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How Much Does an App Cost in 2020: A Massive Review of Pricing and other Budget Considerations
How much does an app cost? With over ten years of data at our disposal, most quality apps cost between $100,000 to $1,000,000. Some apps will be less and some more. If you're looking for an app built with great design, superior development, and clever marketing though, it will be somewhere in that range.
Last updated in October 2019 to reflect current industry trends.
- The costs of apps are largely based on features, complexity, and platform.
- Apps with back-end servers will almost always cost more.
- Simple apps for one platform will start around $25,000.
- More complex apps cost six figures but can push up over $1,000,000.
- Costs will also vary based on who builds it (e.g., offshore versus high-end agency).
- Don't forget to budget for updates, marketing, your own salary, and other costs.
Factors to Consider When Pricing App Development #
Costs obviously vary. For example, there's a significant difference between engaging a freelancer, offshore development team, or an agency like Savvy Apps. Similarly, having an app that requires a back-end server built or APIs integrated versus one that is completely standalone can differ drastically.
Because costs can vary, I'm going to approach the answer to this question several ways. First, I'm going to highlight what some of the smartest venture capitalists today believe are the necessary amounts of money to raise for a new venture. Many startups today are either exclusively or heavily app-focused. While the VC data points are for "big ideas," these types of budgets are instructive to addressing the cost question.
Secondly, and somewhat related, I'm going to highlight either the known costs or the actual funding raised for well-known apps or app-focused companies. While that's arguably informed investor perspectives, seeing the actual dollars required to build an app like Instagram, for example, makes the first category somewhat more tangible.
Lastly, I'll use data from what we've seen at Savvy Apps in the last year. Lumped into this category will be anecdotal data from what I know or have heard similar firms charge.
What I will not address, however, are the costs for working with freelancers or offshore companies. Even ten years later, my $10,000 demarcation point is useful. If you have less than that, you will most assuredly not be able to work with a reputable firm.
Note: Links are provided for more specific data points. Otherwise, cost data is readily available with a quick search on the web or from sources like Crunchbase.
App Development Costs for Startups #
Jason Calacanis had a great post outlining the amount of money startups should raise in their first round of funding. The total first round raise for 18 months he suggested is $750,000. That's not necessarily how much an app has to cost though (although some apps do, especially over their lifetime).
The $750,000 includes $120,000 of operational dollars for legal, accounting, and comparable fees. He further breaks down the remaining $630,000 as follows: $35,000 per month for a team of four, which I would consider a very standard team size for building an app. The timeline to build a v1.0 app is usually anywhere between 4-6 months. So taking that monthly spend and multiplying it times that timeline, we have our first answer: a v1.0 app should cost anywhere between $140,000 to $210,000.
To back up Jason's perspective, Manu Kumar outlined what he believe is the new "pre-seed" round last April. He suggested ~$500,000 should be "used for building team and initial product/prototype." Using a similar breakdown to Jason's for operational dollars (around 16%), runway (18 months), the monthly product budget would be $23,333.33. Even in this example, a v1.0 for 4-6 months would come out to $90,000 to $140,000.
Keep in mind, that Manu described that first round as "pre-seed." If you consider his seed funding amount of ~$2M, the numbers go up significantly. Compare Snapchat's seed round in 2012 at $485,000 to Yo's $1,500,000 in 2014 and you can see there's data to support a seed round starting in the seven figure range in 2015. For another data point, Fred Wilson recently had a detailed writeup on USV's seed investments.
Twitterific, Instagram, and Uber #
Craig Hockenberry penned an influential StackOverflow answer in 2010 on how much it would cost to build Twitterrific. The answer was $250,000 on both the iPhone and iPad. Admittedly that was the opportunity cost since Twitterrific is built by Iconfactory in-house. While that was on two form factors, includes heavy API consumption, and an involved interface, as he noted, it did not include a server element.
Now if you want to build backend services for your app, that number's going to go up even more. Everyone seems surprised that Instagram chewed through $500K in venture funding to build a new frontend and backend. I'm not.
- Craig Hockenberry, StackOverflow
With advancements since then, relying on backend-as-a-service providers like Firebase, makes adding in a server component more efficient. Still, any server-related development time drives up cost considerably.
Like Craig, I regularly point prospective customers to Instagram's initial launch and funding. They're a great example of an app that is much more than software that's installed on a smartphone with a robust back-end server. That initial $500,000 funding did not include budget for Android either (more on that later).
One of the most popular requests Savvy Apps had years ago was to create an Uber clone. Uber's initial funding was for $1,500,000 (Seed plus Angel), with another much higher follow-on round. There's clearly a heavy server element again and that's an important point: most apps require a server behind the scenes to operate.
With this survey, we have another answer: apps that are built for a smartphone and tablet, that have a complex user interface, or that require a significant backend can cost anywhere from $250,000 to $1,500,000.
Comparing App Development Cost: Small Shops vs. Agencies vs. Global Consultancies #
Some of the largest app-focused firms, owned by holding companies, won't give you the time of day if your budget is not at least $1,000,000. I've heard prospects tell me they were given quotes for $900,000 or more and those were just ballpark estimates provided within a quick, 15-minute discovery call.
A somewhat typical budget at Savvy for a properly scoped v1.0 startup buildout in 2019 would be between $100,000 to $250,000. For large enterprises with global reach or much more complex systems, the spend would typically be above the $250,000 mark. The total spend per customer was often higher than that because our customers continue to have us design and develop new features, month after month. All of those apps are either integrated with an API or required a server to be built. We see very few apps that are actually standalone. As shown above, we're not the highest in the industry by far.
So, with this last category completed, we have yet another answer:
- Apps built by global consulting firms like the "Big 4," start at $10,000,000 and go up from there.
- Apps built by creative agencies like Savvy cost between $100,000 to $2,500,000.
- Apps built by smaller shops, possibly with only 2-3 people, cost anywhere between $30,000 to $100,000.
Considering the Cost of Less Complex Apps #
Even apps without any server component or API integration can be complex and challenging. We've built standalone apps for six figures. We've also built apps that integrate with an API for five figures. We have a great breakdown of costs by app complexity in our ultimate guide on app budgets by app type.
It really comes down to the specific feature set of the app. As a rule of thumb though, you can probably take some of the numbers above and cut them in half to understand the cost of apps without a server or API component being involved. To get a quality app with any professional firm, you're still usually starting around $25,000 or so.
The Android Tax #
Note: Due to the popularity of this article, we're leaving this section "as is." As we've since written about on this site since February 2015 though, we no longer consider there to be an "Android tax." The two major platforms are now very comparable overall. We still typically advocate to start with one platform first—especially for startups—as we explain in our article on the subject.
I've largely been platform-agnostic in this post. Even with all the advancements over the last several years, especially on the design side, Android apps are still much harder to build. Anecdotally, our experience is that Android apps take 2-3x longer than iOS apps. Steve Cheney, now at Estimote, had similar findings in late 2013. For this reason, the typical approach is still to start with iOS and then move to Android
More Than Apps #
To make a successful app requires a variety of skills and specializiations (e.g., see all the app-related services we offer). Remember that the cost to bring an app to market go beyond a simple v1.0 budget. The costs are much more than the initial, UX, design, development, or project management dollars. There will be at a minimum budget required for ongoing updates and potentially, some server costs.
If you're really going to give your app—and yourself—a chance, other considerations need to be made. You have to pay yourself, evaluate the cost for support time (if you're doing that yourself), consider any hard costs for marketing and advertising, and comparable items. These other costs are part of what Jason included in his total suggested first year raise. If you're an existing company hiring an outside firm like Savvy Apps to build an app, these costs are likely accounted for already. If you're an individual or early-stage venture, just ensure you include those costs to truly evaluate the bottom-line for bringing an app to market.
This article was last updated in October 2019 to reflect some more current industry trends.
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text: When we bought our house, we thought that the room between the kitchen and the garage would make a good playroom. It's the only room in the house that's carpeted and it's tucked out of the way and separate from the living room – where Alex would like to keep free of toys (hahahahahahaha). It will be a while before Max is really able to use that room (since it is so separate), but I'm gearing up to start decorating that room (since it will likely take me approximately 100 years to finish all the projects I'd like to do for it!). It's really just been an oversized mud room since we've been in the house – a place to dump your shoes and coats on the way in from the garage. Alex painted the room last year a deep royal purple and I think that color will be a great playroom color. I picked out the fabrics that I'd like to use for it today and started to fill up my Playroom Ideas Pinbord. I'm starting to get really excited for that room!!

subset: commoncrawl


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This is concerning the editorial, �The Budget Gap/Needed: legislative push on telecom loophole� (Telegram & Gazette, Aug. 16).
The T&G endorsed repealing a long-standing communications company tax exemption as a partial solution to Worcester�s city budget shortfall. Raising taxes on communications companies is bad policy.
State government should be encouraging communications companies to invest here. The development of new communications technologies like broadband Internet service is key to the Massachusetts economy. But higher taxes discourage new investment and may push corporations to other states that have created a more conducive regulatory climate.
Tax exemptions aren�t corporate welfare; they�re carefully considered incentives that are maintained by the government to encourage investment and boost employment. Yes, this particular exemption was originally intended to spur the development of landline phone service, but that doesn�t mean it isn�t relevant today. Massachusetts needs advanced communications infrastructure to stay competitive in a global economy.
Massachusetts leaders need to look beyond the immediate impact of the communications tax repeal and examine the long-term effects of these increases. The communications industry itself is already heavily taxed, generating $492 million in state and local taxes and fees in 2006. One economist estimated that repealing this tax exemption would diminish total state revenues by $11 million, due to a $250 million reduction in economic activity. This industry also employs more than 100,000 Massachusetts residents, paying out well over $2 billion in annual wages.
While it�s politically attractive to tax big companies, in the end Massachusetts residents will pick up the tab.


