Adrian trained at the Wimbledon School of Art in London, and works as a freelance set and costume designer for theatre, film and television.
UK productions include Eugene Onegin, The Rake’s Progress (RAM), Cosi fan tutte, Middleton’s The Tyrant , The Witch of Edmonton and The Castle. He also designed the enviroment for the New Writing So & So Hopeful season this summer (in London); Star Quality, Betrayal, Family Voices, The Glass Menagerie, The Maids, the UK premiere of Lorca’s When Five Years Pass (Edinburgh Fringe First Award), Blood Wedding, Iphigenia at Aulis, The Shoemakers Wonderful Wife, and Yerma.
the rarely performed Weber/Mahler opera Die Drei Pintos, Le nozze di Figaro, Judith Weir’s The Vanishing Bridegroom, Il Seraglio, The Turn of the Screw (Macedonian Opera), Die Fledermaus and Katya Kabanova (Scottish Opera), and co-designed Il Trovatore (Bastille Opera, directed by Francesca Zambello).