 In his series “Shelters” Piron drew on the Flemish love for cabin [cubicle] and brick architecture.Another large series of photos, entitled “The Invisible Time” (“De on-zichtbare tijd”) engages in a dialogue with Edward Muybridge's “The Human Figure in Motion” in a new pictorial style.The oeuvre of Luc Piron cannot be placed in a stylistic category or an -ism.