 It was the first, and for many years the only, professionally recorded mixing desk tape to escape from the band's possession.The bootleg should not be confused with an audience recording from the following night in Cleveland, sometimes entitled "The Destroyer".Though marred by poorer sound quality, and incomplete as a result of using 60-minute (instead of the longer 90-minute) cassette tapes for the recording, many critics consider this second performance better than the more famous first "Destroyer" gig.