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"Shia and Sunni Central Waqf Boards are autonomous bodies governed by the Constitution of India. The chairpersons and other members of these boards are elected after voting. Dissolving them will amount to an attack on the democratic values of the country and on the minorities," Azam said.
The former UP cabinet minister said if there were reports of irregularities, the government can order a CBI probe. "What is the point of dissolving the boards? Not a single inch of Waqf land is registered in my name," he said.
Clarifying over the issue of Jauhar trust acquiring Waqf properties in Rampur during the SP rule, Azam said "That was the decision of the state government after conducting an inquiry and the land was used for the purposes of education."
Earlier, Minister of State for Waqf, Mohsin Raza had said that the role of the chairman of the Shia Waqf Board, Wasim Rizvi, as well as that of then minister Azam Khan had come under the scanner after an inquiry by the Waqf Council of India pointed out at several irregularities.


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Sure, I have a higher powered headlight and a blinking red rear light. BUT, motorists still seem to be blind and oddly, driving too fast down narrow streets in pitch black darkness. The last week+ has been a bit unnerving. Anyone else experiencing night blind motorists and less safe conditions since the time change?
Views: 828
Do you wear safety yellow at night, either a vest or jacket? I've been wearing it for over a year now around the clock, and it seems to help for the most part. Of course there are a handful of clueless idiots out there that can't see beyond the hood of their vehicles.
I have a bright bike backpack with a reflector strip on it.
This is hilarious: one message option looks like it ought to be
"if you can read this, you're too close!"
I hadn't connected it to the time change, but i notice people seeming more oblivious every year when the weather turns cold, and the last week has been typical that way, yeah. :P
Seems to me that a lot of drivers are staring down at the road about 10 feet in front of their vehicles, oblivious to anything farther ahead or to the sides. Surprise! Where'd that bike come from!?
That might be due to the time change and having to re-familiarize themselves with driving in the dark. Or, yes, they're tapping away on their phones. That LOL isn't going to send itself, right?
I was behind a guy in a Proviz Reflect360 jacket last night on my commute home and wow was he bright. I'd been considering one before and seeing how well his seemed to work may have convinced me. I wish I'd had a chance to ask him how he liked it as a jacket.
I checked out my GoPro recording and conveniently there's a place where he was next to someone wearing safety yellow, he's that big bright spot. It helps that he didn't have a backpack covering any of the jacket though. Bonus Via delivery driver in the bollard-protected bike lane.
Oh wow. I mean. WOW.
*looks at grimy regular bike jacket* Wow, that would be ultra-high-visible for, like, two bike rides!
I can provide photographs of my regular bike jacket upon request. It's filthy. Every jacket I've worn more than a couple times on a bike has ended up that way. I have no idea why or how. Perhaps I am invisible because I am camouflaged so well with the grime on the street.
If you're not riding a fendered bike, try mounting some fenders. They do a great job of keeping the road grime off both the bike and rider.
© 2008-2016 The Chainlink Community, L.L.C. Powered by


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Flex is often taken for granted when implementing flash/AS3 projects. However it is not mandatory to use Flex on the flash platform. Not only that, its not always the preferred solution for most RIAs.
In this post, I will cover a few alternatives to Flex while staying in the realm of Actionscript and Flash. Yes, this may sound strange from someone who makes his living using Flex, but there are situations when Flex can become a liability.
The Right Tool?
A basic rule of thumb is: use the right tool for the job: Different projects have different requirements, so does it make sense to use the exact same tool for all of them?
Some projects require heavy back-end data support or lots of UI, while others need to be light and fast and require very minimal UI. Enterprise projects are completely different from, say, casual games or advertising projects on so many levels, and it's not a good idea to build them in the same way.
The Flex framework was designed and written by Adobe (and later became an open source project) as a layer on top of the flash API. While it did prove to be powerful and easy to use, Flex is far from perfect. It was touted as the one solution to fits all problems, and typical to projects developed by large corporations, the objective was to cram as many features as possible, and it quickly grew in size and complexity – code size and efficiency fell victim and pushed to lower priority.
The fact is that most projects don't use 100% of these features, and a good part of them use maybe 20% of them. The underlying overhead is significant. Sure the framework is modular, and the compiler will not include components that are not accessed, but because of so many dependencies in the flex core components the resulting swf file would be significantly larger.
The Flash community has developed a love-hate relationship with Flex, and Adobe did address some of the problems over time. However, even with the recent release of Flex 4 the fact remains that the framework is large, heavy and not very efficient. The good thing about Flex, is that being an open source project, we are able to look under the hood and see exactly what code is being used.
So How big is it anyway?
A sample project with a couple of labels and buttons can serve as a basic test case. Create two projects, one as Flex project and the other as pure actionscript project.
Use either MXML or actionscript to place these labels and buttons – in the flex project it would use the Application, Label and Button components while in the AS3 project it would use TextField and SimpleButton.
Set the linkage in the build properties to 'merge into code' to create a single swf. Now and build the projects and compare the resulting SWF files.
600K versus 12K – that is almost 50 times ratio!
Big deal, you might say, why should we even care about file sizes and memory footprint when we have gigs of memory and bandwidth to spare?
Well, if you want your flash app/game to run properly on platforms like netbooks, smartphones and mobile touch devices you already know the answer: smaller and faster is always better. Even on desktops, loading time might become a factor for some projects.
To understand this issue further, a few words on the Flex SDK architecture.
At the core of the SDK lies the forefather of Flex: UIComponent – the base class for all visual components. Developers sometimes refer to it as the 'God Component' – an all powerful, massive entity that contains all the functionality needed in interactive and non interactive components (lifecycle events, mouse interactions, effects, tool-tips etc.). To iterate, classes like button and label are based on UIComponent.
The class hierarchy for a simple button (spark) is:
Button -> ButtonBase -> SkinnableComponent -> UIComponent.
To get a rough estimate for the size in memory of a button, simply add up all of the classes up the hierarchy. Actual results may vary depending on how optimized the compiler and player are.
Now lets take a look at a few popular controls in the Flex SDK code and try to get an idea of how big they are.
|AS3 File size
|Lines of code
|Spark Label
|Spark Button
|Spark Group
Wow, 1560 lines of code for a simple label? that's not exactly compact and efficient. Also 2000 lines for a group, the container used to layout child components, looks a bit bloated.
Well, you get the point. Since all Flex visual components are derived from the jumbo size UIComponent, we start with a few hundred KBs no matter how basic our project is. And we didn't even cover actual memory footprint for these components.
To conclude, with thousands of lines of code that make up most flex components, its no wonder we end up with SWF files that are over a Meg, and sometimes a few megabytes before adding any assets.
The Code behind
Another aspect of Flex is the usage of MXML for layouts to simplify code. Other than simple layout it offer other features, like states, data binding and styles. MXML is actually only a markup that is pre-complied into Actionscript code. The generated code is added to the 'plain' code and then complied into a swf.
[Bindable] public var myData:String;
Will generate somthing like this:
public function set myData(value:String):void { var oldValue:Object = this._1167269232myData; if (oldValue !== value) { this._1167269232myData= value; if (this.hasEventListener("propertyChange")) this.dispatchEvent(mx.events.PropertyChangeEvent.createUpdateEvent (this, "myData", oldValue, value)); } }
And MXML state code like the following
<s:states> <s:State name="normal"/> <s:State name="before"/> <s:State name="after"/> </s:states> <s:Label text="aaa" color.before="#cccccc" color.after="#888888"/> <s:Group includeIn="after"> <s:Label text="bbb"/> </s:Group> <s:Group visible.before="false"> <s:Label text="www"/> </s:Group>
var _TestApp_Group1_factory:DeferredInstanceFromFunction = new mx.core.DeferredInstanceFromFunction(_TestApp_Group1_i); states = [ new State ({ name: "normal", overrides: [ ] }) , new State ({ name: "before", overrides: [ new mx.states.SetStyle().initializeFromObject({ target: "_TestApp_Label1", name: "color", value: 13421772 }) , new mx.states.SetProperty().initializeFromObject({ target: "_TestApp_Group2", name: "visible", value: false }) ] }) , new State ({ name: "after", ...
All that code only to switch a couple of properties when a state changes. A similar result could be achieved in only a few lines of hand written code.
Every Byte Counts
As we have seen, the code for the seemingly simple application could easily gain weight. Large code not only makes a larger swf file, it also uses more memory at runtime. A large memory footprint can translate directly into a slow and sluggish performance, as the OS is frequently required to allocate more memory, triggering cache faults and page faults that dramatically slow down the running process.
So we want to start a project that will use some simple UI elements and layouts. We might want to be able to use mxml and data binding as well. In the list of requirements we also have a light and fast user experience. For the type of projects that requires very simple UI, like interactive ads or games we would need a minimal set of components, and in most cases we want to heavily customize their visual appearance.
But for this minimal set, we would drag the entire Flex framework with all its overhead with it. Does it really have to be that way?
What are the options out there?
Part 2 will lay out some of the available lightweight alternatives, their pros and cons and how to incorporate them into your projects.


