 Cressida and Jimmy Cauty later set up home in a squat that also housed the KLF Communications recording studio, Trancentral.As Drummond and Jimmy Cauty dedicated themselves to The KLF, Cressida took on an organisational role for KLF Communications, in addition to design and choreography work for The KLF, and her own work as an artist.Reporting on a 1988 gig by Disco 2000, "NME" writer Barbara Ellen described Mo and Cress as "two raucous, wicked, hideously beautiful she-cats with diamonds for brains... For men, Disco 2000 must be like sex without the draggy chat-up scenario, Mae West without the lard, Madonna staked out in a jacuzzi looking anything but helpless."