 Additionally, more than a focus on unusual sounds or performance practice, the systematic use of desynchronized procedures coupled tightly to expected bifurcations amongst attractor states are utilized as intelligent generative procedures encompassing the consonance/dissonance and musical tension of these extra-complex sonorities (tones that exceed a single fundamental frequency with gradually sloping spectra).In works such as "adjusting to beams falling" and his "String Quartet #1", he attempts to convey an expression
similar to Edward Said’s notion of an artwork exhibiting "intransigence, difficulty, and unresolved contradiction" in order to provide an "occasion to stir up more anxiety, tamper irrevocably with the possibility of closure and leave the audience more perplexed than before... to explore...a nonharmonious, non-serene tension, and above all, a sort of deliberately unproductive productiveness, going ‘against’..."

Linkage.Other composers who have worked with desynchronized &/or multidimensional methods include Richard Barrett, Aaron Cassidy, Frank Cox, Julio Estrada, Brian Ferneyhough, Klaus K. Hübler, among others.