“Charles Court Opera return to the King’s Head Theatre for their final production in the historic original venue; a smart, stylish, sparkling fresh version of the most loved of Gilbert and Sullivan’s comic masterpieces, The Mikado, with a brand new production design, and a typically classy CCO twist.
Across the board reviewers and audience alike LOVE this production. It’s a classy, lush, quality production in the wonderfully bijou King’s Head Theatre. Unlike traditional Opera, this gem of a show is in a 110 seat venue which totally engages the audience. Well known songs, comedy, a plot that will tickle your fancy and just the most amazing singing ever this is the show to see if you like Opera, if you’ve never seen Opera, if you don’t think you’d like Opera. This show is for you!
This is why London Fringe Theatre is sooo good and worth choosing in preference to the West End shows.
This unfunded Fringe venue, led by Adam Spreadbury-Maher (Artistic Director) and Fiona English (Executive Director) did 81 productions last year and is an innovative leader in the live entertainment business.
The show will sell out. It’s not a lottery, it’s 1st come 1st served so don’t delay getting tickets or you’ll be disappointed!
“Moreover, the proximity of the cast means that we hear every word of both the dialogue and the songs, and Damian Czarnecki’s choreography deftly utilises every inch of space, including the furniture, to keep the action flowing, sometimes to feverish effect.