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What is this page?
This is a collection guide. It is a description of archival material held in the Special Collections Division,
J.Y. Joyner Library, East Carolina University. The materials described here are physically available in our
reading room. None of the original documents in this collection are digitally available online at this time.
Collection (1856, undated) consisting letters requesting prompt payment for a debt and correspondence.
Papers (1705-1983, undated) including correspondence, diaries, genealogical records, legal and financial records, club records, photographs, clippings, surveys, and miscellaneous.


text:
(Click below to purchase. You will be redirected to trybooking.com)
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text:
With Jason Spezza already dealt the market has seen its first bellwether. We know what the trade value for a top level offensive center. At 31, there's still a chance Spezza could sign long term and be a big part of the Dallas Star's success in future. Who else will set the standard for guys like them?
Jarome Iginla, the only UFA who scored 30 goals last season. A first ballot hall of famer who proved that even in the playoffs he can produce without a center showing up for work.
Josh Gorges, the defensive defenseman is overdue for change (even if it is really difficult to imagine the Montreal Canadiens without him) entering next season with four years remaining at under four million, and 30 years old he's a 2/3 defensemen in 25+ systems in the NHL.
Paul Stastny, a young, effective forward. One can ask if he's a piece or a complimentary player, but there's no denying when he's dialed in he's damned effective.
Brooks Orpik at 33, the clock is ticking if a Stanley Cup ring is in his future. Does he feel the Penguins are moving in the right direction? Can someone offer him a great ride on a top contender? Those are the factors that will weigh in on his choice.
Ryan Miller, hands down the best goalie in the batch. Would he be the perfect fit for the Minnesota Wild? He's been healthy which none of their guys have, he's played with several of the the key guys on the roster in the Olympics.
P.K. Subban, the top free agent of any kind this year is an RFA defenseman, he should receive offer sheets and arguably with Gorges likely departing he should sign one of them. Whatever price is set for him, whenever and wherever he signs will be the high water mark for defenseman for the next couple years.
Jaden Schwartz put up good offensive numbers on a defensive team, with 25 goals and 56 points, its going to be hard to argue what he signs for won't impact other RFA forwards this summer.
Anton Stralman is a defenseman who made himself more valuable with his playoff run. Is he an elite #1 defeneman, no. But then there are only about four to six of those in the NHL right now. Based on his playoff run, there are some, starting with his agent who will argue he's in that next group of defensemen.


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If you're Darcie Friesen Hossack, naturally, you follow one nomination with another–and with an enthusiastic new review!
We're thrilled to report that Darcie's Mennonites Don`t Dance (Thistledown Press 2010) is a finalist for the Danuta Gleed Literary Award. The $10,000.00-award, endowed in memory of writer Danuta Gleed and administered by The Writers' Union of Canada, recognizes outstanding debut collections of English-language short fiction. CBC Books followed up yesterday's shortlist announcement by highlighting Darcie and her fellow nominees.
This latest nomination follows closely on the glowing review that Mennonites Don't Dance received from The Winnipeg Review, which praises the way Darcie "beautifully and economically … crafts a silent understanding…."
Hossack writes in such a way that the sounds, smells, and stories nearly come off the page. You can almost smell the rollkuchen, hear the crisp crunch of fresh watermelon, and taste the sweetness of dandelion wine. Her prose is simple but delicate, plain but punchy.
The Winnipeg Review's take is available in its entirety online. Selected previous press for Mennonites Don't Dance is available here and here.
Congratulations, Darcie, on your most recent accolades!


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Help Someone Apply for Medicare Who Needs Help with English
Copyright © 2014 AARP. All rights reserved.
Comprehending the complexities of Medicare — let alone the jargon that officials often use in trying to explain them — is hard enough even for native English speakers, but it's far more difficult if your English is less than fluent. So when signing up for Medicare, don't hesitate to ask for help to make sure you fully understand what you're told.
Everyone has the right to ask for an interpreter when calling the Social Security Administration or visiting a local SSA office. Interpreters are available at no charge in more than 150 languages. But when calling the main SSA main number listed earlier, it isn't immediately obvious how you can request interpreter services. Here's what to do:
When your call goes through, an automated voice tells you to press 1 for English or 2 for Spanish. If Spanish is the language you need, press 2. For any other language, press 1. Then, when the voice invites you to say what kind of service you need, say "operator."
When you're connected to a customer service representative, say "I need an interpreter in [language]." This official will ask you to stay on the line while someone who speaks your language is contacted.
The interpreter comes to the phone to translate what you and the official say to each other.
You can request the same service if you make an appointment to visit your local Social Security office. And of course, if you speak little English, a friend or family member can do all this work for you, if you allow that person to state your Social Security number while making the call.


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Real democracy, the kind where constituents can look their representatives in the eye and tell them what they really think, holds local government accountable for what goes on in neighborhoods and suburbs.
And it starts at the city council level, by simply letting people be seen and heard by their representatives.
One Texas council has recently broken with tradition and removed the need for people to appear in person before their elected officials if they wish to raise an issue, make a complaint, or suggest a remedy.
Instead, these lucky people can now address council remotely through video conferencing.
It's a simple change that opens up the local government process, and lets people contribute to their community when they want to, not only when they have the spare time to get themselves down to the town chambers and wait in line to speak.
Speaking Out by Video Conference
The enlightened council in question is that of Austin, Texas. Earlier this month the council voted to support a pilot program that would allow people to appear by video conferencing during the weekly public comment session.
The path to such a potentially dramatic change in the way the council and its constituents communicate was not without bumps.
The process will have to be snuck in through a state law that was designed to let council members themselves join meetings via video link. The use of video conferencing by the public was also deemed by some members of council to be a hassle to implement, and too impersonal to be effective.
But, the pilot won enough support to be greenlighted, and now Austinites who have something to say about their city can save themselves the half an hour or longer trip into the city, along with the nightmare of inner city parking, and instead travel by video conference.
Video Conferencing at City Council Meetings
While any technology that makes it easier for people to share their opinions will inevitably lead to more people sharing their opinions, there is one obvious limitation to the Austin scheme.
That is, people still have to travel to a specific location in order to use the video conferencing service. The pilot program is using the office of one district councilman as a place for the public to comment via video conference.
And as the weekly public comment session is held at noon on a Thursday that means people still have to negotiate time out of their working day to travel off site and stand before council (even if they can now remain within their district).
Why not go one logical step further and allow people to join the public debate through personal video conferencing connections?
Video conferencing is possible anywhere there's a camera attached to a PC, or built-in to a laptop. In fact, the rising number of smartphone video calling platforms means any of the 207 million units currently in operation in the U.S. is a potential video phone.
If the fear is that the demand for public comment from public places will become unwieldy, all that need be implemented is an online reservation system no more technically advanced than the one your favorite restaurant is no doubt already using.
Citizens already have to register with the council in advance if they wish to address the council, so the proceedings wouldn't change.
Two-Way Video Conversation
Perhaps the real delay in letting people address council from their own platform is the potential technological snags.
But here too there's a simple answer. Austin just needs to use a browser-based video conferencing platform that can be used instantly without downloads and without having to create a unique account. Such agnostic systems demand only that the user operate within a compatible browser, and when those browsers include Google and Internet Explorer it shouldn't prove a major hurdle.
Each week the council could supply that week's video link to the resident when their allotted time is confirmed, and everyone gets brought together in the click of a mouse. It doesn't matter who prefers which service, or who's signed up with whom, as everybody shares a common, disposable link.
There's even agnostic hardware available, should the council wish to upgrade the images and audio on its end of the conversation.
With such a system in place within a council-sponsored framework of letting the people speak their minds, there's no end to who can participate. It removes a major logistical hurdle to the empowerment of local residents, and hints at a future where direct, two-way lines of communication are opened up between governments and citizens.


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The various positions to display multi-monitors depend on the individual and what their needs are and how many monitors are being used. When using only two monitors they can be displayed in a vertical array. This is particularly helpful when viewing both screens at
the same time. Another way to display is in a horizontal array which also allows the viewer to see both screens. The view is similar to seeing one large screen. The horizontal display can reduce neck strain where as the vertical display cause the viewer to have to look up. However if desk top space is a problem the vertical multi-monitor array display might be more practical.
A 3 monitor display allows for 3 different positions for multi-monitor array display. One way is to have two on the bottom and the third multi-monitor array display multi-monitor array display one centered on the top. Of course the 3 monitors could also be displayed horizontally or vertically depending on the users need.
When using four monitors they could be displayed with two on the bottom and two on top. Or the multi-monitor display array might simply be four in a row horizontally. When using a large number of monitors it might be to the viewer's advantage to have them mounted on a wall. Some people prefer having only two and actually having one on the wall behind where they are sitting. Different mounts can be bought some which have arms so that the multi-monitor display array can be spaced out across the work space.
Whether it is two, three, six, nine or more the multi-monitor display arrays are endless. By using your imagination, and taking into consideration the amount of space and the needs of the viewer, almost any arrangement could be used.


