 His manager tries desperately to find him, as does a wrestler and an upper class London gangster.However it becomes clear that the young man does not want to be freed from his glamorous captors.Renata Adler, writing in "The New York Times", described the film as a sort of fidgety mod pornography, which uses the advertising convention for eroticism—cutting abruptly from teasing sex scenes to gadgetry, in this case pinball machines, trampolines and odd items of furniture and clothing.