Michael Koretzky, creator and previous director of the Kunkel Awards, submitted his first-ever entry to the Excellence in Feature Writing category. It was on behalf of a journalist he felt went above and beyond. And Koretzky inadvertently disqualified himself.
The series — “Cuba: Where underground arcades, secret networks and piracy are a way of life” by Brian Crecente and Polygon — is a 12-parter covering various aspects of video gaming in Cuba.
Unfortunately for him, he’s right; the rules say you can’t submit a series that long. Since our maximum entries per series is three (a rule he wrote himself), his entry was booted from winning the category.
Putting Koretzky’s foible aside, the judges just couldn’t overlook the series’ enterprise.
So, they proposed we award the Cuba series separately from any category — but not without jabbing at Koretzky’s expense.
“Koretzky in his arrogance disqualified his own entry on a category he created,” out judge Gideon Grudo joked.
“I’d call it hubris,” another judge quipped.
So here it is: The Kunkels are awarding “Cuba: Where underground arcades, secret networks and piracy are a way of life” the Special Recognition award for 2017. Congratulations to Brian Crecente and Polygon.
Will this award manifest itself as a recurring category? I can’t say for sure yet, but one thing is clear: The judges genuinely believe this series is more than deserving of an award.
And with that, the winners for this year’s Kunkel Awards have all been revealed. I wanted to give a warm thank you to everyone who stuck around til the end of my first year as director. Don’t forget to save your favorite video game journalism this year to submit to next year’s awards!
In the Excellence in Feature Video category, many entries struggled to be journalistic — but at least the first place winner hit the nail on the head.
The first glaring issues among entries was this: many entrants didn’t know the difference between news, feature and opinion videos.
Fortunately, the beauty of feature categories is they are more all-encompassing than news. So, if you didn’t know the difference between news and feature, you may have gotten lucky by submitting to the right place anyway. But for the entrants that submitted opinion videos, you’re out of luck. Stating an opinion as fact is bad journalism.
Since so many entries (in multiple categories) failed to understand the difference between news, feature, and opinion, I wrote up a blog post on how to determine each of these journalism facets — which should help when submitting for next year’s awards. Keep your eyes peeled for that after this award season is over.
On top of not submitting to the right category, what separated the winners from the losers was lack of clarity. Many of the entries buried the lede or failed to qualify it.
Asking why we should care isn’t antagonistic (though I can’t speak for the judge); it’s important criticism for this journalist, and all journalists, to understand. When consulting the 5 W’s and the H (who, what, where, when, why, and how), the “why” is essential. Tell the audience why you’re talking about what you’re talking about. If you just dive into the details without setting up the “why” as the framework, you’ll potentially confuse your readers and lose their interest.
So, a few entries hit the mark in terms of not only submitting to the right place, but entering stories worthy of the “excellence” title. Check them out.
eSports intersect the Kunkels with the big leagues.
For the first time in Kunkel history, all three judges agreed on their top placements.
Excellence in eSports Writing is a brand new category with a lackluster opening night. There were only seven entrants, but despite that the judges found three they felt were more than deserving of a placement.
They all agreed the eSports category was broad — it allowed both feature and news stories. That broadness was a benefit.
Those mainstream publications Grudo’s talking about include The Rolling Stone and ESPN.
Overall, the judges were pleased with this new category.
Before we dig into the winners, I have to acknowledge a potentially-perceived conflict of interest. For the sake of transparency: One of our judges, who at this point remains anonymous, had a brief working relationship with the second place winner of this category in the past. More explanation on that transparency here.
Fortunately for our judge, there’s no monetary value in winning a Kunkel Award — meaning there’s no incentive for being biased. That is, unless you count the certificate we give to first place winners.
Which college journos made the honor roll?
One student publication submitted 50 entries to the Excellence in College Gaming Journalism category.
If the judges feel that one article is wasting their time, then you sure don’t want to waste their time 50 times. Especially if the pieces lack sourcing, balance, clarity — basically anything journalistic. Don’t get me wrong; I’m happy you submitted to the Kunkels. That being said, my advice is to be more selective.
What the judges did take away from going over the 50+ entries is the apparent lack of resources going to students seeking careers in gaming journalism.
