped. However, during the 1970s, the limits of envisioning the future became increasingly evident. This book as the first comprehensive study on the topic focuses on the futures field in Western industrialized countries – particularly the USA and West Germany – but also takes the socialist states and global networks into its ambit.
The book has been awarded the German Translation Prize and is being translated into English (to be published by Berghahn Books in 2019/20).


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In solidarity with the living and the dead
Over the last 24 hours several well-meaning friends have sent me the BBC article "China to end organ donations from executed prisoners" (or the Guardian or NYT's version, etc.) with the single word: "Congratulations!"
Well, I appreciate the sentiment. But following the Chinese medical establishment's lead, none of these articles mention prisoners of conscience. I want no part in hiding bodies. Nor should David Kilgour and David Matas, the World Organization to Investigate the Persecution of Falun Gong, or Edward McMillan-Scott accept any such congratulations until the Chinese Communist Party allows a comprehensive and transparent investigation into the harvesting of political and religious prisoners of conscience– Uighurs, Falun Gong, Tibetans, and House Christians–from 1997 to 2012.
What has occurred–over 65,000 dead by my estimate–is a crime against all humanity. And yet, ironically enough, only the victims' families have the right to absolve China. No Western entity possesses the moral authority to allow the Party to bury the full history of genocide in exchange for promises of medical reform.


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Today is the Hollywood breakup edition of celebrity snippets! See which celeb couples are calling it quits this week!
- The Real Housewives of Miami star Joanna Krupa and her fiance Romain Zago have called off their engagement. She told InTouch, "We got in a huge fight, and I just pretty much got fed up with it. He loves me to death, he wants to be with me, but there's something that's holding him from committing 100 percent." The couple had been together for over five years.
- Kimora Lee Simmons and Djimon Hounsou have decided to go their separate ways after five years of dating. The couple share a son, Kenzo, 3. She shared on Twitter, "There have been quite a few hurtful rumors circulating. The truth is Djimon + I have been separated for some time. We have remained happy, loving, co-parenting friends + family. We all have much to be thankful for."
- Former IndyCar (and now NASCAR) driver Danica Patrick and her husband Paul Hospenthal announced their decision to divorce after seven years. She shared with her Facebook fans, "I am sad to inform my fans that after 7 years, Paul and I have decided to amicably end our marriage. This isn't easy for either of us, but mutually it has come to this."
Photos by WENN


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I don't like to change posting dates, but I'm adding so many songs here, and this predates the time a lot of people started visiting the site, so I'm making an exception here. A foolish consistency is the hobgoblin of little minds, or something like that. Originally posted April 2, 2006. Last revised May 16, 2006
I'm ignoring the fact that the baseball season is one game old. Baseball starts Monday, during the day, and nobody can tell me otherwise.
There are very few sports-related children's songs that come to mind. I can understand why, as sports like football and hockey require a lot of equipment and are typically for older kids (this is especially the case for football). Basketball and baseball are easier to play, perhaps -- less equipment, introduced at an earlier age. Since the major sports typically become mostly a spectator sport as we grow up, perhaps it's good that there isn't much children's music about sports since a song about watching other people do something is kinda depressing as a kids' song. (It does make me think that the genre of children's soccer songs is a niche waiting to be filled.)
In any case, the list of songs about baseball for all ages is reeeeeeaaaaalllllllly short. (OK, not so short anymore) Here goes:
-- "Take Me Out to the Ballgame" (well, duh) -- try Wiggleworms Love You, from the Old Town School of Folk Music (nicely bipartisan, cheering for both the Cubs and White Sox)
-- "Baseball Dreams" -- off At the Bottom of the Sea, by Ralph's World (Cubs all the way in this one)
-- "I'm Gonna Catch You" -- off Under a Shady Tree, by Laurie Berkner (it has one relevant line -- "So I jumped into Saturday / And I had a baseball batter-day" -- yeah, I'm really reachin' here)
-- "Centerfield" -- off Centerfield, by John Fogerty (not kids' music, but a great song anyway)
-- "Talkin' Baseball -- off countless albums by Steve Cashman, who just re-records and updates his song -- baseball history lesson in 3 minutes
-- "Big Train" -- off the RTT's Turn It Up Mommy!, as noted in the comments. About Walter "Big Train" Johnson. I'd probably disagree that he's the best pitcher ever, but that's another blog. Good song.
-- "Right Field" -- Peter, Paul and Mary. Again, see the comments.
-- "Cryin' in the Dugout" -- off Daddy-A-Go-Go's upcoming Eat Every Bean and Pea on Your Plate album. A humorous song -- "Baseball Dreams" played for laughs instead of nostalgia.
-- "The Greatest" -- Kenny Rogers. See the comments.
-- "Roll Around" -- Peter Himmelman, off of his My Lemonade Stand CD. A fun, rollicking song about a baseball who retires, then comes back to his calling.
And finally, an artist reviewed here on this very site wrote me to suggest four more songs, including at least one I'm miffed I forgot... the comments in quotes are the artist's, not mine.
-- "Catfish" -- off Bob Dylan's Bootleg Series. I am unfamiliar with this one. But it's Dylan.
-- "Joe DiMaggio's Done it Again" -– Wilco and Billy Bragg, from their Mermaid Ave Vol. 2
-- "A Dying Cubs Fan's Last Request" –- Steve Goodman – "Classic, and very funny." See "Talkin' Baseball," above.
-- "Take Me Out to the Ball Game" -- Brave Combo - "two very cool versions... wacky and fun." It's Brave Combo, how could it not be fun?
If any of you have more suggestions (or can point me to a family-friendly soccer song), leave me a comment.


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The One About the New Book
Goodness--is it pouring where you are, too? I woke up around 5:30 AM to the sound of a torrential downpour outside of my window and it hasn't stopped raining since. The office is very quiet as a result today, so I'm getting a lot of reading in (and finally organizing my Outlook inbox--only 3,000 more emails to file!). Anyway, since you guys have been really sweet and inquiring all over the place about what BLACK IS THE COLOR is about, I thought I'd drop five hints for this week's Friday Five. Sorry I can't give y'all more detail yet. After my agent has a chance to read (and if she, you know, likes it), I'll try to post a longer pitch for it.
1. The book isn't fantasy... at all. It's not high fantasy or paranormal. I think it's probably best classified as science fiction-lite, with a side of possibly-dystopian.
2. It's mostly set in the glorious commonwealth of Virginia, but West Virginia and Maryland also make appearances. I was going to have my four main characters swing by Williamsburg, but I couldn't make it work. Alas. I really wanted them to visit Presidents Park, which is super weird and pretty pointless. I JUST FOUND OUT THAT IT CLOSED FOREVER YESTERDAY!!! Though, good news! If you've ever wanted an 18 foot bust of your favorite president, now is the time to buy!
3. My CPs are on board with Ruby (the main character) and her love interest:
4. The kids are all in extreme, serious danger and have to work together despite different backgrounds, personalities, and abilities. They are fleeing said danger in this fine chariot:
5. Classic rock and classic literature both play a role :)
That vague enough for you? ;) What are you guys working on this weekend?


