What Mad Universe is a science fiction novel, written in 1949 by the American author Fredric Brown.
Keith Winton is an editor for a science fiction magazine, working during the late 40s when genre fiction magazines have not yet given over to TV shows. With his glamorous co-worker, Betty (an employee of the 'romantic stories' magazine, on which he has an undeclared crush), he visits his boss in his elegant estate in the Catskills, unfortunately on the same day as an experimental rocket laden with a high-voltage generator able to be seen discharging on the Moon's surface is to be launched. Betty has to go back to New York.
Keith is alone in his friends' garden, deep in thought, when, suddenly, the rocket's generator (whose launch has been a failure) crashes on his friends' residence and dissipates its gigawatt electrical charge right on the spot Keith is standing on. The massive energy discharge allows his physical form to 'shift' through dimensions, taking him to a strange but deceptively similar parallel universe.
Having as a science fiction editor rather despised space opera, he finds himself living in a "Mad Universe" where the most cliché aspects of that subgenre are an actual, daily reality. At first inclined to regard all this as a bit far-fetched, he is reprimanded by this world's version of his beloved Betty: "Do you think the danger of all humanity being exterminated is a matter for joke?" In order to have any hope of getting back to his own world, he has to get in touch with the impossibly 'larger than life' hero who leads Humanity's struggle against the Arcturian menace and his "artificial brain" sidekick Mekky.
To do that, Winton must again descend into the very dangerous streets of nighttime New York. He makes contact with the underworld - which includes both submachine-gun toting gangsters and Proximans who can burn you to cinder by simply focusing their red lens of an eye - establishes a partnership with a desperate criminal, steals the private spaceship of a rich United States Senator, learns space navigation in a single night and narrowly avoids being blasted by a naval ship for having entered a restricted sector of space, before finally getting involved in a desperate last-minute plan to thwart the onslaught of a fearsome alien superweapon against the Solar System and Earth. In the end, Winton has no choice but himself assume the role of a dashing space hero, embarking on an almost suicidal single-handed attack on the terrible alien ship.
What Mad Universe is full of humor, mostly stemming from the description of the culture shock that the protagonist feels, and the strange things that are in the universe, like sewing machines that open the way for a voyage in space. In this timeline, H.G. Wells did not write a fictional account of a Martian invasion of Earth but a factual political treatise strongly condemning the human invasion and colonization of Mars. A half-serious, half-humorous take on modern society and the reality of our world, its light-hearted tone would be built on by subsequent books, most notably his 1955 work, Martians, Go Home.
The idea of humanity facing an implacably hostile alien species bent on its destruction, with whom no negotiation or compromise is possible, is shared with Brown's earlier short story "Arena".
Boucher and McComas named What Mad Universe the best SF novel of 1949, citing its "blend of humor, logic, terror and satire". P. Schuyler Miller praised the novel as a "gleeful mulligan stew of well tried ingredients dished up with that all-important difference in flavor."
C. Ben Ostrander reviewed the 1978 reprint of What Mad Universe in The Space Gamer No. 18. Ostrander commented that "Brown tells us something about ourselves as science fiction readers with this novel. The message is as true today as it was in 1949 when it was first published."
Ward Smythe noted that "Cervantes sought to write a satire on the Chivalric romances, a very common literary genre in his time. He ended up creating Don Quixote, one of the finest of the fictional Knights Errant (the best of them, in the view of many). Frederic Brown's satire of Space Opera is a satire, all right – but still, it is also among the finest examples of Space Opera...".
^ a b Ostrander, C. Ben (July–August 1978). "Books". The Space Gamer. Metagaming (18): 24.
^ Ward Xavier Smythe, "Science Fiction as Literature, Literature as Science Fiction" in Margaret Bowen (ed.) "The 1940's, 1950's and 1960's in Retrospect: A Multi-Disciplinary Round Table", London, 1993.
Tuck, Donald H. (1974). The Encyclopedia of Science Fiction and Fantasy. Chicago: Advent. p. 69. ISBN 0-911682-20-1.
This page was last edited on 26 March 2019, at 22:50 (UTC).