cameron diaz did the voice of fiona in shrek.
who does the voice of fiona in shrek?
cameron diaz
nbc new york's bryan alexander described fiona as "the world's hottest ogre", while stephen hunter, film critic for "the washington post", found hearing diaz's voice come from a computer-animated character to be "kind of hot". diaz and the rest of the main cast garnered significant media attention and press for the roles throughout the series. for her performance in the first film, diaz won a kid's choice award for best burp, which the actress has identified as one of her "proudest achievement[s]". daniel kurland of screen rant described diaz as "a bit of an unsung hero in the franchise, but she remains a crucial component of what makes the movie work." summarizing the actress' career, kendall fisher of "e! online" wrote that diaz "voiced one of our favorite animated characters as fiona in "shrek"." "the ringer" ranked shrek diaz's best film, writing that her performance as fiona has aged better than the film's soundtrack and animation. author alison herman elaborated that fiona embraced her flaws and offered "an important lesson in both self-esteem and the comedic value of fart jokes for young children everywhere", while the actress "diaz holds her own against the likes of mike myers and eddie murphy; as a character, fiona subverts the pretty-princess trope enough to provide fuel for undergrad media studies papers for decades to come", joking that "fiona chose to go full-time monster 17 years ago, providing an important lesson in both self-esteem and the comedic value of fart jokes for young children everywhere." "marie claire" ranked fiona diaz's third best "movie moments that made us fall in love with her". in addition to ranking fiona the fourth best role of diaz's career following her retirement in 2018, samarth goyal of the "hindustan times" wrote that fiona is "one of the most loved animated characters of the 21st century", ranking her among diaz's characters that have "been infused with that x factor that made her such a big star." "forbes" wrote, "princess fiona, who exudes good will and girl power, is the kind of character one could see cameron diaz playing" in live-action films, despite being an ogress. in 2011, "gulf news" ranked diaz among "hollywood's a-list of most popular voice actors", with "forbes" reporting that the actress was mentioned in the media approximately 1,809 times while promoting the most recent "shrek" film. "teen vogue" considered fiona to be among the "17 best princesses in movies and tv", praising the character for learning "to love herself." to promote "shrek 2", ice cream restaurant baskin-robbins named an ice cream after the character, entitled fiona's fairytale. described as "pink and purple swirled", the ice cream is cotton candy-flavored.
princess fiona
fiona is the franchise's female lead and shrek's romantic interest. "shrek" was the first computer-animated film to feature human characters in lead roles, with director vicki jenson believing that its heroine should be beautiful yet convincing. elliott and rossio had originally envisioned fiona's monstrous form as furry and hairy, wanting her to be an entirely unique character as opposed to simply a female version of shrek, but the filmmakers struggled to agree upon her final design. aiming to achieve stylized realism, the animators found that the most efficient way to emphasize fiona's face was by focusing "on the subtleties of the human form", compiling translucent layers of skin to prevent the character from resembling plastic, a task they found daunting due to the audience's familiarity with human skin. to make her skin appear more believable, the animators studied dermatology books "to determine how various types of illumination play on human skin", with visual effects supervisor ken bielenberg comparing the situation to lighting diaz herself. he joked, "you want the sunset to reflect off her face in a way that's flattering ... fiona may be a computerized princess, but she has her bad side." they painted a combination of freckles and warm tones onto some of her skin's deeper layers, through which they would filter light. a shader was used "to layer the skin with light that seemed to penetrate, refract and re-emerge", the concentration of which was adjusted depending on how radiant they wanted her to appear; too much exposure resulted in a mannequin. the lighting department consulted with makeup artist patty york to learn about different approaches to creating realistic effects for fiona's face, while the computer graphics software maya was used to animate her hair, which consists of more than 1 million polygons. the animators felt that fiona's design was "too real" at times. when the film was previewed to test audiences, some children cried because they found fiona uncomfortably realistic to the point at which they were disturbed by her hyperrealism, suffering from a phenomenon known as the uncanny valley. consequently, dreamworks ordered that the character be re-animated to appear more like a cartoon and less like a human simulation. animator lucia modesto recalled that her team was ordered to "pull back" on the character's design because she was beginning to appear too realistic, resulting in a "distinctly unpleasant" effect. subsequently, fiona was modified to fit in among the film's more fantastical characters, which supervising animator raman hui credits with improving the believability of fiona and shrek's relationship. hui acknowledged that fiona was much more difficult to animate as a human because "if you get anything wrong, it shows." to make fiona "a slightly more cartoony-looking love interest," the animators enlarged fiona's eyes and smoothed her skin. in total, fiona's face required a year of constant experimentation before the animators agreed upon a final, satisfying design: a realistic yet softer interpretation of the princess.director andrew adamson admitted that the process of making fiona both beautiful yet familiar "on a visceral level" posed several unique challenges for the filmmakers. for example, her eyebrows sometimes resulted in shadows appearing over her eyes, while her upturned lip and large eyes resulted in a "spooky" appearance. adamson explained, "there's something that happens in the translation from real life into the computer that gets tricky, especially for a humanoid." they wanted fiona's appearance to make her relatable but not to the point at which "she would stick out among shrek and the other fantastic characters and distract from the fairy-tale mood." adamson identified fiona as easily the film's most difficult character to animate because "everyone’s used to watching people talking and expressing themselves on a daily basis" whereas "you can get away with a lot with a talking donkey”. adamson said, referring to the motor-mouthed sidekick voiced by eddie murphy.hui maintains that fiona's appearance was not based on that of any specific individual. although the animators wanted to avoid making the character resemble diaz too closely, elements of the actress' body movement, who was videotaped while she recorded her lines, were incorporated into fiona nonetheless, which they drew onto a different face in order to create "a totally unique new character". studying diaz's mannerisms inspired the animators to exaggerate fiona's expressions and reactions, instead of striving for realism. for example, "fiona is listening to someone and her lips compress and her eyes squint,” which adamson identified as “extremely hard things to achieve in animation, but they give the character a richness you’ve never seen before.” diaz was shocked and ran out of the studio screaming joyfully when she saw her character animated to her voice for the first time. although she does not think the character resembles her, she recognized that fiona had many of her mannerisms in addition to her own voice, appearing "more real than she had imagined". the actress explained that "the experience was so weird she felt like she was watching some kind of strange sister." diaz personally prefers fiona as an ogre. fiona's body consists of 90 muscles, but her entire model is made up of more than 900 movable muscles. even in her ogress form, fiona is significantly smaller than shrek, without layout supervisor nick walker revealing that shrek is capable of swallowing fiona's head whole.
princess fiona