Hear a podcast of the Echoes Interview with Azure Ray.
In another time, Maria Taylor and Orenda Fink could’ve been conventional singer songwriters plucking guitars, but since their debut album as Azure Ray in 2001, there’s always been a richness to their arrangements that perfectly matched the wrap-around harmonies of their voices.
“We’re feminists, so we can never just be chicks with guitars,” says Maria Taylor with her electric guitar slung around her neck. “We’ve gotta always you know, push ourselves to way more than that.
“Singing with just acoustic guitars would just I think be a little limiting to the way our songs can ultimately end up being,” chimes in Orenda Fink, also adorned by an electric guitar.
Azure Ray occupy the serene side of alternative rock. In fact, you might say that they are mavens of melancholy with songs full of abandonment, yearning, and regrets. nothing expresses that more than “November,” possibly one of the saddest songs ever.
Although it sounds like a hymn of heartbreak, its source is more poignant.
It’s a song that is often interpreted as hymn of heartbreak and can bring an audience to tears.
“I’ve seen it, yeah,” says Taylor.
Maria Taylor And Orenda Fink met in school in Birmingham, Alabama and they probably don’t look much different in their mid-30s than they did in their teens. Both have long brown hair and are so petite that their guitars are almost bigger than they are. they started out in a rock band called Little Red Rocket who released two albums on a major label in the late 1990s. You might wonder how they got from this exuberant, driving rock sound to the painfully introspective and contemplative music of Azure Ray.
You can hear more about Azure Ray in the Echoes Interview, available now as a free podcast on iTunes.
Here’s a previous EchoesBlog on Azure Ray.
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