 The bilingual (Cree/English) exhibition catalogue that accompanied the exhibition was shortlisted for the 2013 Saskatchewan Book Awards, featuring essays by contemporary curators, including Joan Borsa and Lee-Ann Martin.In 2016, she was part of a group show at Wanuskewin Heritage Park, "Cardston, Alberta, 1959–1967," and in 2019 her beaded work was included in "ÀbadakoneIContinuous FireIFeu continuel," an exhibition of contemporary international indigenous art at the National Gallery of Canada (Ottawa).Recently, Ruth Cuthand pushed her practice in a new direction by expanding on concepts found in her "Trading Series" (2009).The glass-bead pathogens utilized in that series have led to a new body of work related to unsafe water conditions found on First Nations reserves.