Spookily enough, I had come full circle: I was back working for Alan Lewis, the man who'd given me my first music press job — as his secretary at Sounds, back in (gulp) 1977.
Spookily enough, I had complete a cycle of transition: I was back working for Alan Lewis, the man who'd given me my first music press job — as his secretary at Sounds, back in (gulp) 1977.