 However, whereas the earlier work had an urgency and sense of struggle, the 1965 crucifixion shows defeated and butchered figures splayed on beds and hanging upside down on hooks.In the left hand panel a human carcass is shown lying on the bed.The figure is covered in splintlike bandages which, according to the art critic Hugh Davies, suggest "the frilly parer collars used by butchers to dress up joints of meat".