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Campaign of the Month: January 2012
Star Trek Late Night
Humans United
A gang comprised of Humans and Near-Humans. They are notorious for their 'April Fool's Parties', where after tallying up the number of gang members killed the previous year, the remaining members pick dominoes. The gamg member who draws a domino doubled with the number of dead members must then approach a random individual, say 'Johnny says April Fool's', and then murder them.


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A great first day all around. The office I'm working in is much larger than I had anticipated. Everyone was exceedingly friendly and I was given a bigger tour of the building, itself.
I told my friend that it's like walking around in a museum of religious art. Every floor is full of the most beautiful statues, paintings, stained glass and icons that you can imagine. And the view from some of the rooms? Shoot, man... I'm ridiculously giddy. The only thing that would've made me happier would've been had I smacked into the Archbishop. God was good, though. I don't think He wanted me to die of complete euphoria until at least a month or two in...
Oh man, though - there's a beautiful little chapel on one of the floors that has some really incredible stained glass. In it are the same Blessed Mother / St. Joseph w. Jesus statues that reside in St. Rita's. I was so happy to see them because those are among my favorite renditions.
And though there isn't technically Adoration, I can easily slip away for a few moments during lunch to drop in and say "Hello" (like I did today). I was so excited to be able to do that at the Adoration chapel at St. Rita's, but now I don't even need to leave the building!!! How cool is that???
Oh my goodness... I realize some of you are probably rolling your eyes at me right now, and you're right - feel free. I completely agree that I'm nerding out and having a mini "fan-girl" moment here, but can you imagine? I get to work for Jesus' representatives doing stuff that directly helps His Church and all while He's UPSTAIRS (and we're not just talking "Heaven" upstairs... He's seriously a few floors up)!
It just doesn't get any better. <3 Please say a prayer of thanks for me tonight! He really is so good! Better than good... He's awesome - in the fullest sense of the word. <3


text: Gain bragging rights on your next catch with fishing rulers from Anything Sportsman. Find out just really how big your trophy fish is with measuring rulers, scales and lip grippers from top brands our multiple outdoor vendors offer. Find new, innovative fishing gear and accessories you won't find anywhere else.


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We need your help!
We would love to hear from you!
Your feedback on this sudoku playing board and solver is greatly appreciated and will help us continue to improve it.
SudokuSaviour is a free service created by father and son team Chris Gray and Justin Gray from the Gold Coast in Australia.


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Check out our playlist of Studs' dance conversations at the Newberry Library! Read the Story
Showing 1 - 15 of 45 results
Bess Myerson discusses her career including her experiences as Miss America and as Commissioner of Consumer Affairs for New York City.
Promoting Hobson's Choice with Bob Gibson and Hamilton Camp


text: Steve Lambert, an artist with an aim to connecting ideas to everyday life, wins big with his recent "Drawings For Three Rooms In Your Home" series. He says of the simple ink on paper works, "Yes, you get to own something I made, but you also accept some responsibility." Boldly proclaim to visitors what you do behind closed doors and celebrate the life you've made with your loved one. Click the thumbs to approximate what walking through three rooms featuring Lambert's drawings might be like.


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Washington State Can't Handle the Huskies
Feb. 17, 2007
PULLMAN, Wash. - Freshman forward Marisa Stotler scored 19 points, but Washington State women's basketball (5-21, 1-15 Pac-10) could not overcome the Washington Huskies (16-11, 9-7 Pac-10). Washington defeated the Cougars 81-49 Saturday at Beasley Coliseum.
WSU also received ten points from Amanda DuRocher and seven from Katie Appleton. Kate Benz picked up six rebounds and is now only five rebounds shy of becoming WSU's all-time rebound leader. Marisa Stotler grabbed eight boards.
The Cougars shot a mere 19 percent in the first half and finished the game 17-of-56 from the field. WSU also shot 64 percent from the free throw line.
Washington jumped out to a quick 19-3 lead in the first half and took a 37-14 advantage into halftime. The Cougars picked up the pace in the second half, shooting 37 percent and sinking 3-of-7 three-point attempts. WSU, however, was unable to close in on the Huskies who led by as many as 31.
The Huskies were led by Cameo Hicks' 13 points. Jill Bell and Cheri Craddock each recorded 12 points in the win. Overall, Washington received points from 13 of the 14 Huskies who earned playing time.
WSU concludes the regular season against Oregon and Oregon State. The Cougars first take on Oregon Thursday, Feb. 22 at 7:00 p.m. Oregon State and WSU meet Saturday, Feb. 24 at 1:00 p.m. in a game that will be televised by FSN.
Football: Inside Pac-12 FootballTODAY | 5:00pm PTLive
TODAY | 6:00pm PTLive
Airing on:
- Pac-12 Network
- Pac-12 Washington
TODAY | 8:00pm PTLive
Airing on:
- Pac-12 Network
- Pac-12 Bay Area


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|12 gorgeous fat quarters!
|Bold patterns and rich colours.
|It's hard to describe the depth and richness of the colours - they're truly beautiful!
Every few minutes I change my mind about which one is my favourite. If you fancy some for yourself pop on over to Mandy's store (she's the exclusive UK stockist of these) and spoil yourself. Thanks again Mandy for the opportunity to win these lovely treasures!
Now I just have to come up with a cracking project to make use of these lovelies!


