Piper FergusonI suspect most of your inboxes aren’t reminding you of it quite as insistently as mine is, but the fact is that the CMJ Music Marathon kicks off in New York next week. Retirement or no, heading down is always on the table because hey – week/end in New York that I can write off. What’s not to like? Unfortunately, that’s not happening this year because of work and other logistics, and it’s especially unfortunate because this year I’ve teamed up with the good folks at Hype Machine and some other blogger types from YVYNL, All Things Go, and No Fear Of Pop to put on a couple nights of free shows.
My night is Wednesday, October 17, at Brooklyn Bowl where you can, indeed, bowl as well as see live music – what will they think of next – and the impressively international bill stacks up as follows: New York’s own Virgins, who had no small amount of buzz circa their 2008 party-friendly self-titled debut and are looking to recapture that with a new lineup and a second album, due out in early 2013. Ameri-Kiwi psych-pop trio Unknown Mortal Orchestra, who’ve been turning heads whilst opening for Grizzly Bear on their Fall tour and have just announced they’ve signed to Jagjaguwar for the February 5 release of their second album II. From Los Angeles, The Neighbourhood do a kind of dark, neo-soul writ rock and have been making an impression with their debut EP …I’m Sorry. Copenhagen’s Indians, who recently found the perfect home for their dream-induced folk-pop with legendary label 4AD; their debut full-length is due out in 2013 and they’re opening up for Other Lives on tour this Fall – which is good, because it means I can catch them at The Horseshoe on November 23. And finally, there’s JJAMZ, the improbable West Coast electro-pop supergroup drawing DNA from Rilo Kiley, Phantom Planet, The Like, and, um, Maroon 5. Hey, it’s eclectic!
So if you’re going to be in New York next week – be it visiting or residing – do RSVP and show up, knock down some pins, cut a rug, whatever being in Williamsburg compels you to do. And if you do go, let me know how it is, yeah?
Closer to home, it really doesn’t seem like there’s been a time in the past few years when Ty Segall didn’t have an album coming out and/or a show coming up. His third record of 2012, Twins, just came out this week and even though he was just here at The Hoxton a few weeks ago, he’s already scheduled a return engagement – and this time the show will be Phoenix-sized. He’s back on February 6, tickets $16.50 in advance.
Savoir Adore gets some blog love as BrooklynVegan has premiered a new video and My Old Kentucky Blog has a stream of their new album Our Nature, out next Tuesday. They’re at Rancho Relaxo tomorrow night.
Spinner talks to Benjamin Gibbard about his solo debut Former Lives, out next Tuesday but available to stream in whole now. He’s at the Danforth Music Hall on Sunday, October 14.
The Aquarian, amNY, and PopMatters talk to John Darnielle of The Mountain Goats while The AV Club solicits a goth playlist and The Fader a reading list. The Mountain Goats are at The Phoenix next Saturday, October 20, and they’ve just released both a new video and download from Transcendental Youth.
There’s been a flurry of Sharon Van Etten goodness over the last few days – a new video from Tramp, a Black Cab Session, and a stream of a duet with Rufus Wainwright taken from a forthcoming Starbucks-assembled holiday compilation called Holidays Rule, available where you buy coffee come October 30.
Spin reports that Dinosaur Jr will release a vintage live recording on vinyl come November 19; Chocomel Daze (Live 1987) is available to preorder now and a sample from it is streamable below.
DIY talks to Jason Lytle, in town opening for Band Of Horses at Massey Hall on December 5.
A new video from M. Ward’s A Wasteland Companion has premiered over at Team Coco.
Paul Westerberg talks to Rolling Stone about the covers benefit EP that will eventually be coming out credited to The Replacements.
Toro has an interview and Chart a video session with The Antlers.
The Alternate Side welcomes Bob Mould to their studios for a video session.
Jason ArthursWe’re still over a week out from the official Summer solstice, but Superchunk don’t need no druidic approval to declare the season of sun and fun officially here. After following up 2010’s Majesty Shredding with a series of reissues, they’ve just released a new 7″ single for the song “This Summer” and if that wasn’t enough seasonal thematicness for one release, the b-side is a cover of Bananarama’s 1983 Summer anthem.
The single is limited to an edition of 1300 pieces worldwide, pressed on white vinyl, and comes with a download code for an acoustic version of the a-side. And as a little bonus, they’ve released a video of the band recording the handclaps that appear on the tune.
“This Summer” is available to stream now. Update: Stereogum has the Bananarama cover up to stream now, as well.
Some noteworthy concert announcements came down the pipe yesterday. Chicago’s heavy post-rock trio Russian Circles have made a date at Lee’s Palace on August 21 in support of last year’s Empros. Tickets are $14.50 in advance.
Chicago’s Riotfest has made a name for itself over the past few years as a festival catering to those with louder/punkier tastes, and they’ll be expanding beyond the Windy City this year, touching down at Toronto’s Garrison Commons at Fort York on September 9 with a lineup featuring The Descendents, NOFX, Fucked Up, and more. Tickets are $39.50 and go on sale Friday.
Dinosaur Jr have announced a September 18 release for their next album I Bet On Sky; details and album art at Pitchfork. They’ll celebrate its release with a three-night stand at Lee’s Palace from September 24 to 26.
Ty Segall never seems to wear out his welcome in these parts, but just to make sure you stay interested he’s teaming up with Thee Oh Sees for a Fall tour that hits The Hoxton on September 26, tickets $18.50. Segall’s follow-up to last year’s Goodbye Bread should be out by then; Thee Oh Sees’ new one Putrifiers II definitely will – it has a release date of September 11 already set.
