The fundamental geometric forms - the circle and the triangle - are key elements in the design of the Radon series. The light from Radon is direct and adjustable. The shade is multi-directional and furnished with an asymmetrical reflector, ensuring that light spreads out precisely to the surface where it is needed.
Radon was introduced in 2005 in a matt chrome/black version, followed in 2008 by a matt chrome/white version. Thanks to its simple but lively design, Radon has quickly fulfilled its potential for becoming an authentic classic. If you thought that the original Radon had a great personality, wait till you experience the stunning, completely black Radon Nigra and the smooth, soft white Radon Alba.
Radon is a light and mobile lamp, made of moulded materials. The neck at the shade provides flexibility and brings the lamp to life. There is also some air between the shade and the reflector, which insulates and allows you to handle the shade. The switch is placed at the top of the lamp. Radon is available in a full range of models: table, floor and wall lamp. You can see the different variations and models here.
Lightyears does not put just any lamp into production. The most important requirement is a fusion of form and function, and that the lamp provides optimum illumination. Every single detail must have its own purpose, and not exist purely for the sake of design.
The combination of progressive and timeless aesthetics is the golden thread that runs through all of our product series, tangibly expressed through functional design and refined lighting technology. Thus, their product assortment presents a new and pioneering order of modern design and quality illumination. In this sense, they know that their name brings obligation. But it also proves their commitment to being light years ahead!
All the production is handmade by experienced craftsman.
Hans Sandgren Jakobsen belongs to a younger generation of industrial designers who, by virtue of their talent and craftsmanship, have managed to renew the interpretation of lighting. The ability to join functionality with a minimalistic completeness of form is one of his trademarks.
As we know, light gives life to space and furniture. Accordingly, it has been his goal to create an aesthetic experience in viewing the lamps and utilising the light they exude. He accomplishes this by limiting the number of details so the overall design stands out.