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The Atlanta Braves are the talk for Major League Baseball's offseason thus far after spending more than $20M to stabilize its unreliable rotation by signing two former Cy Young Award winners.
On Thursday, Nov. 10, the Braves signed 42-year-old knuckleballer R.A. Dickey to one-year $8M deal with an option for 2018, and followed that up by signing 43-year-old Bartolo Colon to a one-year $12.5M pact on Friday.
By the end of Veteran's Day, the Braves had secured the two oldest veterans on the starting pitching free agent market in order to bridge the gap until some of the organization's highly-touted arms are ready to consistently contribute at the big league level.
The starting rotation was the Braves' weak link in 2016, a season which saw the club start out horribly, make a managerial change, and then went 31-25 after Aug. 1, and going 50-47 over its final 97 games.
Now, new full-time skipper Brian Snitker will have the luxury of two season veterans joining a rotation that received quality years from Julio Teheran and Mike Foltynewicz, but not much else from the 3-5 spots.
After winning the National League Cy Young with the Mets in 2012, Dickey was traded to the Toronto Blue Jays, where he went 39-37 with a 3.95 ERA from 2013-2015 before regressing to a 10-15 with a 4.46 ERA in 2016. Dickey also became highly susceptible to the home run ball pitching at Rogers Centre.
Colon on the other hand, had an All-star season for the Mets in 2016, going 15-8 with a 3.43 ERA in 191.2 IP.
Both pitchers eclipsed the 190 IP mark, which will be a welcomed addition the Braves rotation, considering Teheran lead the team with 188 IP in 2016, and only one other pitcher broke the 150 IP mark (Matt Wisler 156.2).
Having Teheran, Colon, Foltynewicz, and Dickey slated in the 1-4 slots in the rotation will create quite the competition during spring training between the likes of Josh Collmenter, Matt Wisler, Aaron Blair, Williams Perez, Tyrell Jenkins, and youngsters Sean Newcomb and Chris Ellis.
Collmenter was the club's first signing of the offseason as the two sides agreed to a new one-year deal avoiding salary arbitration. The former Arizona Diamondback went 2-0 with a 2.37 ERA in three late season starts for the Braves in 2016.
The club also signed hard-throwing veteran reliever Jordan Walden to a minor league deal with an invitation to spring training. The 27-year-old Walden was previously with the Braves in 2013 and 2014, where he pitched to a 3.15 ERA over 97 IP with 116K.
Walden's stock is down a little after two injury-filled seasons in St. Louis, but the club has a history of resurrecting the careers of pitchers acquired off the scrap heap.
Following the Braves addition of Matt Kemp from the Padres near the trade deadline last year, the team's offense really began to gel, which lead to the improved record down the stretch.
Now the team's President of baseball operations John Hart, and general manager John Coppollela have prioritized "innings-eating" starters to help balance the rotation and take the heat off the club's young bullpen arms.
With the offseason off to a fast start, the organization could look to sign another starter, as well as a left-handed hitting catcher to tandem with Tyler Flowers.


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Frequently Asked Questions
Do your products expire?
We use absolutely NO preservatives or chemicals to aid in the preservation of our products. As with any natural product, Shine Essentials products will not last forever. This is why we make small batches every time. We suggest keeping an eye on your product for any discoloration or change in odor. If you don't plan on using your goods within the first few months after purchase, store them in the fridge. We recommend storing in a cool dry place below 76°
How does Shine Essentials come up with products?
Every product is born out of a specific need or request from friends, family, customers and my yoga students. We don't sell anything that we wouldn't use ourselves. We like to keep the recipes as simple and natural as possible. After getting the recipe just right we let our friends try it and welcome positive or negative feedback. We want our customers to have a product they fall in love with and can use confidently, and recommend to family and friends. We are always grateful and eager to hear what our customers have to say about our products and appreciate you taking the time to let us know how we're doing.
Where do your scents come from?
We use organic essential oils. We stay away from synthetic chemicals, dyes or artificial flavors.
Do you make the products?
Yes, we make everything in house. Every item is hand crafted in small batches to keep quality and consistency. We are very proud that all of our line is artisan made. We purposely keep limited inventory on hand so that the product is always fresh.
Where do the ingredients come from?
We do our very best to purchase local ingredients and make sure they are sourced from the Pacific Northwest. Herbs come from Oregon Tilth or Mountain Rose in Eugene who are committed to fair trade. Beeswax is purchased from a local farmer in Mount Angel and another in Scotts Mills. Bobs Red Mill is another supplier of quality ingredients. Always doing our best to support other locals business.
High quality essential oils are a must for our products. These oils are so vital to ensuring you are receiving a quality product every time you place an order.
Does Shine Essentials deodorant contain aluminum?
No! Our sticks contain no aluminum, no parabens, no propylene glycol, no phalates, no gluten, no perfumes, and no dyes.
Is the deodorant an antiperspirant?
No, an antiperspirant contains aluminum, which block your pores and prevent sweating. This formula contains two types of clays to help absorb wetness. Generally one application per day in fine, however if you have activities or are going to workout or be physical just re-apply to help keep you dry, confident and smelling good.
Will products melt in high temperature?
Shine Essential products are free of chemicals, and chemical stabilizers and harsh chemical preservatives. If some of the products are exposed to high temperatures they can soften and melt. If products are exposed to high heat, stir the softened product and put in the refrigerator to resolidify. If you are purchasing deodorant or moisturizer, lip balms or dreamsticks during hot weather please let us know so we can package the product accordingly.
What is the return policy?
Due to the nature of the product we do not accept returns. However we are committed to make sure your experience leaves you 100% satisfied and will always do our best to remedy a situation and take care of you, our customer. If you purchase this product from a retailer you will need to contact them directly.
How long will my order take to ship?
We do our very best to ship orders within 2-4 days. Some items need a little extra time to cure as we like to make sure our customers are always receiving a truly quality product.


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Message from the President
You are likely reading this message because you and I share a common goal in the preparation of the fundraising professional: competency.
Several years ago when I endowed the only Chair in Fundraising in the world, a reporter with the Wall Street Journal asked me why I did it. I told her that I had been in the field a long time, and I was embarrassed that 50% of the fundraisers in America were not worth "crap." A year later, the leadership of one of the largest Foundations in America suggested I had grossly overestimated the competency of the field.
As a result, we created the Hartsook Institutes for Fundraising. We want to make this a profession we can be proud of. More than that, we aim to increase philanthropy.
Certainly, we cannot accomplish this goal on our own. We are committed to using our influence to encourage others to think about how we can move beyond being merely good. The need is too great. We are pushing the question: how can we increase the philanthropic pie?


