 Though neither Elisha Harris Janes nor Richard Leopold Leo ever studied at the École des Beaux-Arts in Paris, they worked within its traditions.Their most prominent structure is the ebullient Dorilton (1902), at Broadway and 71st Street, bolder and more sculptural than any professor at the École des Beaux-Arts would have encouraged.Montgomery Schuyler, the critic for the "Architectural Record", disapproved of its flamboyant appeal