The simple lines of the hand, then, the ring and compass of the voice, as also the individual peculiarity of the language used: or again this idiosyncracy of language, as expressed where the hand gives it more durable existence than the voice can do, viz. in writing, especially in the particular style of "handwriting"-all this is an expression of the inner, so that, as against the multifarious externality of action and fate, this expression again stands in the position of simple externality, plays the part of an inner in relation to the externality of action and fate.
Eskuaren ezaugarri sin pleak, beraz, era berean ahotsaren tinbreak eta konpasak, hizkuntzaren determinatutasun indibidual gisa, eta hori bera berriro eskuaren bidez ahotsak ematen ez dion existentzia finkoago lortzen duela, idazkia, eta gainera bere berezitasunean eskuz idatzi gisa, hori guztia barneko-denaren adierazpena da, halako moldez non kanpokotasun sinple gisa berriro ekitearen eta patuaren kanpokotasun askotarikoaren aurka jokatzen baitu, horien aurka barneko gisa jokatzen duelako.