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Question: Memo To The Rest of You...

In the latest political love poem from the national media to Arnold Schwarzenegger, the new edition of Esquire magazine proclaims that the governor is leading the nation into a ¿new kind of politics.¿

The March cover story, ¿The President of 12% of Us,¿ takes a quick tour of recent political goings-on in California en route to [...]

Jon Stewart and Stephen Colbert weren't the only funny ones at The Rally  to Restore Sanity and/or Fear on the National Mall Saturday. Here are  some of the signs we spotted throughout the day. God Hates Snuggies I Was Told There'd Be Cookies. We Have Nothing To Fear But Fear Itself, And Spiders. Kitlers Against Hitler Analogies Government Doesn't Suck Real Patriots Drink Whiskey Don't Tread On Anyone That's No Moon Hyperbole Or Instant Death Slogans Are Crap I Stand 4 Good Posture I'm A Veteran. I'm An American. I Am Muslim. I Support The Right To Arm Bears Calm The F*** Down America Fear Is Illogical Just Stop Bickering And Clean This Mess Up THIS FONT IS BIG Going Out Of Business Everything 70-80 Percent Off I Am Moderately Excited For This Stand On The Right, Walk On The Left You Don't Have To Be Nice, Just Don't Be Mean Libraries Are Socialist Lorem Ipsum Dolor Sit Amet I thought Neil Young was going to be playing 1 Percent Sane, 98 Percent American, You Do The Math! Olivia Munn Fan (No ...  Really ...) Fear Gives Me A Boehner My Wife Is A Muslim And Not A Terrorist, But I'm Scared Of Her Anyway Abide CAPSLOCK IS NOT PERSUASIVE Festivas For The Rest Of Us I Heart Beck's Album Mellow Gold It Was His Best In My Opinion Senate Math 41 > 59 Yelling Rarely Works ... I Know, I'm A Mom! Don't Stomp On My Head, Bro


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Question: Iranian Nuclear Scientist, Reportedly On C.I.A. Payroll, Returns To Tehran

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After a long, strange series of events, Shahram Amiri returned to Tehran today. U.S. officials say he was a willing defector who changed his mind and freely returned home. But at the Imam Khomeini International Airport in the Iranian capital, Amiri told a different story. Read More "With his seven-year-old son by his side, he said he had been abducted while in Saudi Arabia last year, and flown to the U.S." NPR's Peter Kenyon reports. "There, he claimed he was subjected to what he called 'the harshest mental and physical torture.'"  Amiri also said Israeli agents were present at some interrogations, and claimed that the Americans wanted to use him to reveal what he said was "false information" about Iran's nuclear program.  In The Washington Post today, Greg Miller and Thomas Erdbrink report on the link between Amiri and the Central Intelligence Agency (CIA): "The Iranian nuclear scientist who claimed to have been abducted by the CIA before departing for his homeland Wednesday was paid more than $5 million by the agency to provide intelligence on Iran's nuclear program," they report, citing U.S. officials.  Shahram Amiri is not obligated to return the money but might be unable to access it after breaking off what U.S. officials described as significant cooperation with the CIA and abruptly returning to Iran. Officials said he might have left out of concern that the Tehran government would harm his family.  It is a fascinating piece, which you can read in its entirety here.

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Good morning, here are our early stories: -- Strong Quake Hits Near Iran-Iraq Border, Killing More Than 200.  -- Human Rights Barely Registers In Meeting Between Trump, Philippines' Duterte. -- Is A Corporate Tax Cut What The Economy Really Needs Right Now? --  Mueller Russia Probe Moves Into The White House And GOP's Math Problem On Taxes. And here are more early headlines: Democrats Draw Attention At U.N. Climate Conference. (Politico) Report: Syria Allegedly Starving Civilians To Force Surrender. (Amnesty International) Saudi Coalition To Ease, But Not Lift, Yemen Blockade. (VOA) North Korean Soldier Shot While Defecting To South Korea. (Yonhap) Eight Afghan Police Reportedly Killed In Western Province. (AP)  French Review Security, 2 Years After Paris Attacks. (Reuters) Menendez Jury Resumes Work With New Member. (NJ.com)


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Question: More Cops, Less Crime?

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Want to reduce crime? Then hire more police. They're a bargain. That's the conclusion of George Mason University economist Alex Tabarrok. His research shows that crime in Washington, D.C., drops during high-terror alerts when police work extra shifts.  The nation's capital has been hit with a crime wave lately, notably an upsurge of violent attacks in tourist attractions like the Mall. Police Chief Charles Ramsey has declared a crime emergency, allowing him to put more police manpower on the streets. That should help, says Tabarrok. An even better approach, he adds, would be if Washington and other cities hired more police overall.

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Carl reads three quotes from the week's news: Is This Pledge a Lemon; Out With the Old, In With the Old; and Time Is on Their Side.


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Question: Are All Young Artists 'Post-9/11' Artists?

When museum curator Nicholas Bell was putting together the show Craft Futures: 40 Under 40 at the Smithsonian Institution's Renwick Gallery, he realized the artists had something in common besides their under-40 status. Because of their youth, he felt that each of them could be classified as "post 9/11" artists. "Their worldview is defined by the angst, the unease, the trepidation of the difficulties of the 21st century," he says. Bell, who's only 32 himself, admires how these artists unite new technology with centuries-old crafts. They're using everything from silversmithing to ceramics to explore post-Sept. 11 concerns: globalism, privacy, sustainable living, war. One artist born in 1978, known as Olek, built an entire fake studio apartment and blanketed it in a camouflage pattern — but this camouflage is bright red, pink and blue crochet. Another artist, Cat Mazza, used real footage from World War II, Vietnam, the wars in Afghanistan and Iraq, and rendered it with software that makes each low-resolution pixel look like a big, fuzzy hand-knitted stitch. "So what you're seeing here," says Bell as he stands before the video screen showing her work, called Knit For Defense, "is black, white and gray stitches representing planes dropping bombs, representing troops jumping out of aircraft, representing ships at sea, representing tanks on the battlefield. And it's all eerie because it's through this odd, homespun lens." Mazza, 34, intended this piece to recall national efforts to knit for soldiers during World War II, when knitting connected civilians to the frontlines. Nowadays, people connect to the wars abroad through Youtube videos. Hence, the knit pixels. Mazza says even though she's exploring explicitly post-Sept. 11 themes, she's not really comfortable with the label: "post 9/11 artist." She doesn't like the idea of artists being framed by just one thing. But that doesn't bother Anna Von Mertens, another artist in the show. "I am of a generation that came of age artistically post Sept. 11th," she says matter-of-factly. One of Von Mertens' series of quilts is hanging in the Renwick Gallery show. Her quilts show the night sky, if you looked up during a moment of terrible violence in American history. Bell says the artist used a software program that shows what the stars would look like from a particular location at a specific moment in time. "So one of the wall hangings in the series is looking from the World Trade Center toward Boston on the morning of 9/11," he says. The stars bear witness to the chaos we humans create and remind us of the weight of our history, says Von Mertens. Other quilts in her series show starscapes from the balcony of Martin Luther King Jr.'s hotel room in Memphis the evening he was shot, or looking north from the U.S. Embassy in Saigon at 2:45 a.m., when the Tet Offensive began. Von Mertens says the hours she spends working on each quilt stitch a connection to these events in history. "I'm speaking about time," she says. "I'm speaking about our place in time and embedding time into the piece." She says they're quilts — and memorials. Bell says not every piece in this show literally refers to Sept. 11 or war. But this exhibition quivers with a kind of tension — and a kind of consolation that art and crafts can provide. "Because it's something people can turn to that makes them feel better," he says. "That makes people feel like they have control over their own destiny." And a way to make something meaningful. LINDA WERTHEIMER, HOST:  When a museum curator in Washington, D.C. was putting together a show featuring artists under the age of 40, he realized they had something else in common. He noticed that all of them could be classified as post-9/11 artists. As that anniversary of the September 11th attacks approaches, NPR's Neda Ulaby wondered what being a post-9/11 artist means. NEDA ULABY, BYLINE: The exhibition is called "40 Under 40: Craft Futures." As you might guess, we're not talking about the stuff in the Michael's in the strip mall. This show is more crafts meets "The Matrix." The classical white salon in the Smithsonian's Renwick Gallery is filled with spiderlike steel jewelry and origami that looks like it came from outer space. (SOUNDBITE OF BUZZING) ULABY: Curator Nichols Bell is gleefully rubbing a stark, dark tapestry. It hums and buzzes in response. This, he says, is the new craft. NICHOLS BELL: It's about interacting. It's about engaging with your world. ULABY: This tapestry is woven with charged copper. It uses your body's natural currents to produce feedback. Bell says it's an example of how post-9/11 artists yank you out of your comfort zone. BELL: Their worldview is defined by the angst, the unease, the trepidation, the difficulties of the 21st century. ULABY: Bell is 32 years old and he admires how these artists bring 21st century technology to old-fashioned craft techniques. Using everything from metalworks to ceramics, they're exploring post-9/11 concerns: gl

Stories: 1) How Dogs Evolved Into 'Our Best Friends' 2) James Wolcott: 'Lucking Out' In 1970s New York


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Question: Jenny Scheinman's Mischief And Mayhem: Live At The Village Vanguard