Dr. Dog will be at The Opera House on October 13 in support of their latest, Be The Void. Tickets are $20 in advance.
Portland’s Menomena have made a date at The Horseshoe on October 17, which kind of implies they’ll have a new record out by then. Tickets to that are $15 in advance. Update: Said new record will be called Moms and be out September 18.
Apparently not a man to hold a grudge, Dan Deacon has made plans to return to Toronto for a show at Lee’s Palace on November 9 – tickets $13.50 – but please, leave his skull alone. His new record America is out August 27.
If you were planning on seeing A Place To Bury Strangers at The El Mocambo tomorrow night for NXNE but were worried about not knowing any of the new songs from Worship, what with it not being out for another couple weeks (June 26), fear not – The Quietus has an advance stream of the album for you. But let’s be honest, it’s all going to sound like “KKKKKKCCCCCCHHHHHHHHHHHHHHHH” anyways.
Joe Pernice has offered a clue as to who will be opening up for him at The Dakota Tavern on June 22, and if you still don’t get it – and understand why you should be in line well before doors open at 6PM (there are no advance tickets) – then clearly you are on the wrong website. Good day to you.
Fang Island have made another track from their forthcoming Major available to download; the album is out July 12.
Cat Power talks to The Stool Pigeon about her new album The Sun, due out on September 11.
The lead single from Calexico’s new record Algiers – due out September 11 – is now available to download.
Pitchfork and The Fly have features on Grizzly Bear, currently trying to come up with a title for their new album before it’s released on September 18. They’re at Massey Hall on September 26.
In a Facebook post, Anna-Lynne Williams updates fans and friends about her various musical projects and notes that the Trespassers William forthcoming career-wrapping compilation has a name – Cast – and should be out in September.
The Music has two separate interviews with Mark Kozelek while Filter only has one. His October 3 date at The Great Hall still hasn’t been canceled.
Daytrotter has a session with Nada Surf, who’ve just released a new video from their latest The Stars Are Indifferent To Astronomy.
With the release yesterday of Class Clown Spots A UFO, Consequence Of Sound decides now is the perfect time to take an album-by-album look at the discography of Guided By Voices, though they’ll have to expand it in November when Bears For Lunch, the band’s third album of the year, is released.
School Of Seven Bells have selected a winner in their competition to make a video for their song “The Night” off of Ghostory.
Bowerbirds have new video out from The Clearing.
Rolling Stone has an excerpt from Big Day Coming: Yo La Tengo and The Rise of Indie Rock – the just-released book about Yo La Tengo and the rise of indie rock – and The Washington Post has an interview with author Jesse Jarnow about the volume.
Ruth SwansonSeeing San Francisco’s Ty Segall at Halifax Pop Explosion 2010 was one of the most unexpectedly rowdy/violent shows I’ve ever been in the middle of, which was a bit surprising considering that as rough and garage-y as his stuff is, it’s not all that heavy. Certainly not the obvious soundtrack for the bedlam that ensued that evening. Maybe it was just Halifax. Anyways, despite enjoying his music well enough, I’ve made a point of avoiding his shows as the odds of me getting kicked in the head seem to increase exponentially when we’re in the same room.
So you won’t be finding me at The Horseshoe on May 12, as that’s the day that Segall and Tim Presley, who plays in Los Angeles’s Darker My Love but also operates solo as the mellow if trippy ’60s psych-rock act White Fence, roll into town. The show will be in support of their forthcoming California garage rock summit LP Hair, as well as their respective latest releases. Segall put out Goodbye Bread last Summer, White Fence will release the two-volume Family Perfume set in April and Hair is due out in late April.
Spin talks to Segall about the collaborative record. Tickets for the show – which also feature Austin’s Strange Boys on the bill – are $16.50 in advance, and do not cover first aid costs for if you get kicked in the head. Update: Full tour dates now up at Pitchfork.
And if the garage rock isn’t your speed, that same evening will find Justin Townes Earle at The Opera House to play songs from his new record Nothing’s Gonna Change The Way You Feel About Me Now, out March 27. It’s part of a massive world tour and will cost you $18.50 to get in.
Good news! Portland’s Blouse, who were featured in the first post of this year, are coming to town on May 5 as support for Bear In Heaven at The Garrison. Bad news! It’s the same night as Spiritualized at The Phoenix. I will be making catching them at SXSW a priority, but if you’re free that evening I’d highly recommend this bill.
And speaking of Bear In Heaven, they released a regular-speed preview of their new record I Love You, It’s Cool a few weeks ago. It’s out April 3.
NPR has premiered the first video from The Magnetic Fields’ forthcoming long-player Love At The Bottom Of The Sea, due out March 6. They play The Sound Academy on March 30.
The first taste of M. Ward’s new one A Wasteland Companion comes by way of a video. The record is out April 10.
NOW, The Boston Globe, Metro, The Montreal Mirror and Washington Examiner interview The Kills, in town at The Kool Haus on February 7. And if you want a preview of it, NPR will have a stream of last night’s show in Washington DC up in the next few hours.
Spin has a video of Death Cab For Cutie playing “You Are A Tourist” on PBS’ Live from the Artists Den, the full episode of which is set to air February 17. Death Cab are at Massey Hall on April 19.
NPR welcomes Centro-Matic over for a World Cafe session. Pegasus News talks to Will Johnson about the Woody Guthrie tribute project with Anders Parker, Jay Farrar and Jim James called New Multitudes which will release an album of the same name on February 28.
NPR is streaming a KCRW session with Ryan Adams.