Claude Lorrain* was right in saying that the foreground of a picture is always repugnant and that the interest of an artwork must be seen in the distance, in that unfathomable realm which is the refuge of lies, of those dreams caught in the act, which are the only thing men love.
irudi baten aurre-aurreneko ikuspena higuingarria izaten da beti, eta arteak nahitaez behar du obraren interesa urruntasunean paratu, ezin harrapatuzko horretan, gezurra, in fraganti atzitutako amets hori, gizonen maitegai bakarra, bere buaia ostentzera doan tokian.