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The South Hills landscape presented its share of challenges! You may have seen Buell's lovely photos of this South Eugene garden and read a bit about its design and development. Below, we'll share some new images of the garden, as well as some of its challenges and our solutions. We hope some of our tricks and ideas will provide inspiration for your garden!
Challenge: Small, Sloping Front Yard, Big House
The small, sloping front yard of this property used to look like the photo at right. As there was no need for hardscape, our challenge was to create a planted landscape that drew attention into itself, despite its diminutive size, and that balanced the tall facade of the house. Our deer-resistant planting intersperses taller ornamental grasses, Mountain Hemlocks and dramatic Cardoons among lower perennials, creating a layered effect that balances the scale of the house and higher elevation of the driveway. There is something blooming in almost all seasons, while varied foliage texture provides year-round interest. The clean lines of a large Vietnamese urn grounds the scene, providing a focal point from the street and within the house.
Challenge: Balancing the Driveway
It can be difficult to create an engaging, welcoming front garden when the primary entrance is through the driveway. The house and expanse of concrete tend to overwhelm the design. In this case, the design was additionally challenging as the front yard falls away from the driveway. Again, relying on plantings of layered height and contrasting foliage texture was key. In this case, the taller plants screen the street and blend into the hills beyond, making the space feel far bigger than it actually is. We also removed the iron railing that you can see in the before photo, instead installing a trio of large, planted pots that draw visitors to the front door while echoing nearby textural plantings. The containers have the same finish as the urn in the first image. We also maintained a palette of silver, purple, pink, burgundy and white throughout the planting. In a small space, a tight color palette strengthens the design, offering a simple, elegant effect.
Challenge: Beauty and the Budget
In the shady back garden, we ran into a very common concern - budget. Our clients wanted space to enjoy their garden, but did not have infinite resources to devote to stonework and terracing. They had received a very expensive proposal from another landscaper for hardscape alone and were concerned that a nice outdoor living space might be out of their reach. Our primary solutions were twofold. First, we designed two small garden rooms that fit into the sloping landscape, rather than one large space that would require retaining. Our clients love plants, so they were delighted with that idea. Second, we paved most of the paths and open space with compacted quarter-minus gravel, using stone only as needed or as accent. Compacted basalt gravels stay put on a gentle slope, so we were able to minimize the stone stairs required, and are very low maintenance when installed properly. In addition to the stairs, we installed a simple black basalt border around the lower dining area, and built a small, but striking, circular stone terrace that doubles as a focal point from the house.
Challenge: Separating the Rooms
Designing two terraces solved some problems and created others. Our most notable challenge was that, given the scale of the back yard, the seating areas had to be in close proximity. How would we make them feel distinct from each other? We wanted the spaces to feel comfortable and open to the rest of the garden, so walling them off with tall plants was not an option. Instead, we took advantage of the natural slope of the space, allowing the terraces to sit on different levels in the garden. Between the spaces, we used small trees, under-planted with shade-loving ferns, azaleas and perennials to create a gentle separation.
Challenge: Deer Love Vegetables, Too
We used deer resistant plants throughout the garden, because we and our clients wanted to keep the garden open to the nearby woods and wildlife. However, there is no such thing as a deer resistant vegetable garden. Our clients had figured out the sunniest spot in their mostly shady back garden and requested a small fenced space to grow a few edibles. Of course, the fence couldn't create too much shade, and no one wanted it to overwhelm or clash with the pretty ornamental garden. Our solution was to create a fence made of welded wire and steel posts, all allowed to rust. The rusty color almost disappears into the landscape, and, if noticed, provides a clean, elegant backdrop to the lovely space.
Thanks for reading! We hope you're enjoying the new site and journal format. If so, please share!


