Earlier this month, we held our ‘Eastern Treasures’ Exhibition, showing a unique selection of antique rugs and ancient textiles from the East.
We exhibited an exclusive selection of antique rugs and textiles, all connected through their Eastern origins – unique historical pieces from Japan, China, and India, to name but a few. You can see a fine example of Japanese craftsmanship, an 18th/19th Century Japanese Kesi in our blog. View our collection for other Eastern Rugs and Eastern Textiles.
Some of the antique eastern rugs were displayed for the very first time in the Zadah gallery. The Eastern Treasures exhibition took place as part of the Asian Art in London Event. Asian Art in London has been held since 1998 – a ten day event featuring the leading UK dealers and auction houses. Exhibitions are held at a select list of dealers in antique textiles, while auction houses like Sotheby’s, Bonham’s and Christie’s hold gallery talks and auctions, featuring antiques from the East which span 5,000 years of history.
Visitors who came to London during the week had the opportunity to view some of the best Asian Art in the world, from Imperial porcelain to contemporary art, in gallery selling exhibitions and auctions, together with lectures and symposia by London’s major museums. Asian Art in London, now in its 14th year, has an established reputation as one of the most important Asian art events on the international art calendar. Zadah are privileged to have taken part in the Asian Art in London exhibition for a number of years, showing select pieces from our collection - which itself contains pieces from all over the world – Eastern Textiles, European Tapestries, African Pieces, Islamic Antiquities and more, pieces covering almost 2000 years of history.
On the 3rd, we held an invitation-only opening for the Exhibition (we extended an invitation to the visitors to our website, perhaps you viewed the Exhibition – we would like to know what you thought), attended by dealers, antiques experts and textile historians, to name but a few.
Below, you can see a series of photographs from the opening, featuring some of our wonderful Eastern rugs – and some of our wonderful guests.
Zadah is a 3rd Generation Historical Textiles Collector and Dealer. He has an unrivalled knowledge of Ancient Carpets, Rugs, Textiles and Antiquities from the East and West – from Persian Carpets to Ancient Islamic Antiquities to Early European Tapestries. His Gallery can be found online at Zadah.com – please call us on 0207 935 7125 today if you would like to know more about, or buy, any of the items you see on the site.
You will find the finest of Silk Weavings from Isfahan in our Textiles Collection.
Isfahan was the Central and Cultural capital of the Persian Empire of Shah Abbas throughout the the 16th and 17th Century. Isfahan is already a city of ancient history and considerable wealth when Shah Abbas decides, in 1598, to turn it into a magnificent capital. It has a Masjid-i-Jami, or Friday Mosque, dating from the Seljuk period (11th-12th century), still surviving today and noted for its fine patterned brickwork. And it has a thriving school of craftsmen skilled in the making of polychrome ceramic tiles. Shah Abbas favours in architecture what comes to seem almost the theme of his city – gently curving domes covered in a glorious array of Isfahan’s coloured tiles. The new centre of the city is a vast rectangular space, the Maidan-i-Shah (Royal Parade), designed for parades and polo. At its southern end there rises the most magnificent of Isfahan’s swelling blue domes, on the Masjid-i-Shah (Royal Mosque). The tiles are shaped where necessary to fit the curve of the dome, as are those which clad the mosque’s circular minarets. The dome is reflected in a great pool in the courtyard. On the east of the Maidan-i-Shah is a smaller blue dome, on the Mosque of Sheikh Lutfullah – built by Shah Abbas in honour of his father-in-law and used as his private chapel. There are other glorious buildings in Isfahan, but these domes have become the trademark of Persian Islamic architecture.
The Zadah Gallery hosts probably – the greatest Collection of Ancient Rugs, Carpets, Eastern Textiles and other amazing historical Eastern art and artefacts from the most powerful Dynasties throughout the ages. travels throughout the world searching for textiles created by Artisans at the peak of the trade, that teach us things about the culture and the society of the Dynasty they represent.