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Saturday, February 27, 2010
Playlist for 2/26/10: Howlin' At the Moon
Full moon tomorrow night, so with nothing more original in mind, I did a moon set to begin the show. Man, there are an astounding amount of good moon songs – a 3-hour show next full moon? Could be.
New music this week from the Overnight Lows, the Deadstring Brothers, The Goldstars and Eat Skull. Matt Wilson and John Munson from the Twilight Hours were a blast and were more than forgiving when I bumbled questions or announced the wrong song from the first Trip Shakespeare album, Applehead Man, which they seemed to enjoy seeing again on vinyl.
Tune in and feel the radio magic.
Nightgown Of The Sullen Moon – They Might Be Giants - Then: The Earlier Years
Land Beyond The Moon - Untamed Youth - Untamed Melodies
Trip to the Moon – Gary U.S. Bonds – 45
Manakin Moon - Waxing Poetics - Bed Time Story
Throwin' Rocks At the Moon - The VibeKillers - Live At The Brewery
Agile, Mobile & Hostile – The Goldstars - The Race EP
Humpin' Bumpin' And Thumpin' – Andre Williams – Movin' On
Comin' Home Baby – The City Champs -The Safecracker
Don't Be Cruel – Billy Swan – The Best of Billy Swan
Piledriver - Dennis Fox - Yee-Haw! The Other Side Of Country
Tin Angel [Will You Ever Come Down] – Hearts & Flowers - Where The Action Is! Los Angeles Nuggets 1965-1968
Zip My Lip – The Pierced Arrows – Descending Shadows
Beautified - The Raunch Hands Bigg Topp – Feel It
Dog Meat - The Flamin' Groovies – Slow Death
Local Lunchbox
Goliath & Son - Trusty Knife – Buzzcity: 15 Explosive Original Tracks
Chickadees - Competitorr – S/T
Soul Preacher - The Exotics – The Lost Album
Second Guess – The Overnight Lows – City of Rotten Eyes
Can't Remember Your Name – The Bad Sports – Casual Victim Pile: Austin 2010
Don't Leave Me On the Speaker – Eat Skull - Jerusalem Mall EP
Cemetery Map – Chain and the Gang - Down With Liberty... Up With Chains!
Outer Space – The 3Ds – Hellzapoppin
White Wave -Portastatic – Bright Ideas
You Tore Me Down – Yo La Tengo – Fakebook
Yesterday's Style – The Deadstring Brothers - Sao Paulo
Soul Parking – Eric Brace & Last Train Home – Six Songs
It Just Dawned on Me – John Doe & The Sadies – Country Club
I've Smoked Too Much – Lawrence Arabia – Chant Master
The Great Escape – Ian Hunter – Man Overboard
Queen of Tomorrow - The Twilight Hours – Stereo Night
What's So Funny About Peace, Love and Understanding – Trip Shakespeare - Volt
Without Love – Nick Lowe & The Impossible Birds – Live! on the Battlefield
Yes - The Twilight Hours – Stereo Night
Interview w/ Twilight Hours
My Return - The Twilight Hours– Stereo Night
Interview w/ Twilight Hours
Pearle – Trip Shakespeare – Applehead Man
Till The Hands Fall Off The Clock - David Hidalgo & Louie Pérez - The Long Goodbye
Boe Money - Galactic Feat. Rebirth Brass Band – Ya Ka May
I'd Much Rather Be With the Boys – The Reigning Sound– Time Bomb High School
Stop Kicking My Dog Around – Rufus Thomas - Can't Get Away From This Dog
Saturday, February 20, 2010
Playlist for 2/19/10: Put Your Paws Up
Inspired by an article in Sports Illustrated about the 1979 Daytona 500, I began the show with a "bear" theme. The story recounts the legendary race, which ended with a fight involving the Allison brothers, Bobby and Donnie, and Cale Yarborough, who tried a little hillbilly kung fu (unsuccessfully) in the altercation. The part that really stuck with me, however, was a quote from Yarborough, who owned a bear named Susie: "Anytime you raise a bear, you're probably going to [do] some bear wrestling." Words to live by.
New music this week from David Hidalgo & Louie Perez, Nick Curran, Joe Pug, Kasey Anderson and Will Kimbrough and an eight-song salute to Dale Hawkins. I'll have the Twilight Hours from Minneapolis on the show next Friday.
Download or stream the show right here (says Buzz's Garage).
Bear Cat (The Answer to Hound Dog) – Rufus Thomas – Sun Records Collection
The Bear Hug - Mr Bear & His Bearcats - In The '50s: Hit, Git & Spit
Grizzly Bear - Rolf Cahn and Eric Von Schmidt - S/T
Big Sur, Bear Mountain, Ciro's, Flip Side, Protest Song – Kim Fowley – Another Man's Gold
Dave the Talking Bear – Smudge – Manilow
Good Man – Heavy Trash – Midnight Soul Serenade
Love Ya Rock N' Roll – The Neckbones – Souls on Fire
Psycho – Nick Curran & the Lowlifes – Reform School Girl
Shakey Sue – Devil Dogs – Saturday Night Fever
Tonight I Think I'm Gonna Go Downtown – Mudhoney - March To Fuzz
*She Lives (in a Time of Her Own) – 13th Floor Elevators - I Have Always Been Here Before: The Roky Erickson Anthology
Beautifully Broken – Jon Dee Graham & the Fighting Cocks – It's Not as Bad as it Looks
Loose – Ray Wylie Hubbard - A. Enlightenment B. Endarkenment (Hint: There Is No C)
Big August Moon – David Hidalgo & Louie Perez – The Long Goodbye
Let Me Be Your Frame – Will Kimbrough - Wings
I Was a Photograph – Kasey Anderson – Nowhere Nights
Not So Sure – Joe Pug - Messenger
Local Lunchbox
Birds in Trees - Juniper Tar – The Howl Street EP
Thrasher – Juniper Tar – More Barn
Dale Hawkins R.I.P.
On Account of You – Dale Hawkins – Daredevil
You Ain't Tuff – The Uniques - Nuggets: Original Artyfacts From The First Psychedelic Era
I See the Light – Five Americans - Nuggets: Original Artyfacts From The First Psychedelic Era,
Baby Are You Hiding From Me – Flat Duo Jets – Red Tango
Going Down the Road – Dale Hawkins – Wildcat Tamer
Boogie Children – Dale Hawkins – Oxford American 2008
Number Nine Train – Dale Hawkins – I Hate CD's: Norton Records 45 RPM Singles Collection Vol. 1
Suzy Q – Dale Hawkins – Rockin' Bones
*Get Down – Bottle Rockets - Insurgent Country, Vol. 2: Hell-Bent
7 Come 11 – Ike Reilly – Hardluck Stories
Hand Me Down – Visqueen – Message To Garcia
Expressway To Your Heart – Adam Thorn & the Top Buttons - Where's The Freedom?
Way Down Here – The Tickets – S/T
Forget Me Now – The Twilight Hours – Stereo Night
Look Like a Fool – Lawrence Arabia – Chant Master
Semaphore - Bettie Serveert – Pharmacy of Love
I'm So Sorry - Vulture Whale – Bamboo EP
There are Listed Buildings - Los Campesinos! - Romance Is Boring
Reflections in A Flat – Half Man Half Biscuit – Back In The D.H.S.S./The Trumpton Riots EP
Books of California – Comet Gain – Broken Records Prayers
Seems So – The Apples in Stereo - #1 Hits Explosion
*Red Telephone (alternate) – Love – Forever Changes reissue
I Met Her in Church – Tony Borders
Don't Give Up on Me – Brenda Varner
Lovin on Backstreets – Freddie North
That's the Way Love Turned Out for Me – James Carr
* by request
Saturday, February 13, 2010
Playlist for 2-12-10: Is it Me You're Looking For?
Made my Friday afternoon debut this week and no listener campaigns to boot me from the air – yet – success! Three hours seemed a lot longer than it ever did during the overnight shift, maybe because times flies when you're half-asleep and drooling at 2 a.m.? I started the show with a greetings-and-salutations-type theme because I'm just that unimaginative. I interviewed Derek Dunn from the .357 String Band during the Local Lunchbox, and we talked about the just out Lightning From the North and the band's show Friday night at Turner Hall, which I attended and much enjoyed (thanks for the ticket, Good John). I also did sets of optimistic and not-so-hopeful songs about love and romance for Valentine's Day and played a long set of Terry Anderson & the Olympic Ass Kickin' Team tunes to salute the Vancouver games starting the best way I knew how.
Download or stream the show right here (says Buzz's Garage).
Zero Hour – The Plimsouls – Plimsouls Plus
Aloha From Hell – The Cramps – A Date With Elvis
Come on Up – The Jinx – Fort Worth Teen Scene, Vol. 1
Welcome Home Darling – Thee Midniters – In Thee Midnite Hour!!!!
Hello, I'm Johnny Credit – Johnny Credit - Plantation Gold
Bonjour Montreal – Scott "Deluxe" Drake – Grand Mal
Aloha Steve & Danno - Radio Birdman – Do the Pop!
Greetings – Half Pint - The Story Of Jamaican Music: Dancehall Good To We 1982-1993
Hey Delinquents – The Spider Bags – Goodbye Cruel World, Hello Crueler World
Hey Bud - Couch Flambeau- Did A Power Slide In The Taco Stand: Anthology 1982-2001
Hey Boss Man – The Flat Duo Jets – Safari
Hey, Morris – Buddy Blue – Guttersnipes 'n' Zealots
Greetings To The New Brunette - Billy Bragg – The Peel Sessions
Hello – Flop – Flop and the Fall of the Mopsqueezer
Welcome Home – Harvey Scales & The Seven Sounds - Love-Itis: All Of The Rare & Unreissued 45's From The Vaults Of Magic Touch (1967-1977)
Local Lunchbox
Half Tank of Gas, Full Tank of Lies - .357 String Band – Lightning From the North
Up Jump the Devil - .357 String Band – Ghost Town
Interview with Derek Dunn
Darkness in My Soul - .357 String Band – Lightning From the North
Love at First Sight - Half Japanese – Greatest Hits
My Baby's Book – The Real Kids – S/T
Crush on You – Flesh Lights – Casual Victim Pile
Heartbeat, It's a Love Beat (DeFranco family cover) – The Replacements – Let It Be (reissue bonus track)
I Wanna Live With You – Cheeky Monkey – Four Arms to Hold You
Things I Hate About You – Too Much Joy – Gods & Sods
She's My Ex – All – Allroy's Revenge
Valentine's Day in Juarez – Ike Reilly – We Belonging to the Staggering Evening
I Want You – Elvis Costello – Blood and Chocolate
Why Do Lonely Men And Women Want To Break Each Other's Hearts? – The Star Room Boys - Why Do Lonely Men And Women Want To Break Each Other's Hearts?
Killin' Down in Dillion - Terry Anderson & The Olympic Ass Kickin' Team – When the Oak Team Comes to Town
Daddy Had a Wreck – Terry Anderson & The Olympic Ass Kickin' Team – Live at the Local 506, June 18 2004
Crazy Like a Fox - Terry Anderson & The Olympic Ass Kickin' Team - You Can't Bite Me With a Monkey in Your Mouth
Sunday Dress - Terry Anderson & The Olympic Ass Kickin' Team – S/T
You Had Me at Get Lost - Terry Anderson And The Olympic Ass-Kickin Team – National Champions
Time is Nigh – Doug Gillard - Call From Restricted
Don't' Fall in Love With A Lonely Girl – Freedy Johnston – Rain on the City
Something in a Friday Night – The Tripwires – House to House
The Town That Lost Its Groove Supply – The Minus Five – Down With Wilco
I'm My Own Grandpa – Asylum Street Spankers – The Bottle Let Me Down
What's the Matter Now – The Oblivians – Play 9 Songs
Live the Life – Greg Cartwright – Live at the Circle A
Heaven's Radio – Bessie Griffin – Heaven's Radio
Thursday, February 4, 2010
Playlist for 2/3/10: I Can See the Light
I said adios to the midnight hour this past week as my show is moving to Fridays noon to 3 p.m. on Feb. 12. It will be nice to actually go to sleep at a "normal" hour on Tuesday night, but I will certainly miss the late night vibe of my show. Nevertheless, I'm damn excited to be moving to my new time slot and the expanded audience. Please tune in. New music this week from the Terry Adams Rock & Roll Quartet, Jon Dee Graham & the Fighting Cocks and the Watson Twins, a set dedicated to the excellent Where The Action Is! Los Angeles Nuggets 1965-1968 box set and Percy Mayfield's "Hit the Road Jack" to send me on my way to daylight.
Download or stream the show right here.
Zero Hour – The Plimsouls – Plimsouls … Plus
Someday You'll Say Goodbye – Mayflies USA - Summertown
Goodbye Baby – Teenage Prayers – Ten Songs
So Long I'm Gone – Warren Smith – Rockin' Memphis
She Even Woke Me Up to Say Goodbye – Swamp Dogg – Rat On
The Ghosts That Wake You – Follow that Bird! – Casual Victim Pile
Beautiful Amnesia - Visqueen – Message to Garcia
Crush on the Radio – Visqueen – Sunset on Dateland
Spot the Setup – The Loud Family – Plants and Birds and Rock and Things
Harpeth River – The Watson Twins – Talking to You, Talking to Me
Brady – Backyard Tire Fire – Good to Be
Imaginary Radio (Live) – The Terry Adams Rock & Roll Quartet – Crazy 8's
Make Your Popo – Mama Rosin – Black Robert
Woke Up this Morning – Etta James – Etta James Rocks the House
Do the Crawdaddy – Bo Diddley – Bo Diddley is a Gunslinger
Justine Alright – The Sadies (featuring Heavy Trash) – In Concert, Vol. 1
It's Just that Song - The Cramps - Date With Elvis
7" Six-Pack
Yankee Magazine (slow version) – Young Fresh Fellows – (KranePool)
Always a Turn On – Deep Shag (Prospective)
I Won't Remind You – The Lears (Susstone)
The Crawling – Robyn Hitchcock and the Egyptians (Glass Fish)
He's a Whore – Big Black (Touch & Go)
Lounge – Burnout (Drag City)
Where The Action Is! Los Angeles Nuggets 1965-1968 set
Action, Action, Action - Keith Allison
You Used to Ride So High - The Motorcycle Abeline (Warren Zevon & Bones Howe)
My Girlfriend is a Witch – October Country
Baby, Please Don't Go – The Ballroom
God's Gonna Give You What You Need – Jon Dee Graham & The Fighting Cocks – It's Not As Bad as It Looks
Draggin' the Line – Scott H. Biram – Something's Wrong/Lost Forever
Catfish & Color TV's – Wrinkle Neck Mules – Let the Lead Fly
I'm Little But I'm Loud – The Skeletons – In the Flesh!
Do the In & Out – Amazing Delores – Stop Messing With My Mind
Another Losing Season - John P. Strohm – Everyday Life
All at Once You Unzipped – Bill Lloyd – Feeling the Elephant
Tennessee Jive - Mojo Nixon & Skid Roper – Root Hog or Die
Hong Kong Mississippi – Bodeco – Bone, Hair & Hide
Lo-End Buzz – The Chrome Cranks – S/T
Serious Drugs – BMX Bandits – Life Goes On
Your Favorite Thing – Sugar – single
Turned on – The Zulus – Life Before Sugar
Big Boy Pete - Don & Dewey – Jungle Hop
I'm Tired – Big Red McHouston Orchestra – In the '50s
My Mumblin' Baby – Rudy Green – Southern Rhythm & Rock
Congo Mombo – Guitar Gable & The Musical Kings – Southern Rhythm & Rock
Take it Off –Dick Dale – The Best of Dick Dale
Tell Me – The Termites – Destroy That Boy
Lie, Beg, Borrow & Steal – Mouse and the Traps – Garage Beat & Punk Rock
Go Go Kitty – The New Bangs – White Trash Rockers, Vol. 2: I Am an Ape
Altar Of Greed/Muddy Bottom/The Hunch – The Overmountain Men – Glorious Day
Hit the Road Jack – Percy Mayfield – Memory Pain
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- Insurance
- About Coverfox
- Claims
Ready to opt for a third-party insurance plan only? Here's the deal.
|What's Covered
|What's Not Covered
|Injury Liability
You accidentally run your car over someone and injure that person. In this case, your insurer is accountable for paying compensation to that person.
|Injury to Yourself
If you wreck into someone, that person can claim on your third-party insurance. But you receive nothing. Absolutely no compensation for your injuries.
|Property Damage Liability
What if you ram your car into someone's car or property? Here your car insurance company is liable to pay that person for those damages. This is capped at Rs. 7.5 lakh.
|Damages to Your Car
Your car could get damaged while parking. It could also get stolen by the sly thief in the neighborhood. Sadly, no damage or loss to your car is covered under third-party insurance.
Want that near-perfect coverage? Here's what you're looking for and what you will get.
Apart from third party liability, you can also claim for damages that occur to your car during an accident.
In case of your unfortunate death, or if you are partially or totally disabled due to an accident then your insurer can compensate you, reducing your financial burden.
Nature is unpredictable with floods, earthquakes, landslides, etc. A comprehensive car insurance can financially protect your car in such times.
If your car is stolen, you can file a claim for it. Your insurer will pay an amount equal to the insured declared value mentioned in the car policy.
Apart from theft, your insurance company can cover you from several other man-made disasters. These include riots, terrorism, strikes, fire, etc.
It's true! You won't receive coverage under any of these situations.
Here's what you need to do
Renew your policy on time. If the damage happens post expiry & before renewal, losses won't be covered.
Any car damages to your car due to war, radiation, rebellion, hostilities, terror attacks, or invasion.
At the time of accident, if you or anyone driving with your consent is found under the influence of alcohol.
Eg: The engine's gear oil leaks. Yet you drive & the gearbox fails, which is a consequential damage.
No fraud or staged accidents here. We mean, don't ever attempt smashing your car with a baseball bat. It won't work.
Underage drivers, driving without a valid license or on the wrong side of the road are all grounds for your claim being rejected. So beware.
There are separate policies for private and commercial cars, so any manipulation of the same can result in a rejection.
A few more things aren't included in your standard comprehensive policy. Hold on. Paying a little extra premium for add-on covers can include these.
Wear and Tear
Generally, loss due to wear and tear isn't covered. That's why IDV of your car is annually revised downwards to adjust for depreciation. A zero depreciation add-on cover ensures that the value of the damaged parts are not depreciated. This includes fiber glass, metal, rubber and plastic parts.
Limited Liability
The IDV that you get from your insurer in case of theft/total loss is much below cost of buying new car of the same model. However, the invoice cover makes you eligible for reimbursement of the full original amount that was paid for the car. This is as per the invoice.
Mechanical or Electrical Breakdown
Your engine is not covered for non-accidental failures or malfunctions. For example: Cranking the engine while the car was submerged in a waterlogged area can seize the engine. That's why adding an engine protector cover is a must to protect the car for every non-accidental exclusion.
Extended Accident Coverage
A personal accident cover for the owner-driver is mandatory. Sadly, the passengers aren't covered under the same. However, by paying a little extra premium and adding the Passenger Cover, you can insure your co-passengers as well.
Now that you know the car insurance exclusions, ensure that you avoid delay in reporting an accident too. Most insurers allow only a 48-hour time frame within which you have to intimate the insurance company about the claim. But the golden rule of them all? Read the policy document carefully and follow all the rules, and everything should be just fine!
Do exclusions really differ from one insurer to another?
Exclusion clauses are those circumstances which your car insurance provider won't entertain. You won't be able to make a claim on losses or expenses arising due to some situations. Though most of the exclusions are common among many insurance companies, there are few exclusions which differ from insurer-to-insurer.
For example: Losses caused because of you damaging your car with a baseball bat won't be covered because you put your car at risk. This exclusion of damage caused by self is most commonly followed by all insurance companies.
All insurance companies exclude coverage of damages arising due accidents when racing.
Hence, it is always advisable to check your policy document and read the terms and conditions related to inclusions and exclusions of car insurance before purchasing your policy online.
How does it help to understand what is included and excluded from the car insurance policy?
When you know what is included and excluded from your car insurance policy, you won't face any problems at the time of claim.
For example: you own a private car that is used for personal reason, but if you use it for reasons other than its purpose (using your privately owned car as a taxi) and if your car meets with an accident, then there are high chances that your claim would be rejected.
Having a better understanding of things that are included and excluded in your policy is essential as it creates better clarity and avoids scope of confusion and misunderstandings even at the time of renewal.
What risks are covered in comprehensive car insurance policy?
Your comprehensive car insurance policy covers third-party liabilities and own damage expenses. This includes expenses arising out of accidents and losses caused due to natural and man-made disasters.
In fact, even theft is covered under your comprehensive car insurance policy.
I just consumed little alcohol but accidentally wrecked my car, would my claim be accepted?
It doesn't matter if you have consumed excess or just limited alcohol. Your insurance company would definitely probe into the matter. And after it has been confirmed that you were under the influence of alcohol at the time of accident, your claim will be rejected. If this exclusion was mentioned on your policy document, then you cannot even argue with your insurer.


