Six of the eleven movements of this longest suite are rondeaux. They bookend this collection, with a paired set to open and a second paired set (plus doubles for each) to close. Centering on G, seven of the eleven movements are in the minor mode. Les Amusemens (The Amusements) could also be translated as Entertainment. Ornaments help provide forward motion to the opening cheerful syncopated rondeau theme. We will never know to what or whom the ou les Sentimens (The *** or the Sentiments or Feelings) refers. The indication of Gracieusement adds further to the tender, expressive affekt of the movement. Typical of a sarabande, this triple time slow, serious piece, with balanced phrases and complex harmonies, sometimes places an accent on the second beat. The two movements entitled Ƶephir (the mythological West Wind of spring) and Flore (a reference to the mythological Goddess of Flowers) are in the form of the popular French dance, the menuet, the latter more dramatic and complex harmonically. La Pithonisse (The Pythoness) was the priestess presiding over the Oracle of Apollo at Delphi, located on Mount Parnassus. It was commonly believed that the vapors rising from the ground induced the priestesses to deliver the oracles in a frenzied state. This intensity is conveyed in this central movement conceived on a grand scale. The 18th-century loure was a slow, virtuosic, noble, majestic dance. This binary form Loure in 6/4 meter is characterized by many low-ranging thick chords. Also marked Gracieusement, paired La Séduisante (The Seductress) rondeaux are followed by paired cariations (Double du 1er Rondeau, Double du 2e Rondeau).