Similarly with Debussy's La Mer; Porter found a gentler and less exciting alternative, this time the Ansermet recording, and again put Karajan in the Toscanini / Koussevitsky tradition, adding for good measure the name of Charles Münch.
Similarly with Debussy's La Mer; Porter found a gentler and less exciting alternative, this time the Ansermet recording, and again put Karajan in the Toscanini / Koussevitsky tradition, adding in addition to what has already been done the name of Charles Münch.