The entrance and the facade of the temple have been cleaned by the Archaeological Survey of India after 1950s, revealing the finer details that were not visible to Cunningham, Vogel or Goetz. It is similar to the late Gupta style, with three parallel panels surrounding the doorway flanked by river goddesses Ganga and Yamuna. Each band is separated by a thin carving of a floral scroll carved on a convex wood surface. The outer wooden band consists of reliefs of single females standing in tribhanga posture and of amorous couples. The middle wooden band features Ganga standing on makara on left and Yamuna standing on tortoise on right, with their attendants. Above them are a series of Hindu deities, including Shiva with Nandi, Vishnu Vaikunthamurti, four armed Vishnu and Skanda (Kartikeya). A goddess and god in this panel are not identifiable because their iconographic signs are too eroded. The inner panel forms the door frame of the entrance. The inner panel is carved with natural motifs such as leaves and flowers, two peacocks with their beak joined, and a pair of amorous couples in a mithuna scene.