 During this same period, Holiday began performing in concert halls rather than nightclubs, and her live performances became more theatrical than jazz, with many of these dramatic songs becoming centrepieces of her set.Holiday continued to record for Decca throughout the 1940s, before again switching to Norman Granz's Clef label (later Verve) in the next decade.The orchestras Holiday recorded with while at Commodore and Decca were variously led by Toots Camarata, Bob Haggart, Bill Stegmeyer, John Simmons, Buster Harding, Sy Oliver, and Gordon Jenkins.