Is Wagner's Parsifal his secret laugh of superiority over himself, the triumph of that supreme artistic freedom and artistic transcendency which he has at length attained.
Wagnerren "Parsifal"a, gailentasunez bere buruaz barre egitea al da, bere azken artista-askatasun konkistatu gorenaren, bere artista-harainditasunaren triunfoa?