But the reality of Jules's living quarters turns out already to be a set of images, i.e. a disused garage, in which pop art rubs shoulders with wrecked 1950s autos on the model of those in Nicholas Ray's Rebel Without a Cause.
But the reality of Jules's living quarters turns out already to be a set of images, i.e. a disused garage, in which pop art socializes with wrecked 1950s autos on the model of those in Nicholas Ray's Rebel Without a Cause.