Opening instrumental track “Devil Damned Thoughts” is a groove-laden, dark, bluesy piece, and like it’s title suggests, sounds like the inner turmoil of one’s fragile state of mind, full of frustration and is a great start to proceedings, while the following title track takes things up a gear with some almost punk/thrash drum playing before Gordon’s vocals finally make an appearance. Clearer than expected but by no means crystal, like a rough copy of DRENGE.
“Coming Loose” is a gentler affair, with its bass sounding like it owes a lot to artists such as THE CURE, it’s an altogether more stripped back effort with far smoother vocals, which is poles apart from “High Flyer Suicide” in every aspect. There’s a doggedness at its core, the duo not concerned with sounding polished or not wanting to take anything away from the sound, its rock ‘n’ roll as was intended.
“Still Under” is again stripped right back and acts as an interlude is some ways, despite the album having an actual interlude prior to this song. At less than two minutes long, it’s morose and almost gothic in its sense of melancholy, like a modern take on JOY DIVISION. “Full Effect Intake” and “Bitten” snap you back into consciousness with their lively displays, leading up to the final track; “Washing Over”.
As much as we’d all hope, rock and metal, as a culture at least, doesn’t have the “all for one” type of, brothers in arms community we’d all like to think. For example, to some, the idea of an all-girl rock band is greeted with the sense of elitism and snobbery, as if to say they simply can’t be any good at rock because of their gender, or they are just seen as eye-candy in a very male dominated genre. However, three young ladies (Welsh sisters Sam and Charlotte Bolderson, and Oxfordshire born Harriet Wadeson) who go by the name THE KIX are proudly demonstrating that ladies have as much a place in the pit as their male counterparts, using hooks not looks to turn heads and draw attention to themselves.
With a love of artists such as AC/DC, and drawing influence from the likes of JOAN JETT, The Kix wrote and recorded their début EP; “Lady Luck”. Six tracks of ballsy, classic rock with a fresh modern twist. Opening track “Bring The Thunder” has some slick guitar work from Sam, her vocals too sounding crisp and clear with drummer Charlotte and bassist Harriet supplying solid backing. “Right On Cue” is slightly grittier, a touch of old school punk with the influence of Jett all the more prominent, before the title track rolls in with its riff laden simplicity. It’s a slow burner, but carries with it an ample amount of dirty, denim and leather clad rock ‘n’ roll swagger.