Various shots were recut and extended. For instance, the love scene between Helen and Paris was reframed to include more nudity of Diane Kruger. The love scene between Achilles and Briseis is also extended. Only one scene was removed: the scene where Helen tends to the wound of Paris is taken out. The battle scenes were also extended, depicting more violence and gore, including much more of Ajax's bloody rampage on the Trojans during the initial attack by the Greek Army. Perhaps most significant was the sacking of Troy, barely present in the theatrical cut, but shown fully here, depicting the soldiers raping women and murdering babies. Characters were given more time to develop, specifically Priam and Odysseus, the latter being given a humorous introduction scene. More emphasis is given to the internal conflict in Troy between the priests, who believe in omens and signs from the gods to determine the outcome of the war, and military commanders, who believe in practical battle strategies to achieve victory. Lastly, bookend scenes were added: the beginning being a soldier's dog finding its dead master and the end including a sequence where the few surviving Trojans escape to Mount Ida. In one of the commentary sequences, the film's writer, David Benioff, said that when it came to deciding whether to follow The Iliad or to do what was best for the film, they always decided with what was best for the film.