Abstract: Bodhgaya is situated in the state of Bihar in India and is known as the place where the Buddha became awakened while sitting under a Bodhi tree, which is marked by the diamond seat (Sanskrit: vajrasana). The holy site developed in recent times from a small village to one of the most important places of Buddhist pilgrimage on an international scale. For this research I focus on how Bodhgaya, as a lieu de mémoire, became a global village, and show how the visual culture of three foreign temples from Sri Lanka, Burma, and Thailand visually express on the one hand their relationship with the site as a place of memory, and on the other hand their relationship with their home country.