 Giner may have worked in Codazzi's workshop and they collaborated on a number of occasions although there is no documentary evidence to support this.Some of his paintings were formerly attributed to Viviano Codazzi, including the and the (both in the collections of the National Trust).The re-attribution of the latter was made by art historian David Marshall in 1987 who argued that the composition was clearly dependent upon Codazzi's paintings of the 1660s, but was executed in a flatter, dull and less precise manner.