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By Patrick Jarenwattananon Composer and violinist Jenny Scheinman has a new band called Mischief and Mayhem. Perhaps the mischief part comes where hazy, dreamy grooves from the Heartland meet the experimental jazz quirks of Brooklyn. Certainly, it's a band capable of raucous and rocking mayhem, thanks in part to the presence of Nels Cline, the man Wilco hired to perform its guitar freakouts. Whatever the etymology, Scheinman and the band are soon to embark on another week at the hallowed jazz hall known as the Village Vanguard. WBGO and NPR Music were there for a live radio broadcast and live video webcast on Wednesday, Aug. 17. Nels Cline may be the "name" member of this group, but just as capable is the rest of the cast — both longtime Scheinman associates and unique bandleaders in their own right. Bassist Todd Sickafoose plays with Ani DiFranco and Andrew Bird when he isn't playing jazz gigs, sometimes with his own band Tiny Resistors (which features Scheinman). Drummer Jim Black performs with the best (and weirdest) of improvisers — Dave Douglas, Uri Caine and Tim Berne among others — and has cut five albums with his avant-rock improvising unit AlasNoAxis. As for Scheinman, she's simply one of the most versatile musicians working today; someone who composes and arranges frequently, tours as a country singer-songwriter and plays with Bill Frisell, Jason Moran and Norah Jones. Scheinman grew up on the West Coast to parents who were folk musicians and encouraged her to study music, too. She found her way to the Bay Area jazz scene, where she played in Django-esque and experimental jazz bands alike. Then she moved to New York City, where she wears many hats. In fact, one of her home bases is at the Brooklyn venue Barbes, where she hosts a Tuesday-night residency with many different lineups. She's also become a regular sight at the Village Vanguard. In fact, one of the earliest concerts in the WBGO and NPR Music "Live at the Village Vanguard" series celebrated her 2008 recording Crossing the Field. This set featured a completely different group and repertoire, drawing in part from Mischief and Mayhem's first album — due out in 2012. Set List  "Nigun/Junius Elektra" "A Ride With Polly Jean" "Blues For The Double Vee" "Sand Dipper/July Fourth In Three Four" "Ali Farka Touche" "[Untitled]" "The Mite"  Personnel  Jenny Scheinman, violin Nels Cline, guitars/electronics Todd Sickafoose, bass Jim Black, drums  Credits  Josh Jackson, producer and host Duke Markos, mix engineer Michael Downes, assistant Michael McGoff, assistant

A Grand Tradition, Bill Frisell Interview, Hope Come True, Portrait of Madame X, Gallery Talk - Watercolors, Conscious Choice Cinema


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Question: 'Broken Monsters' Hits Horror Out Of The Park

The world has become hard to shock. It's not because evil is a new thing — that's been around since the beginning of time, and it definitely wasn't created by movies, video games and every other popular scapegoat for the decline of society. But it's undeniable that we've all become a little inured to things that might have been considered unspeakably horrifying 50 years ago. That's made the job of artists working in horror and suspense a little more difficult. In the age of Saw, Boris Karloff's movies, for example, are bound to look more campy than chilling. The best works of horror, though, don't depend just on shock value, but on careful plotting, realistic characters and a kind of atmospheric creepiness. In Broken Monsters, South African writer Lauren Beukes hits all three of those elements out of the park. The novel begins with the discovery of a body in a Detroit tunnel. More precisely, two bodies: the head and torso of a young African-American boy, and the rear half of a deer, fused together. The police, who have seen more than their fair share of bodies, are sickened and completely bewildered. The lead officer, Detective Gabriella Versado, becomes obsessed with the case, to the point of worrying about neglecting her daughter Layla, a precocious, nerdy high school student. Layla, meanwhile — along with her friend Cas — has taken up the dangerous hobby of baiting online pedophiles and threatening to expose their identities. Broken Monsters switches between multiple points of view, so we also meet Jonno, an aging hipster and failed writer who's come to Detroit as something of a disaster tourist, hoping to write about how "real" and "edgy" the beleaguered city is. Then there's TK, a homeless man who inadvertently gets caught up in the case, and Clayton, an artist who has largely fallen out of the Detroit art scene's good graces. As the investigation continues, and it becomes clear that the murder isn't an isolated incident, all of these individual stories get caught up with one another in surprising, awful ways. As a horror and suspense novel, Broken Monsters is flawless — I haven't read a scarier, more tense book in years. But Beukes brings so much more to the table: There's a huge amount of bitter social satire here, especially when she writes about Jonno, the journalist who resents pretentious hipsters but doesn't seem to realize he is one. He has resorted to writing vapid articles for click-bait sites, though he claims to hate it: "It's all chum to pull in the likes. ... He should be writing a post-post-modern Moby-Dick, not trying to come up with smarmy listicles faster than everyone else. But try getting paid for that." Broken Monsters is very much a novel of the present. The city of Detroit is a major, tragic character in the novel — "Some people have ghost towns, we have a whole ghost city," as one local artist puts it. Beukes doesn't shy away from the social issues that have plagued Detroit; she mentions the city's corrupt former mayor, Kwame Kilpatrick, as well as Renisha McBride, a black woman who was shot to death after knocking on the door of a white homeowner. Beukes is an insanely gifted horror writer, and her descriptions of the crime scenes and the accompanying chalk-outlined "ghost doors" are profoundly terrifying. (They have made frequent cameos in my dreams lately, which I guess counts as an occupational hazard.) But she's also very funny — the interactions between Internet-challenged Detective Versado and plugged-in Layla are both hilarious and sweet. And her depiction of the semi-underground hipster art scene is satisfyingly droll. (One artist is excited about his "improv-jam based on the hieroglyphs," which is both absurd and sadly familiar to anyone who has been forced to sit through an evening of amateur performance art.) It's hard to overstate how ambitious Broken Monsters is, maybe because Beukes somehow manages to make it look easy. Her prose is unhindered, exuberant and something like addictive — you can tell yourself you're just going to read one chapter, but before you know it, you've gone through 100 pages. You could say that she's as edgy as James Ellroy, as creepy as Stephen King and as darkly funny as Kurt Vonnegut, but Beukes is an author whose work is resistant to easy comparisons. Broken Monsters is one of the most remarkable books of the year, and one of the best suspense novels you'll read in quite some time.

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Stories: 1) John Waters: A Bad Influence Picks His 'Role Models' 2) Summer Titles That Will Transport You Into The Past 3) Elizabeth Cook: Transcending A Cult Career


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Question: Field Notes from 91.7 WVXU

For kids who can't get enough science, Thane Maynard's Field Notes introduces listeners to Crystal Clear after-school programs.

Grand Re-Opening! Dial 1-900-SCOTUS; Animal Kingdom.


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Question: The Economy Is Soaring, But President Trump's Approval Rating Remains Low

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Nearly all financial indicators show American optimism about the economy is soaring. But, it's not clear that it's benefitting Donald Trump.

Good afternoon. Sorry for being late in our daily roundup. Here's what has been happening so far today: -- Search For Missing Jet Focuses On Objects Seen Off Australia -- Ukrainian Troops' Departure From Crimea Isn't A Simple Matter -- U.S. Adds To Sanctions On Russian Officials -- Westboro Baptist Church Founder Rev. Fred Phelps Sr. Dies -- Reprimand, $20K Fine, No Jail Time For General's Misconduct -- Jobless Claims Stay Toward Lower End Of Recent Range -- Book News: Meg Wolitzer To Publish A YA Novel Inspired By Sylvia Plath


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Great Lakes Security

The U.S. Coast Guard is on guard against terrorist attack in all the nation's ports. On the Great Lakes that's changed life for both weekend yachting and foreign tanker traffic. The service charged with protecting the nation's harbors and inland waterway was worried about homeland security even before the attacks in September, as Mary Ann Akers reports from Chicago.

The Re-Structuring of Comair, Field Notes: Crystal Clear Science, Essencha Tea House, Isabella Moon, Focus on Technology


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Question: 'You Can't Do That On Film': A Performance Documentary Without Performance Footage

You Can't Do That On Film, an independently made 2004 documentary about Nickelodeon's '80s-afternoon staple You Can't Do That On Television, comes out today on DVD. It's got a treasure trove of interviews from an impressive number of the show's kid stars (Alasdair! Hey, Moose!), now adults who, almost to a person, look back on the sketch show with nothing but affection. There are also some enlightening discussions of the show's origins with creator Roger Price and director Geoffrey Darby, who explain how their respect for their young charges (and disdain for most children's television) resulted in an happy anything-goes environment. The DVD extras include highlights from the 2002 and 2004 fan conventions, including a montage of people happily lining up to be slimed. Just about the only thing that it's missing is footage from You Can't Do That On Television. That, as it happens, is a problem. For all of the fan's passion that director David Dillehunt put into the movie, the absence of clips from the show in question (thanks to rights issues, one would presume) leaves it only half-finished. It's a violation of the "show, don't tell" rule, requiring that Dillehunt talk around a topic that he's unable to approach directly. The result is former castmember after former castmember telling stories connected to specific incidents, sketches and entire shows that are left up to the viewer's imagination. Most egregious is hearing everybody extol the comic genius of the late Les Lye (the primary, and for a time only, adult performer on the show), when all that the movie can offer up to illustrate it is a slideshow of still photos of the many characters he played. It's not sufficient. The project was clearly a labor of love for Dillehunt, whose effort in uncovering information about his subject and tracking down the people involved in the show for thorough, lively interviews is evident. But without sitting side-by-side with the show he loves so much, Dillehunt's legwork might have been better served as research for a book, rather than a film. As it stands, anybody who grew up watching the show is forced to struggle to remember the episodes in question with scant help from the movie. Anybody who never saw the show at all is left completely adrift. "You'll have to take our word for it," is what You Can't Do That On Film seems to say. This practice actually isn't all that uncommon among a certain class of documentaries that show up on DVD. Music documentaries are especially vulnerable, since it's far easier to rope some talking heads together, drop in some non-performance footage (contemporary interviews and the like) and wrap it up with narration that fills in the gaps than it is to clear the legal and financial hurdles necessary to include the music that demonstrates why anyone cares about the story to begin with. (As a side note, Beatles DVDs in particular seem to be the most extreme example of this phenomenon, due to both Apple Records' tight grip on how it allows their music to be used and the abundance of cameras and microphones directed at the lads even when they weren't on stage. Many of the documentaries in question try to work around this by using background music designed to ape the Beatles as closely as possible, even going through the various phases of their songs' evolution, without outright plagiarizing. It only highlights how flat the attempts fall, like a musical equivalent of the Uncanny Valley.) That's one reason why Bob Dylan And The Band: Down In The Flood, which came out at the end of September, is such a jolt. It has interviews with folks who were in the trenches during that collaboration – including Band keyboardist Garth Hudson, drummer Mickey Jones from the 1966 English tour, Band producer John Simon – as well as Dylan scholars and rock critics who know what they're talking about. It also starts out with Dylanesque instrumental tracks underscoring the footage and talking heads, which isn't promising; it implies that it's possible to illustrate the importance of something with an inferior copy. (It's not.) Some TV and concert film of drummer Levon Helm's early band and pre-Dylan Band cohort Ronnie Hawkins follow, but those are background, not the story itself. And then suddenly, a quarter of an hour in, we're looking at – and hearing – Dylan's famous clip for "Subterranean Homesick Blues," and it generates a palpable sense of relief. From there, Down In The Flood confidently tells the story it wants to tell, complete with the songs necessary to tell it, from footage from the famous 1966 concert at Manchester's Free Trade Hall (complete with the infamous "Judas!"/"Play [really quite] loud" moment, about which Jones has his own theories in the DVD extras) to songs from the loose recording sessions that would result in The Basement Tapes. At one point, it seems like the movie includes Johnny Cash performing "Big River" just to show off. While Down In The Flood doesn't offer the same amount of music as,

