 Whether it is furniture, a light bulb, or a giant crocodile, Wilson treats each as a work of art in its own right.He demands that a full-scale model of each prop be constructed before the final one is made, in order "to check proportion, balance, and visual relationships" on stage.Once he has approved the model, the crew builds the prop, and Wilson is "renowned for sending them back again and again and again until they satisfy him".