Recorded in the Sierra Tarahumara of Mexico, Abyssinian valley of Ethiopia, and Himalayan Summit of India respectively, the central idea is that each landscape holds sleeping memories that are the witness of human passage. Each album retraces the poets’ footsteps, channelled through on-location recorded soundscapes and musicalities, with Patti Smith revisiting the words that have been inspired by the landscapes. The triptych marks a new chapter in the collaboration between Soundwalk Collective and Patti Smith, who first worked together on Killer Road in 2016.
The Peyote Dance focuses on a brief part of Artaud’s life, when he travelled to Mexico City in early 1936 to deliver a series of lectures at the University of Mexico on topics including Surrealism, Marxism and theatre. In the summer, he travelled by train towards the Chihuahua region, and saddled by horse to the Tarahumara mountains with the help of a mestizo guide, which the album’s opening track, recited by Gael Garcia Bernal, evokes. For the eponymous album, Soundwalk Collective and Patti Smith revisited writings from the book, and others texts written after Artaud’s return to France, where he remained in a mental asylum in Rodez undergoing electric shock therapy. During this dark period, the encounter with the Rarámuri stayed with him as his last significant, happy experience. The final track on the album, is a poem written by Patti Smith in homage to Artaud’s last hours in Ivry.