As for the Christ in Glory, for which Vasari had left drawings inspired by Michelangelo's Sistine Chapel, Zuccari preferred to follow the models used by Raphael, which were more in harmony with the sanctimonious rulings of the Council.
Nel Cristo in Gloria poi, dove Vasari aveva lasciato disegni ispirati alla Sistina di Michelangelo, Zuccari preferì seguire modelli raffaelleschi, più in sintonia con le istanze pietistiche del Concilio.