 An interesting feature of Yiddish literature in its most active years (1900–1940) is the presence of numerous women writers who were less involved in specific movements or tied to a particular artistic ideology.Writers such as Celia Dropkin, Anna Margolin, Kadia Molodowsky, Esther Kreitman and Esther Shumiatcher Hirschbein created bodies of work that do not fit easily into a particular category and which are often experimental in form or subject matter.Margolin’s work pioneered the use of assonance and consonance in Yiddish verse.