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Soloist, The Royal Ballet
Meaghan Grace Hinkis, Soloist with The Royal Ballet
NYCDP Questionnaire:
Where did you grow up and how did you get interested in dance?
MH: I was born in Boston, MA, grew up in Simsbury, CT and moved to NYC when I was 12 years old to further my training in ballet. I have been interested in dance for as long as I can remember. My sister, Caitlin, used to dance and of course, I wanted to follow in her footsteps. My parents had Caitlin and I in both gymnastics and dance, she became the elite-level gymnast, and I fell in love with all facets of dance. I knew it was what I wanted to pursue.
How did your background and your family's background; affect your passion for dance?
MH: I am the only "dancer" in my family (however, my Dad will tell you he taught me everything I know!) But, I am certainly not the only one in the family in a career that takes a lot of sacrifice and dedication. It runs in the Hinkis family. I have had so much support throughout my career and I know that it would have been there no matter what I was doing. I have had a passion for dance ever since I was a little girl. My parents had me in every type of dance you could think of...jazz, lyrical, tap, acrobatics, ballet, you name it. It wasn't until I was about 11 that I realized ballet was the one for me.
How did you end up joining the Royal Ballet?
MH: I joined the Royal Ballet four years ago in a rather unexpected way. I was on tour with ABT to London and decided to stay on a week and explore what London had to offer. I asked to take class with the Royal Ballet because it had been a dream of mine for years. I also think it's important to see the way other companies tick. I took class for a few days and Dame Monica Mason came in to watch. One thing led to another and I had an offer on the table. It was a tricky decision leaving ABT. I was happy and felt part of the "Ballet Theater family." But, joining the Royal Ballet was an opportunity I couldn't turn down. It was a rare chance to live in another country and experience dancing on the legendary Royal Opera House stage. I accepted the offer with butterflies in my stomach and moved across the pond to beautiful London.
What career would you have chosen if you could not have been a dancer?
MH: Well, lucky for us dancers, we don't just have to pick one career. There's time to discover so much more. I would love to get into real estate and interior design later on in my life. Also, while it is still dancing I would definitely like to get a swing at performing on a Broadway stage!
What do you know now that you wish you knew when you first started dancing professionally?
MH: "Watch and learn. Learn what to do and what not to do." I am so thankful that when I first joined ABT I received advice from some of the most experienced dancers in the corps de ballet. And that's what they told me and it couldn't have been more true. I think about those words daily. I watch rehearsals and performances and am always learning. I think that is something that young dancers joining companies now often forget. Everyday we can learn, and it may be surprising who you can gain the most knowledge from.
Of all the roles you have performed, which role helped you grow the most as an artist?
MH: This is a hard question to answer but one role that comes to mind is 'Princess Stephanie' in Sir Kenneth Macmillan's 'Mayerling.' It's a ballet that I had never seen before and I fell in love with it. Dramatic roles are some of my favorite and one of the many reasons why I was so drawn to the Royal Ballet's repertory. I was honored to have been cast with
Carlos Acosta as my 'Prince Rudolf'...definitely a career highlight for me and one that helped me grow as an artist.
If a child told you they wanted to be a dancer, what advice would you give them?
MH: I would say, "Go for it!" If it's what he or she wants to do, then why not? Being a dancer is a very special career; we have the power to transform. People enter an auditorium carrying their individual burdens. Our job is to make them forget and pull them into our magical world. I remember a little girl once came up to me when I was doing the 'Sugar Plum Fairy' and she said, "Do you know who my favorite superhero is?" Not knowing where she was going with it, I asked, "Who?!" And she responded with a sparkle in her eye, "YOU." I'll never forget that and if the younger generations have as much fun as me, then they should absolutely put their dancing shoes on.
How has social media changed a dancer's status and what is required of them?
MH: Social media has allowed us dancers to have a voice. We can be ourselves and show a human side. When used appropriately, I think it is a great way to be our own managers too. Many of us don't have personal PR agents, so it is a way for us to put ourselves out there and give updates on what is happening in our lives. Also, it is a wonderful way to keep in touch with friends, family, and fans who may live on the other side of the world.
Do you have one moment in your career that you remember most fondly? Or one moment that you feel really defined your career or the trajectory of it?
MH: I have "moments" all the time where I'm standing on stage at the Royal Opera House next to some of ballet's greatest superstars and I think, "Wow this is pretty amazing!" It's difficult to pin down just one. Although, one moment that definitely defined the trajectory of my career was when I decided to move to London. It wasn't an easy decision by any means, but the past four years have been incredible and I have done things that I never would have the opportunity to somewhere else. I am excited to start next season off as a Soloist with the company and see what opportunities await!
Who would you like most to have a coffee with (could be dead or alive)?
MH: If I'm sticking with the dance theme, I would absolutely have to say Baryshnikov. I would love to sit with him for an entire day and hear story after story. (but who wouldn't?!) I would also like to request him to whack out a Basilio solo but not sure he'd oblige ;-)
I would also love to have a coffee with author, Khaled Hosseini. I recently read his book, "The Kite Runner," and was completely astonished by it. He must be one of the world's best story tellers.
Who were some of the people who influenced you most in your career?
MH: First name that comes to mind is Wes Chapman, my director from when I was in ABT II. He is a former principal dancer with ABT and has taught me so much in regards to my career. I often think back to my ABT II days and realize just how much experience I gained. Wes is a very important mentor in my life.
I would also have to say many of the cast members from Radio City Music Hall. It was a rare opportunity for such a young person. I played the role of Clara in the Nutcracker scene. I looked up to each and every cast member and rightfully so, because they taught me to enjoy the process. They taught me to never take advantage of what you have. They will always have a very special place in my heart, and I'm still in touch with many of them today.
What do you most value in your friends?
MH: Respect. I'm not sure there is anything more valuable than that.
If you could be an animal, what would you choose and why?
MH: I would have to say an eagle because I have always wanted to fly! Eagles are like royalty of the sky- they are so powerful and majestic. Also, they are at the top of the food chain as alpha predators in the avian world, so nothing to worry about there!
Which person (dead or alive) would you most want to dance with if you could?
MH: Gene Kelly! He's so charming and definitely has the best dance moves!
I'd also love to do Romeo and Juliet and/or Manon with ABT's Marcelo Gomes. Dream!
What is your greatest indulgence?
MH: This is going to sound a little sad but Pinkberry! It's my favorite treat and they don't have it in London so when I come home I try and make the most of it ;-)
What are your worst fears?
MH: Growing old...but I don't think I'm alone there which is comforting. I also have a huge fear of tornadoes!
What was your biggest mishap in a performance?
MH: I remember I was doing the Canary fairy in "The Sleeping Beauty" when I was in the JKO school at ABT. It's very fast moving and all running on pointe. We were at a school in the middle of the Bronx and it was a very slippery floor...I came flying out of the wing and BOOM...down I went to a room full of laughing students. It was so embarrassing but that was the day I realized these things can happen to us all!
Is there a special meal you have before performances?
MH: Sometimes it's hard to eat too close to showtime but I always make sure I have some sort of protein before a show. It gives me sustainable energy. And if it's "Swan Lake," I always drink a coconut water and eat a banana an hour before curtain up to help with those pas de trois and cygnet cramps.
What do you miss most about living in NYC?
MH: Well first things first, I miss my family and friends. Thank goodness for FaceTime! But, I also miss the hustle and bustle of NYC. There is an energy that can't be beat. I think that energy is what some people find overwhelming about NYC but I love it. It's an adrenaline rush! Thankfully, NYC isn't going anywhere and whenever we have a break I get to come home to an iconic city.
Hair and makeup by Juliet Jane, Dresses by Leanne Marshall


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Mexican police have found 49 headless bodies in northern Mexico. In what appears to be an offshoot of drug-related violence, the police said the hands of the victims have also been chopped off to prevent identification.
The bodies of the 43 men and six women were seen dumped on a highway. The incident is viewed as part of the ongoing drug war among cartels in recent months.
The dismembered bodies were found near the industrial city of Monterrey, about 80 miles southwest of the US border.
"What's complicating the identification of the bodies was that they were all headless," Reuters quoted Nuevo Leon government's security spokesperson Jorge Domene as saying.
The dominant drug group Zetas has claimed responsibility for the massacre, said the police.
Zetas have been at war with the powerful Guzman's Sinaloa drug gang and the state of Veracruz has been the virtual battleground.
"This continues to be violence between criminal groups. This is not an attack against the civilian population," Domene told CNN.
Experts say the incident shows that the drug war is escalating alarmingly. The Associated Press quoted a security expert at the country's National Autonomous University, Raul Benitez Manaut, as saying: "This is the most definitive of all the cartel wars."
According to authorities, the victims appear to have been killed only a day or two ago and the bodies dropped off from a different place.
The bodies were taken for DNA tests in order to identify the victims.
Reactions from analysts have been mixed as to whether the incident could be linked to the presidential elections on 1 July.
The ruling party's presidential candidate Josefina Vazquez Mota told Reuters: "What happened in Cadereyta must be investigated, but what I think it shows, in a terrible and painful way, is the kind of permissiveness seen in these states towards organised crime."
The authorities have not ruled out the possibility of the victims being US immigrants or people from other states, since there were not many reports of locals missing in the recent past.
A couple looking for their missing daughter visited the Monterrey morgue, where the bodies have been kept for post-mortem examinations, according to AP. A state police investigator who said none of the six bodies matched the missing person's description.
A few days ago, 23 people were found killed. Among them nine were hanged and 14 others were decapitated.


