"Haunted in the New World is a superb, insightful, and acutely intelligent piece of work. It makes a real contribution to the understanding of ethnicity in general and Jewish American culture in particular." —Morris Dickstein In 1916 Abraham Cahan, editor of the Jewish daily The Forward, warned his Yiddish-speaking readers of the potential psychic dangers associated with their New World situation. "You will not be able to erase the old home from your heart," he cautioned his immigrant readers, transplanted from the shtetls and cities of Eastern Europe to exhilarating, if bewildering, multicultural New York. Building on Cahan's deeply personal reflection, Haunted in the New World maps the affective landscape of modern Jewish American culture. Drawing on scholarship in a range of disciplines, including the sociology of manners, the study of the role of foodways in the formation of ethnic identity, the psychoanalysis of shame and self-hatred, and the role of memory for those unsettled by the experience of migration, Donald Weber traces the impact of the tension between nostalgia for the world left behind and the desire to blend into American culture, as evidenced in a number of key texts in the canon of Jewish American expression. These range from early immigrant fiction and cinema, through the novels of Anzia Yezierska and Henry Roth, to Hollywood's representation of Jews in The Jazz Singer and Gentleman's Agreement, to Saul Bellow, Gertrude Berg (Molly Goldberg), and the comedians Milton Berle and Mickey Katz. Setting an array of figures and works in creative dialogue, Haunted in the New World offers a genealogy of those core emotions—shame and self-hatred, nostalgic longing and the impulse to forget—that organized much of 20th-century Jewish American expressive culture and transformed American culture at the same time.
1892 richteten Chicago und New York zum 400-jährigen Jubiläum der Entdeckung Amerikas pompöse Großveranstaltungen aus, die Christoph Kolumbus als US-amerikanischen Nationalhelden und Boten des Fortschritts feierten. 1992 hingegen war in den USA kein Jahr der patriotischen Mega-Events: Indianische, afroamerikanische und umweltpolitische Aktivisten machten mit Protesten auf die langfristigen sozialen, ökonomischen und ökologischen Konsequenzen von 1492 aufmerksam und kritisierten den einseitigen Eurozentrismus der Entdeckungsgeschichte. Was war geschehen? Kathleen Loock rekonstruiert, wie jüdische und italienische Einwanderer Kolumbus seit dem Ende des 19. Jahrhunderts als ethnische Legitimationsfigur reklamiert und so den aktuellen multikulturellen Anti-Mythos vorbereitet haben. Die umfangreiche Studie erschließt eine beeindruckende Fülle an Quellen und leistet einen wegweisenden Beitrag zur Kolumbusforschung und zur multilingualen Aufarbeitung US-amerikanischer Kulturgeschichte.
How have Jews reshaped their identities as Jews in the face of the radical newness called America? Julian Levinson explores the ways in which exposure to American literary culture -- in particular the visionary tradition identified with Ralph Waldo Emerson and Walt Whitman -- led American Jewish writers to a new understanding of themselves as Jews. Discussing the lives and work of writers such as Emma Lazarus, Mary Antin, Ludwig Lewisohn, Waldo Frank, Anzia Yezierska, I. J. Schwartz, Alfred Kazin, and Irving Howe, Levinson concludes that their interaction with American culture led them to improvise new and meaningful ways of being Jewish. In contrast to the often expressed view that the diaspora experience leads to assimilation, Exiles on Main Street traces an arc of return to Jewish identification and describes a vital and creative Jewish American literary culture.
Covers numerous ethnic writers and their works. All major American ethnicities are covered: African American, Asian American, Jewish American, Hispanic/Latino, and Native American.
Yiddish is a rich, complex, and multilayered language, and that complexity is reflected in Yiddish culture. In The Oys of Yiddish, Edward S. Shapiro has gathered a collection of lively essays on Yiddish literature, music, film, and journalism in the United States. This accessible volume demonstrates the enduring value of Yiddish culture through its reliance on solidarity, its artistic adaptability, and its balance of secular and religious characteristics. Shapiro also addresses the problems that have arisen when this vibrant language has been misunderstood or stereotyped, in a book that is sure to delight anyone interested in American Jewish culture.