who is the composer of pomp and circumstance
Sir Edward Elgar
title: Edward Elgar text: Edward Elgar Sir Edward William Elgar, 1st Baronet (; 2 June 1857 – 23 February 1934) was an English composer, many of whose works have entered the British and international classical concert repertoire. Among his best-known compositions are orchestral works including the "Enigma Variations", the "Pomp and Circumstance Marches", concertos for violin and cello, and two symphonies. He also composed choral works, including "The Dream of Gerontius", chamber music and songs. He was appointed Master of the King's Musick in 1924. Although Elgar is often regarded as a typically English composer, most of his musical influences were not from England title: Pomp and Circumstance Marches text: August 1997 "Musical Times" explaining the sketches. One idea in the sketches was marked by the composer "jolly good". Kent believed that Elgar's compositional thoughts and time were by then engaged with the Third Symphony and "The Spanish Lady", and that the main theme for the march was "unpromising". Payne felt there was not enough in the sketches to complete the march, but fortunately three pages of score in Elgar's handwriting were discovered at the Royal School of Church Music Colles Library marked "P&C 6". In 2006, the score and sketches were turned into a performing version. Payne observed in title: Edward Elgar text: Elgar invited Benson to do so. Elgar incorporated the new vocal version into the Ode. The publishers of the score recognised the potential of the vocal piece, "Land of Hope and Glory", and asked Benson and Elgar to make a further revision for publication as a separate song. It was immensely popular and is now considered an unofficial British national anthem. In the United States, the trio, known simply as "Pomp and Circumstance" or "The Graduation March", has been adopted since 1905 for virtually all high school and university graduations. In March 1904 a three-day festival of Elgar's works was title: Pomp and Circumstance Marches text: clarinets in A, bass clarinet in A, 2 bassoons, contrabassoon, 4 horns in F, 2 trumpets in F, 2 cornets in A, 3 trombones, tuba, timpani (3), percussion (2 side drums, triangle, glockenspiel & jingles, bass drum & cymbals), and strings. It was first performed, as was March No. 1, by the Liverpool Orchestral Society conducted by Alfred Rodewald, in Liverpool on 19 October 1901. Both marches were played two days later at a London Promenade Concert. The second is the shortest and most simply constructed of the marches. The composer Charles Villiers Stanford is said to have preferred this title: Pomp and Circumstance Marches text: trumpets in B, 3 trombones, tuba, timpani (4), percussion (side drum, cymbals, bass drum, jingles, glockenspiel), and strings. For piano solo: The first four marches were arranged by Adolf Schmid and March No. 5 by Victor Hely-Hutchinson. For piano duo: March No. 1 was arranged by Adolf Schmid. For organ: March No. 1 was arranged by Edwin H. Lemare and March No. 4 was arranged by G. R. Sinclair. Marches 1–5 have been arranged in simplified and abbreviated form by William McVicker; concert transcriptions of Marches 2, 3, and 5, matching the Lemare and Sinclair arrangements, have been made by