In the narrative & # 8220 ; The Haunted Boy, & # 8221 ; by Carson McCullers, a male child & # 8217 ; s hankering for his female parent causes him to be lonely and emotionally disturbed. Hugh & # 8217 ; s mother attempted self-destruction, and he was so disquieted that he secluded himself from autumn of his close friends.
He allows no 1 to acquire near to him. A few months after the attempted self-destruction Hugh, & # 8220 ; somehow cut myself off from people. & # 8221 ; ( McCullers 622 ) . Hugh was so frightened to acquire close to anyone because of fright that something like this would go on once more, that it caused him to non hold many friends, if in fact he did hold any. Besides, his friend John tries to go forth his house one afternoon and John urgently tries to maintain him at that place by offering John another piece of pie. Finally John tells Hugh that he, & # 8220 ; was obligated to sell those tickets. & # 8221 ; ( McCullers 622 ) . Hugh is abandoned inside the house by himself terrified to look for his female parent because he may happen her dead once more. So he watches as John, & # 8220 ; closed the forepart door behind him, and he was alone. & # 8221 ; ( McCullers 622 ) . Hugh is unoccupied because John has left and Hugh has nil to make but seek for his female parent. He sees a vision of that awful afternoon where he finds his female parent lying on the bathroom floor with her carpuss cut and tallies in his room. In Hugh & # 8217 ; s instance the & # 8220 ; effects of a broken trust may be violent plenty to alter the personality of that character. & # 8221 ; ( Gossett 331 ) . It in the terminal did alter his over all character to a alone male child. This is non the lone effect of solitariness.
Another illustration of solitariness is portrayed in Sara Teasdale & # 8217 ; s, & # 8220 ; The Solitary. & # 8221 ; The verse form is fundamentally about Sara explicating how she is better of by herself and how she does non necessitate anyone. She besides says that, & # 8220 ; If I have myself and the thrust of my will, & # 8221 ; ( Teasdale 453 ) . that she is better off. So she is saying that she merely needs her creativeness and her head to maintain her company. The manner Sara wrote her verse form makes the reader position her as a lone wolf. She has no loved 1s, good, they care about her, she doesn & # 8217 ; t care anything about them. In her words, & # 8220 ; allow them believe I love them more than I do. & # 8221 ; ( Teasdale 453 ) . So she has a acrimonious bosom toward her loved 1s. They can believe whatever they want about her. However, Sara does non concern herself with what anyone thinks because she is content with herself and the manner she is. She feels self complete, & # 8220 ; as a flower or a stone. & # 8221 ; ( Teasdale 453 ) . She evidently feels good about herself, as does nature. But Sara ever & # 8220 ; went serenely down her ain way, processing to the round of a different drum. & # 8221 ; ( Sprague 99-100 ) . Just because some effects are bad, does non intend that they all are. In Sara & # 8217 ; s instance, it caused her to go a great poet.
Robert Frost’s, “Death of the Hired Man.” The hired adult male in this verse form is a soundless lonely guy that comes place to decease because he has no friends or no household. One twenty-four hours his household is speaking about him and a adult female asks what good he is and, “who else will harbour him? ” ( Frost 569 ) . The hired adult male is such a lone wolf, that he has no where else to travel so the cat that the adult female is speaking to calmly answers, “I shouldn’t head him breaking himself.” ( Frost 570 ) . All this clip the adult male is standing in the corner and he sort of looks over at them to see why they are being so close and the adult female tells the work forces to be quiet because, “he’ll hear you.” ( Frost 570 ) . So the people mock him and speak about him until he dies, and when they find out that he dies, the show commiseration and shame because he is dead and all he had were people speaking about them. They are shamed because he really came all the manner from place to decease with his household who mocks and ridicules him and they pity him because he has no 1 else to turn to demur his household who evidently does non care about him. The concluding effect is commiseration and shame. Not self commiseration, but commiseration from others around the alone individual. Which are people that feel regretful for that individual because they are merely a small spot bizarre, or different from the remainder. Pity and shame that Frost experiences when “no one was at the port to run into Frost and his household after their trip.” ( Thompson XI ) . Frost’s effect of solitariness caused him to lift above the remainder of the ordinary universe of field and loutish people to go this great poet and superb author of our clip.
All the writers tie loneliness into their verse forms by personal experiences or feelings they had at that clip. In Carson & # 8217 ; s topographic point, something happened to her household that caused her to experience the province depicted in, & # 8220 ; The Haunted Boy. & # 8221 ; With Sara, solitariness was at her advantage and aided in her composing many verse forms like, & # 8220 ; The Solitary. & # 8221 ; Robert & # 8217 ; s experiences give him merely plenty thrust and will power to turn out that being different from everyone else is non needfully a bad thing. How else could he hold created such beautiful pieces like, & # 8220 ; Death of the Hired Man. & # 8221 ; Which when read makes people believe twice at disrespecting and sniping behind person else & # 8217 ; s back. The effects of solitariness aren & # 8217 ; t a bad thing if that lonely 1 has the thrust to lift above those that make merriment or neglect to acquire along with him or her. Is loneliness a job, yes, disease, possibly, but one thing is for certain, and that is no 1 can of all time state if they will be beleaguered or blessed with such a diverse unwellness as solitariness.
Cox, James. & # 8220 ; Robert Frost. & # 8221 ; A Collection of Critical Essays. Englewood Cliffs. New Jersey: Prentice Hall, 1962.
Frost, Robert. & # 8220 ; Death of the Hired Man. & # 8221 ; Elementss of Literature. Albany, New York: Scott Foresman and Company, 1999.
Gravier, Lawrence. Carson McCullers. New York: Ungar, 1975.
Gossett, Louis. Short Story Criticism. Ed. Thomas Votteler. Detroit: Gale Research Inc. , 1992.
Mccullers, Carson. & # 8220 ; The Haunted Boy. & # 8221 ; Short Story. Glenview, Illinois: Scott Foresman and Company, 1979.
Sprague, Rosemary. & # 8220 ; Sara Teasdale. & # 8221 ; Imaginary Gardens. Philadelphia: Chilton Book Company, 1969.
Teasdale, Sara. & # 8220 ; The Solitary. & # 8221 ; Short Story. Glenview, Illinois: Scott Foresman and Company, 1979.
Thompson, Lawrance. Robert Frost. Minneapolis: University of Minnesota Press, 1959.