hyde was the bad one jekyll or hyde.
who was the bad one jekyll or hyde?
hyde
in the first act, attorney j. g. utterson is visiting with friends outside a london vicarage. the vicar, reverend edward leigh, relates a story about how he intervened when he saw a girl trampled by a man named edward hyde. utterson is dismayed to hear the name edward hyde, because his friend and client dr. henry jekyll recently made a new will that gives his estate to a mysterious friend named edward hyde. after the vicar leaves, dr. lanyon arrives. utterson asks lanyon if he knows hyde, but he does not; he and jekyll have become more distant recently due to scientific disagreements. jekyll, who lives next door to the vicarage, passes by on his way to see a patient. utterson expresses his concern about jekyll's will, but jekyll refuses to consider changing it. after jekyll and utterson leave, lanyon speaks to the vicar's daughter, alice leigh, who admits to being in love with jekyll. alice sees that lanyon does not approve, and she asks jekyll about it when he returns. he says she would not understand, and begins talking about the dual presence of good and evil in men. suddenly, jekyll feels "the change approaching" and runs home. before he reaches his door, he transforms into hyde in view of the audience, but not alice, who has gone to the other end of the stage. hyde menaces alice, who calls for her father. the vicar comes out of the vicarage and is clubbed with a stick by hyde. hyde runs away; jekyll returns and asks who has attacked them. with his dying breath, the vicar says it was hyde.
dr. jekyll and mr. hyde, or a mis-spent life
the song "all hands on the bad one" features guitar riffs that are reminiscent of the band's second album, "call the doctor". it was chosen as the title track because, according to guitarist carrie brownstein, it is the song that best represents the sentiment of the album. brownstein explained that the song deals with "your relationship to evil and your relationship to the hypocrisy of forcing a morality on someone else when you yourself are no better." she added, "'ballad of the ladyman', for instance—who is 'the ladyman'? is the person that wants to be on the radio, 'the bad one,' or is it the fans assuming that they [the artist] want to be on the radio—are they 'the bad one'? or is 'the professional,' the ominous professional figure, 'the bad one'? i think all these songs can go into that machine of 'the bad one' and that mentality and then be spit out in a bunch of different scenarios. so that's why i think it works as the title."
all hands on the bad one