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Stories: 1) Primary Colors, Brighter than Usual? 2) Adrian Tomine, Drawing Delicately from Life 3) Believe It or Not, 'Lost' Returns for a New Season


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Question: Top Stories: Privacy Questions Mount; Latest Jobless Numbers

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Good morning, here are our early stories: -- 'Profound Questions About Privacy' Follow Latest Revelations. -- What Will Jobs Report Say? Slow Growth Is Best Bet. -- Spurs Beat The Heat In Game 1 Of NBA Finals. And here are more early headlines: Obama To Discuss Hacking At California Summit With Chinese Premier. (Reuters) Tropical Storm Andrea Trekking North Along Atlantic Coast. (CNN) Turkish Prime Minister Wants Anti-Government Protests To Stop. (VOA) India Arrests Three Men In Connection With Rape Of American Tourist. (The Wall Street Journal) Florida Hearing On 911 Data Continues In Zimmerman Murder Case. (WTVJ-TV) Huge Farm Bill Passes Key Senate Test Vote. (Politico) Francis: "I Didn't Want To Be Pope". (The Associated Press)

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Question: In Inauguration, A 'Worship Of The Nation'

Among the sentiments of love of country and national unity, presidential inaugurations also have a religious element. Host Rachel Martin talks with Stephen Prothero, professor of American religion at Boston University, about how the role of faith in inauguration ceremonies has changed over the years.

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Stories: 1) A Band Of 'Brothers' And A Barrel Of Laughs 2) Probing China's Changing Character 3) New Silver Jews Album A 'Strange Victory'


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Question: Songwriting and Protest with James McMurtry

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As a young boy growing up in Texas, James McMurtry wanted to be Johnny Cash. His mother taught him to play a few chords on the guitar and he started writing songs around the age of 18.  Seven albums later, Childish Things was named Best Album of 2006 at the American Music Awards. "We Can't Make it Here," a grim lament about economic conditions in the United States, was also named Best Song. (And when you listen to it, you can hear Johnny Cash's influence in every intonation.) Long before the album was released, McMurtry offered "We Can't Make it Here" as a free online download, just before the 2004 election. "It instantly got more attention than anything I'd done on a CD in 10 years," he says. "I was completely surprised by the power of the Internet." For McMurtry, songwriting begins with two lines and a melody. "If it keeps me up at night I finish the song," he says. "If it doesn't I just leave it."  A self-described misanthrope, McMurtry says he's learned over the years to play to an audience rather than at them. Still, his favorite part of touring is playing chords for sound check, when he is alone with the sound of the notes.  During a recent visit to NPR's Studio 4A, he talked to Scott Simon about his music and offered a tune or two on his 12-string guitar. SCOTT SIMON, host:  James McMurtry's new release "Childish Things," is a collection of stories about families, a nation at war, the quiet of night, vacation squabbles, rites of passage, sadness, and really, really big bears.  "Childish Things" was awarded Best Album in 2006 at the American Music Awards. And one song, "We Can't Make it Here," was named Best Song.  (Soundbite of song, "We Can't Make it Here")  Mr. JAMES McMURTRY (Singer): (Singing) There's a Vietnam vet with a cardboard sign sitting there by the left turn line - a flag on his wheelchair flapping in the breeze, one leg missing and both hands free.  No one's paying much mind to him, the V.A. budget's just stretched too thin, there's more coming back from the Mideast war. We can't make it here anymore.  SIMON: James McMurtry joins us in Studio 4A along with his 12-string guitar. Thanks very much for being with us.  Mr. McMURTRY: Thanks for having me.  SIMON: Did that song have a hard time making it onto this album?  Mr. MCMURTRY: No. That was the first song we recorded. I actually put that out as a free download right before the 2004 elections, months before we made the rest of the record. And I had up until that time avoided political song because I was afraid it would turn my songs into sermons. But I felt that I had to do something. And the song's popularity has nothing to do with the writer, or even the singer. What it has to do is with the listener. And if the listener identifies with it, then it's going to be popular. And unfortunately a lot of people are identifying with that song. That's really the closest thing I've had to a hit.  SIMON: And was that what you needed to go ahead and get inspiration?  Mr. MCMURTRY: That actually got us a momentum going into the record. But you know, the rest of the album just came out of a fear of not having an album to tour behind, you know.  SIMON: Now, is this story true, that I've heard, that your father gave some of your songs to John Cougar Mellencamp?  Mr. MCMURTRY: Yes, he did. He was working on a film project with John. And I pitched in the songs just to try to - I was hoping maybe John would want to cut the songs, because I didn't think I could get my own record deal. And he called up and said, well, you want to make a record? And I said sure.  SIMON: You know, there are people who may not know your father is Larry McMurtry, the author.   Mr. MCMURTRY: Yes, be sure and tell them.  SIMON: And your mother...  Mr. MCMURTRY: Jo McMurtry, Dr. Jo McMurtry.  SIMON: And who taught you how to play the guitar, may I ask?  Mr. MCMURTRY: My mother taught me. She taught me some chords and the rest of it I just stole.   SIMON: Let's talk about "Childish Things," if we can. The first song, "See the Elephant," I understand you're going to do that for us.  Mr. MCMURTRY: Yeah. The term see the elephant, I first read it in a column written by the late Colonel Jeff Cooper. He used to write a column for Guns and Ammo. I've always hunted so I read Guns and Ammo. And every now and then he would digress from firearms talk and he would write about culture. And he wrote in one piece, he said that before World War II, when the United States was much more rural, and these kids would be stuck on the farm for their whole lives and the circus would come to town, a lot of other things come to town with the circus, you know, prostitutes and whatever else.   And it was traditional apparently in some part of the country for the father to hand his 16-year-old kid a few bucks and say, here, son, go see the elephant, basically meaning go get laid, go get some experience. You know. So...  SIMON: I never knew that about the circus.  Mr. MCMURTRY: Well...  SIMON: I think I actu

SXSW Roundtable discussion featuring music by Andrew Bird, Iggy Pop and the Stooges, Peter Bjorn and John, more. With host Bob Boilen.


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Question: Sofia Rei: Tiny Desk Concert

A drum from the Argentine Pampas fuels the music of Sofia Rei in this video: The way Franco Pinna has it incorporated into a traditional drum set serves as a musical metaphor for the music Rei performs alongside Pinna and guitarist/bassist JC Maillard. Rei carries the accent and spirit of her native Argentina in her jazz-infused vocals. She's successfully carved out a spot for herself within a small and exclusive group of vocalists from Latin America who, after spending their formative years in their own countries, came to the U.S. to blend folklore, jazz and classic influences into singing that feels both familiar and new. For about 20 minutes one sunny afternoon, the NPR Music offices were converted into a small Latin American folk club, where Rei treated us to stellar musicianship and genre-bending music. Que les difruten! Set List  "La Gallera" "La Llorona" "Todo Lo Perdido Reaparece"  Credits Producers: Felix Contreras, Denise DeBelius; Audio Engineer: Kevin Wait; Videographers: Denise DeBelius, Gabriella Garcia-Pardo, Becky Harlan; photo by John Poole/NPR

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Fewshot example: "['Represent this subtitle to find a title that might be right above it on NPR', "Join us today at 3:30 p.m. EDT for a chat on Twitter with pediatrician Robert Block, the current president of the American Academy of Pediatrics. Search for the hashtag #nprkids. We'll be tweeting from @NPRHealth with @DrBobBlock for about a half-hour. Dr. Block is a professor of pediatrics and the immediate past chair of the pediatrics department at the University of Oklahoma School of Community Medicine in Tulsa. Block has a longstanding interest in evaluating and preventing child abuse. Among other things, he's board chair of the Academy on Violence and Abuse, a group that's trying to improve education and academic research on the health effects of abuse and violence. In today's chat, we'll focus on keeping children healthy during the summer break. Try us with a question about sunscreen or screen time for kids. Also, we'll talk about vaccines. A whooping cough epidemic in Washington state has thrust vaccination of kids and adults into the spotlight again."]" == "['Represent the headline to find a news subtitle on NPR with more details!', 'Summertime And Healthy Kids Are Never Easy']"


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Question: Why free security software is your best bet

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Rob Pegoraro of the Washington Post says a patchwork quilt of free and cheap security software probably beats any expensive suite from the likes of Symantec, McAfee and Trend Micro.

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A bug called Heartbleed has revealed a hole in one of the most popular encryption programs online. Tech professionals are working on other ways to protect your data beside needing a password.


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Question: Fat Tuesday, California Style

The sun is up, the polls are opening across the Golden State, and for political watchers one of the most interesting California primaries in modern times is finally here.
It¿s going to be a long day, especially for the political operatives who have pulled marathon days in support of both presidential candidates and ballot measure campaigns. [...]

