 Mansart's structures are stripped of overblown decorative effects, so typical of contemporary Rome.Italian Baroque influence is muted and relegated to the field of decorative ornamentation.The next step in the development of European residential architecture involved the integration of the gardens in the composition of the palace, as is exemplified by Vaux-le-Vicomte (1656–61), where the architect Louis Le Vau, the designer Charles Le Brun and the gardener André Le Nôtre complemented each other.