 5 would send a cameraman to the games that were not telecast live.This often meant that the 11 p.m. newscast featured only highlights from the early through middle innings, since the film had to be rushed from Fenway Park to the station's studios in Dorchester to be developed, edited and finally aired.Gillis would use the filmed highlights to set the stage for "telling" the audience about the late, and often decisive, action.