Fan Fare, The History of Rookwood Pottery, More Fun Than Bowling, Sugarcane Academy, Brasilia, Eclipse: Twilight, Book 3


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Question: Obesity Is America's 'Achilles Heel' When It Comes To COVID-19

A recent study finds obesity is a risk factor in COVID-19 hospital admissions for people under 60. Published in The Clinical Infectious Diseases Journal, the observational research looks at the risk of hospitalization according to body mass index, or BMI. Researchers found obese adults under age 60 had a higher risk of admission to the hospital and the Intensive Care Unit compared to people who have a healthy weight, says lead author of the study Dr. Jennifer Lighter. “When patients started arriving at our medical center, it was always shocking to see younger patients get intubated and admitted to the ICU with COVID-19,” says Lighter, a pediatric infectious disease specialist and hospital epidemiologist at New York University’s Langone Medical Center. “And it was remarkable that many of them were overweight.” As to why obesity can increase someone’s risk of getting severely ill with COVID-19, Lighter says she has a few personal theories. Obese people have more compromised respiratory function compared to people who are not obese, she says. Obstructive sleep apnea, asthma and restrictive lung disease or reflux are more common among people who are obese. Another theory is that obese people might be further on the inflammation spectrum, she says. Even if these patients have not received a diagnosis of diabetes or cardiovascular disease, they could be experiencing hyperglycemia, hypertension, hyperlipidemia or other risk factors that lead to more severe COVID-19 cases, she says. The virus attaches to ACE2 receptors located in not only the lungs, she says, but also fat cells. When the virus attaches to the ACE2 receptors, it enters the cell through a protein called TMPRSS2, which is sensitive to male hormones, or androgens. Obese people and men have a higher likelihood of more circulating androgen, which gives the virus more opportunity to enter the cells, she says. This could explain why patients who are men or obese are experiencing more severe courses of the disease. Different areas in the world face various regional vulnerabilities depending on location, Lighter says. In China, smoking and pollution could have made people more vulnerable. In Italy, much of the country’s large elderly population live in multigenerational homes, making older people particularly vulnerable. Globally, about 13% of the world is considered obese with a BMI above 30. But in the United States, more than a third of people are obese — which she says poses a substantial risk. “In the United States, our Achilles heel will be obesity,” she says. “I think we are vulnerable to having a larger population of moderate to severe courses due to obesity.” The scope of the outbreak in New York City has more to do with population density than obesity, she says. While obesity is a sensitive subject for many people, Lighter says it’s important to identify risk factors so those people can take the appropriate steps to protect their health. Since this research implies obese people are two to three times more likely to become severely ill from COVID-19, they should isolate until the number of cases in their region is “extremely low,” she says. Once therapies are discovered to treat COVID-19, patients with identified risk factors should receive the treatment to prevent the disease from progressing, she says. “I think it’s important to sometimes take the emotional implications out of it when you’re just trying to identify risk factors of people that can have a more severe course of COVID-19,” she says. “I know it could be a sensitive topic, but it’s also important just to talk frankly and plainly identify the higher risk groups.” Unlike patients receiving cancer treatment or people with compromised immune systems, obese people may not realize they’re at higher risk of becoming severely ill. In general, obese people are less healthy than people with a BMI under 30 and at risk of developing several kinds of diseases — not just a severe COVID-19 course, she says. To lead a healthier, longer life, Lighter says everyone should stick to three recommendations often endorsed by the medical community: Eat healthier, exercise more and don’t smoke.  Julia Corcoran produced and edited this interview for broadcast with Peter O’Dowd. Allison Hagan adapted it for the web.  This article was originally published on WBUR.org.

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Good morning, here are our early stories: -- Afghan Govt. Suspends Talks; Taliban Attack Kills 4 Soldiers. -- Heat, Spurs Headed To Game 7 After Stunning Game 6. And here are more early headlines: Federal Reserve Policymakers To Release Economic Forecast Today. (Bloomberg) Thousands Of Brazilian Protesters Turn Out Again In Sao Paulo. (The Associated Press) Al Qaida Militants Attack U.N. Compound In Somalia. (Los Angeles Times) UN Report: More Than 45 Million Refugees In 2012, An 'Unseen Level.' (The Guardian) Heavy Flooding In France Kills 1, Closes Lourdes To Religious Pilgrims. (France24) American Medical Association Declares Obesity A Disease. (USA Today) Danielle Bradbery Crowned Winner Of 'The Voice.' (People) Man Pleads Guilty To Smuggling Snakes On A Plane. (KXAS)


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Question: Using Science To Raise The Perfect Porterhouse

Ira Flatow and guests discuss the science of producing perfect steaks--from how genes affect tenderness and marbling, to how grass and grain affect the type of fat in a cut of beef. Plus, a look at how modern cowboys manage the range, using computer models and satellite imaging.

Good Friday morning, here are our early headlines: Kerry Warns North Korea, But Holds Out Hope For Diplomacy.  Dodgers' $147 Million Ace Greinke Breaks Collarbone In Brawl.  And here are more early headlines: Deadly Spring Storm Exits Midwest, Heads South. (AP) Authorities Intercept Suspicious Package Addressed To Controversial Arizona Sheriff. (Arizona Republic) Bankruptcy Judge Rejects $20 Million Severance For American Airlines CEO. (Dallas Morning News) NASDAQ Cuts Its CEO's Bonus Over Bungled Facebook IPO. (Reuters) Venezuelans To Vote On Sunday For Chavez Successor. (Bloomberg) Bailed Out Cyprus To Ask For Fresh Financial Help. (BBC) Early American Christian Hymnal Could Fetch $30 Million At Auction. (Christian Post) Seaweed Latte, Bacon Coffee Featured At National Barista Competition. (CBS) At Masters Tournament, 14-Year-Old Golfer Plays Beyond His Years. (ESPN)


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Question: 1. Voices In The News

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A sound montage of a few prominent voices in this past week's news, including Rep. Richard Gephardt (D-WI); Rep. John Boehner (bay-ner) (R-OH); President Bill Clinton; U.S. Ambassador to the United Nations Bill Richardson; Iraqi Deputy Prime Minister Tariq Aziz; and Secretary of State Madeleine Albright.

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Question: Se acabó la espera: ¡Radio Ambulante llega a Spotify!

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19 de Noviembre 2020, Washington, D.C.- Radio Ambulante, el único podcast en español de NPR, está disponible ahora en Spotify, la plataforma de audio streaming líder en América Latina. "Es un gran orgullo para NPR apoyar el excelente trabajo periodístico de Daniel Alarcón y su poderoso equipo de reporteros en el mundo Latino," dijo Anya Grundmann, SVP de programación en NPR. "Ahora gracias al amplio alcance internacional de Spotify, será incluso más fácil para los oyentes en Latinoamérica y Europa suscribirse al podcast y escuchar las crónicas de Radio Ambulante." "La mayoría de los 180 episodios que hemos producido en Radio Ambulante provienen de países latinoamericanos. Llegar a Spotify es abrir la puerta para que muchas más personas en la región escuchen nuestras historias y descubran esa diversidad que nos conecta. Nos emociona estar disponibles en una plataforma que ha sido crucial para que los podcasts se popularicen en todo el continente y conectarnos con nuevos oyentes," dijo Carolina Guerrero, CEO de Radio Ambulante.  "Nos alegra dar la bienvenida a Radio Ambulante a Spotify en Latinoamerica," afirma Javier Piñol, Head de Spotify Studios en Latinoamérica y US Latinx. "Sin duda, los oyentes de Spotify en Latinoamérica estarán felices al poder escuchar uno de los podcasts en español más populares, que cuenta con ricas historias de cada rincón de nuestra región y cultura" Miles de oyentes en todo el mundo ya escuchan a Radio Ambulante e incluso forman parte de Clubes de Escucha en más de 50 ciudades en Estados Unidos, América Latina y Europa. Adicionalmente en mayo Radio ambulante lanzó las fiestas globales que continuarán toda esta temporada en celebración del décimo aniversario.  En su décima temporada el galardonado equipo de Radio Ambulante nos trae 30 episodios que cubren el amplio espectro de lo que significa ser latinoamericana hoy en día. Un artista callejero en Ecuador pinta cochinos en una pared y aterroriza la ciudad. Un ateo costarricense emprende una cruzada para confirmar un milagro. Un orangután demanda al gobierno argentino. Historias sobre oro perdido en el Caribe, horas de recreo durante la interminable cuarentena, la vida recuperada después de un episodio de amnesia, y mucho mucho más. Como siempre, habrá transcripciones en inglés y en español de cada episodio en la página web de Radio Ambulante.  Escucha lo mejor de Radio Ambulante en este playlist. Acerca de Radio Ambulante Radio Ambulante es un podcast narrativo que cuenta las historias de Latinoamérica en español. Buscamos llevar la estética de la buena crónica de prensa escrita a la radio. Trabajamos con una talentosa comunidad de productores de radio, periodistas e ilustradores a través de toda la región –incluyendo Estados Unidos– y es presentado por el escritor peruano, Daniel Alarcón. Radio Ambulante comenzó en el 2011, y a partir del 2016 es distribuido por NPR, la radio pública nacional de Estados Unidos. En el 2014 ganó el premio Gabriel García Márquez en la categoría de Innovación y en el 2017, el premio Third Coast/Richard H. Driehaus Best Foreign Language Documentary Award. Acerca de Spotify Spotify transformó para siempre el escuchar música cuando salimos al mercado en 2008. Nuestra misión es liberar el potencial de la creatividad humana dando a un millón de artistas creativos la oportunidad de vivir de su arte, y a miles de millones de fans la oportunidad de disfrutar y ser inspirados por estos artistas. Descubre, gestiona y comparte más de 60 millones de canciones, incluidos más de 1.9 millones de títulos de podcast de forma gratuita, o actualiza a Spotify Premium para acceder a funciones exclusivas de música, incluido el modo de escucha offline, una calidad de sonido mejorada y sin interrupciones. Actualmente, somos el servicio global de suscripción de música por streaming más grande del mundo con una comunidad de más de 320 millones de usuarios activos mensuales, incluidos más de 144 millones de suscriptores de Spotify Premium, en 92 mercados. Para obtener más información, imágenes, o ponerse en contacto con el equipo, por favor dirígete a nuestra página de prensa en  https://newsroom.spotify.com. Acerca de NPR El periodismo de NPR acompaña a millones de americanos en su vida diaria en la radio, en línea y en persona. NPR comparte reportajes, videos y fotos con millones de usuarios de redes sociales en Facebook, Twitter, Instagram, YouTube; los apps de NPR News y NPR One. El streaming, podcasts, y los altavoces inteligentes conectan a NPR con sus oyentes dondequiera que estén. Los eventos en vivo en colaboración con las emisoras locales y sus comunidades conducen a conversaciones enriquecedoras entre los periodistas de NPR y el público. Este acceso al periodismo en servicio del público hace de NPR un recurso indispensable en el panorama de los medios estadounidenses. Contactos de prensa NPR: Isabel Lara;  ilara@npr.org Spotify: Miguel Bañón; miguelb@spotify.com

¿Qué está pasando con el tráfico de drogas durante la pandemia? Esta semana hablamos con los periodistas José Luis Pardo y Alejandra Sánchez Inzunza —cofundadores de la productora Drómomanos, premiada por sus trabajos sobre violencia y drogas— para entender cómo la crisis está afectando a la industria del narcotráfico, desde los eslabones más fuertes hasta las poblaciones que viven en territorios controlados por el crimen organizado. ◎Este es un episodio de El hilo, el nuevo podcast de Radio Ambulante. Todos los viernes elegimos la noticia más relevante de América Latina y contamos la historia que hay detrás. Pueden suscribirse a El hilo en su app de podcasts favorita. Hasta la próxima semanas publicaremos los episodios en el feed de Radio Ambulante. La idea es servirles mejor en este periodo tan incierto.


