Pürevbat studied traditional Mongolian art at the National Art and Culture College in Ulan Bator. When he realized that the history of traditional thangka paintings originates in Tibetan Buddhism, he decided to become a Buddhist monk. Then he found two Mongolian connoisseurs of arts, the Damjiang Lama and the Dorje Zanchung Lama, who introduced him into this tradition. In order to deepen his skills, he went for a study tour to Sanggye Yeshe, the official thangka painter of the Fourteenth Dalai Lama, and Geshe Samten, a master in the making of mandalas. In this time he traveled extensively through the Himalayas, where he met great Tibetan masters in Nepal, Bhutan and Sikkim. During his tour he collected source material and he acquainted himself intensively in Tibetan Buddhist iconography and econometrics. In fact, he followed the same tradition as one great Mongol artist and Buddhist clergyman had done so several centuries earlier, and to who bears now the name of his institute, to know Zanabazar. Artistically, Pürevbat is known for his conformity and his perseverance to essential authentic rules. Next to that, he is a great renewer as well, who has added modern disciplines and practices to his creations. His style, therefore, has been called dynamic and distinctive.