He returned to the other point of view-opposite to that of his love and of his jealousy, to which he resorted at times by a sort of mental equity, and in order to make allowance for different eventualities-from which he tried to form a fresh judgment of Odette, based on the supposition that he had never been in love with her, that she was to him just a woman like other women, that her life had not been (whenever he himself was not present) different, a texture woven in secret apart from him, and warped against him.
Swann, beraz, itzuli egiten zen ikuspuntu jakin hartara-bere amodioaren eta jeloskortasunaren ikuspuntuari kontrajarria zegoenera, non kokatzen baitzen zenbaitetan harako oreka intelektualaren amoreakatik eta gertagarritasun guztiak aintzat hartzearren-, eta ikuspuntu hartatik saiatzen zen Odette epaitzen, hura maite ez balu bezala, hura berarentzat beste edozein emakumeren pareko balitz bezala, Odetteren bizitza, Swann aurrean ez zelarik, ezberdina izan ez balitz bezala, Swannen ezkutuan bilbatua, Swannen aurkako azpilanean irazkitua.