Remed’s map may, at first, seem like nothing of the kind. However it is, as he says, a map of “what I felt and what I was thinking at the time I made it, describing my emotional rather than physical environment”. Whilst in the first iteration Remed began mapping through words and fine lines, by the second the image began to morph and change, and “instead of drawing the lines of the city, I drew those of a body. The canvas then became this man/woman being, the architecture changing into a body, the too straight lines of a city vanishing and changing into the smoother lines of an organic body”.