 He argued that, aside from Crainic's poetry it published, the magazine was copying Germanic ideals originating with the art groups of Munich and Vienna ("["Gândirea" is] the window copy of modernist jargon muttered by Munich only to be responded through other parrotings, insane or charlatanesque, by Vienna").By that moment, however, the magazine was itself fusing Expressionist influences with traditionalist aesthetic goals, to the point where it had become, according to Lucian Blaga, "a bouquet of centrifugal tendencies".During the 1920s, "Gândirea" hosted polemical articles by the traditionalists and traditionalist-inspired Iorga, Crainic, Cezar Petrescu, and Pamfil Şeicaru.