when did the farm security administration hire a group of photographers
1935–44
title: Farm Security Administration text: modern techniques under the supervision of experts. After the Conservative coalition took control of Congress it transformed the FSA into a program to help poor farmers buy land, and that program continues to operate in the 21st century as the Farmers Home Administration. The FSA is famous for its small but highly influential photography program, 1935–44, that portrayed the challenges of rural poverty. The photographs in the Farm Security Administration/Office of War Information Photograph Collection form an extensive pictorial record of American life between 1935 and 1944. This U.S. government photography project was headed for most of its existence by title: Farm Security Administration text: photograph of a march of protestors during a revolution, the camera angle will play a major role in defining the situation. The FSA started the tradition by contributing to the society through their pictures during the Great Depression, and their motto was simply as Beaumont Newhall insists, "not to inform us, but to move us." Those photographers wanted the government to move and give a hand to the people as they were completely neglected and overlooked and thus they decided to start taking photographs in a style that we today call "documentary photography." The FSA photography has been influential thanks title: Farm Security Administration text: Russell Lee, Marion Post Wolcott, Jack Delano, John Vachon, and John Collier. These eleven photographers all played a significant role, not only in producing images for this project, but also in molding the resulting images in the final project through conversations held between the group members. The photographers produced images that breathed a humanistic social visual catalyst of the sort found in novels, theatrical productions and music of the time. Their images are now regarded as a "national treasure" in the United States; which is why this project is regarded as a work of art. Together with John Steinbeck's "The title: Farm Security Administration text: to its realist point of view, and the fact that it works as frame of reference and an educational tool for later generations to learn from. Society has benefited and will benefit from it for more years to come, as this photography can unveil the ambiguous and question the conditions that are taking place. Creating false perceptions of individuals (A prime example of situational manipulation), the RA and FSA are well known for the influence of their photography program, 1935–1944. Photographers and writers were hired to report and document the plight of poor farmers. The Information Division of the FSA title: Farm Security Administration text: was responsible for providing educational materials and press information to the public. Under Roy Stryker, the Information Division of the FSA adopted a goal of "introducing America to Americans." Many of the most famous Depression-era photographers were fostered by the FSA project. Walker Evans, Dorothea Lange, and Gordon Parks were three of the most famous FSA alumni. The FSA was also cited in Gordon Parks' autobiographical novel, "A Choice of Weapons." Eleven photographers would come to work on this project (listed in order in which they were hired): Arthur Rothstein, Theo Jung, Ben Shahn, Walker Evans, Dorothea Lange, Carl Mydans,