He has owned a number of galleries throughout London and is a vastly-experienced, expert collector and dealer in ancient rugs, old tapestries, fine Eastern textiles, ancient Persian rugs, Eastern carpets, fine European Tapestries and antiquities from around the world. is often featured in local newspapers and the Art Industry press such as Hali magazine. You can find additional examples of recent media in the Press Section or Blog Section of the site.
- and another in New York.
Zadah began trading in London, in Galleries in Mayfair and Marylebone first of all, but Zadah was driven to expand further and soon expanded into North West London as well, providing a wealth of knowledge and expertise to his clients, who make up a veritable Who’s Who of International Royalty and Celebrities.
also has a Property Development company called Carltone Property, initially set up to develop a portfolio of high quality properties to rent out, both residential and commercial. He is always looking for new projects and to continue building a reputable network of other entrepreneurs for joint ventures. He has always been self employed although he worked for Piston as Chief design Engineer when he first graduated from University with a Degree in Engineering.
Zadah has a passion for classic cars, almost as great as his passion for ancient textiles, and he owns a 1917 FORD Model T which he drives around London in Summer – it’s very old, very eye-catching and it turns up in Newspapers and Magazine features all the time . The only other one in London belongs to the Science Museum, which has a sign in front of it saying ‘Do Not touch’!
He has a few employees working for him on a permanent and freelance basis…and his office gets full during exhibition seasons.
has just returned from a viewing trip to America, where he has been privileged to see a variety of antique rugs and ancient textiles.
“I will be exhibiting this fantastic 19th Century Antique Tibetan Carpet at Asia week, at the BOAF in Brussels“.
Dragons are one of the more popular designs on antique Tibetan carpets, as the Dragon is a good luck symbol in Tibetan folklore – Tibetans consider the Dragon to be a benevolent being, bringing goodwill to mankind. This is in sharp contrast to the way ancient Western culture portrays the Dragon – in George and the Dragon, for example.
The Thunder Dragons of Ancient Tibetan Carpets aren’t mere flying creatures. They also rule the seas and hold dominion over the rain. The Tibetan word for Dragon is ‘Druk’ – and it appears on all kinds of textiles and objects – from ancient Tibetan Carpets to Paintings, in Architecture and murals. To the Tibetans, Druk is a magical creature that lives in the clouds.
Eastern Carpets and Persian Rugs turn up often in the book known as 1001 Nights, also known as Arabian Nights and 1001 Arabian Nights. 1001 nights is a collection of Middle Eastern and South Asian stories and folk tales compiled originally in Arabic during the Islamic Golden Age – which took place from around 750-1258 AD (or 750-1258 CE).
During the Islamic Golden Age, Eastern Kingdoms were known for fantastic ancient textiles, ceramics, glass, metalwork, eastern carpets, persian rugs, illuminate manuscripts, and intricate embroidery. The Eastern textile markets flourished, with spectacular persian rugs, tapestries, eastern carpets and wall-hangings from the region becoming very important as works of Art. Some of these ancient rugs and eastern textiles are still preserved today – at the Zadah gallery we have a considerable collection of Eastern Rugs, Persian Carpets and Eastern Textiles dating back to the Islamic Golden Age, with many from even before.
Our Eastern carpets and Persian Rugs in the Zadah gallery also have a magical quality, although they do not fly or transport you to places, anywhere but in your imagination. They have a timeless quality and an elegance that defies the hundreds of years since their manufacture by hand. That is why our clients and collectors find our antique Persian carpets and ancient Eastern rugs so desirable – they reflect a Golden Age, a time in history when the East led the world, producing fantastic discoveries in Art, Medicine, Philosophy, Mathematics and much more. Their timeless beauty reflects a bygone age of incredible achievements and fantastic ancient textiles and Art.
There was once a Sultan of India who had three sons. These, with the princess his niece, were the ornaments of his court. The eldest of the princes was called Houssain, the second Ali, the youngest Ahmed, and the princess his niece, Nouronnihar.
The Princess Nouronnihar was the daughter of the younger brother of the Sultan, to whom the Sultan in his lifetime allowed a considerable revenue. But that prince had not been married long before he died, and left the princess very young. The Sultan, out of brotherly love and friendship, took upon himself the care of his niece’s education, and brought her up in his palace with the three princes, where her singular beauty and personal accomplishments, joined to a sprightly disposition and irreproachable conduct, distinguished her among all the princesses of her time.
