Hardly anyone noticed that, in his aria in the second act, Orpheus introduced some unscheduled tremolos and put rather too much pathos into his voice when singing to the master of the Underworld as he begged him to be moved by his tears.
Apenas nabarmendu zen Orfeok, bigarren ekitaldiko arian, partituran ageri ez zen tremoloa sartzea, eta erdiragarritasun apur bat gehiegiz eskatzen ziola, Infernuko jaunari, bere lantuaz uki zedila.