Werker Magazine is a contextual publication about photography and labour that inquires into the possibility of formulating a contemporary representation of work. In which forms does work appear in post-fordist society? What representations of labour are being produced nowadays? Is it possible to activate collective practices of self-representation? For what purpose? For which audience? The Worker Photographers from the '20s were the first amateur photographers to use the camera politically. They were pioneer in what we could call a 'civil and collective use' of photography. Far from having a rhetorical approach to Worker Photography, we are interested in their radical practice of photography based on self-representation, self-publishing and image critique.