By 100 BCE, the reliefs represent more complex scenes, defining, according to Sonya Rhie Quintanilla, an age of iconic diversification and narrative maturation, as shown by the representing centaurs worshipping a Jain stupa, the dance of Nilanjana, and the renunciation of Rsabhanata, or the representing Brahmins with pots in a sacred precinct. Another relief from the same period shows a Linga inside a railing on platform and under a pipal tree, being worshipped by Gandharvas, an early depiction of the phallic cult in Shivaism.