Holbein's commissions in the early stages of his second English period included portraits of Lutheran merchants of the Hanseatic League. The merchants lived and plied their trade at the Steelyard, a complex of warehouses, offices, and dwellings on the north bank of the Thames. Holbein rented a house in Maiden Lane nearby, and he portrayed his clients in a range of styles. His portrait of Georg Giese of Gdańsk shows the merchant surrounded with exquisitely painted symbols of his trade. His portrait of Derich Berck of Cologne, on the other hand, is classically simple and possibly influenced by Titian. For the guildhall of the Steelyard, Holbein painted the monumental allegories The Triumph of Wealth and The Triumph of Poverty, both now lost. The merchants also commissioned a street tableau of Mount Parnassus for Anne Boleyn's coronation eve procession of 31 May 1533.