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Mehfil-e-Thikr & Food Distribution
Amongst The Lovely Children Of Vision Child and Youth Care Centre – Penlyn, Cape Town
After Asr salaah, a Mehfil-e-Thikr & Food Distribution was held for the late Layloonihaar Baksh on behalf of her daughter, Sidratul Muntaha Baksh from Argentina. The 42 children at Vision Child and Youth Care Centre, (some orphaned and others destitute), along with their Sheikh recited the thikr for Sidrah Baksh's deceased Mom. The children filled my eyes with tears due to their sincerity in their remembrance of Allah, and RasulAllah SAW. May Allah accept their duaas for Layloonihaar Baksh and other deceased – May Allah illuminate their graves with light Insha Allah ameen.
In one of the pictures the lady in charge, Aunty Suraya, accepts a monetary donation made by Sidrah Baksh on behalf of her mother for the Vision Child and Youth Care Centre.
After the Mehfil-e-Thikr, the children indulged in the lovely cakes and cold drinks supplied by Sidrah Baksh and little Rahmah and Muddaththir Cornelius. The bread rolls were donated by sister Faghriya of Bake 'n Cake Bakery in Surrey Estate, Cape Town.
May Allah reward you all for your efforts Insha Allah Ameen.
Anyone interested to have a function like this arranged for your deceased family, kindly contact us.
Contribute your part in SHIFA ONLINE WELFARE & CHARITY SECTOR, donate online now by Clicking Here. You may also contribute in form of cash or check by contacting to one of our regional offices.
For contributing towards Shifa Online Welfare & Charity Sector, South Africa Chapter please contact Dhilshad Parker, Manager – Shifa Online Welfare & Charity Sector SA.
Event Pictures


