One of these differences was made abundantly clear when a model walked in a pair of jeans with a bulging codpiece—clearly meant to imply an erection. The intentional, overtly crude attempt at humor underscored their tenor; seeing a woman with a mock erection is shocking and thus reinforces the “difference” between male- and female-bodied individuals. Bodies, at least conceptually, would inform other elements of Linder’s Fall collection—hair wefts were woven in at the armpit or on the shoulder of dresses for women, while deer hide was manipulated into a tabbed skirt; ostrich skin was cut into a smart, slick, borderline sketchy jacket for men. Skin, hair, fur, form—there was something of a grotesque, “ancient” hand at play. It certainly warrants consideration.