A community crossing Gospel Blues event featuring workshops and dances in a church.
If you're in town on Friday, come to a live Jazz band ($5 at the door - not part of a pass) at Westminster Presbyterian Church. Stay for a Club Dancing Class taught by Damon and Kelsy Stone. This unique class will pull from solo and partnered jazz and blues movement and dances and help you feel confident and comfortable exploring spaces other than your local blues dance. Simultaneously, there will be an intro to blues dancing class (no experience or partner required) taught by Adam and Krystal Wilkerson. After these classes, there will be some time to practice your new moves during a social dance DJed by Damon Stone.
Dominic is an up and coming blues dance instructor, and he’s thrilled to embark on this journey with you! He has been dancing blues for about 3 years but has been dancing in his bathroom mirror for as long as he can remember! He is originally from The Bahama Islands, and the Caribbean style music he grew up listening/dancing to has an unmistakable influence on his style. He enjoys the depth and richness of the stories told through blues music, and the strong characteristic sound of the music itself. Dominic is best known for his fluid leg movements, whole-body multi-rhythm techniques, musicality and creative subtlety in his solo and partnered dancing. He draws inspiration from his 5 years of freestyle roller-skating, grooving to hip hop, house and R&B.
Dominic brings excitement and a calm, genuine enthusiasm to every class session! His love for personal expression and unique partnership dynamics shines through in his teaching as he encourages students to explore ways to take practical ownership of their movements. He regularly teaches blues classes in his home scene in Huntsville, AL and has long enjoyed participating in bi-weekly practica with peers and mentors, workshopping every aspect of his blues dancing with his blues family. Dominic is a structural engineer and approaches the construction of dance/partnership mechanics from this perspective, so expect entertaining metaphors in his classes!
Grey found blues dancing long ago when dancing with his grandfather as a child. At university he found others doing a dance similar to what he knew, and clung to the familiar music. Grey is internationally known for innovative classes, deep cultural context, an intuitive learning style and leaving students with a lingering feeling they have been changed beyond just dance. He loves to challenge students physically but also intellectually and emotionally, with his experience based teaching.
Personally he is striving towards elevating his technical skills and playfulness while dancing and brings that into his classes hoping to lead by example and show that we can always be learning. Grey organizes one of the largest dances in the USA and writes obsidiantea.com, a site with helpful resources. Combine all this with his skill as a dancer, being known for musicality and performance, Grey, has cultivated unique respect as an All Star division competitor in the USA.
He also loves cats, tea, dancing with new people. Ask him to dance!
We've been partner dancing since 2004, and focusing on Blues since 2010. We've taught styles from swing to ballroom, but blues has really stolen our hearts, and we'd love to come share our passion for it with you! We've had the good fortune to teach at a wide variety of national and regional events, and we even organize one ourselves every year in our hometown of Huntsville, Alabama!
We both still dance various swing styles (mostly balboa and lindy hop), and spend a lot of our free time hiking with our greyhounds and rock climbing. We’ve been teaching swing and blues since 2009, but have been focusing on blues instruction since 2014. Krystal’s passion for the dance is apparent in her teaching style: upbeat, personal, encouraging, and energetic. Adam’s experience teaching math makes his style more analytical and minutiae-oriented. Together, we feel that we balance out as an effective partnership, keen to instruct any group, and our collective passion for the dance is evident in our classes. ​ We're passionate about teaching not only techniques of blues dance, but also in grounding that work in history. We start with the music and work from there in our lessons, but we also really enjoy digging deep on precise techniques. We love teaching Ballroomin', but we've got a real passion for Southern Blues, so Struttin' and Piedmont have a huge place in our hearts. Adam is from Mississippi originally, after all.
We're also passionate about people finding their own dance within Blues. We encourage doing so, while framing it as best we can in the hardships that the music and dance was borne from, both locally and when we travel. Locally, we host a biweekly practicum at our place where we work with dancers from our home scene on developing their own dance. They come from backgrounds ranging from dancing to hip-hop and Reggae to Lindy Hop, and we learn a lot from them as well.
Community is a key part to dancing.
On philosophy: We believe that blues dancing starts first with the music. There's rich, long history there, and those that make the music are to thank for this dance and our opportunity to express it in our bodies. At the same time, we believe in learning through experience and experimentation, so expect a LOT of getting up and dancing in our classes.
Although we dance a lot of freestyle, we specialize in Blues Idiom dancing and have developed curricula around several idioms. We love community, and view this dance community as a family. Additionally, if people are interested in learning about running events with specific focii, or in starting up a practicum, we'd love to geek out about that, as well!
If hearing the blues doesn't make you stand up and holler, then you've never heard David "Git" Cole play the blues. A favorite of the D.C. Blues Society, this native Washingtonian brings the full range of his experience as one of the area's most versatile musicians to his expression of the blues, arguably America's foremost musical and storytelling art form. Combining his skills as an ace guitarist with soulful vocals and an engaging personality, Cole deploys his talents as a musician and educator to elevate the blues to its rightful place among America's cultural treasures.
"He's a musican's musician," says saxophonist and educator Davey Yarborough, who praises Cole's "attention to stylistic detail." Paul Carr, a master of the sax who shares with Cole a musical biography that spans the genres of blues, jazz, r&b and rock 'n' roll, says of Cole, "There's a whole party goin' on inside his guitar case."
If you've never tried Hand Dancing now is the perfect opportunity. On Sunday, November 18, we will be offering four hours of classes, taught by a large group of talented instructors from a local Hand Dance studio, to give you all the skills you will need to have a great time at the social dance that follows.
Hand dancing, also known as "D.C. hand dancing" or "D.C. swing", is a form of swing dance that can be traced as far back as the 1920s, from Lindy Hop, to Jitterbug and to the 50s when Washington, D.C. developed its own version and named it Hand Dance. It is characterized by gliding footwork and continuous hand conection/communication between the partners, hence its name. It fell out of favor during the disco era, but in the 80s, Hand Dance resurfaced in the Washington dance community.
In 1993, the Smithsonian Institution recognized Hand Dance as an American Art Form, and the Smithsonian exhibit led to the establishment of the National Hand Dance Association.
For any questions or safe spaces concerns, drop us a note!
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