Business of Editing: Does an Editor Matter?
It isn’t too often that the worth of a good editor is hinted at by a reviewer, but when it happens, it stands out.
I have one small and two serious criticisms of Chang’s usually impressive biography. She occasionally lapses into slang or uses the wrong word. A woman “sashays” into a room, British merchants “showcase” a railway, a “roller-coaster of events” is said to have disturbed the emperor, and a concubine is described as a former “high-class call-girl.” “Winsome” is only one of the words misused.
More serious is the matter of sources.…Chang has drawn on the “colossal documentary pool” of twelve million documents in the First Historical Archives of China, which have to do with the reign of Cixi.
It would be useful to say something about these documents and how they are organized,…[R]eaders would like to know why she has chosen this or that source. I liked this biography, but have been troubled as a reviewer because the sources are not easy to check.
What Mirsky complains about are editorial failings. The publisher, Knopf, may or may not have hired a professional editor. Based on the first complaint of wrong words and slang, I wonder if Knopf did hire a professional editor familiar with American language usage (the market/target audience, at least for the reviewed version, is Americans) to copyedit the book. The second complaint, about the sources, makes me wonder if the book had undergone any professional developmental editing.
Or did Knopf take the easy path and simply hire the least-expensive editor it could find and let the author do as she pleased?
Basically, the review, which was written by Jonathan Mirsky, a well-known historian of China who was formerly the East Asia Editor of The Times of London, is complimentary because the book corrects 100 years of misinformation about Cixi’s reign. But for me, who is not a well-versed historian of China and who cannot read between the lines to determine that Chang’s book is a respectable addition to the repertoire, Mirsky damns the book by his quoted comments. I see, instead of a great addition to the history of China literature, a book that is questionable.
It is questionable not only because of the use of slang and wrong/inappropriate word choices, but because the sources are not verifiable or accessible. The message I receive is that neither the publisher Knopf nor the author Chang cared enough about either the book or the reader to ensure accuracy and provability. When I edit a book and see sources that cannot be accessed or identified as dominating the references, I tell the author that it reflects badly on the substance of the material. As a reader, how can I be certain that the same indifference was not given to the text?
In Chang’s case, the problem goes a bit deeper. When I am editing a book, I at least know it is being professionally edited. Granted, a consumer wouldn’t know, and if the author doesn’t follow my advice and correct the references or change incorrect word choices, the book would appear to the consumer as Chang’s book appears to me — unedited.
Editors do matter. The choice of editor does matter. The type of editing does matter. A good working relationship between author and editor does matter. And it is vitally important that an author not believe that each word he or she has written is sacrosanct and cannot be changed for the better. I’m sorry to say that in my career I have encountered several authors who wrongly believed that what they had written was already perfect and that my role as editor was simply to make sure there were no typographical errors.
There is a dual failure in Chang’s book. The first failure is that of the publisher. The publisher clearly should have had Chang’s book developmentally edited by a professional editor who has mastery over American language and usage. I would like to think that the sources problem would not have passed by such an editor. The publisher should have followed up the developmental editing with copyediting, again done by a professional editor with mastery of American language and usage. Many of the wrong word choice and slang problems might (would) have been avoided.
As I have written above, it is questionable whether the book was edited. But assuming it was edited, there is one other matter that could be problematic: What were the instructions to the editor?
Which of these factors was present in Chang’s case, I do not know. I suspect, based on the reviewer’s comments, that several were present. Because I know that quality editing by a professional editor is important, perhaps more so in a book like Chang’s than in some other books, the reviewer’s comments are the red flags that tell me “do not buy this book” — and so I won’t.
Editors do matter and the right editor for the right job matters greatly.