Esports has had a hard time gaining traction on the sports scene, particularly here in the United States. ESPN’s showing of a DOTA 2 tournament was met with significant backlash back in 2015. This may be set to change however, as the Olympic Council of Asia has decided to introduce esports as a “demonstration sport” next year, and a medaled event in their 2022 Asian Games.
An advisor — or at least an editor — should have caught the bold claims not backed up with sourcing and data. Show us how eSports “has had a hard time gaining traction” and tell us more about this mysterious ESPN DotA 2 tournament.
The editor (or advisor) should have also set a standard of more than one single, lone, asocial source. This singular source was a press release — no human interaction required on the journalist’s part.
Since it’s so apparent that advisors and editors weren’t looking out for these basic journalism necessities, overall the judges felt college newsrooms were not holding gaming journalism to the same standards as they would for news, features and sports.
If the gaming stories aren’t being taken seriously by college journo editors and advisors, then the writers won’t improve in a meaningful way when they (hopefully) transition to a real-world newsroom.
“Games may be relegated to lower priority [in the college newsroom] and that may be fine for them, but it’s not fine for people looking to pursue careers in gaming journalism because they’re wasting their time and they can’t get jobs from this,” said Gideon Grudo, the one and only out judge of the Kunkels.
Another judge agreed, but made it clear not all of the blame lies on the newsroom; writers need to go above and beyond to ensure they are learning the tools for success.
The Excellence in News Video/Streaming category had a rough start. There were six entries — and according to the judges, too many struggled to get to the point.
When writing news stories (including videos), a best practice is to start the piece by stating the purpose of the article in the very beginning. Some journos call this the nut — the most important bits of the story bundled up nicely in an introductory sentence or paragraph. It usually follows a lede, an opening sentence meant to draw the reader in.
“Call me old-fashioned, but especially when you’re tackling a lot of data or numbers I feel like the approach should be: Tell them what you’re going to tell them, then tell them, and then tell them what you just told them. (In detail, this time.),” that same judge explained.
In other words: Don’t state opinion as fact. Don’t make wide-sweeping claims which can’t be proven and present them as facts. If you have an opinion to share, clearly identify it as an opinion.
The biggest takeaway from the Excellence in Feature Writing category was this: First impressions are everything.
When doing a feature story — or any story — it’s so important to give readers a reason to care. When you write your lede and nut (the introductory information in your article), you should write something compelling and accurate so readers are drawn in.
What you shouldn’t do is make sweeping generalizations while saving all the good bits for later.
Three years after Grand Theft Auto 3 defined the modern open-world action game, EA Tiburon — better known as the team behind Madden NFL — set out to try its own take on the genre. The target: a free roaming superhero simulator based on Bryan Singer’s blockbuster movie, “Superman Returns.” Many had high hopes.
One judge cited a point in the article that would have been a more striking way to start the story.
“We would send renderings of Superman, and we would get images back from Warner Bros. with his crotch area circled, ‘Make this part bigger; make this part smaller.’ This went on for months. Somebody trying to get the right balance of, ‘Well, I can see he’s got something but we don’t want to make it too big,'” says the team leader.
This was one of many entries with the same trend of foibles. Fortunately, there were three that made the cut.
Note that one of our judges stepped away from judging this category. They’re sitting out because they know one of the entrants beyond a work-related acquaintanceship. Read about why they’re recusing themselves here.
With a mere 10 entries, the Excellence in News Reporting category didn’t have a lot to choose from. Based on what the judges read, though, they were able to pick out three stories they loved — all from one writer.
The reason? Several stories were ruled out for being opinion and feature, and the remaining did not stand out to the judges as much as one writer’s three stories did.
And as they discussed the journalism, they noticed a curious coincidence. Each of the three pieces hit three different archetypes of news reporting.
That being said, they wanted to clarify the pieces weren’t picked because they hit three archetypes; the decision was coincidental.
The judges did just that — selecting the top stories they felt rocked.
The story that takes first place is investigative and battles misinformation. Those are traits that the judges commend, and want to see more of.
“It shows that as a journalist you have to be on your toes and be willing to adjust to any situation and write accordingly,” another judge agreed.
Pissed off that one journalist took all three placements? That’s okay. Here’s a solution: For next year’s Kunkels, remember to submit your favorite stories to their appropriate categories. That way, our judges have more than just ten stories to base their decisions on.