As the three princes were always submissive and obedient to the Sultan’s will, and each flattered himself that fortune would favour him, they all consented. The Sultan gave them the money he promised; and that very day they issued orders in preparation for their travels, and took leave of the Sultan, that they might be ready to set out early the next morning. They all went out at the same gate of the city, each dressed like a merchant, attended by a trusty officer dressed like a slave, all well mounted and equipped. They went the first day’s journey together; and slept at the first inn, where the road divided into three different tracks. At night when they were at supper together, they agreed to travel for a year, and to make that inn their rendezvous; that the first that came should wait for the rest; that as they had all three taken leave together of the sultan, they should all return together. The next morning by break of day, after they had embraced and wished each other good success, they mounted their horses, and each took a different road.
Prince Houssain, the eldest brother, who had heard wonders of the extent, strength, riches, and splendour of the kingdom of Bisnagar, bent his course towards the Indian coast; and, after three months travelling with different caravans, sometimes over deserts and barren mountains, and sometimes through populous and fertile countries, he arrived at Bisnagar, the capital of the kingdom of that name and the residence of its king. He lodged at a khan appointed for foreign merchants; and having learnt that there were four principal quarters where merchants of all sorts kept their shops, in the midst of which stood the castle, or rather the king’s palace, as the centre of the city, surrounded by three courts, and each gate two leagues distant from the other, he went to one of these quarters the next day.
Prince Houssain could not see this quarter without admiration. It was large, and divided into several streets, all vaulted and shaded from the sun, and yet very light. The shops were all of the same size and proportion; and all that dealt in the same sort of merchandise, as well as the craftsmen, lived in one street.
The multitude of shops stocked with the finest linens from several parts of India, some painted in the brightest colours, with men, landscapes, trees, and flowers; silks and brocades from Persia, China, and other places; porcelain from Japan and China, foot carpets of all sizes,–all this surprised him so much that he knew not how to believe his own eyes; but when he came to the shops of the goldsmiths and jewellers (for those two trades were exercised by the same merchants), he was dazzled by the lustre of the pearls, diamonds, rubies, emeralds, and other precious stones exposed for sale. But if he was amazed at seeing so many riches in one place, he was much more surprised when he came to judge of the wealth of the whole kingdom by considering that except the Brahmins and ministers of the idols, who profess a life retired from worldly vanity, there was not an Indian, man or woman, through the extent of that kingdom, who did not wear necklaces, bracelets, and ornaments about their legs and feet, made of pearls and other precious stones.
Another thing Prince Houssain particularly admired was the great number of rose-sellers, who crowded the streets; for the Indians are such lovers of that flower, that not one will stir without a nosegay in his hand, or a garland on his head; and the merchants keep them in pots in their shops, so that the air of the whole quarter, however large, is perfectly perfumed.
After Prince Houssain had run through the quarter, street by street, his thoughts fully occupied by the riches he had seen, he was very much tired, and a merchant civilly invited him to sit down in his shop. He accepted the offer; but had not been seated long before he saw a crier pass by with a piece of carpet on his arm, about six feet square, and cry it at thirty purses. The prince called to the crier, and asked to see the carpet, which seemed to him to be valued at an exorbitant price, not only for its size, but the meanness of the stuff. When he had examined it well, he told the crier that he could not comprehend how so small and poor a piece could be priced so high.
The prince accepted the conditions, and concluded the bargain; and having obtained the master’s leave, they went into his back shop; they both sat down on the carpet, and as soon as the prince wished to be transported into his room at the khan, he found himself and the crier there, and as he wanted no more convincing proof of the virtue of the carpet, he counted to the crier forty purses of gold, and gave him twenty pieces for himself.
In this manner Prince Houssain became the possessor of the carpet, and was overjoyed that on his arrival at Bisnagar he had found so rare a treasure, which he never doubted would gain him the Princess Nouronnihar. In short he looked upon it as an impossible thing for the princes, his younger brothers, to meet with anything to compare with it. It was in his power, by sitting on this carpet, to be at the place of rendezvous that very day; but as he was obliged to wait for his brothers, as they had agreed, and as he was curious to see the King of Bisnagar and his court, and to learn about the laws, customs, and religion of the kingdom, he chose to make a longer abode there.
