 His paintings were frequently seen on the Pacific, especially in southern California, with group and solo exhibits between 1914 and the 1930s at the Los Angeles Museum, Blanchard Gallery, Friday Morning Club of Los Angeles, Kanst Gallery, Ebell Club of Los Angeles, Cannell & Chaffin Galleries, and Pasadena Art Institute.He was an exhibiting member of the Carmel Arts & Crafts Club from 1913 to 1923 and habitually exhibited at the Carmel Art Association between 1939 and 1947.He and his wife were socially active in Carmel where he helped paint sets for the Forest Theatre, served on the Fire Commission, took legal action to preserve the town’s old-growth trees, joined the Carmel Pistol Club, became a vocal proponent of Prohibition, and attempted to ban the local chapter of the John Reed Club.