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Tuesday, November 1, 2011
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The risks:
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You've deleted all the data on a PC you plan to sell. But did you know that someone could easily reconstruct the data you thought was gone forever?
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Clinical Esthetics - Continued
To Inject 'Pharmaceutical' Fillers - Or Not To Inject?
That Is The Question!
As we believe in offering our clients only results focused treatments that are lasting, we have elected not to offer injectable fillers such as Hylaform™, Cosmoderm™, Restylane™ & Perlane™ etc., as these costly, pharmaceutical fillers provide only temporary improvements, usually lasting only 3-6 months; making them an expensive form of 'rejuvenation' that very few can afford long term.
After conducting extensive research, & having been approached by several local physicians eager to offer our clients their injectable services, or paralytics, such as Botox™, we've decided not to go that route, as the jury is still out on their long-term safety. (See FDA's recent inquiry into the safety of BOTOX™ coming soon).
Alternatives To Pharmaceutical Injectables & Skin Fillers
Collagen Induction/Skin Revision Therapies. With the latest in Skin Revision therapies we can utilize &/or combine several safe, high-tech modalities to 'induce' or stimulate your skin to significantly increase its' own collagen production. These remarkable methods are able to greatly diminish the depth of your wrinkles, furrows, pits & scars in only a few sessions, & without the recurring expense and downtime of Fractional Lasers or the ongoing expenses of skin fillers. Once your skin has reached its' optimal state, then maintenance might be every few years to offset your natural occurring aging process.
Electro-Mesotherapy is another effective skin revision modality often requested, which utilizes state of the art Electroporation to comfortably deliver a customized cocktail of homeopathics, vitamins & amino acid based products to the deeper layers to visibly soften your lines & folds while reducing eye puffiness & diminishing your double chin. Electro-Mesotherapy is also an ideal protocol for the reduction of your unwanted localized body fat & cellulite!
No down time, No side effects - Just great results!
Lasting Lip Augmentation - Without Injections
Now you can avoid the dreaded "Trout Pout" (overfilled upper lip) or "Duck Lips" look (Overfilled around the edges without inner volume) & eliminate the need for costly lip filling injections every 4 months by having your lips made brighter, dimensionally fuller & naturally more defined, using the latest, most comfortable Permanent Makeup application technologies with double intensity pigments & topical anesthetics for 5+ years of lasting results.
Resurfacing European Deep Herbal Peels (Alternative to fillers for wrinkles and scars)
With the Ageless Skin Rx European Deep Herbal Peels, we can safely & effectively diminish your acne scars, surface lines & deeper wrinkles of the face without pain & virtually no downtime. These exclusive two-part therapeutic treatments are performed 4-5 days apart.
The first treatment, using a proprietary blend of herbs, is massaged into the skin in a specific manner to stimulate blood flow giving the skin a light sun burned sensation which lasts a couple of days prior to surface cells beginning to shed. In the meantime your collagen fibres are stimulated & increase in density,(why this is so effective at treating stretch marks).
At the follow-up session - a few days later, the shedding surface cells are gently removed & the newly emerged fresh cells are deeply hydrated & nourished, using specialized serums & masks. Your skin will immediately look smoother & seriously moist.
The results continue to increase over the next 30 days as the skins' natural cellular turn over takes place. A series of Ageless Skin Rx Deep Herbal Peels can be performed every 30 days or further apart to maximize your results.
Because Your Skin Is As Individual As you Are – So Should Your Skin Care Be!
Experience Custom Blended Bio-Active Skin Care - For Truly Visible Results!
Your Skin Isn't like Anyone Else's - Why Should Your Skin Care Be? The Ageless Rx - Facial Care Program has been scientifically formulated with active botanical bases using stronger concentrations of the purest - essential fatty acids, anti-inflammatories, intensified vitamins & essential oils, organic botanicals, penta & hexa peptides, nano technology delivery systems as well as being bio energized with frequencies of studied actives including specific crystals, metals and minerals offering you the latest skin rejuvenating ingredients to create a perfect balance of moisture, lipids and nutrients to balance every skin type & condition at every age.
To maximize your results, customized internal bio-energetic supplementation is also recommended to nourish your skin from the inside out.
Unlike over the counter formulations, where a one size fits all approach is the order of the day, a visible increase in resiliency, firmness, smoothness, hydration and glow become evident within the first few days of use. Find out why we continue to custom blend & ship this amazing skin care program to many discriminating clients who've moved out of the country.
Because your skin is as individual as you are, by combining additional active ingredients into your bases such as intensified vitamins, herbs, amino acids and humectants, we are able to further assist you to reduce inflammation, hormonal declines, acne flare- ups, dehydration, loss of tone, lines and pigmentation.
These exceptional formulas include a concentrated & large array of the latest and most active ingredients such as alpha lipoic acid, hyaluronic acid, Vitamin C-Ester, Co-Q10 Enzyme and phyto-estrogens, organic grape seed extract, resveratrol, Sea Buckthorne Berry Oil, and Stem Cells, amongst many others. To prolong the desired results of your professional skin rejuvenation therapies, only the best will do….
CosMEDermal Rx Bio-Active Skin Mixology - 'The Ultimate' In Personalized, Energized, Skin Corrective Products – available exclusively in Victoria BC at Age Less Laser Centres.
Call us today to reserve 45 minute CosMEDermal RX Tutorial Facial at our Skin Mixology Facial Bar.See the immediate measurable difference (Skin Scan Before & After) in your skins hydration levels.


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Since 2003 my patch list totals 262
-latest SURF SCOTER 8 NOV 2019
Reset 10th September 2013 (previously 55000+)
Alderney Bird Observatory
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Park 22 hotel Chinatown's Best Rate Guarantee promises you the lowest publicly available internet rates when you Book Direct through this Park22hotel.com website.
In the unlikely event you find a lower rate on another website, within 24 hours of your confirmed booking, we will not only Honor the lower rate found but Offer an additonal 10% off from the lower rate.
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Park 22 hotel Chinatown is all about Excellent Location & Affordable Comfort


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1320Video joined us during HOT ROD Drag Week 2016, presented by Gear Vendors, and shot a whole bunch of gnarly video during the week. For this lazy, slow-motion Sunday, we bring you slo-mo Drag Week! Watch as the slicks ripple under Jeff Lutz's Drag Week-winning Camaro and Magnus Frost's Opel Ascona — or Greg Trappnell's three-wheeling Holden Monaro slink through thee 6o-foot beams.
It's wild to see how much is going on during a launch. Different classes and suspensions behave in different manners, and exhausts pound the outside world with fuel, oil, and fury. Drag racing is kinda beautiful, if a bit brutal at times.


text: Jake Gyllenhaal has traded in his girlfriend for a new model. Sources say he's moved on from Sports Illustrated Swimsuit babe Emily DiDonato to another SI stunner, Alyssa Miller. Spies tell us that Gyllenhaal and Miller were spotted at lunch last week at the Dutch in Soho before reports they'd been "making out" at Cold Process Coffee & Tea. Gyllenhaal dated DiDonato for "a month or two," according to reports. Reps for Miller and Gyllenhaal declined to comment.