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Question: The California Report

Audio not yet available from this broadcast.


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Question: WATCH: Hockey Player Tells Dad He Made The Olympic Team

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The U.S. unveiled its roster for the men's Olympic hockey team on Monday. And the joyful, emotional moment when forward Bobby Butler told his dad that he made the team was caught on video. It shows Butler skating up to the side of the rink as his father walks in. The two men shake hands, then Butler breaks the news. His dad immediately throws his arms around him as his teammates cheer. Watch, it will probably brighten your day: The 30-year-old Butler, who hails from Marlborough, Mass., skates for the American Hockey League's Milwaukee Admirals. Like 14 of his Olympic teammates, Butler has played on NHL teams. But this is the first Olympics in two decades that no U.S. team members are currently playing for the NHL. That's because the NHL announced last April that it wouldn't pause its regular season to accommodate players who want to compete at the games in Pyeongchang, South Korea. The NHL stated that the "overwhelming majority of our clubs are adamantly opposed to disrupting the 2017-2018 NHL season." The decision was also about money, as NPR's Camila Domonoske reported: "The International Olympic Committee has previously paid for players to travel to the Olympics and covered their insurance costs. But the IOC wasn't planning to foot the bill for 2018." The players on the men's final roster came from colleges, from Americans playing in Europe and from the American Hockey League. And, as SB Nation wrote, NHL stars are out and "in their place are a bunch of guys you've probably never heard of." In previous years, "USA Hockey got all its Olympic players from one league: the NHL," according to SB Nation. "Without that option, management turned to a wide variety of sources, plucking players from leagues around the world to piece together a roster for Pyeongchang." The NHL's decision created a unique opportunity for players who would not have been able to make the team otherwise. Just one member of the team, captain Brian Gionta, has played in the Olympics before. "We really like our roster," team general manager Jim Johannson said in a statement. "It's a group that brings versatility and experience and includes players with a lot of passion about representing our country." The roster is perplexing to some hockey observers, such as Deadspin's Barry Petchesky, who calls it "weird as hell" with little name recognition. But it may be that the lack of prior fame makes moments like Butler's all the more poignant. "I know we're a little down on the Olympics without the NHL, but these are the kinds of moments that make me so happy for the players selected," writes ESPN hockey analyst Chris Peters. "You know they'll battle every day for the crest on that jersey."

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Stories: 1) Going 'One On One' With Sports' Greatest Stars 2) At Midseason, Serial Dramas Serve Up Big Twists


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Question: In The Beginning, There Was Fashion: 'The Gospel According To Andre'

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"You can be aristocratic without having been born into an aristocratic family." This is the gospel according to André Leon Talley, who rose from a childhood in segregated Durham, North Carolina, to become a fashion maven with Vogue, Women's Wear Daily, Andy Warhol's Factory and America's Next Top Model. The things that made Talley an outcast in childhood (his race, his larger-than-life stature, his sexuality, his affinity for capes) were what gave him the aura of royalty once he entered the fashion world. You won't learn many dress tips from the new documentary The Gospel According to André, or even more than a passing glimpse of him at work, but you will get a lovely taste of Talley's style philosophy. It's a mindset that largely sounds familiar, even to those of us who wouldn't know a Tom Ford from a Henry Ford: Style is about embracing yourself. Talley has done that since he was a young churchgoer. Whereas many if not most high-fashion folk are reluctant to embrace spirituality unless it's ironic, Talley has made his upbringing in the black church central to his life's work. After all, as he says, Church Sunday is basically a fashion show, where everyone turns up in their finely pressed best. In the church segments, as in elsewhere in the film, you'll find yourself wishing for just a little more insight into how Talley sees these different factors of his identity — a lot of the movie's wisdom coasts by on simply noting that there was no one else in the fashion world who looked like him. Director Kate Novack has an affinity for New York's cultural institutions, having produced documentaries on The New York Times and famed restaurant Le Cirque. For her, Talley is a gateway into the luxurious, sometimes outlandish world of Manhattan high fashion — and, it should be noted, a safe gateway. Talley's early apprenticeships with Andy Warhol and Diana Vreeland made him a regular at Studio 54 in the late '70s and '80s, but he strenuously insists that he never partook in the drugs and casual sex that characterized the scene. (The film implies this was his church upbringing paying off.) While everyone else was riding the hedonism, Talley became a sort of gentle giant cheerleader for industry pillars like Anna Wintour, Valentino and Marc Jacobs, who gush about him on camera; meanwhile, privately, he laments that he put so much effort into his work that he was never able to find happiness in a romantic partner. Novack's choice of footage favors the quirky or odd over the informative. Scenes of Talley at his estate in White Plains, watching construction workers cut down a tree, tell us little about who he is as a person. Ditto when he visits Isabella Rossellini's pig farms; the point of the sequence is to brag that he can casually hang out with Rossellini, and laugh at her pigs, rather than to reveal anything new about Talley himself. The film dwells on stuff like this instead of more thought-provoking moments from Talley's career, like his brief sojourn with Numéro Russia, where he left a lucrative editor-at-large role in 2014 after he learned about Russia's numerous anti-LGBT laws. But there is a revealing moment where Talley discusses a Saint Laurent employee who used to call him "Queen Kong," and the shame he feels at never having told her to stop saying it. Gospel also serves as a warning bell to all the other documentary filmmakers who were gathering material for a project in fall 2016 and likely found themselves capturing a lot of thoughts about the upcoming election. In the editing room emerges a new problem: Does that stuff matter? Does a story about fashion need a fog of overconfident liberals to connect with audiences? Do we need to see Talley and a group of wealthy designer-label friends out to brunch, pre-planning the outfits for the Clinton inauguration? (Not to worry, one says in another scene: "My friend's guru in Pakistan" has predicted a Hillary victory.) Other filmmakers should give a long, hard think about whether they can get away with scenes like this, which are likely to become hallmarks of the next few years of the documentary landscape. Novack just barely pulls it off herself, for two reasons. First, most of Talley's friends in these scenes are black, which, along with all the Vogue covers of Michelle Obama that adorn his workstations, give a pointed snapshot of black status in 2016 America. And second, if you already knew that Talley once styled Melania Trump for a Vogue story, you can understand why we later see him gamely praising her inauguration wardrobe while taking in the ceremony from Maureen Dowd's house. ("I'm going to get hate mail," he moans.) But the film doesn't take this opportunity to think more critically about the ways fashion functions as an emblem of social status, or how its surface-level visual pleasures can so often obscure political realities. Think about the red-carpet ceremony at this year's Golden Globes, where the Me Too/Time's Up movement had to institute an all-blac

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Stories: 1) The Couple Behind Some Of Hollywood's Classic Tunes 2) A Graceful Search For 'Higher Ground'


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Question: The success of The Simpsons TV show

Why The Simpson's remain so popular. Tomorrow the Simpson's first feature film opens in theaters. This follows 18-seasons on the Fox Network making it the longest running sitcom on American TV. We'll talk about how this show has not only changed the television industry, but also has become so ingrained in American pop-culture. Our guest is MATT McALLISTER who wrote the latest entry on The Simpson for the Encyclopedia of Television. He is an associate professor of film, video and media at Pennsylvania State University.

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Meadows was a regular on TVs Saturday Night Live for some 9 years. Leon the Ladies Man, a swingin politically incorrect radio love doctor that he played on the show, is featured in the film The Ladies Man which is now out on video.


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Question: Listener Limerick Challenge

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Tea time gets ugly in Britain; we mark the passing of a man who anthropomorphized meat products; it's date night at Sea World!

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Question:
represent this text.
E.g. given '['Represent the headline to find a news subtitle on NPR with more details', "Who's Carl This Time?"]' it should be close to '['Represent this text to find its title about the same news but with slightly less depth.', 'A word in Arabic that the president obviously does not know; "Say it ain\'t so Floyd"; for this  former \'N Sync member, it\'s not "Bye Bye Bye" it\'s "Gay Gay Gay".']' but not to '['Represent this subtitle to find a title that might be right above it on NPR', "Bill Kurtis reads three quotes from the week's news: Pope-ularity; Emission Admission; It's Over Now That It's Over."]'.

Question: Memo To The Rest of You...

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In the latest political love poem from the national media to Arnold Schwarzenegger, the new edition of Esquire magazine proclaims that the governor is leading the nation into a ¿new kind of politics.¿

The March cover story, ¿The President of 12% of Us,¿ takes a quick tour of recent political goings-on in California en route to [...]

Jon Stewart and Stephen Colbert weren't the only funny ones at The Rally  to Restore Sanity and/or Fear on the National Mall Saturday. Here are  some of the signs we spotted throughout the day. God Hates Snuggies I Was Told There'd Be Cookies. We Have Nothing To Fear But Fear Itself, And Spiders. Kitlers Against Hitler Analogies Government Doesn't Suck Real Patriots Drink Whiskey Don't Tread On Anyone That's No Moon Hyperbole Or Instant Death Slogans Are Crap I Stand 4 Good Posture I'm A Veteran. I'm An American. I Am Muslim. I Support The Right To Arm Bears Calm The F*** Down America Fear Is Illogical Just Stop Bickering And Clean This Mess Up THIS FONT IS BIG Going Out Of Business Everything 70-80 Percent Off I Am Moderately Excited For This Stand On The Right, Walk On The Left You Don't Have To Be Nice, Just Don't Be Mean Libraries Are Socialist Lorem Ipsum Dolor Sit Amet I thought Neil Young was going to be playing 1 Percent Sane, 98 Percent American, You Do The Math! Olivia Munn Fan (No ...  Really ...) Fear Gives Me A Boehner My Wife Is A Muslim And Not A Terrorist, But I'm Scared Of Her Anyway Abide CAPSLOCK IS NOT PERSUASIVE Festivas For The Rest Of Us I Heart Beck's Album Mellow Gold It Was His Best In My Opinion Senate Math 41 > 59 Yelling Rarely Works ... I Know, I'm A Mom! Don't Stomp On My Head, Bro


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Question: Hellebore Helluva bore?