It was a custom of the King of Bisnagar to give audience to all strange merchants once a week; and Prince Houssain, who remained incognito, saw him often; and as he was handsome, clever, and extremely polite, he easily distinguished himself among the merchants, and was preferred before them all by the sultan, who asked him about the Sultan of the Indies, and the government, strength, and riches of his dominions.
The rest of his time the prince spent in seeing what was most remarkable in and about the city; and among other things he visited a temple, all built of brass. It was ten cubits square, and fifteen high; and the greatest ornament to it was an idol of the height of a man, of massy gold: its eyes were two rubies, set so artificially, that it seemed to look at those who looked at it, on whichever side they turned. Besides this, there was another not less curious, in a village in the midst of a plain of about ten acres, which was a delicious garden full of roses and the choicest flowers, surrounded with a small wall breast high, to keep the cattle out. In the midst of this plain was raised a terrace, a man’s height, so nicely paved that the whole pavement seemed to be but one single stone. A temple was erected in the middle of this terrace, with a dome about fifty cubits high, which might be seen for several leagues round. It was thirty cubits long, and twenty broad, built of red marble, highly polished. The inside of the dome was adorned with three rows of fine paintings, in good taste: and there was not a place in the whole temple but was embellished with paintings, bas-reliefs, and figures of idols from top to bottom.
Every night and morning there were ceremonies performed in this temple, which were always succeeded by sports, concerts, dancing, singing, and feasts. The ministers of the temple and the inhabitants of the place had nothing to live on but the offerings of pilgrims, who came in crowds from the most distant parts of the kingdom to perform their vows.
Prince Houssain was also spectator of a solemn feast, which was celebrated every year at the court of Bisnagar, at which all the governors of provinces, commanders of fortified places, all the governors and judges of towns, and the Brahmins most celebrated for their learning, were obliged to be present; and some lived so far off that they were four months in coming. This assembly, composed of innumerable multitudes of Indians, met in a plain of vast extent, as far as the eye could reach. In the centre of this plain was a square of great length and breadth, closed on one side by a large scaffolding of nine stories, supported by forty pillars, raised for the king and his court, and those strangers whom he admitted to audience once a week. Inside, it was adorned and furnished magnificently; and on the outside were painted fine landscapes, wherein all sorts of beasts, birds, and insects, even flies and gnats, were drawn as naturally as possible. Other scaffolds of at least four or five stories, and painted almost all alike, formed the other three sides.
On each side of the square, at some little distance from each other, were ranged a thousand elephants, sumptuously harnessed, each having upon his back a square wooden castle, finely gilt, in which were musicians and actors. The trunks, ears, and bodies of these elephants were painted with cinnabar and other colours, representing grotesque figures.
But what Prince Houssain most of all admired was to see the largest of these elephants stand with his four feet on a post fixed into the earth, two feet high, playing and beating time with his trunk to the music. Besides this, he admired another elephant as big, standing on a board, which was laid across a strong beam about ten feet high, with a great weight at the other end which balanced him, while he kept time with the music by the motions of his body and trunk.
Prince Houssain might have made a longer stay in the kingdom and court of Bisnagar, where he would have seen other wonders, till the last day of the year, whereon he and his brothers had appointed to meet. But he was so well satisfied with what he had seen, and his thoughts ran so much upon the Princess Nouronnihar, that he fancied he should be the more easy and happy the nearer he was to her. After he had paid the master of the khan for his apartment, and told him the hour when he might come for the key, without telling him how he should go, he shut the door, put the key on the outside, and spreading the carpet, he and the officer he had brought with him sat down on it, and, as soon as he had wished, were transported to the inn at which he and his brothers were to meet, where he passed for a merchant till they came.
Prince Ali, the second brother, travelled into Persia with a caravan, and after four months’ travelling arrived at Schiraz, which was then the capital of the kingdom of Persia, and having on the way made friends with some merchants, passed for a jeweller, and lodged in the same khan with them.
