when was the taming ofthe shrew first performed
prior to June 1592
title: The Taming of the Shrew in performance text: The Taming of the Shrew in performance "The Taming of the Shrew" in performance has had an uneven history. Popular in Shakespeare's day, the play fell out of favour during the seventeenth century, when it was replaced on the stage by John Lacy's "Sauny the Scott". The original Shakespearean text was not performed at all during the eighteenth century, with David Garrick's adaptation "Catharine and Petruchio" dominating the stage. After over two hundred years without a performance, the play returned to the British stage in 1844, the last Shakespeare play restored to the repertory. However, it was only in the title: The Taming of the Shrew in performance text: 1890s that the dominance of "Catharine and Petruchio" began to wain, and productions of "The Shrew" become more regular. Moving into the twentieth century, the play's popularity increased considerably, and it became one of Shakespeare's most frequently staged plays, with productions taking place all over the world. This trend has continued into the twenty-first century, with the play as popular now as it was when first written. The earliest known performance of the play is recorded in Philip Henslowe's diary on 11 June 1594, performed by the Lord Admiral's Men and the Lord Chamberlain's Men at Newington Butts Theatre; "begininge title: The Taming of the Shrew text: the piece was anonymously written, although William Dunkin is thought by some scholars as a likely candidate. Rehearsals for the premier began in Smock Alley in October 1731, but sometime in November or December, the show was cancelled. It was instead performed by a group of children (including an eleven-year-old Peg Woffington) in January 1732 at Signora Violante's New Booth in Dame Street. It was subsequently published in March. James Worsdale's "A Cure for a Scold" is also a ballad opera. First performed at Drury Lane in 1735, starring Kitty Clive and Charles Macklin, "A Cure for a Scold" was title: The Taming of the Shrew in performance text: only began to dwindle in popularity when afterpieces became less fashionable in the mid-eighteenth century. Prior to that, however, it was a huge success on both sides of the Atlantic; it was first staged in North America in 1768 at the John Street Theatre, starring Margaret Cheer and Lewis Hallam. It was performed at John Philip Kemble's benefit in 1788, with a text he had prepared himself, which deviated slightly from Garrick's, starring Sarah Siddons and Kemble himself. Kemble continued to play the role for many years, including a run opposite his wife, Priscilla Kemble, in 1810. Previously, Kemble's brother, title: The Taming of the Shrew in performance text: the play's stage history during the seventeenth century is relatively sparse. The title page of the 1631 quarto states the play had been acted by the King's Men at both the Globe and Blackfriars. The King's Men only began performing at Blackfriars in 1610, suggesting the play was still popular enough to be performed at least sixteen years after its debut. However, there is no further information available. Apart from a possible production at Drury Lane in 1663 or 1664, the play's place on the stage was taken by John Lacy's adaptation, "Sauny the Scot" at some point during the