 Curator Xiaoyu Weng’s essay that accompanied the exhibition stated, "Jennifer Wen Ma’s black and white garden is an allegory for precisely this cycle of continued construction and deconstruction of utopian ideals in human society and the alternative space this process may have given birth to.Such reflection is particularly prescient now, as global politics goes into retrenchment with the rise of right-wing populism and nationalism, and the expansion of illogical neoliberalism, and society seems to truly have no more room for utopia.