The text highlights the square design principle, suggesting that the land and design of large temples be set on 64 squares (mandala or yantra), and numerous other square grid designs such as the 16 square grid smaller temple. A temple's main entrance and the sanctum space should typically open east facing the sunrise, states the text, while the human body was the template of the temple, with Atman and Brahman (Purusha) as the resider in the heart, respectively. The relative ratios, of various levels and various spaces, which the text asserts are naturally pleasing, such as those of entrance height, lengths and heights, placement of carvings are specified in chapters 253-269, as well as other sections such as chapters 58-65. For example, the text suggests that the pillar inside the temple (stambha) be considered as of nine parts, with terms such as Padma, Kumbha, Antara and others, wherein the width of the pillar and each of these parts have certain ratios, and the structural features or carvings be laid out on these nine parts. The text, though named after an avatar of Vishnu, has numerous sections on the installation of Shiva Linga, while other chapters mention Vishnu murti, goddesses and other deities.