For the moment that Swann was able to form a picture of her without revulsion, that he could see once again the friendliness in her smile, and that the desire to tear her away from every rival was no longer imposed by his jealousy upon his love, that love once again became, more than anything, a taste for the sensations which Odette's person gave him, for the pleasure which he found in admiring, as one might a spectacle, or in questioning, as one might a phenomenon, the birth of one of her glances, the formation of one of her smiles, the utterance of an intonation of her voice.
Zeren, bere irudimenean Odette lazturarik gabe agerraraz zezakeèn neurrian, haren irribarrean ontasuna berrikus zezakeèn unetik aurrera, jeloskeriak amodioari hura beste edonorengandik urrun edukitzeko desioa eransten ez ziòn bitartean, orduan amodioa atsegin birbihurtzen baitzen Swannentzat, ahogozo, dastamen, Odetteren pertsonak eskaintzen zizkiòn zirrarekiko, haren begirada baten hegada, haren irribarre baten egitura, haren ahotsaren tonu-jaulkiera, ikuskizun gisa miresteko edo fenomeno gisa itauntzeko sentitzen zuèn gogoaren gozamen.