Building I had a good deal of free time, as it was Mitchell doing the lion’s share of the work on the Senator’s offices. In the middle of a dark downpour, (the building was dark inside) I sketched all over the building.
I started in the Rotunda, with the beautiful dome overhead and the Tiffany chandelier, because it thoroughly intimidated me. I figured if I was able to do even a halfway decent drawing, I could do anything! The steps were cold, and people came to look over my shoulder and talk to me, more than normal.
I began by understanding the geometry of what I was drawing, which I think is even more important in symmetrical buildings. If a building is wonky to begin with, then your mistakes may not be noticeable. But with formal symmetry, if things are off they jump out at you. I did a pencil sketch roughly like the drawing below (the underlines were eventually erased), understanding that the dome was going to be a series of stacking circles along the center line of the drop of the chandelier, except many would be cut off from view. There were several other circles stacking on the center line which correlated to the circular balcony at the top of the dome (I MUST find a way to get up there sometime). As we reached the area where the cruciform plan of the rotunda reached out under arches in four directions, I would let the drawing go, so as not to make it too complicated.
Even with all the planning, I lost about three feet in the dome structure. Next time!
After the geometric guidelines, I began inking in stages, building definition and detail.
The chandelier was made by Tiffany Studios in NYC, of bronze and bulbs, highly detailed and elegant, stately but certainly not glitzy like the crystal chandeliers nearby. It cost one dollar per pound (what an odd way to charge) and so was $10,000. The body of the chandelier is twenty-five feet tall, eight feet wide, and hangs on a hundred foot chain. 204 bulbs circle top, middle and bottom, with an added matching lamp in the dome.
Watercolors were added in the studio.
and QoR (bohemian green) watercolors.
This entry was posted in architecture, art, drawing, history, journal, painting, pen & ink, process, sketchbook, urban sketchers, watercolor and tagged art journal, chandelier, Daniel Smith watercolors, dome, Noodlers, QoR watercolors, rotunda, Sennelier, Stillman & Birn, Tiffany, Urban Sketchers Portland, Washington State Capitol Legislative Building. Bookmark the permalink.
The Washington State Legislative Rotunda!
Your sketches are absolutely fantastic! Enjoyed them greatly.
Truly love seeing your work. I also like how you include close ups of all the details of your sketches and notations!
Thank you Jo, Annette, Jana!
Lynn, I am glad you enjoyed it. Architects draw in their own language — it communicates things to my understanding as I draw. I wondered if it would be interesting to non-architects. Glad it is!
Thanks Tracey — on this one, I considered writing a Tracey Fletcher King blog post, where my husband said the image looked like a face with hair so I went back to the drawing board. . . . what I did improved it, but occasionally I hear your post about my work — weird, yes?
What a gift you have been given. Your work is stunning. If only….I could add to my journaling efforts beautiful sketches. Instead I can enjoy YOUR work and others who have this art form. Thanks for sharing this with your admirers.
Thanks Stepheny. If you ever want to try your hand, I can recommend some fun classes online! Do you have a blog?
Online classes, oh, that’s worth looking into. Yes, I do blog, and I think if you click on my comment, it will take you there. Nice to take a step into your world, hope you will have a moment to visit mine. Thanks for the reply.
okay now you are just making me blush.