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In case you're among the innocent who think controversy in the plant world means what shade of pink petunia to grow... Back in April, trouble starting brewing on NPR's Sunday morning show, Weekend Edition Sunday, during a piece about hellebores. The brew, let us say, remains quite tasty. Seems my colleague Lianne Hansen, who continually tackles far thornier stories than spring-blooming perennials, interviewed a seemingly nice gardener named George Ball about his hellebores. What she didn't know was that Ball is reviled as a traitor in some horticulture circles, after shutting down Heronswood Nursery in Kingston, Wash., easily one of the finest mail-order nurseries in the world. The man was certainly within his rights since he owned Heronswood. But until this unexpected move, he'd left the care and cultivation of that holy grail of a place to the man who put it on the map, Dan Hinkley. Suffice it to say, when Ball bought Heronswood, he bought the good name and life work of a man considered to be one of the greatest plantsman in the world. (Dan's one of my best friends, so do know I would never describe him that way. Mostly I hate him for his oh! so tedious talents.) So here comes Ball onto NPR, talking about his prize-winning hellebores, when anyone who knows his H. foetidus from his H. argutifolius is painfully aware that Ball is no breeder. He's a businessman with a good p.r. machine which was certainly not going to muck up a good story with excessive facts about the origins of his stellar plants. WESUN followed up with some shake and bake the the following Sunday. And Ahhh Heyullped.

The Alf Files, Naked Faces, and Hunky Homers.


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Question: Pennsylvania Becomes Crucial State For Trump

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Host Tonya Mosley gets the latest on the vote count in Pennsylvania and the state’s role in the presidential race with WESA reporter Lucy Perkins. This article was originally published on WBUR.org.

Stem Cell Group Considers Research Grant Applications. Court Blocks New Sex Offender Law Pending Review. Nation's Latino Voters Leaned Democratic. End Music.


Question: The Abramoff Case's Partisan Fallout

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The Jack Abramoff lobbying scandal is shaking up more than the House leadership. Rep. Bob Ney (R-OH) steps down temporarily as chairman of the House Administration Committee after being named in Abramoff's guilty plea agreement. Ney insists he's done nothing wrong, and that he was pushed to quit his chairmanship by Republican leaders trying to limit damage from the Abramoff scandal. While Republican officials are portraying this as a bipartisan scandal, Abramoff is widely seen as the Republicans' problem.

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Stories: 1) Jane Mayer: The Risks Of A Remote-Controlled War 2) The Ethical, Psychological Effects Of Robotic Warfare 3) Nellie McKay's 'Blueberry Pie,' A Tribute to Doris Day


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Question: Peace Process Anniversary

NPR's Linda Gradstein reports that representatives of all those who helped give birth in Oslo to what is now known as the Middle East peace process gathered by the sea of Galilee today to commemorate the third anniversary of their historic meeting in Norway. Representatives from Norway were there. Representatives of the PLO were there. Even former Prime Minister Peres was there. But none showed from the current Israeli government of Benjamin Netanyahu, who chose to ignore it as, so far, he has ignored the peace process itself.

Mudslide Watch. Citizenship Backlog. End Music.


Question:
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For instance you may be given '['represent the headline to find a news subtitle on npr with more details', 'The Kindness of Strangers']' and it should match with '['Represent this subtitle to find a title that might be right above it on NPR', 'Guest:

Don George
 *Global travel editor for Lonely Planet Publications

 Simon Winchester
 *Author of Krakatoa: The Day the World Exploded and The Map that Changed the World

']' but not with '['Represent this subtitle to find a title that might be right above it on NPR!', 'Fan Fare, The History of Rookwood Pottery, More Fun Than Bowling, Sugarcane Academy, Brasilia, Eclipse: Twilight, Book 3']'.

Question: It's ScuttleButton Time!

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Believe me, this week's ScuttleButton puzzle would have been perfect had it not been for umpire Jim Joyce. Just don't forget how to play. Every Friday on this blog, there are buttons displayed vertically. Simply take one word (or concept) per button, add 'em up, and, hopefully, you will arrive at a famous name or a familiar expression. (And seriously, by familiar, I mean it's something that more than one person on Earth would recognize.) And  don't focus on a  political  answer. It  doesn't    necessarily have to  be political,  though it could  be. A  correct    answer chosen at  random gets his  or her name in  this  column.  Personally,   I can't  imagine a greater  honor. You can't use the comments box at the bottom of the page for your answer. Send submission (plus your name and city/state -- you won't win without that) to politicaljunkie@npr.org. Click        here for the answer to last week's puzzle. And, by adding your name to the Political        Junkie mailing list, you will be the first on your block to    receive     notice when a new puzzle goes up on the blog. Sign up at politicaljunkie@npr.org.        Or you can make sure to get an automatic RSS feed whenever a new     Junkie    post goes up by clicking here. Good        luck, and happy Friday! P.S. I usually reveal the answer -- and announce the winner -- in this space on Tuesdays. So you should get your answer in by then.

Carl Kasell reads three quotes from the week's news: It's a Bird! It's A Plane! It's Amazon!; The Holy Doorman; Father Stealthmas.


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Question: Science 'Gone Wrong' Can Teach Us

An Aug. 14, 1932, headline in the The New York Times read: "Eclipse to be best until August 21, 2017." Sometimes scientists get it so right. But not always. Sometimes science goes wrong, and with terrible consequences. This is the topic of Paul A. Offit's very important book Pandora's Lab: Seven Stories of Science Gone Wrong, just published in April.  Consider this tale detailed in the book: One of America's greatest conservationists, Madison Grant, was also one of our most virulent scientific, that is to say, pseudo scientific race theorists. In addition to saving the American bison and the bald eagle, protecting the Redwood tree, and founding the Bronx Zoo as well as the Wildlife Conservation Society, Grant wrote a "scientific treatise," The Passing of the Great Race, in which he advanced an account of the superiority of the nordic "race" and warned against the social and biological dangers of cross-breeding with other human races. Hitler would come to describe this book, which became a national and international bestseller, as his bible. Madison Grant was no crank, however, and Hitler was not an outlier in admiring his text. Margaret Sanger was an ardent admirer — the link between birth control and the control of unwanted pregnancies (or the pregnancies of the unwanted) is clear enough — as was President Roosevelt, who described the book as "capital." Crucially,"eugenics" was establishment science in the mid-20th century. Courses on eugenics were offered at our universities and colleges and most high school textbooks included racist misinformation. Eugenics was widely believed to provide a sound basis for law and social policy. For example, mid-century the United States led the world in eugenics-based bans on marriage of one sort or another — e.g. prohibitions on marriages of epileptics or the "feebleminded," not to mention interracial marriages — and in 1926 the U.S. Supreme Court upheld the forced sterilization of a young woman on the grounds of her supposed low-intelligence and poor character. "Three generations of imbeciles are enough," wrote Oliver Wendell Homes famously in his opinion for the 8-1 majority in Buck v. Bell. The more than 63,000 forced sterilizations performed in the U.S. pales beside the 400,000 performed in Germany within a few years of Hitler's rise to power. But, as Joseph DeJarnette, the superintendent of a hospital in Virginia, put it at the time: "Hitler is beating us at our own game!" And scientists at New York's Cold Spring Harbor research facility would declare that Hitler's Nuremberg laws — the laws that stripped Jews of their citizenship rights and prohibited their sexual contact with "Aryans" — had a scientifically sound basis. Offit's book tells six other tales of science gone astray. Sometimes the errors concern unforeseen consequences — for example, German chemist Fritz Haber solved the problem of synthetic fertilizer, enabling as many as 3 billion more people to find sustenance on the face of the Earth, but at the price of unanticipated environmental catastrophe in the form of polluted waterways and oceans. Other mistakes stem from a failure to adhere to data. The public health battle waged against saturated fats in the second half of the 20th century was without clear scientific basis but had the direct consequence of encouraging the widespread consumption of what we now know to be deadly "unsaturated" trans fats. Again, well-meaning doctors in the 1980s, unrestrained by data and abetted by a profit-hungry pharmaceuticals industry, are directly responsible for today's painkiller epidemic. Some of Offit's narratives are difficult to read. Walter Freeman's development and popularization of the "ice-pick lobotomy" as a treatment for a grab bag of psychological and psychiatric maladies is downright nauseating, and is also an excellent example of what Offit sharply criticizes as a desire for a quick fix on the part of not only healers but also their needy population of patients. But some of the stories he tells are more complicated. Rachel Carson can be credited with launching the modern environmental movement. Her warning that chemical pesticides like DDT could build up dangerously in the environment and that natural destruction could be the accidental consequence of human industrial activity was urgently needed. But she blended insight with a misleading zero-tolerance for chemicals, thus ignoring the fact that when it comes to chemicals, it is crucially the dose that makes the poison. Offit warns that we continue to be vulnerable to these same kinds of mistakes. Mercury is harmful, he explains, but the use of mercury-based thimerisol as a preservative in vaccines was not dangerous (when it was in use). Zero-tolerance here was unwarranted. Similarly, if Offit is to be believed, our widespread suspicion of e-cigarettes and GMO crops is warranted by no firm, replicable scientific or public health findings, but only, if at all, by a rich brew of politics, fear and the absen

Stories: 1) Do You See What I See? A Scientist's Journey Into 3-D 2) Dr. John: Righteous Anger, Graced By Wit 3) Clunky Characters, Cancer Characterize 'Big C'


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Question: For A Sunny, Punny Sunday Trip, How About A Trip To The Grocery Isle?

