I know that I like to watch work-in-progress posts so I will try to blog more often about my works-in-progress. Here is my latest experiment.
I have wanted to try stretching and mounting vellum for a while. I am not sure that I would use them for my normal watercolor on vellum work all the time–I do like the look of loose vellum waving and moving like the living breathing creature it is!
This piece is feeling like I hit the right combination. It is on calfskin vellum but on stretched and mounted vellum. That keeps it within the scope of my brand, ie. the artist who works on vellum, you know that stuff that is ‘actual skin’! The mounted vellum looks more like a stretched canvas or panel. Working in egg tempera is essentially the same as how I paint with watercolor. It is a very linear technique as the paint dries very quickly so it is layered using quick lines and dots of paint. Egg tempera is also known for its luminous quality of layering colors with all the underlayers shining through, just like watercolor on vellum. In this piece, I wanted to paint in a background for two reasons. First it would make it look a little more like a traditional oil or acrylic painting and second it would make it a little different from my watercolor work on vellum which for the most part does not have any backgrounds. I would love to hear your thoughts.