syndicalism was a highly politicised left his form of theatre which originated in 1920s europe.
a highly politicised left his form of theatre which originated in 1920s europe?
syndicalism
it gave rise to agitprop theatre, a highly politicized theatre that originated in 1920s europe and spread to the united states; the plays of bertolt brecht are a notable example. russian agitprop theater was noted for its cardboard characters of perfect virtue and complete evil, and its coarse ridicule. gradually the term "agitprop" came to describe any kind of highly politicized art.





























section::::forms.





























during russian civil war agitprop took various forms:
agitprop
singaporean chinese contemporary theatre in the 1960s and 1970s was highly politicised, given the field's roots in social movements, the turbulent state reforms of the local social and political environment after singapore's independence, and the increasingly political and revolutionary environment internationally . the cultural revolution in china, which began in 1966, impacted local singaporean chinese in the 1970s. many were influenced by its trend of thought, viewing art, literature and drama as weapons of struggle and tools of social change. kuo's first plays, written from the late 1960s to the mid-1970s, were also "highly politicised" and "critical of social issues." one of the plays, titled "the struggle" (1969), was written by kuo to reflect the social turmoil resulting from rapid urban reconstruction and inflow of multinational investment, but its performance was banned by the authorities. critics also noted that kuo's early plays characteristically displayed a clear-cut distinction between the "good" (tradition and class unity) and the "bad" (exploitative capitalists).
kuo pao kun