Verdurin's pianist always 'skipped.' There were in this passage some admirable ideas which Swann had not distinguished on first hearing the sonata, and which he now perceived, as if they had, in the cloakroom of his memory, divested themselves of their uniform disguise of novelty.
Bazegoen han ere, ordea, ideia miresgarri franko, lehen entzunaldian Swannek erreparatu ez baina orain argiro hautematen zituenak, ideiok oroimenaren aldagelan berritasunaren mozorro uniformeaz erantzi izan balira bezala.