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Example:
Provided: "['Represent this text to find its title about the same news but with slightly less depth', 'The Front Row with Betsy Ross, The Seth Bailey Memorial Flight, The Economic Effects of 9/11, Fall Gardening Tips, Women Writing for (a) Change']" Match: "['Represent this short title to find a subtitle that might be right below it on NPR', 'Cincinnati Edition for September 16, 2006']"

On-air challenge: Every answer this week is a pun on a well-known food brand at a grocery or supermarket. For example: given the prompt "tiny golf pegs," the right answer is "Wheaties." (Get it? "Wee tees.") Last week's challenge: Take the words DOES, TOES and SHOES. They all end in the same three letters, but none of them rhyme. What words starting with F, S and G have the same property? The F and S words are four letters long, and the G word is five letters. They all end in the same three letters. Answer: Foul, Soul, Ghoul. Winner: John Leatherman. Next week's challenge, from Lowell Beineke of Fort Wayne, Ind.: Name an 11-letter occupation starting with H. If you have the right one, you can rearrange the letters to name two things a worker with this occupation uses — one in six letters and one in five. What occupation is it? Submit Your Answer If you know the answer to next week's challenge, submit it here. Listeners who submit correct answers win a chance to play the on-air puzzle. Important: Include a phone number where we can reach you Thursday, Oct. 6, at 3 p.m. ET. RACHEL MARTIN, HOST:  I briefly considered mentioning that the vice presidential debate is this week or that we have fewer than 40 days until the election. But then I realized there should be at least one safe space left, and you're in it right now. Let's play The Puzzle. (SOUNDBITE OF MUSIC) MARTIN: I am joined by the puzzle editor of The New York Times and WEEKEND EDITION's puzzle master, Will Shortz. Hi, Will. WILL SHORTZ, BYLINE: Good morning, Rachel. MARTIN: Remind us of last week's challenge. SHORTZ: Yes. I said take the words does, toes and shoes. They all end in the same three letters, but none of them rhyme. And I asked, what words starting with F, S and G have the same property? And I said the words are four, four and five letters respectively. Well, the answer is foul, soul and ghoul. MARTIN: All right, so a whole lot of you got the right answer to this. Two thousand correct answers we got. And our randomly selected winner is John Leatherman of Sanford, Fla. He joins us on the line now. Hey, John, congratulations. JOHN LEATHERMAN: Well, thank you. Good morning. MARTIN: So did it take you very long to get the answer to this particular puzzle? LEATHERMAN: Well, I figured that the key was the G word and the second letter was probably a consonant. And so five-letter G-consonant words, that kind of narrowed it down. MARTIN: Very well done. And tell me about Sanford, Fla. What do you do there? LEATHERMAN: I'm a software engineer. And it's a suburb to the north of Orlando. MARTIN: All right. So, John, are you ready to play The Puzzle? LEATHERMAN: Yep. MARTIN: OK, Will, let's do it. SHORTZ: John and Rachel, every answer today is a pun on a well-known food brand at a grocery or supermarket. For example, if I said you're looking for a breakfast cereal and your clue was tiny golf pegs, you would say Wheaties, as in wee tees. MARTIN: Oh. SHORTZ: (Laughter) OK. Number one - you're looking for a malted dairy drink, and your clue is a roundish person who hasn't yet reached the age of 20. LEATHERMAN: OK, that - malted drink, teen - Ovaltine. SHORTZ: And... LEATHERMAN: ...Ovaltine. SHORTZ: Ovaltine, you got it. MARTIN: Oh, Ovaltine. Oh my God, that took me a minute. SHORTZ: Number two - peanut butter. If you say that the first seven letters of the alphabet are A, B, C, D, F, G, H, what'd you do? LEATHERMAN: OK, so you've got... SHORTZ: ...So here it is again. LEATHERMAN: Skippy. Skippy. Sorry, Skippy (laughter). MARTIN: Yeah, Skippy. Oh my God, I love this. SHORTZ: Skippy. You skip E. LEATHERMAN: Sorry, had to listen to it (laughter). MARTIN: I love this puzzle. SHORTZ: Your next one - TV dinners. They're, you know, those things in the frozen food. And your clue is a clever person at a financial institution. LEATHERMAN: Bank - wait, what - no. Healthy? No. SHORTZ: Well, what's a financial institution? LEATHERMAN: A bank. SHORTZ: Yeah, there you go. And a clever person at a financial institution? LEATHERMAN: Teller, intelligent, clever. SHORTZ: Well, maybe you don't know the brand. That's possible. MARTIN: Stouffer? No. SHORTZ: Well, hold that answer, Rachel. That's coming up. MARTIN: Interesting. OK, Lean Cuisine... SHORTZ: ...Bank is going to be in the answer. MARTIN: But - bank. The word... SHORTZ: Yeah. MARTIN: ...Bank. I can't think of it. What is it? SHORTZ: OK, it's Banquet. A banquet or a bank wit. MARTIN: I do not know that brand. SHORTZ: OK. LEATHERMAN: Oh, OK. MARTIN: Sorry, Banquet Foods. SHORTZ: Sorry, Banquet Foods. Here's your next one. This is another one, frozen foods. LEATHERMAN: OK. SHORTZ: An alas uttered by former West Virginia Senator Robert. LEATHERMAN: Byrd. MARTIN: Yeah. SHORTZ: Yes. LEATHERMAN: Oh, Bird's Eye. MARTIN: Bird's Eye. SHORTZ: Bird's - Bird's Eye is right. Frozen dinners - to store animal coats in a safe place. LEATHERMAN: Store animal coats - fur... SHORTZ: Yes. LEATHERMAN: ...Stouffer (laughter). SHORTZ: Sto

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Question: Industrial Land Conversion

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High property values are driving local developers to convert industrial land to housing, retail and office space. Forum looks at what cities are doing to preserve industrial jobs while promoting other types of development.

EPA Ruling. Healthcare Financing. End Music.


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Question: Job Openings Stuck Near Record Lows

The Bureau of Labor Statistics released the Job Openings and Labor Turnover Survey for July, and it's about stark as stark can be. From the BLS:  On the last business day of July, the number of job openings in the U.S. was little changed at a series low level of 2.4 million, the Bureau of Labor Statistics of the U.S. Department of Labor reported today. The hires rate was little changed and remained low at 3.1 percent in July. ... The number of job openings has fallen by 2.4 million, or 50 percent, since the most recent peak in June 2007.  The only industry to show a change in job openings was retail, and that was a decline of 0.4 percent. Likewise, the BLS says the number of job openings showed little change across regions, except for a decline in the northeast. Last week, the BLS reported that with a jobless rate of 9.7 percent, the average job search has declined just a nubbin, to 24.9 weeks. That's still in record territory by a solid month. There are now more than six people unemployed for every job opening. A labor market with so few openings can't begin to reabsorb the 14.9 million people now counted as unemployed.

Good afternoon. Sorry for being late in our daily roundup. Here's what has been happening so far today: -- Search For Missing Jet Focuses On Objects Seen Off Australia -- Ukrainian Troops' Departure From Crimea Isn't A Simple Matter -- U.S. Adds To Sanctions On Russian Officials -- Westboro Baptist Church Founder Rev. Fred Phelps Sr. Dies -- Reprimand, $20K Fine, No Jail Time For General's Misconduct -- Jobless Claims Stay Toward Lower End Of Recent Range -- Book News: Meg Wolitzer To Publish A YA Novel Inspired By Sylvia Plath


Question: Represent this text

Question: In Los Angeles, Piecing Together The Numbers On Police Shootings

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The official statistics for shootings by police in America are bad to non-existent. The totals are under-reported, and the Justice Department admits it doesn't have crucial details such as the race of people shot, and whether they were armed. Since the 2014 protests in Ferguson, Mo., after the police killing of Michael Brown, this lack has become an embarrassment. But that's slowly beginning to change. Take, for instance, the nation's second-largest metro area, where NPR member station KPCC in Pasadena, Calif., has created a database of shootings by law enforcement officers in Los Angeles County from 2010 to 2014. KPCC analyzed paperwork from the Los Angeles County District Attorney's office, which reviews police shootings; the L.A. County medical examiner provided the ethnicity of fatal shooting victims. During those five years, KPCC found, police shot 375 people; no officers were prosecuted. Of the people shot, about one in four was unarmed. And 24 percent of those shot and killed were black, while African-Americans make up 8 percent of the L.A. County population. The dataset also includes a breakdown of factors such as the justifications given by police who shoot suspects. For instance, 148 people were shot for moving their hands out of sight or reaching for their waistbands; of those, 47 turned out to be unarmed. When Is Use Of Force Justified? Whether that proportion seems high is up for debate. As KPCC's reporting about those shootings puts it:  "[Michigan State University criminologist William Terrill] said he doesn't think missing hands alone are enough to justify self-defense. 'If they were shooting all the suspects that reach or don't show their hands when the officer wants them to,' he said, 'I can't imagine the number of police shootings – if the public thinks there's a high number now – I can't imagine what there would be.' Los Angeles Sheriff's Department Commander Rod Kusch, whose homicide bureau investigates all deputy shootings, disagrees. 'There is nothing that requires us to actually wait and see the gun or wait to see the knife,' he said. Deputies' 'background, training and experience' with armed suspects triggers a self-protection response when a suspect's hands disappear, he said."  American police have considerable leeway in these situations because of two Supreme Court rulings in the late 1980s. In essence, the court held that officers may use deadly force if they have a reasonable belief that the suspect poses imminent danger of bodily harm to them or someone else. In addition, officers may not be judged based on information they didn't have at the moment they employed deadly force. In fact, on Monday, the Supreme Court bolstered the protections for officers, when it ruled that an officer in Texas could not be sued for shooting into a fleeing car from a highway overpass. Police say these standards are only fair, and without them they would live in constant fear of being second-guessed after the fact. They say if they had to worry about being prosecuted for honest mistakes or for misreading a threat, they wouldn't be able to do their job. On the other side, groups such as Black Lives Matter say this benefit of the doubt has gone too far. They say prosecutors are too deferential to police, and overly aggressive use of force routinely gets a pass. Growing Efforts To Collect Statistics Missing from this debate are good numbers. The federal government has tried — and failed — to get police agencies to report details about the use of deadly force. FBI Director James Comey often complains about how little data Americans have to work with, when debating policing and race. Even some police organizations say it's a problem; they say the current national discussion relies too much on anecdotes and high-profile incidents caught on video, and they say better statistics would create a more sympathetic view of how police use force. The federal government isn't about to require police agencies to start reporting these numbers, but it is experimenting with the next best thing. The Bureau of Justice Statistics has a pilot program to gather detailed information about "arrest-related deaths" in America — and they're going to use "open-source data" as a basis for their statistics. In other words, they'll draw on information that media organizations such as KPCC are collecting on police shootings. Equipped with these numbers, the BJS will then ask police agencies directly for more information on the cases that have been identified.

