 Peterson plays a boogie figure in the bass to build the intensity, and then the trio plays a simple but effective shout chorus and then goes back to the theme with a strong crescendo to nearly the end, with a traditional Count Basie tag to close the track.By using the basic elements of crescendo and diminuendo, and arranged sections to set off the parts, Peterson turns what could have been a throwaway into a minor masterpiece.Ed Thigpen's rivet cymbal, recorded at very close range, is prominent on all issues of the album.