text: job details posted 10 October 2018 location budapest job category IT / telekom job type permanent reference number 97226 apply now Email this job print job description Cégleírás / Organisation/DepartmentAs a partner of Aegon Global Technology we are looking for candidates for AWS Cloud Engineer role. Last year the company has established its most recent technology center in Budapest which since then is growing rapidly. Aegon Global Technology makes sure that all employees of Aegon are working with latest IT solutions and receive finest support. Being part of their team, gives you opportunity to not only work with most recent IT technologies, but also provides you the chance for dynamic and diverse career path.In addition to the globally modern IT environment, Aegon Global Technology provides secure and long-term career, brand new office located in the heart of the city, flexible working hours with home office opportunities, followed by exceptional compensation.By following the values of the company, coming to work should bring passion, fun and creativity instead of a simple hope for the green traffic light in the morning on the way to the office.Eager to know more? In that case, please don't hesitate to reach out to us and get all the details.Pozíció leírása / Job descriptionAs a Cloud Engineer, you will focus on AWS Cloud Engineering best practices regarding implementation and management of an enterprise AWS cloud infrastructure. You will be responsible for managing the migration process and development of cloud technologies, architectures and standards for use by building new applications and migrating existing applications into the AWS cloud system. You will be managing the transition from 'design' phase to proper execution channels including the Project Management Office and agile scrum teams. Elvárások / Requirements- Proven understanding of cloud technologies available and vendors providing cloud services - Experience with AWS - Programming skills to automate and create 'Infrastructure as code' platforms- Experience with Software factory tooling and implementation: Jira, Bitbucker, Bamboo, Puppet, etc.- Strong understanding of technology architecture principles- Strong planning orientation with integrative and strategic thinking skills- Excellent command of English languageAmit kínálunk / Offer- Opportunity to join a newly established and growing organisation- Competitive compensation package- Brand new working environmentKapcsolattartó / ApplicationsZsanett Horváthzsanett.email@example.com share Facebook LinkedIn Twitter


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The anniversary of Mubarak's resignation is a reminder of Egypt's entrenched impunity
On 11 February 2011 then Vice-President Omar Suleiman informed thousands of protesters gathered in Tahrir Square that President Muhammed Hosni Mubarak was relinquishing office and handing power to the military. "May God guide our steps," he said, concluding the announcement.
Hundreds and thousands of demonstrators, who had spent the last 18 days of Egypt's heady uprising waiting for this moment, roared with approval. They raised flags and their chant, "down with the regime", became "we have brought down the regime".
Back then many believed Mubarak's resignation meant that Egypt was free; Egyptians would be able to choose their own leaders and the country was finally on the path to democracy. Mubarak was put on trial for conspiring to kill protesters – finally, justice would be served.
During his court case the former president and his sons gazed out from behind the bars of a cage, a humiliation many would never have dared to think possible throughout his 30-year rule over the country, during which he imprisoned opponents without trial, allowed corruption to flourish and refused to lift martial law.
But victory was short lived. Over the years that followed, as Egypt's first democratically elected president was ousted in a coup and military strongman Abdel Fattah Al-Sisi rose to power, it became more and more likely Mubarak would face a pardon, rather than a prison cell.
As the military muscled themselves back into Egyptian politics, many foresaw the return of the deep state – the pillars of the ancien regime, which collectively maintained privilege for a select few. The mukhabaraat, the police, the judiciary and the media are all part of this deep state, but none has more influence than the military.
The Egyptian army has often been described as a state within a state. They own many of their own enterprises – hospitals, clubs, restaurants, factories and hotels – the profits of which are fed back into the army. Estimates have placed the share of the economy controlled by the military as high as 40 per cent. It is in their interest, therefore, to protect all of this.
It was the 2011 revolution that drew back the curtain on just how tight a grip the army had on Egyptian society; but the military has dictated events long before this. Since 1952, when the Free Officers overthrew the British backed monarchy, only those who have passed through the military system have gone on to rule Egypt.
With this in mind, the fact that Mubarak was preparing his son, Gamal, to step into his shoes when the time came would have disgruntled the army for Gamal was no military man. In addition to this the former president was accused of opening up the economy to private businesses, which was undermining the military's monopoly.
Along with increasing pressure from the protesters these factors made it easy for the army to sacrifice Mubarak in 2011; but rather than disappearing, as his resignation suggested, the army simply waited in the wings to reinstate their control over Egypt. When they did they couldn't release the former president – too many people would object – but the punishment wouldn't be too harsh; he was, after all, one of them.
Sure enough, in November 2014 the Cairo Criminal Court found the case against Mubarak to be groundless, citing procedural irregularities. At the same time his former interior minister, Habib Al-Adly, and six former interior ministry officials were acquitted.
The only successful charge to stand against Mubarak is that of corruption. But even that was only afforded a three-year prison sentence and in 2015 a judge declared this to be complete. A year later the New York Times published an article about conditions inside Maadi Military Hospital where Mubarak is being detained. It sounded far from the animal infested cells where members of the opposition are currently held and tortured – Mubarak enjoys regular deliveries of flowers, newspapers, takeaways, visits from his wife, two sons and grandchildren, and a sweeping view of the Nile.
Authorities have also failed to hold many of Mubarak's cronies accountable for their actions. Business tycoon Hussein Salem has been poised to return to Egypt for months. Having fled the country in 2011 Salem was charged in absentia to 15 years in prison and fined $4bn for money laundering and profiteering. Salem has now reached a reconciliation agreement with the Egyptian government for the sum of $596.5mn so that the corruption charges are waived and his family can return to Egypt without fear of prosecution.
Six years after he resigned, the failure to hold Mubarak to account for killing protesters during Egypt's 18-day uprising is symbolic of the culture of impunity enjoyed by officials in Egypt. This culture of impunity is made all the more poignant when it is contrasted with the crackdown currently being administered against the opposition in the country.
In August 2013 a judge sentenced 37 people to death and 491 to life imprisonment for killing a single police officer. Yet not one member of the security forces, or a public official, has faced charges for the massacre of up to 1,000 protesters in Rabaa Al-Adawiya Square that took place in the same month.
In the early days of the revolution people across the world believed that Mubarak's resignation meant freedom and an end to the impunity he fostered throughout his thirty years in power. In fact, it was just the beginning.
Written by
Published in The New Arab


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Also available on: N/A
Publisher: Capcom
Developer: Blue Castle
Genre: Survival horror
It's been roughly four years since gamers - who seem to have an affinity with the undead (especially butchering them) - were treated to the ultimate zombie-killing video game Dead Rising. Running around the fictional Willamette shopping mall, populated by thousands of zombies, gamers could pick up and use almost anything as a weapon in order to lay waste to the hordes of undead shufflers as they hungrily made their way towards the game's protagonist Frank West. A lot has changed in the landscape of gaming since then (the PS3 and the Wii have been released for one), but, just a month before the sequel is launched, Capcom gives us a glimpse at how much has changed in the land of the infected, with Dead Rising 2: Case Zero.
In terms of fundamentals, not a lot has changed at all. There are still lots of zombies, hundreds of makeshift weapons and lashings of blood and guts. Case Zero takes place between the first and second game and sees players take charge of motocross champion Chuck Greene. Having just escaped a zombie outbreak in Las Vegas, Chuck and his daughter Katey find themselves stranded in the small fictional town of Still Creek, Nevada. Chuck's daughter has been infected with the zombie virus, but remains human thanks to 12-hour shots of suppressant drug Zombrex. With the military about to descend upon the town and quarantine any infected, Chuck has roughly 14 hours to find his daughter more Zombrex and hunt for the parts he needs to build a bike that will transport them to safety.
In addition to scouring the small, dusty town of Still Creek for bike parts and medicine, the game re-introduces the survivor feature, which sees Chuck find and escort other non-infected to the relative safety of the town's gas station. Anybody who has played the original will notice that the timed missions also return, which means that if you don't reach a survivor or find the bike parts by a certain time, then the opportunity will be lost forever. Another returning feature - albeit not a welcome one - is the save system. The game can be saved after unlocking a new storyline chapter, or by visiting a restroom. The big complaint with the first game was the lack of save points dotted about the place; however, the tiny town of Still Creek contains three of them, which was more than enough to ensure that any progress could be saved easily and regularly.
Graphically, Case Zero looks almost identical to its predecessor, which, considering it's been four years, is a little disappointing. That's not to say the game looks bad, but the character animations are still a little clunky; although with the amount of enemies that appear on screen it's understandable that certain sacrifices would have to be made. Still Creek itself is your typical Western town that time forgot. It's not very large or colourful, with plenty of boarded up shops and houses, but it does feature a saloon, bowling alley, movie theatre, casino and a few other buildings that can be entered and explored; all of which lend a little character to the place. None of the interiors feature more than a couple of rooms and none are particularly spectacular to view, but they are the kind of places you would expect to find in such a town. It's also quite funny to see zombie waitresses in the diner, or zombie hairdressers holding scissors in the barbershop.
With the graphics and gameplay largely remaining the same, the only major change in Dead Rising 2: Case Zero is the introduction of combo cards, which replace the photography of the first game. Players will notice that certain items have a wrench symbol above them, which means that they can be combined with other similar items to form new super weapons or improved items. Finding the respective combo card for the new creation gives Chuck additional bonus experience points when he uses it. The new weapons take the violence to a new level. Combining a box of nails with a baseball bat forms the spiked bat, which gets stuck in zombies' heads, while mixing a chainsaw with a kayak paddle sees the creation of the chainsaw paddle, which causes all sorts of carnage. The personal favourite from the small batch that is available in Case Zero is the Boomstick, which sees a garden fork taped to a shotgun. Zombies can be hoisted into the air with the fork and then blown to smithereens with the shotgun in one of the more entertaining kills of the game. There's no doubt that had the sequel been released when DS listed its favourite violent video game deaths, some of the ways to massacre your foes in Case Zero would have made the top ten.
Perhaps the biggest criticism of Case Zero is its short length. The game will only take a few hours to finish at best, but the nature of the timed missions and rescuing survivors means that there are multiple endings to witness, so it can be replayed more than once. In all honesty, it's no more than a glorified demo for the sequel, but, taking into account that it has its own unique setting and storyline, 400 Microsoft Points isn't much to pay for a taste of what's to come. The other bonus is that players can reach level five, which improves Chuck's stats leading to increased strength and health. Players can also unlock a number of combo cards, which, along with the levelling up stats, will be transferred to the sequel if players decide to buy it.
Dead Rising 2: Case Zero is short and sweet, cheap and cheerful, and a good indication of what's to come for the sequel. The new weapon combinations make slaying zombies more fun than ever and the increased number of save points bodes well for the upcoming release. If you like the first game and are thinking of picking up Dead Rising 2, then Case Zero will leave you craving the sequel like a malnourished zombie craves human flesh.