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Woman Gets Duped Into Buying Wooden Apple iPad for $180
We've heard of people wanting the Apple iPad so badly that all common sense seems to fly out the window, like the kid in China who sold his kidney for one.
But this story hits closer to home. Apparently a South Carolina woman who thought she was buying an Apple iPad for the bargain price of $180 belatedly realized she'd just bought a piece of wood.
Ashley McDowell, 22, of Spartanburg, South Carolina, filed an incident report on Monday night with the Spartanburg County Sheriff's Office (hat tip: The Smoking Gun). She claims two black men approached her in a McDonald's parking lot selling iPads for $300 a pop.
McDowell told the men that she only had $180, and they agreed to sell it for that price, according to the report (see full text below). The men then reached back into their trunk and handed her a FedEx box.
After paying and driving off with one, McDowell opened her FedEx box to discover "a piece of wood painted black with an Apple logo." That's when she called the police.
Lieutenant Tony Ivey, a public information officer at the Spartanburg County Sheriff's Office, sent over photos of the fake iPad, which were discolored because they'd already been dusted for finger prints.
"Basically what they'd done is taken a screenshot of an iPad screen turned on, with a copy of a Best Buy sales ticket on front. On the back they'd pasted a cutout of the Apple logo," Ivey said.
Ivey speculates that the men managed to dupe McDowell by showing her a real iPad, then reaching into their car to pull out a FedEx box. He added that a similar incident was reported and resolved last year, when authorities caught a pair of men trying to sell laptop boxes stuffed with a phone book, for the price of a real laptop, of course.
He added that the likely penalty for an incident of fraud like this was 90 days in jail and/or a fine of under $1,000.
Full text of of Incident no. 11081828, filed on Monday night:
"On 08/29/2011 I responded to Lee's Crossing in regards to a swindle call at above address. Ashley Mcdowell stated that she was at Mcdonald's buying food when two black males approached her in the parking lot attempting to sale an IPad or a laptop. Ms. Mcdowell stated that the two black males showed her a new Ipad and stated that they had bought them in bulk and was selling them for $300. Ms. Mcdowell stated that she only had $180 and they agreed to sale it for that price. Ms. Mcdowell stated that the subjects had several of them in a Fed Ex box in the trunk. Ms. Mcdowell stated that when she drove home she opened the box and within the box was a piece of wood painted black with an Apple logo. Ms. Mcdowell then called the police. Ms. Mcdowell stated that one of the black males had a gold tooth. Ms. Mcdowell stated that the subjects were driving a white Impala with no rims and no tint."If you have any information on the whereabouts of these two swindlers (or geniuses, depending on how you look at it) please contact the Spartanburg County Sheriff's Office.
For more from Sara, follow her on Twitter @sarapyin.


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DEMO Consultants performs applied research on ICT for the built environment to develop and enhance methods and tools for asset management of energy-efficient buildings, sustainable cultural heritage and resilient civil infrastructure. As a Senior Research Project Manager / Team Leader you will develop innovative solutions, take leadership in collaborative research projects, and bring innovation to practice by creating market opportunities and providing consultancy to public and private clients.
Right from the start you will actively initiate, lead and participate in European and national research projects within the EU Horizon 2020 and NL TKI programmes. You have proven skills and a successful track record in proposal writing and project management. Next to research activities, you will contribute to consultancy on software development and implementation.
DEMO Consultants is specialised in Real Estate Information Management. We have developed our own software solutions packed in the DEMO RE Suite. DEMO's core business comprises software development and implementation, strategic and technical consultancy, and applied research. DEMO professionals are experienced building engineers, asset management specialists, software developers and researchers.
Since its establishment in 1996, DEMO has actively participated in EU-funded research projects (from EU FP4 to Horizon 2020), Dutch research and innovation (such as Topsectoren-TKI at present and IFD-Bouwen in the past), and international training courses. DEMO has a proven track-record in initiating, coordinating and executing large-scale research projects.
DEMO works for public and private organisations in the Netherlands and abroad. It collaborates closely with numerous universities and renowned institutes (among others TNO, Delft and Eindhoven University of Technology in the Netherlands; TU Berlin, Fraunhofer and KIT in Germany; CARTIF in Spain, and CSTB in France) as well as with software, engineering and construction companies. DEMO's self-developed IFD Office is located at Delftechpark in Delft between other high-tech offices.
Your application with a curriculum vitae and a cover letter should be sent by e-mail to email@example.com. For further questions about the vacancy, please contact miss. Paula Etman (+31 15 750 2520). Acquisitions by recruitment agencies related to this vacancy are not appreciated.


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Membership Info
Membership Profiles
Nashville, TN - JW Marriott , October 13-16, 2019
Maryland, MD - Gaylord National Harbor, May 3-6, 2020
States are finding that the "Internet of Things" (IoT) can
improve efficiency, reduce waste and connect citizens to state services in
faster and more affordable ways. But with that value comes vulnerability.
States must consider security, privacy, accessibility and standardization when
crafting a roadmap for IoT. This policy brief describes ways that states are
currently implementing IoT, possibilities for the coming years, and
recommendations on avoiding difficulties along the way.


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At the winery we are always looking for new dishes to pair with our wines. Actually, one of the very best aspects of our profession is sharing great recipes and wine. It is hard to find a fine wine lover who is not also a self proclaimed "foodie." Recently we paired our 2013 Croze Chardonnay with a poached lobster and saffron cream. It was an amazing pairing. The richness of both the lobster and cream highlighted the full bodied chardonnay. Yet the crisp acid on the finish of the wine cut the richness of the food and left your palate craving more. So here is our recipe for Lobster with Saffron Cream:
We poached a 2.5 lb lobster in salted water and then chilled it in an ice bath. Save a half cup of the lobster liquid.
To make the cream: chop a shallot and a garlic clove. Place them in a sauce pan with a tbs of olive oil and saute over medium heat. Add a pinch of salt and white pepper if you have it. Toss in a few sprigs of thyme and let it wilt. Then add a good pinch of saffron and let it heat gently. Add 2 tbl of white wine and a 1/2 cup of the lobster stock. Reduce this over medium heat until there is just a couple tablespoons of liquid left. Strain the mixture and return to the sauce pan. Add 1/2 cup of heavy cream and let it slowly heat and reduce until sauce consistency. Meanwhile gently warm the lobster meat in saute pan with melted butter.
We served this with Carolina Gold Rice (follow link to purchase the best rice in the world). After the rice was steamed, I added a little cream and the chopped lobster tail. Save the lobster claws to place on top. Garnish with the herbs of your choice or edible flowers. We generally use parsley and broccoli flowers.


