Swann felt that the composer had been content (with the musical instruments at his disposal) to draw aside its veil, to make it visible, following and respecting its outlines with a hand so loving, so prudent, so delicate and so sure, that the sound altered at every moment, blunting itself to indicate a shadow, springing back into life when it must follow the curve of some more bold projection.
bere musika-instrumentuekin, pasarteari beloa kentzea, agerraraztea, hari jarraitzea eta haren tankera hain esku samur, zuhur, urguri bezain ziurrez, errespetatzea, non soinua unetik unera aldatzen baitzen, lausotuz itzalen bat seinalatzeko, edo biziberrituz ingerada mardulagoren bati jarraiki behar zitzaionean.