 The writer tells that when Giuglini's popularity and fortunes began to wane late in 1863, and he could no longer underwrite her expenses, she detached herself from him, at about the time he entered an asylum in Chiswick.However she was deeply affected by news of his death in 1865.Santley, who had admired him in Milan, felt afterwards that he was not so fine a singer as Italo Gardoni, the tenor who succeeded him in London.