In director Josué Méndez’s stylishly composed second feature, Elisa, the soon-to-be-wife of a wealthy industrialist, is eager to shed her working-class background in favor of the opulence of her fiance’s elite lifestyle. To her dismay, she soon realizes her hopes to slip into magazine-ready images of domestic splendor must also include her future stepchildren: Diego, who is hounded by his overbearing father and reluctantly preparing to enter the family business, and Andrea, Diego’s party-girl sister and the object of both his desire and disgust. As Elisa embraces her new life of lavish parties and beachfront estates, Diego and Andrea rebel against their upper-class upbringing, setting the stage for an ironic contrast of fate and ambition in this biting satire on upper-crust wealth and privilege.
Hailed as the seminal film of the Korean new wave, OASIS tells the story of two societal misfits and their struggle to find love and acceptance amidst the hypocrisy of modern Korean life.
A young man returns to live with his father. The reunion reveals a difficult and distant relationship, due to the disappearance of the other son thirty years ago.
Excellent journey of a film... enjoyed it thoroughly.
es una mgnifica experiencia sobre las diferencias de las clases sociales.