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Those Whose Lives You Have Touched Say
"Thank You!"
Honoring a Talented Musical Theatre Director
In Appreciation for Your Many Years of
Outstanding Service and Dedication to
Beaumont High School's Music & Drama Program!
"Teachers inspire dreams, shape lives,
and give us hope for the future."
Congratulations on Your Well-Deserved Retirement
And Best Wishes on Your Future Endeavors!
With Our Deepest Appreciation
To Our Favorite Music Teacher
Thank you for your tireless efforts
in building our musical foundations
and your devotion to us, your students.
Thank you for all your help and patience,
we couldn't have made it without you!
Class of 2012
For a Special Music Teacher
In appreciation of your many years of dedication
to the SBHS music program,
you have positively touched so many lives
through your music and character
and will continue to be an inspiration.
From Your Students
You will truly be missed
To a Sepcial Music Teacher
As you enter retirement, please reflect on
the fact that the world is a better, wiser,
more caring place, because of you!
Thank you for your selfless efforts in
building capacity for all learners.
You have invested in improving the world
through quality instruction AND
tireless devotion to our family!
We Love You!
Music education is a noble and vital undertaking. Teaching a child to sing, play an instrument or just appreciate the beauty found in music is essential to developing the next general of artists. Music also teaches empathy and emotional health, which is why music teacher gifts simply cannot be trite afterthoughts. They need to be unique and special. The Music Teacher Appreciation Plaque sets the standard.
This solid, self-supporting piece is made of the finest, reflective optical crystal. The blue crystal star and colorful, dancing music notes and staff really personalize the plaque. Your special message or a line or two of the class song can be engraved on the piece for no additional fee. With a little design tweak, this piece would work perfectly as a dance teacher gift too.
Suitable for: Music Teacher Gift Plaques; Musician Gifts; Music Teacher Retirement Gift Plaques.
|Small - 6.5"
|Item ID:
|6-1/2" H x 4" W x 1-1/4" D
|Approx. Wt
|3.2 lbs
|Medium - 8"
|Item ID:
|8" H x 5-1/2" W x 1-3/8" D
|Approx. Wt
|5.9 lbs
|Large - 11"
|Item ID:
|11" H x 7-1/2" W x 1-3/4" D
|Approx. Wt
|11.1 lbs


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Musical Performance: Third Annual Maqam Fest (Official Showcase of APAP Conference)
Fri, January 10, 2014 7:00 pm at Alwan for the Arts
(View all musical performances »)
The Annual Showcase for the Association of Perfoming Arts Presenters (APAP) Conference, Co-Presented by the Center for Traditional Music and Dance (CTMD) and Alwan for the Arts
The Third Annual Maqam Fest features exceptional ensembles from New York and around the world that have a unique approach and perspective on maqam. Developed over millenia, maqam is a complex system of musical modes and represents one of the great legacies of the Arab-Islamic world, pervading the musical cultures from the Maghreb (Northwest Africa) to Western China, and from the Balkans to the Sudan. Maqam Fest articulates the tradition ofmaqam within an evolving world that musically constructs, connects and reconstructs convention.
Maqam Fest 2014 celebrates a line-up that pays tribute to this tradition featuring long-honored practices, explorations of historic ties between diverse musical styles and an examination of contemporary compositions and improvisations. This showcase is part of the Annual Association of Performing Arts Presenters (APAP) Conference, one of the most anticipated events in the performing arts field, which brings thousands of presenters, agents, managers and artists in the fields of dance, theater and music from around the world to New York City each January.
Eva Salina
Re-imagined Songs of Balkan Legends
Reflective rubab from Afghanistan
Sazet Band
High- Octane Romani Horns
Kinan Azmeh
Soaring clarinet improvisations over hypnotic grooves
Tarek Yamani
Afro-Tarab Jazz and Arab Intersections
Mitra Sumara
Farsi Funk of Pre-Revolutionary Iran
Alwan Ensemble
Vibrant Explorations of Arab Tradition
Advance: $30 General Admission | $25 for Students, Members and Seniors. BUY NOW*
(*A small online fee is applied - use printout as your ticket).
Free for APAP badge holders
Doors open at 6:45 pm
More on the Maqam Fest's 2014 Line-Up
The resident ensemble of Alwan for the Arts, the Alwan Ensemble delivers a joyful and transporting range of classical songs from the greater Arab World, built around textures of rhythmic and improvisational intensity. In the classical art music traditions of Cairo, Aleppo, and Baghdad—three important Arab cities with great legacies in art and culture—each has a unique repertory: the dawr and qasida of Cairo; the Andalucían muwashshahat of Aleppo; and al-maqam al-Iraqi of Baghdad; with distinct characteristics, rules, and aesthetics. Yet all adhere to the maqam and place great importance on poetry and the vocal melody sung either by a soloist or a chorus, and accompanied by ensembles of traditional instruments, including the oud (lute), qanun (zither), nay (flute), violin, santur (hammered dulcimer), riqq (tambourine), and tabla (goblet drum).
Six contemporary masters of a broad range of Arab musical idioms display their sensibilities and impressive technique across a diverse array of musical selections from regional folk songs to masterpieces of Egyptian cinema and Arab concert hall culture. The Alwan Ensemble's performance evokes ambiances of Cairo, Baghdad, al-Quds and Aleppo, but more importantly that of contemporary New York with its own vibrant Arab American artistic and intellectual community.
George Ziadeh (oud, vocals) | Sami Abu Shumays (violin, vocals) | Zafer Tawil (qanun, violin, vocals, percussion) | Amir ElSaffar (santur, vocals) | Rami ElAasser Johnny Farraj (percussion)


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Double-Sided High-Tack Foam Tape, 1/2" x 4.4yds
Sale price
Regular price
Available in multiple widths: 1/4" x 2.2 yds, 1/2" x 4.4yds.
Easy-to-peel paper backing is non-static. Tape rolls have a 3" standard inner core size that fits most dispensers.
High-grip on metals, plastics and glass, as well as more porous surfaces such as wood, cardstocks and cardboards, and fabrics.
Acid-free, solvent-free and heat resistant for embossing.


