 Groslier, however, who saw the exposition as an opportunity to open world markets to Cambodian art, wanted the work of Cambodian artists to be the highlight of this expo.The focal point of the exhibition was a full-sized reproduction of the top level of Angkor Wat, reconstructed in the center of Paris, as well as a Cambodian pavilion that was planned by Groslier in collaboration with the architect of the Exposition and members of the Department of Public Works (whom Groslier claimed did nothing).Decorative details and the sculpted wood entrance of the building were completed by ateliers at the School of Cambodian Arts...