 The result is a rhythmic and polychromatic ‘net-work of trails which loop, entwine and lose themselves in an indecipherable complexity’-(Review of Gimpel Fils exhibition, Manchester Guardian, 19-1-1953 ) These ‘Space/Time’ paintings may remind us of ‘electrons around a nucleus’ or ‘the trial of a jet plane‘,-(Colin St John Wilson, Notes on paintings by J D H Catleugh, January 1953 ) but they have no subjects as such.Titles like Space-Time Configuration and Bi-planar Structure remind us that these are products of a post atomic world and as contemporary in 2007 as they were then.October 1953 Painting onto Textiles exhibition at the ICA organised by Hans Juda, editor of The Ambassador to promote textile designs by contemporary painters.