This talk explores the intersections of contemporary migration crises through a selection of Alshaibi’s work. The lecture is informed by Alshaibi’s own biography and considers the impact of socio-political conditions on individuals under threat of the state or statelessness. These forces are contextualized when resources and land, mobility, political agency, and self-affirmation are compromised.
This event is free & open to the public. Venue is accessible.
Sama Alshaibi’s (Palestine/Iraq) multi-media artworks disinters negotiations in spaces of conflict: the causation and aftermath of war and exile, the clashes between nation and citizenry, the vexatious dynamics of humans competing for land, resources and power, and finally, one’s own internal struggle with mental entrapment through self-policing emotions such as fear. Although she frequently uses her own body, Alshaibi is rarely representing herself directly. The body situates itself in allegorical contexts, trapped in time and space. The body juxtaposed with symbol, backdrop and gesture, constructs contexts of her physicality. The body as evolving metaphor. The body as site. The absence of her body in her artwork is still the context of the body absent.
Alshaibi has had over ten international solo exhibitions and her artworks are widely exhibited in prominent international biennials, film festivals, museums/institutions, galleries and fairs, including the 55th Venice Biennial, Honolulu Biennial 2017 (Hawaii), 2014 FotoFest International Biennial (Houston), MoMA (NYC), Edge of Arabia (London), Arab World Institute (Paris), Headlands Center for the Arts (San Francisco), The Bronx Museum (NYC), Paris Photo (Paris) and Museum of Contemporary Art (Denver). Aperture Foundation published her first monograph, “Sama Alshaibi: Sand Rushes In” – it was released in March of 2015 in conjunction with her solo exhibition with Ayyam Gallery in London. Recent and upcoming solo exhibitions include “Sama Alshaibi: Silsila” at Scottsdale Museum of Contemporary Art (Arizona, USA, 2016) and at the Herbert F. Johnson Museum at Cornell University (NY, USA, 2017), “Collapse” at Ayyam Gallery in Dubai (2015) and “vs. Him” at Lawrie Shabibi Gallery in Dubai (2012). Her art residencies include Darat al Funun (Amman), A.M. Qattan Foundation (Ramallah) and Lightwork (NY). Alshaibi was awarded two national teaching awards and granted the title of ‘University of Arizona’s 1885 Distinguished Scholar’. She has been awarded the 2014-2015 Fulbright Scholars Fellowship to the West Bank, Palestine. She is currently Chair and Full Professor of Photography and Video Art, University of Arizona, where she has taught since 2006. Alshaibi is exclusively represented by Ayyam Gallery.
For more information about this event, please contact the NYU Center for the Study of Gender & Sexuality at csgs(at)nyu.edu or 212-992-9540.
Co-Sponsored by the NYU Asian/Pacific/American Institute; Center for the Study of Gender & Sexuality; Department of Social & Cultural Analysis; and Hagop Kevorkian Center for Near Eastern Studies.