The next morning, while the merchants were opening their bales of merchandise, Prince Ali took a walk into that quarter of the town where they sold precious stones, gold and silver work, brocades, silks, fine linens, and other choice and valuable merchandise, which was at Schiraz called the bezestein. It was a spacious and well-built place, arched over, and supported by large pillars; along the walls, within and without, were shops. Prince Ali soon rambled through the bezestein, and with admiration judged of the riches of the place by the prodigious quantities of most precious merchandise there exposed to view.
‘I am,’ said the prince, ‘ready to make you all proper reparation for the scandal I have thrown on you, if you will make the truth of what you say appear’; and as he had the ivory tube in his hand, he said, ‘Show me at which of these ends I must look.’ The crier showed him, and he looked through, wishing at the same time to see the sultan, his father. He immediately beheld him in perfect health, sitting on his throne, in the midst of his council. Afterwards, as there was nothing in the world so dear to him, after the sultan, as the Princess Nouronnihar, he wished to see her, and saw her laughing, and in a pleasant humour, with her women about her.
Prince Ali needed no other proof to persuade him that this tube was the most valuable thing, not only in the city of Schiraz, but in all the world; and he believed that, if he should neglect it, he would never meet again with such another rarity. He said to the crier, ‘I am very sorry that I should have entertained so bad an opinion of you, but hope to make you amends by buying the tube, so tell me the lowest price the seller has fixed upon it. Come with me, and I will pay you the money.’ The crier assured him that his last orders were to take no less than forty purses; and, if he disputed the truth of what he said, he would take him to his employer. The prince believed him, took him to the khan where he lodged, counted out the money, and received the tube.
Prince Ali was overjoyed at his bargain; and persuaded himself that, as his brothers would not be able to meet with anything so rare and marvellous, the Princess Nouronnihar would be his wife. He thought now of visiting the court of Persia incognito, and seeing whatever was curious in and about Schiraz, till the caravan with which he came returned back to the Indies. When the caravan was ready to set out, the prince joined them, and arrived without any accident or trouble at the place of rendezvous, where he found Prince Houssain, and both waited for Prince Ahmed.
While the crier was telling Prince Ahmed the virtues of the artificial apple, a great many persons came about them, and confirmed what he said; and one among the rest said he had a friend dangerously ill, whose life was despaired of, which was a favourable opportunity to show Prince Ahmed the experiment. Upon which Prince Ahmed told the crier he would give him forty purses if he cured the sick person by letting him smell at it.
The experiment succeeded, and the prince, after he had counted out to the crier forty purses, and the other had delivered the apple to him, waited with the greatest impatience for the first caravan that should return to the Indies. In the meantime he saw all that was curious in and about Samarcand, especially the valley of Sogda, so called from the river which waters it, and is reckoned by the Arabians to be one of the four paradises of this world, for the beauty of its fields and gardens and fine palaces, and for its fertility in fruit of all sorts, and all the other pleasures enjoyed there in the fine season.
At last Prince Ahmed joined the first caravan that returned to the Indies, and arrived in perfect health at the inn where the Princes Houssain and Ali were waiting for him.
Prince Ali would not enter into a dispute with Prince Houssain, but was persuaded that, if his perspective glass were not preferable, it was impossible it should be inferior, and therefore agreed to wait till Prince Ahmed arrived, to produce his purchase.
When Prince Ahmed came, they embraced and complimented each other on the happiness of meeting together at the place they set out from. Then Prince Houssain, as the elder brother, said, ‘Brothers, we shall have time enough hereafter to entertain ourselves with the particulars of our travels: let us come to that which is of the greatest importance for us to know; let us not conceal from each other the curiosities we have brought home, but show them, that we may do ourselves justice beforehand and see to which of us the sultan our father may give the preference.
Prince Ali took the tube out of Prince Houssain’s hand and after he had looked, presented it to Prince Ahmed.
As soon as the order was given, Prince Ali and Prince Ahmed went and sat down by Prince Houssain, and all three framed the same wish, and were transported into the Princess Nouronnihar’s chamber.
