blues music originated as a mixture of ___ and ____
ragtime
title: Blues text: relating the racial discrimination and other challenges experienced by African-Americans. Many elements, such as the call-and-response format and the use of blue notes, can be traced back to the music of Africa. The origins of the blues are also closely related to the religious music of the Afro-American community, the spirituals. The first appearance of the blues is often dated to after the ending of slavery and, later, the development of juke joints. It is associated with the newly acquired freedom of the former slaves. Chroniclers began to report about blues music at the dawn of the 20th century. The title: Music of the United States text: plots that often revolved around love and romance. The blues is a genre of African American folk music that is the basis for much of modern American popular music. Blues can be seen as part of a continuum of musical styles like country, jazz, ragtime, and gospel; though each genre evolved into distinct forms, their origins were often indistinct. Early forms of the blues evolved in and around the Mississippi Delta in the late 19th and early 20th centuries. The earliest blues music was primarily call and response vocal music, without harmony or accompaniment and without any formal musical structure. title: Blues text: Blues Blues is a music genre and musical form originated in the Deep South of the United States around the 1870s. The genre developed from roots, and spirituals. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads. The blues form, ubiquitous in jazz, rhythm and blues and rock and roll, is characterized by the call-and-response pattern, the blues scale and specific chord progressions, of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds or fifths flattened in pitch, are also an essential part of the sound. Blues shuffles or title: Origins of the blues text: the blues is the earliest blues musicians' tendency to wander through communities, leaving little or no record of precisely what sort of music they played or where it came from. Blues was generally regarded as lower-class music, unfit for documentation, study or enjoyment by the upper- and middle-classes Blue notes pre-date their use in blues. English composer Samuel Coleridge-Taylor's "A Negro Love Song", from his "The African Suite for Piano" composed in 1898, contains blue third and seventh notes. African American composer W. C. Handy wrote in his autobiography of the experience of sleeping on a train traveling through (or title: Blues text: the condition of having the blues to the musical form that would become popularly known as 'the blues.'" Hart Wand's "Dallas Blues" was published in 1912; W.C. Handy's "The Memphis Blues" followed in the same year. The first recording by an African American singer was Mamie Smith's 1920 rendition of Perry Bradford's "Crazy Blues". But the origins of the blues were some decades earlier, probably around 1890. This music is poorly documented, partly because of racial discrimination in U.S. society, including academic circles, and partly because of the low rate of literacy among rural African Americans at the time. Reports