“Empty Chamber” has an anthemic feel to it without coming off as cheesy and poppy. The song grabs hold with a contagious chorus and keeps you engaged through the bridge that seems agitated, confused, and precise all at the same time. The heavier vocal on the chorus from Strickland contradicts the verse vocal and takes this song to a new level. “This Life” features a lot of drums and bottom end that swirls in the mix with the vocals and guitars, but seems to carry the track. Joe grabs the reigns from behind his kit and takes this track to a new level while Daniel Binnie runs rampant with his guitar over the track, especially when the song hits the bridge. This is one of the best solos on the disc. “Buzzards” features guitar work and vocals that swirl in the mix delivering the intensity of the lyrics and the urgency of the track itself. John steps outside his normal vocals and delivers. The guitar riffs and solos are full of emotion and perfectly matched to the songs energy. This song should go over well live, as it seems to have been built for a venue full of rockers. “Into The Sun” could have been pulled from a lot of different 90’s albums that led the grunge movement except for one thing – the guitars seem heavier to me. The solo on the bridge drags you in and has you wanting to grab your air guitar before its over. The overall sound of this track benefits from the time changes that creep into the song during transitions. “Yellow Bird” is the one song that seems to take a right turn sonically from the rest of the disc. The chorus is contagious and has Strickland putting his stamp on the track vocally while the drums from Wilson keep time perfectly. The bass drones on in the bottom end and keeps the song flowing and the guitars add a layer of rock to the song. Lullwater have done it again and given me another great disc to keep in my collection that I can go back to time and time again.