That the Idea comes to us more easily from the work of art than directly from nature and the real world, arises from the fact that the artist, who knew only the Idea, no longer the actual, has reproduced in his work the pure Idea, has abstracted it from the actual, omitting all disturbing accidents.
Ideia arte-obratik natura bitartegabetik eta errealitatetik baino guri errazago agertzea artistak, ideia bakarra ezagutu duenak, eta ez errealitatea, bere obran ideia bakarra soilik errepikatu izatetik, hura errealitatetik bereizi izatetik dator, kontingentzia nahastaile guztiak alde batera utzirik.