"""Historia de hombre que se convirtio en perro" is unique in comparison to the style of the other "Historia's" because of its emphasis on the devaluation of language, a common theme in Theatre of the Absurd.It also follows the narrative foregrounding technique more than other "Historias," like ""Historia de como nuestro amigo Panchito Gonzalez se sintio responsable de la epidemia de peste bubonica en Africa del Sur,"" which does not have the actors narrate or recreate the story at all.