But how is the artist to recognise the perfect work which is to be imitated, and distinguish it from the failures, if he does not anticipate the beautiful before experience?
-Baina nola berrezagutuko luke artistak obra lortua eta imitatu beharrekoa, eta nola aurkituko luke hori lortugabekoen artean; esperientziatik ederra aitzinatzen ez badu?