who was painted the paintings during the pink period
Pablo Picasso
title: Pink text: 19th century was almost always white, since, before the invention of chemical dyes, clothing of any color would quickly fade when washed in boiling water. Queen Victoria was painted in 1850 with her seventh child and third son, Prince Arthur, who wore white and pink. In late nineteenth-century France, Impressionist painters working in a pastel color palette sometimes depicted women wearing the color pink, such as Edgar Degas’ image of ballet dancers or Mary Cassatt’s images of women and children. The US presidential inauguration of Dwight D. Eisenhower in 1953 when Eisenhower's wife Mamie Eisenhower wore a pink dress as title: Pink text: of Emma, Lady Hamilton, the future mistress of Admiral Horatio Nelson, in the late 18th century, it had the completely opposite meaning in the portrait of Sarah Barrett Moulton painted by Thomas Lawrence in 1794. In this painting, it symbolized childhood, innocence and tenderness. Sarah Moulton was just eleven years old when the picture was painted, and died the following year. In 19th century England, pink ribbons or decorations were often worn by young boys; boys were simply considered small men, and while men in England wore red uniforms, boys wore pink. In fact the clothing for children in the title: Pink Lady (art) text: herself in front of the rock. When the rock was clean, she created the painting on the night of Friday, October 28, 1966. By November 1, the painting had begun to attract local news coverage. It was dubbed the "Pink Lady" by the media, due to the pink paint used for the skin. Los Angeles County road officials, concerned about traffic problems the painting might cause, attempted to remove it with high-pressure spray from fire hoses, and then with paint stripper. However, Seemayer had used heavy-duty house paint for her creation, and both methods failed to remove it. When she title: Pink text: the body of Christ. In the high Renaissance painting the "Madonna of the Pinks" by Raphael, the Christ child is presenting a pink flower to the Virgin Mary. The pink was a symbol of marriage, showing a spiritual marriage between the mother and child. During the Renaissance, pink was mainly used for the flesh color of faces and hands. The pigment commonly used for this was called light cinabrese; it was a mixture of the red earth pigment called sinopia, or Venetian red, and a white pigment called "Bianco San Genovese", or lime white. In his famous 15th century manual title: Frédéric Bazille text: met Pierre-Auguste Renoir and Alfred Sisley, was drawn to Impressionist painting, and began taking classes in Charles Gleyre's studio. After failing his medical exam in 1864, he began painting full-time. His close friends included Claude Monet, Alfred Sisley, and Édouard Manet. Bazille was generous with his wealth, and helped support his less fortunate associates by giving them space in his studio and materials to use. Bazille was just twenty-three years old when he painted several of his best-known works, including "The Pink Dress" (c. 1864, Musée d'Orsay, Paris). This painting combines a portrait-like depiction of Bazille's cousin, Thérèse des Hours,