Although his style conforms to the traditional Majorcan cartographic school, Vallseca incorporated some more contemporary innovations in cartography from Italy, Portugal and elsewhere, most notably from Francesco Beccario (e.g. the homogenization of the scale between the Mediterranean and Atlantic). Gabriel de Vallseca's charts retain some signature Majorcan decorative motifs, such as the wind rose, miniature humans, animals and plants, the Atlas Mountains shaped as a palm, the Alps as a chicken's foot, Bohemia as a horseshoe, the Danube as a chain, the Tagus as a shepherd's crook, the Red Sea colored red, and scattered notes and labels in the Catalan language.