 A man is desperate to do something good with his life before it ends, but is mostly met with suspicion.The film ties in thematically with Lopushansky's other apocalyptic films, "Dead Man's Letters" (1986), "A Visitor to a Museum" (1989) and "The Ugly Swans" (2006), and is the most overtly religious of them.It played in the Forum section of the 45th Berlin International Film Festival and received the Prize of the Ecumenical Jury.