 Surviving works by Divitis include masses, motets, Magnificat settings (a genre that was to become quite popular in the middle 16th century), and a chanson.The three masses by Divitis use parody technique, and are among the first to do so; he is cited as influential in development of the genre, along with Jean Mouton and the other members of the French royal chapel.Each of his masses is for four voices, although an isolated six-voice setting of the Credo survives attributed to him.