But further, on account of the truth of the saying of Leibnitz, which is confirmed in various ways, music, regarded apart from its æsthetic or inner significance, and looked at merely externally and purely empirically, is simply the means of comprehending directly and in the concrete large numbers and complex relations of numbers, which otherwise we could only know indirectly by fixing them in concepts.
Eta nola gainera era askotan baieztaturiko Leibnizen maximaren egiaren indarrez, musika, bere esangura estetiko edo barnekotik eta kanpotik soilik eta enpirikotasun hutsean kontsideraturik bitartekoa besterik ez den, zenbaki handiak eta zenbaki-harreman osatuak, kontzeptuzko kontzepzioaren bitartez bitartedunki bakarrik kontzebiturik ezagut dezakeguna, bitartegabeki eta in concreto kontzebitzeko;