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Good morning. Our early headlines: -- Louisville Player's Surgery A Success; Leg Break Shouldn't End His Career -- Texas On 'High Alert' After District Attorney's Killing -- It's Almost Cicada Time! Help Radiolab Track #Swarmageddon -- Book News: Shakespeare Was A Tax Evader And Food Hoarder, Researchers Say -- If Something Smells Funny, Remember What Day It Is Other stories making headlines: -- "South Korea Vows Fast Response To North; U.S. Deploys Stealth Jets." (Reuters) -- "Drug Maker Novartis Loses India Patent Battle." (The Associated Press) -- In Southwestern Virginia, "3 Dead, Dozens Hospitalized" After Dense Fog Causes Multi-Vehicle Pileup. (The Roanoke Times) -- Prosecutors Weigh Pursuing Death Penalty In Colorado Theater Killings; James Holmes Has Offered Guilty Plea For Life Sentence. (The Denver Post) -- Atlanta Educators Indicted In Cheating Scandal To Turn Themselves In. (The Atlanta Journal-Constitution) -- Play Ball! Major League Baseball Season Gets Going. (MLB.com)


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Koogle: A Kosher Search Engine

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Koogle, the kosher Google,  is a new Hebrew language search engine unveiled recently. It's specifically geared towards religious Jews so that they don't accidentally come across sexually explicit material when surfing the Web. Koogle is a play on the Jewish noodle pudding of the same pronunciation. Search engine developer Yossi Altman told Reuters, "The site was developed in part at the encouragement of rabbis who sought a solution to the needs of ultra-Orthodox Jews to browse the Web, particularly for vital services." Koogle has links to Israeli news and shopping sites for Jews that are filtered for unsuitable content. But don't search the site on Saturdays. The Jewish sabbath is down-time, and if a user tries surfing on Shabbat, Koogle will crash.

Stories: 1) U.S. Military Searches For A Device To Stop IEDs 2) Matchmaker, Matchmaker ... Run Your Algorithm 3) Thelonious Monk: Making The Piano Hum


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Question: What Happens When A Beijing Man Invites Women Into His Lamborghini?

Earlier this summer, a man drove around one of Beijing's nightlife districts trolling for women in an $800,000 Lamborghini convertible. At one point, according to hidden-camera video, he pulled up to a woman wearing a black skirt. "Beautiful woman," he said, "are you alone? Is it convenient to go eat something together?" "OK," answered the woman, who promptly climbed in, no questions asked. "You got in my car. Aren't you afraid I'm a bad guy?" the driver said. "You ought to be a good person," the woman answered. Then, the man asked if she would have joined him if he were driving a small, Chinese-made car. No, she said. "My legs are too long." That scene is part of a video, a social experiment of sorts, that's been making the rounds on China's Internet this summer, and has struck a nerve in the country's ongoing debate over materialism and values. In all, five of seven women the man approached got into the Lamborghini. One offered her phone number, unsolicited. Another invited him to her apartment. Later, the same man made the same offer from behind the wheel of a small SUV made by Chery, a Chinese company. Not a single woman accepted. The video, which obviously is not scientific, was created by Tudou, a giant video-sharing site. Tudou officials say it's authentic, and the conversations in Mandarin sound genuine. The video has been viewed more than 4 million times, according to Web figures, and chatting with young people here in Shanghai, it seems at least half had watched it. That includes Wang Xinyu, a recent high school grad, who was out strolling with her boyfriend earlier this week. "This experiment really says one thing: Nowadays, when girls see men driving luxury cars, they will fall for them," says Wang. "They probably thought people driving luxury cars must be very rich, and who knows, maybe they can be with them and be happy the rest of their lives." "Most of these kinds of women place higher value on wealth," Wang continues. "To put it bluntly, they are willing to sell their youth for money." By climbing into that Lamborghini, the women seemed to reinforce an established stereotype here: the gold digger who chases China's new rich as a shortcut to wealth. "This is too common in Shanghai, because I know people like this," says Sky Wu, 28, who works at an Apple reseller downtown. Wu recalls that one of his 20-something co-workers became the mistress of a wealthy, middle-aged man. "She looked pretty cute, and many customers asked for her number," says Wu, who was on duty and wearing his company uniform, a purple polo shirt. "One day she quit the job. The man was a public servant, working for a government agency." Many Chinese blame the blind materialism of some young people on the destruction of traditional values during the upheaval of the Mao era and the breakneck capitalism that followed. "The Chinese Communist Party emphasizes political education, but not the cultivation of a value system," says Ye Kuangzheng, a cultural critic based in Beijing. "China is still in a state where there is no foundation for a national philosophy." Sean Zhou, who writes for a Formula 1 racing magazine, doesn't endorse the behavior in the video. But he's not surprised, either, given the pace of change in China and the country's income chasm. "I think this kind of psychology is there in every society, but maybe slightly more so in China," says Zhou, 21, who speaks in a British accent honed while watching racing broadcasts on the BBC. "We are gaining wealth at tremendous speed, and some people are gaining more quickly than others. So I kind of understand it." Emily Gao, though, says those Lamborghini-loving women in the video do not represent the vast majority of young Chinese females. Gao, who works as a real estate agent, says she doesn't spend her time hunting for rich guys. "A normal girl like me, probably after dinner, I go home, I do some work," she says. "I watch some TV." Asked if she would ever step into a Lamborghini with a stranger, Gao doesn't miss a beat. "No, I don't think so." STEVE INSKEEP, HOST:  OK, imagine you're a young woman on the street in China at night. A young man you've never seen before pulls up in an expensive Italian sports car and asks you to hop in. That is the set up for a hidden camera video that has been making the rounds in China this summer, and it has struck a nerve in the country's ongoing debate over materialism and values. NPR's Frank Langfitt explains. FRANK LANGFITT, BYLINE: Driving beneath streetlamps, the man trolls for women in an $800,000 Lamborghini. He pulls up to one wearing a black skirt. (SOUNDBITE OF ARCHIVED RECORDING) UNIDENTIFIED MAN: (Foreign language spoken). LANGFITT: Beautiful woman, he says. Are you alone? Is it convenient to go eat something together? OK, she says, without missing a beat. She climbs in without asking a question. (SOUNDBITE OF ARCHIVED RECORDING) UNIDENTIFIED MAN: (Foreign language spoken). LANGFITT: You got in my car. Aren't you afraid I'm a

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Stories: 1) How The 'Pox' Epidemic Changed Vaccination Rules 2) 'Please Look After Mom': A Guilt Trip To The Big City


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Question: Flood Insurance & Development

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Robert Siegel talks with Bill Cappuccio, Iowa State Coordinator of the Federal Flood Insurance Program. They discuss what's required of people who build in a flood plain to be covered by flood insurance. And they talk about how changes in flood insurance rules have affected development along rivers.

Salinas Valley Suspected Source of Contaminated Spinach. Santa Ana Winds Fuel Ventura County Fire. Ballot Measure Campaign Spending. Northwest States Agree to Manage Ocean Jointly. End Music.


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Question: The Complex 'Tapestry' Of Michelle Obama's Ancestry

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When Michelle Obama's great-great-great grandmother was 8 years old, her life underwent a dramatic change. Melvinia Shields was a slave who grew up at a South Carolina estate with a relatively large community of slaves she knew well. But then she was moved to a small farm in northern Georgia where she was one of only three slaves; most white people in the area didn't own any. "What's fascinating about Michelle Obama's family and her ancestors is that it shows us the breadth and depth of the experience of African-Americans during that time," says Rachel Swarns, a reporter for The New York Times. Swarns, who traced Obama's family tree back generations, has written a book about it, American Tapestry: The Story of the Black, White and Multiracial ancestors of Michelle Obama. She finds that the first lady has a complex lineage. Swarns says Melvinia later had a baby fathered by a white man, and today Obama has white relatives living all across the South. Swarns discussed that revelation, as well as how she traced Obama's family tree and met some of the first lady's white relatives, with Laura Sullivan, host weekends on All Things Considered.  Interview Highlights On who fathered Melvinia Shields' child "In the end, it looked like it was most likely the son of her owner ... . This was a man by the name of Charles Marion Shields, who watched Melvinia grow up and may have played with her when they were younger as children. One of the painful parts of this story is that we don't know what their relationship was like, and even the word 'relationship' is a hard one when you talk about what happened between slaves and their masters and their masters' children. Rape was a common part of life there." On researching the family tree "It's very hard when you're trying to do research in the period during slavery when you're talking about African-Americans because there isn't a lot there. People say, 'What about letters and journals and diaries?' But slaves were barred from reading and writing, and so there are very few of those. Even the census, which is a fabulous resource for families trying to dig into their past, didn't track enslaved African-Americans by name. It wasn't until after emancipation that those enslaved people suddenly appear in the census, so it's not easy at all." On meeting Michelle Obama's white relatives "People had mixed emotions, as you might imagine. On the one hand, there's this: 'Wow, really? I might be related to the first lady? That's pretty amazing.' Then there's this knowledge that this connection dated back to such a painful period of our history, and you can imagine what it might be like if someone were to knock on your door and say, 'Hi, I think your family owned the first lady's family.' On why Michelle Obama's grandfather Purnell Shields kept his white ancestry secret "This kind of silence went across many generations. There were so many people I spoke to who said when I asked about slavery or when I tried to find out more about mixed ancestry, people simply didn't want to talk about it. (I found) a sense of wanting to distance oneself from a period that was really painful and really difficult, and in some ways to raise children who were unburdened by that period. In some ways, that was probably a gift. But it made it much harder to find out really what happened in the past."

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