(CNN) -- If George Orwell and Lucille Ball had a love child, his name would be Stephen Colbert. 

In the last century, the great critics of corrupt political language were British authors who wrote dystopian novels. In "1984," Orwell described a totalitarian society in which meaningless political language, dubbed Newspeak, veiled horrible truths. 

Earlier, In "Brave New World," Aldous Huxley described toddlers conditioned in laboratories to be afraid of books. And in "A Clockwork Orange," Anthony Burgess imagined a world in which ultraviolent teens rampaged in a distinctive English-Russian patois that defined their alienation from society and authority. 

Now in the 21st century, there is Colbert's "truthiness" -- political half-truths, quarter-truths and what the website Politifact describes as "Pants-on-Fire" prevarications. 

On his Comedy Central show, "The Colbert Report," he introduced "The Word," a regular deconstruction of language contortion designed, in Orwell's notion, to defend the indefensible. (One example: "A Perfect World," as in, journalists should demand to investigate torture, but it's not a perfect world.) 

It's sharp political humor and a canny critique of American culture, language and iconography. And it's helped the comic emerge as this nation's court jester, licensed by the youthful cable TV audience to speak truth to power. 

Such is Colbert's power and influence that he has been invited to testify before Congress today on the issue of illegal immigration -- and to testify in character. It's as if the Congress of the Eisenhower years invited Harpo Marx to offer testimony by beeping his bicycle horn. 

Colbert has long been on to something important about the nature of our political discourse at the beginning of a new postmodern millennium: that ideology has become the lens through which Americans found their particular truth, let the evidence be damned.  QUESTIONS:

Q1:
1. Who is on TV?
2. What is the name of the guy with his own TV program?
3. 
