 The easy and tempting criticism to make of this play is that it is stagey and derivative (with a "Rebecca"-like storm and an Ibsenesque tower of a most clumsily symbolic kind) and that it is as fniitily stocked with curtain lines as anything George Miller might present at the Neutral Bay Music Hall... Much depended in this televised version on its tactfulness in making the most of the play's richly theatrical srrokes without emphasising their potential absurdities.In this Porter was well served.The "Canberra Times" said the play's "weakness is in its over slylisalion, overstatement and melodrama.