 Several of his stories, including "Third from the Sun" (1950), "Deadline" (1959), and "Button, Button" (1970) are simple sketches with twist endings; others, like "Trespass" (1953), "Being" (1954), and "Mute" (1962) explore their characters' dilemmas over 20 or 30 pages.Some tales, such as "The Doll that Does Everything" (1954) and "The Funeral" (1955) incorporate satirical humour at the expense of genre clichés, and are written in an overblown prose very different from Matheson's usual pared-down style.Others, like "The Test" (1954) and "Steel" (1956), portray the moral and physical struggles of ordinary people, rather than the then nearly ubiquitous scientists and superheroes, in situations which are at once futuristic and everyday.