Using a large square format, and working again in monochrome, he produces prints in sequence, so we have four shots of a man with a girder who, by means of trick photography, is sent on a kind of perennial job replacement, and a sequence of workers, in their hardhats, giving the ‘ kiss of life’ to saws, drain - pipes and other tools of their trade.
Using a large square format, and working again in monochrome, he produces prints in sequence, so we have four shots of a man with a girder who, by means of trick photography, is sent on a kind of perennial job replacement, and a sequence of workers, in their hardhats, giving the ‘ life-changing kiss to saws, drain - pipes and other tools of their trade.