But now, at last, he could ask the name of his fair unknown (and was told that it was the andante movement of Vinteuil's sonata for the piano and violin), he held it safe, could have it again to himself, at home, as often as he would, could study its language and acquire its secret.
Baina oraingoan galde zezakeen bere maite ezezagunaren izena (Vinteuil-en Sonate pour piano et violon-eko andantea zela esan zioten), eskuratua zuen, etxean ahal izango zuen eduki berak nahi bezainbat, eta haren mintzaira eta sekretua ikasten saiatu.