 Gielgud had reservations about the play but agreed to test it out for two matinée performances at the Arts Theatre.Gielgud finally recognised the play's potential and directed it with himself as Richard at the New Theatre in February 1933.Prior to that production, Gielgud was regarded as a highly respected classical actor based on his performances at the Old Vic, but the overwhelming success of "Richard of Bordeaux" catapulted him into the status of superstar.