On the contary, the canvases of his youth, for instance those in which the Impressionist influence is legible, recount that something immemorial destroys representation, prevents Realism. Rather than talk of an Impressionist style, let us listen to the immemorial impression that imprints itself on the canvas, that imposes itself victoriously over any vision.
Piuttosto che parlare di stile impressionista, ascoltiamo l’impressione immemoriale che s’imprime sulla tela, che s’impone vincente su qualsiasi visione.