Now that we have considered all the fine arts in the general way that is suitable to our point of view, beginning with architecture, the peculiar end of which is to elucidate the objectification of will at the lowest grades of its visibility, in which it shows itself as the dumb unconscious tendency of the mass in accordance with laws, and yet already reveals a breach of the unity of will with itself in a conflict between gravity and rigidity-and ending with the consideration of tragedy, which presents to us at the highest grades of the objectification of will this very conflict with itself in terrible magnitude and distinctness;
Arte eder guztiak orain arte kontsideratu ondoren gure ikuspuntuari dagokion orokortasun hartan, arkitektura ederretik hasita, zeinaren helburua nahimenaren objektibazioa argitzea baita bere ikuskortasunaren mailarik beherenean, non masaren bulkada kamuts, ezagutzagabe, erregular gisa azaltzen baita, bere burua bitan banatzea eta borroka agerian jarriz, hots, pisutasuna eta solidotasunaren artean-eta gure kontsiderazioa tragedia-antzertiarekin itxiz, zeinak, nahimenaren objektibazioaren mailarik gorenean, bere buruarekiko bikoizte hura dimentsio eta argitasun beldurgarrian jartzen baitigu begien aurrean-horrela aurkitzen dugu oraindik arte eder bat gure kontsideraziotik bazterturik gelditu dela eta gelditu behar izan duela, izan ere gure aurkezpenaren lotura sistematikoan ez baitzegoen berarentzat leku egokirik: