“Jimi Hendrix said you need fantasy,” says Toronto’s Lydia Ainsworth, “to see reality more clearly.” On her sublime second album, Darling of the Afterglow, Ainsworth upholds Hendrix’s wisdom in the best way. Vividly imagined and richly felt, the follow-up to Ainsworth’s Juno-nominated Right from Real (2014) is an album of intimate emotions projected in heightened widescreen, where yearning pop classicism and classical smarts merge with other-worldly synthetic sounds and weird-gothic R&B influences.
The haunting cover of Chris Isaak’s ‘Wicked Game’ is a test-case; embracing its vocal challenges live, Ainsworth relished stepping outside her comfort zone. “I usually have to be out of my element to get that spark of inspiration,” she says. The album title itself came to her while she was out of her element, explains Ainsworth, living near LA’s Echo Park - home to the Art Deco statue ‘Nuestra Señora Reina de Los Angeles’ (Queen of the Angels). “Walking around the lake just after sunset at a time when I was desperate for human connection, I found comfort in this statue. She gave me the inspiration for the lyrics to the song. It was as if she was singing them to me.” Pass the message on: Darling of the Afterglow is a bold, beautiful album from a voice ready to be heard.