The AutoGain Pro works using an external reference or an internal one, listens to your signal and tries to keep it at the same level of the reference signal, the way it does it it’s up to you, you have many parameters to tweak until it reacts perfectly.
With the AutoGain Pro you can see what the processor is doing, while you still need to use your ears for the best results sometimes the volume automation produced by the AutoGain Pro can be very subtle, having an “oscilloscope” view of both the gain and the reference signal is of enormous help.
If you like the ability to tweak but sometimes are too lazy to do that or you simply need a quick tool, the AutoGain Pro has a “classic” mode there for you. When you activate the “classic” button many of the controls becomes gray out and take the original AutoGain internal values.
Do you need to adjust the “speed” simply move the main or reference “release” control, they are linked, and work like the original “speed” control of the AutoGain.
Use the level gain for an improved “sensitivity” control and the gain range for the original “range” control.
With The AutoGain Pro you have the original AutoGain just a click away, and with graphical gain display too!
I was working on a particular inconsistent vocal track that would have been another month before I could get the singer to re-track. I tried another fader riding plugin and seem to make it over pump a little too much. I purchased and installed HoRNet's AutoGain Pro and it was beauty right out of the gate (no pun intended). The song was released without the need to re-track. Thank you HoRNet.
Super quick attack times, min/max gain control, as well as peak/RMS tracking options. I've used every 'rider' out there and this is my favourite. And cheapest, might I add. For quick use, 'classic' mode is ya friend bruh. Easy and accurate settings. The Gain Scaler is also useful – essentially acting as Mix function when you want to scale back slightly on the effect. Absolutely no drawbacks. I use it in force on every project – and is my perfect tool for riding vocals pre-compression. GET IT.
If you need to get you vocals above you mix, this is the plug-in for you! The fact it writes automation for you is worth the price, saving you time in the studio to concentrate on details. A simple plug-in to use, just throw your mix through the plug-in, adjust the min. and max. gains and let it write your volume automation. In the time it would take to write your volume levels manually, you can complete an entire album with this plug-in! Works great on bass guitars to smooth dynamics without compression, saving computer resources. Compared to other similar plug-ins, this is a steal! We used this plug in on all main vocals on our release “Not Human” because, it just simply worked!!
HornetAutoGainPro = No Brainer !
on main things to solve.
I can not make a judgment, because I simply do not understand the program. I also have MautoVolume from Melda, which I also immediately look through. This works great for me.
I'm a fan of Hornet, but AutoGain was a mistake for me. Unfortunately!
Took me a little while to get what I needed out of the vocal I was working on. In the end I duplicated the vocal track, compressed it pretty reasonably (2-3:1), and fed that into AutoGain Pro as the reference track. Well, all I have to say is, it's a really powerful tool. With a little creativity I got what I wanted, which was to reduce the dynamic range of my vocal track through volume automation.
I bought Autogain Pro listed at 21 Euros without knowing there was a version 2 discounted at 3 Euros. Alright, it's not an expensive plugin but I'm somewhat under the impression I have been tricked (MK1 is advertised on the front page while MK2 is not).