Twelfth Night is probably the best loved of Shakespeare’s comedies and this production was well received by a delighted audience. The comic scenes are played with gusto and accompanied by meticulously researched music hall ditties that add to a distinctly upbeat and joyful production.
Chris Luscombe’s sumptuous and ingenious set is an engineering marvel and a perfect backdrop to Orsino’s world of aesthetic self absorption. The references to India and the mystical east in the rich costumes cleverly links the Raj and the hedonistic sensibilities of the aesthete.
Much fun is had with the confusion caused by Sebastian’s and Viola’s gender swap. The hesitation over the lovers sexual preferences at the play’s resolution is hilarious and provides a contemporary slant that would surely amuse the bard.