in any lessons I teach.
stuff that we've already developed.
of alternate pathways to get places.
there that they haven't heard before.
do you use on an altered seventh sound?
the chord we don't want to hear these.
you're doing if you got those in.
Let's take a look at what we could use.
different ways to go here.
one but I use them both.
on our C altered chord.
nine, there's the flat five, or sharp 11.
that people have a frame of reference.
in there in the middle you heard.
Closed out with an approach pattern.
So look at what we're doing there.
our basic pentatonics under our fingers.
that we can use that same information.
how we're gonna finger it.
though that comes right to mind.
Major third is cool on there.
There's our G flat which our flat five.
to our F minor seven.
down to resolving to a minor chord.
So this one there's something about it.
putting our third in this one instead.
the more exotic things get.
on a let's do a two five to C.
the B flat minor seven pentatonic.
brain a little bit here.
I'm just gonna play some random chords.
of ginger after you eat sushi.
it sounds a little funny.
qualities of the C down there.
it a dominant, I might make it a major.
F, A flat and C.
Then we're gonna go to the altered chord.
And I'm gonna use that pentatonic.
You'll hear a lot of our mechanisms go by.
Maybe I'll do this too.
That's our crossover pentatonic exercise.
you can be extra proud of yourself.
to C at 110 beats per minute.
bars of our D minor seven flat five.
I want to put down there.
D Minor seven Flat five.
[NOISE] And there's our G seven altered.
[NOISE] Let's go with a C Minor here.
on our D Minor seven Flat five.
pattern to close that out.
on our C Minor seven.
pentatonic over the G seven altered.
notes are right in there.
And since that's a good, here it is again.
we were on the G altered.
then went to the D flat.
There I did it the right way.
which is cool on our G altered chord.
which is also cool on there.
tensions gave it a nice motion.
It's the F minor six pentatonic.
pentatonic on our D minor seven Flat five.
up again in some variety.
wide open sound from our pentatonic.
a lot of fun stuff to work with.