 Drawing on her own travel experiences, the utopian thought at play in intentional communities, and the hands-on ethos of DIY subcultures, she depicts the kaleidoscopic relationship we have with our surroundings.Works such as "Sleeper Cell Training Camp," "The Long Walk," and "Scent of the Trails" require spontaneous involvement from her audience and in return deliver a reordering of the expected relationships to each other and their surroundings.She combines poetic applications of technology (from muscle wire circuitry to methane digesters), an interrogation and manipulation of materials (giant black plastic bags to cultured crystals), and a re-purposing of forms and sites (bike parking-as-social hub; hiking trail-as-game space).