 A four-time CELJ award winner, "Public Culture" has been publishing field-defining ethnographies and analyses of the cultural politics of globalization for more than twenty-five years.The journal provides a forum for the discussion of the places and occasions where cultural, social, and political differences emerge as public phenomena, manifested in everything from highly particular and localized events in popular or folk culture to global advertising, consumption, and information networks.Artists, activists, and both well-established and younger scholars, from across the humanities and social sciences and around the world, present some of their most innovative and exciting work in the pages of "Public Culture".