text:
Product Comparison: Sony BDP-S6700 vs Sony BDPS-6500
General Specifications
About the Product
With the BDP-S6700, Sony has proven once again that it knows how to play the budget market to a tee, focusing on delivering an outstanding performance at a competitive price.
The BDP-S6500's built-in Super Wi-Fi and dedicated 4K upscaling chip combine to deliver smoother, more responsive online viewing with images that are rich in color and natural detail. Whether it's native Blu-ray content or Internet streaming services, you can be sure that this player will bring the best out of everything you watch.
Key Specs
Smart Capable
Maximum Video Resolution
2160 p
2160 p
Wi-Fi Built-in
What customers say about "Key Specs"
Sony BDP-S6700 4K Upscaling 3D Streaming Blu-Ray Disc Player
- If you don't have a smart tv then make it smart using this player. Full HD 4K upscale is really great.
- Nice and compact with smart features.
- Not a bad player and the smart functionality is useful.
- Very good resolution Blu-ray player. I would recommend it.
- We enjoy our Sony streaming 4K wi-fi Built-In Blu-ray Player. Extremely smooth play back, razor sharp and looks sleek in our console.
Sony BDPS-6500 4K Blu-ray Player
- This player will also up-convert your .jpg pictures via its USB to 4K if they are high enough in resolution. Really spectacular on a good 4k TV.
- Incredible resolution, as new technology.
- We have a 4K television and the resolution is excellent through the Blue - Ray. Very glad we bought it.
- You can use Wi-Fi or a wired Ethernet connection to connect.
- My greatest concern of the Wi-Fi was it's ability to maintain a connection to my network (I have experienced issues with other video products).
Size & Weight
1.5 in.
1.54 in.
10 in.
10 in.
7.6 in.
7.56 in.
1.98 lbs.
1.8 lbs.
Disc Loading Type
Compatible Disc Formats
BD-R, BD-R DL, BD-RE, BD-RE DL, BD-ROM, BD-ROM DL, BDMV, CD-DA, DVD-Video, DVD+R, DVD+RW, DVD+R DL, DVD-R DL, Hybrid Disc (BD/CD), Hybrid Disc (BD/DVD), Hybrid Disc (HDDVD/DVD), CD, CD-R, CD-RW, DVD-R, DVD-RW, DVD-ROM
Pre-Installed Services & Apps
Netflix, YouTube, Opera, Hulu Plus, Amazon Instant Video, Pandora
Supported Formats
MPEG-1, MPEG-2, Xvid, MPEG4 AVC (H.264), VC1, WMV9, Motion JPEG, AVCHD (Ver.2.0), MP3, AAC/HE-AAC, WMA9, WMA 10 Pro, LPCM, FLAC, Dolby Digital, DSF, DSDIFF, AIFF, ALAC, Vorbis, Monkey's Audio, JPEG, PNG, GIF, MPO, BMP
JPEG, PNG, MP3, GIF, FLAC, AAC, WAV, 3G2, 3GP, 3GPP, 3GPP2, AC3, ASF, AVCHD, AVI, Xvid, WMA
Built-in Audio Decoders
DTS-HD Master Audio, Dolby TrueHD
DTS, DTS-HD, Dolby TrueHD
USB Port(s)
Ethernet Port(s)
Wireless Connection
Wi-Fi, Ethernet, Bluetooth
Remote Control, Video & TV SideView app
Remote Control, Video & TV SideView app
Stream from your favorite apps in Full HD, Upscale your entertainment to near-4K quality, Wireless Bluetooth connectivity with LDAC, Smooth video streaming with super Wi-Fi
4K upscaling for real-life clarity, Connect to your home network with DLNA, TRILUMINOS®® brings colors alive, IP Content Noise Reduction PRO sharpens and refines, Screen Mirroring, Quick Start Mode
What customers say about "Features"
Sony BDP-S6700 4K Upscaling 3D Streaming Blu-Ray Disc Player
- Very happy with the build in apps that come with it.
- I like it very much for that front USB port for reviewing my HD video edits.
- Has a usb port in the front which makes it convenient to plug into.
- It has many of the standard apps for streaming and can use Ethernet wired or wifi wireless connections to access the streams.
- I like how it is so easy to use. But also I like its bluetooth a lot. Everything is works great and awsome.
- Good product. However limited in apps you can use.
- Not a huge selection of apps, but the popular services are available.
- Bluetooth is a little weak, other than that excellent.
Sony BDPS-6500 4K Blu-ray Player
- The BDP6500 plays DVD's and Blu-Rays just great, I couldn't be happier with the playback from them.
- But for Blu-rays and connecting video files via usb on front it's great.
- You can use Wi-Fi or a wired Ethernet connection to connect. I tried both, and naturally I got better image quality from the wired connection, although the Wi-Fi image was still pretty darn good.
- You can use Wi-Fi or a wired Ethernet connection to connect. I tried both, and naturally I got better image quality from the wired connection, although the Wi-Fi image was still pretty darn good.
- I bought two movies that are in the 4K format and when I insert either one into the player it says that no disc is found. I could only watch the movies using the standard Blu-ray discs.
- I do have a complaint about the apparent lack of ability of using USB wireless keyboards to type instead of having to use the arrow buttons on the remote to navigate the on-screen keyboard, which is cumbersome and really stinks.
Coaxial Digital Audio
Optical Digital Audio
What customers say about "Outputs"
Sony BDP-S6700 4K Upscaling 3D Streaming Blu-Ray Disc Player
- Easy hookup with the HDMI port. Setup was super simple.
- HDMI and Digital Coaxial Audio are perfect for my existing system.
- Very easy to set up. Plug in power cord, then plug in HDMI cable to TV and now your ready to watch brilliant movies!
Sony BDPS-6500 4K Blu-ray Player
- Make sure your audio system will accept HDMI or digital in if you plan on connecting it to surround sound.
- But the real reason I purchased this is that it plays SACDs, connecting to a receiver over an HDMI cable.
- This one is compact smaller than a Verizon router and works perfectly with one HDMI cable.
- It would be nice if it provided audio out other that by HDMI or Digi Coax.
- However, on the back there is only a coaxial output, hdmi port, and ethernet port. I was looking for something i could run the sound seperately to my surround sound.
Included With Unit
Remote control
Remote control, 2 x AAA Batteries
What customers say about "Accessories"
Sony BDP-S6700 4K Upscaling 3D Streaming Blu-Ray Disc Player
- Really easy to set up. The remote control is a perfect size.
- Nice quality picture with clear functional remote.
- Nice small unit with user-friendly remote.
- I found the remote complicated to use. Don't like all the buttons.
- Remote is small with small and compact buttons so lowlight operation is difficult.
- Works well, remote is kinda small though, also no display at all on the unit but preforms very well.
Warranty / Certifications
Manufacturer Warranty
1 year(s)
1 year(s)
Other Information
99.99 £
179.99 £
Price History
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