She would ask Swann if the picture had not been engraved, preferring, when possible, old engravings with some interest of association apart from themselves, such, for example, as shew us a masterpiece in a state in which we can no longer see it to-day, as Morghen's print of the 'Cenacolo' of Leonardo before it was spoiled by restoration.
esate baterako, maisulan bat erakusten digutenak, baina ez gaur egun ikus dezakegun bezala baizik eta aurretiko egoera batean zegoèn bezalaxe (adibidez, Leonardoren Afariaren Morghen-en grabatua, obra endekatu baino lehenagokoa).