rap music and hip-hop culture have their origins in united kingdom.
rap music and hip-hop culture have their origins in what city?
united kingdom
hip hop music, also called hip-hop or rap music, is a music genre developed in the united states by inner-city african americans and latino americans in the bronx borough of new york city in the 1970s. it consists of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. it developed as part of hip hop culture, a subculture defined by four key stylistic elements: mcing/rapping, djing/scratching with turntables, break dancing, and graffiti writing. other elements include sampling beats or bass lines from records (or synthesized beats and sounds), and rhythmic beatboxing. while often used to refer solely to rapping, "hip hop" more properly denotes the practice of the entire subculture. the term "hip hop music" is sometimes used synonymously with the term "rap music", though rapping is not a required component of hip hop music; the genre may also incorporate other elements of hip hop culture, including djing, turntablism, scratching, beatboxing, and instrumental tracks.
hip hop music
discussions of scholarly writing on hip hop in the academia often begin with tricia rose's "black noise: rap music and black culture in contemporary america", published in 1994. this book is categorized within hip hop studies as being among the most important early full-length texts on rap and hip hop culture, which helped to establish hip hop studies as a legitimate field of scholarly inquiry. rose's book gives a comprehensive account of the evolutionary history of hip hop culture. in rose's words, "black noise" "examines the complex and contradictory relationships between forces of racial and sexual domination, black cultural priorities, and popular resistance in contemporary rap music," while it outlines the social context of rap's existence. to achieve this analysis, rose's includes a range of voices and perspectives by using an ethnographic approach; conducting interviews with hip hop performers and practitioners, as well as hip hop listeners and consumers. rose's interviews were conducted throughout the united states, as well as in hong kong, china, and japan. rose's groundbreaking work continues to be referenced as a foundational text by contemporary scholars because its detailed documentation of hip hop culture's revolution employs ethnography, cultural theory, urban history and historiography, as well as black feminist thought; culminating in an extensive bibliography.
hip-hop in academia