If the nature of art is to bind the general to the particular, ephemeral eternity of a drop of water to the play of its lights, it is even truer to judge the greatness of the absurd writer by the distance he is able to introduce between these two worlds.
Arteari zehazki dagokiona orokortasuna banakoarekin lotzea baldin bada, ur-tanta baten betierekotasun iraungikorra tantaren argien distirekin elkartzea, are egiazkoagoa da oraindik, idazle absurduaren handitasuna estimatzea, berak bi mundu horien erdian tartekatzen dakien bereizkuntzagatik.