The presence of the three princes, who were so little expected, frightened the princess’s women and attendants, who could not comprehend by what enchantment three men should be among them; for they did not know them at first, and the attendants were ready to fall upon them, as people who had got into a part of the palace where they were not allowed to come; but they presently recollected and found their mistake.
Prince Ahmed no sooner saw himself in Nouronnihar’s room, and perceived the princess dying, than he rose off the tapestry, as did also the other two princes, and went to the bed-side, and put the apple under her nose. Some moments after, the princess opened her eyes, and turned her head from one side to another, looking at the persons who stood about her; she then rose up in the bed, and asked to be dressed, just as if she had awaked out of a sound sleep. Her women informed her, in a manner that showed their joy, that she was obliged to the three princes her cousins, and particularly to Prince Ahmed, for the sudden recovery of her health. She immediately expressed her joy to see them, and thanked them all together, and afterwards Prince Ahmed in particular, and they then retired.
While the princess was dressing, the princes went to throw themselves at the Sultan their father’s feet, and pay their respects to him. The Sultan received and embraced them with the greatest joy, both for their return and for the wonderful recovery of the princess his niece, whom he loved as if she had been his own daughter, and who had been given over by the physicians. After the usual compliments, the princes presented each the curiosity which he had brought: Prince Houssain his carpet, which he had taken care not to leave behind him in the princess’s chamber; Prince Ali his ivory tube, and Prince Ahmed the artificial apple; and after each had commended his present, when they put it into the Sultan’s hands, they begged him to pronounce their fate, and declare to which of them he would give the Princess Nouronnihar for a wife, according to his promise.
The Sultan of the Indies having kindly heard all that the princes had to say, without interrupting them, and being well informed of what had happened in relation to the Princess Nouronnihar’s cure, remained some time silent, as if he were thinking what answer he should make. At last he broke silence, and said to them in terms full of wisdom, ‘I would declare for one of you, my children, with a great deal of pleasure, if I could do so with justice; but consider whether I can. It is true, Prince Ahmed, the princess my niece is obliged to your artificial apple for her cure, but let me ask you, whether you could have been so serviceable to her if you had not known by Prince Ali’s tube the danger she was in, and if Prince Houssain’s carpet had not brought you to her so soon?
‘Your tube, Prince Ali, informed you and your brothers that you were likely to lose the princess your cousin, and so far she is greatly obliged to you. You must also grant that that knowledge would have been of no service without the artificial apple and the carpet.
‘And for you, Prince Houssain, consider that it would have been of little use if you had not been acquainted with the princess’s illness by Prince Ali’s tube, and Prince Ahmed had not applied his artificial apple. Therefore, as neither the carpet, the ivory tube, nor the artificial apple has the least preference one over the other, but, on the contrary, there is a perfect equality, I cannot grant the princess to any one of you, and the only fruit you have reaped from your travels is the glory of having equally contributed to restore her to health.
‘If this be true,’ added the Sultan, ‘you see that I must have recourse to other means to determine with certainty in the choice I ought to make among you, and as there is time enough between this and night, I will do it to-day. Go, and get each of you a bow and arrow, and repair to the great plain outside the city, where the horses are exercised. I will soon come to you, and I declare I will give the Princess Nouronnihar to him that shoots the farthest.
The three princes had nothing to say against the decision of the sultan. When they were out of his presence, they each provided themselves with a bow and arrow, which they delivered to one of their officers, and went to the plain appointed, followed by a great concourse of people.
The sultan did not make them wait long; and as soon as he arrived, Prince Houssain, as the eldest, took his bow and arrow, and shot first. Prince Ali shot next, and much beyond him; and Prince Ahmed last of all; but it so happened, that nobody could see where his arrow fell; and, notwithstanding all the search of himself and everybody else, it was not to be found far or near. And though it was believed that he shot the farthest, and that he therefore deserved the Princess Nouronnihar, it was necessary that his arrow should be found, to make the matter evident and certain; so, notwithstanding his remonstrances, the sultan determined in favour of Prince Ali, and gave orders for preparations to be made for the wedding, which was celebrated a few days afterwards with great magnificence.
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