 As one of Sarasate's most popular compositions and a favorite among violin virtuosos, the work has remained a staple on records at least since Sarasate himself recorded it in 1904, in collaboration with fellow composer Juan Manén as the accompanying pianist in the aforementioned recording, although the 3rd movement was omitted due to time constraints of records.Sarasate's voice is briefly heard in the middle of the record.Before the thunderous 4th movement, the following sentence can be heard