 The first work of the series, "Cry Joy Park—Fold", 2018, was exhibited at Tang Contemporary Art in Beijing, China.When Ma began her conception of the work, she “confronted the Beijing city government's response to calls from the Standing Committee of the People's Congress to forcibly remove members of the so called ‘low end population.’” The campaign to clear out Beijing’s “low end population”, which referred to the city’s migrant-worker population, left multitudes without jobs and homes.The installation questions what separates the “high-end” labor of an artist, from a day laborer’s “low-end” production, especially in a society build upon the ideals of class abolition.