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Monday, November 22, 2010
Two titans in the world of fuzz reign with unreleasable grasp; the Dallas-Artbiter Fuzz Face and the Electro-Harmonix Big Muff-Pi. Both are in production today in close approximation to their original forms as well as many products that aim to emulate or improve upon their sound.
The Fuzz-Face and Big Muff-Pi were studied very closely while designing our fuzz pedal (which will be available soon). Close attention was paid to the attack, decay and clipping of the Fuzz-Face, as that is what I most most recognize as "fuzz". I see the fuzz sound as a cough like attack, messy decay and clipping with audible transistor saturation artifacts. But the pedal should still clean up with the guitar's volume control.
At the heart of our design is a circuit that produces very similar harmonic content to the Germanium Fuzz-Face. We wanted to get the Fuzz-Face tone and something more pushed into complete saturation like the Big Muff-Pi can do. But without the use of germanium transistors. I ruled out the use of germanium transistors even though we have a good sized stock pile for two reasons. 1) The midrange bump associated with the germanium transistor is caused by other factors not the transistor in itself. 2) I wanted a fuzz with a flat frequency response. The remaining portion of our fuzz pedal's circuit shares a bit with the Kraken II (which will also be available soon) mostly the active EQ, which has much better performance over the original Kraken Overdriver.
Check out the video's below for a preview of the first of three new pedals that will be available February 2011. We will be taking pre-orders as soon as artwork is finalized.
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A further new feature is a user-selectable output voltage available in 1, 2 and 3V RMS outputs for flexible connectivity with a wide range of partnering devices.
Materials: Precision machined aluminium casing with
Device Power Supply: 5v 2amp Micro USB
Connectivity (input): USB Type B (White): 44.1kHz – 768kHz – 16bit – 32bit
2x BNC Coax (Red): 44.1kHz – 768kHz – 16bit – 32bit
Optical (Green): 44.1kHz – 192kHz – 16bit – 24bit
Connectivity (output): 1x stereo pair of RCA (Left and Right)
PCM support: 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz, 358.8kHz, 384kHz, 717.6kHz, and 768kHz.
DSD support: Native playback supported. DSD64 (Single) to DSD512 (Octa-DSD)
Variable output: Fixed, but selectable between 3v (blue), 2v (green), and 1v (red) via dual press of 'Filter' + 'Input' upon startup
Driver support: Driverless with Mac OS X and Linux, driver required for Windows OS
Chipset: Chord Electronics custom coded Xilinx Artix 7 (XC7A15T) FPGA
Tap-length: 49,152
Pulse array: 10 element pulse array design
Frequency response: 20Hz – 20kHz +/- 0.2dB
Output stage: Class A
THD: <0.0001% 1kHz 3v RMS 300Ω
THD and noise at 3v RMS: 117dB at 1kHz 300ohms 'A'
Noise 2.6 uV 'A' weighted: No measurable noise floor modulation
Channel separation: 138dB at 1kHz 300Ω
Weight: 770g
Dimensions: 41mm (H) x 160mm (W) x 72mm (D)
Boxed Weight: 1500g


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_______Test post_______ Growing up I loved playing sports. My year was filled with basketball, baseball or football. I played for some good coaches. I listened to their instructions: the proper way to shoot free throws, catch a ground ball or make a tackle. But what helped most was when they showed by example the proper … Continue reading Whose Example Are You Following?
Gods Desire for Each of our Days. (Test post)
Intro Danger preaching familiar texts -We know them but we never have learned them. -I want to help you "learn" them this morning. When we learn them that brings about life change! I. Trusting (in The Lord) ("For I know whom I believed....") -Not double minded -Lord I believe help thou mine unbelief -Faith not … Continue reading Gods Desire for Each of our Days. (Test post)
Remove and Replace
Test********Post The Word of God does so much for us! It comforts, convicts and provides strength and hope just to name a few. One the most precious things it does is it instructs how to live! And God does so w simple instructions of what TO do But He doesn't leave us hanging … Continue reading Remove and Replace
The Holy Spirit
"Don't Throw in The Towel!"
_________Test post__________ January 1913 American newspaper called The Fort Wayne Journal-Gazette, described what happened at the end of a boxing match:"Murphy went after him, landing a right and a left to his undefended face. The crowd importuned referee Griffin to stop the fight and immediately a towel was thrown from Burns' corner as a … Continue reading "Don't Throw in The Towel!"


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Poster for Boundin'
|Directed by
|Bud Luckey
|Produced by
|Osnat Shurer
|Written by
|Bud Luckey
|Bud Luckey
|Narrated by
|Bud Luckey
|Music by
|Bud Luckey
|Jesse Hollander
|Edited by
|Steve Bloom
|Distributed by
|Buena Vista Pictures
Release date
Running time
|5 minutes[1]
|United States
Boundin' is a 2003 Pixar computer-animated short film, which was shown in theaters before the feature-length film The Incredibles.[2] The short is a musically narrated story about a dancing sheep, who loses his confidence after being sheared. The film was written, directed, narrated and featured the musical composition and performance of Pixar animator Bud Luckey.
The film features a sheep that lives in the American West. His elegant dancing is popular with the other animals. One day the sheep-shearers arrive and shear him for wool. Having lost his coat, the other animals laugh at the sheep and he becomes shy and loses the confidence to dance. It is whilst in his bare state that a benevolent jackalope comes across the little lamb and teaches him the merits of "bounding" rather than dancing (that is, getting up whenever you fall down).
The sheep is converted and his joy in life is restored. The sheep's wool eventually grows back in the winter, only for it to be cut again, but his pride is now completely unshaken and he continues to "bound."
- Bud Luckey – Narrator, Sheep, Jackalope
Writer-director Bud Luckey designed and voiced all the characters, composed the music and wrote the story. According to the director's commentary for The Incredibles, Brad Bird wanted to introduce the animated short by having Rick Dicker, (the superhero relocator from The Incredibles, also voiced by Luckey) enter a room, sit down, and pull out his banjo.
This is the first Pixar short with a theatrical release that included vocal performances with words (Bobby McFerrin did an a capella song for Knick Knack). All prior films included only music and sound effects. In addition, it is the first Pixar short to include a vocal performance and not be based on and star characters from a Pixar theatrical film.
The Cars DVD contains a version of Boundin' with Mater as the jackalope, Lightning McQueen as the sheep, and Guido as the gophers as an Easter egg.
Theatrical and home media release[edit]
To qualify for the 2004 Academy Awards, Pixar arranged in December 2003 special screenings of the short at the Laemmle Theatres in Los Angeles.[3]
Boundin' was released on March 15, 2005, on The Incredibles two-disc DVD collector's release, including commentary from Bud Luckey and the short clip titled Who is Bud Luckey?.[2] The film was also released as part of Pixar Short Films Collection, Volume 1 in 2007.
- 2004: Annie Award — Best Animated Short Subject (Won)[4]
- 2004: Academy Award — Best Animated Short Film (Nominated)[5]
- ^ Dellamorte, Andre (April 30, 2011). "THE INCREDIBLES Blu-ray Review". Collider. Archived from the original on February 9, 2013. Retrieved January 20, 2016.
- ^ a b "Smash Box-Office Success Comes Home March 15!". Pixar. January 18, 2005. Archived from the original on April 28, 2012. Retrieved May 10, 2012.
- ^ Wolff, Ellen (December 9, 2003). "Animated shorts discover fest route is not only road to Oscar". Variety. Retrieved April 21, 2013.
- ^ "31st Annual Annie Award Nominees and Winners (2003)". The Annie Awards. Retrieved May 10, 2012.
- ^ "The 76th Academy Awards (2004) Nominees and Winners". The Academy of Motion Picture Arts and Sciences. Archived from the original on October 15, 2012. Retrieved May 10, 2012.
External links[edit]
|Wikiquote has quotations related to: Boundin'


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Correctly name shapes regardless of their orientations or overall size.
Analyze and compare two- and three-dimensional shapes, in different sizes and orientations, using informal language to describe their similarities, differences, parts (e.g., number of sides and vertices/"corners") and other attributes (e.g., having sides of equal length).
Recognize and draw shapes having specified attributes, such as a given number of angles or a given number of equal faces. Identify triangles, quadrilaterals, pentagons, hexagons, and cubes.
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