 This old style was soon discarded for newer influences.By the second half of the 6th century while sculptors maintained the "dhyana" mudra they opted to displace the rectangular lion throne iconography for complicated drapery which were depicted cascading over the Buddha's seat.A seated Buddha at the National Museum of Korea while starkly different from its chronological counterpart, the Kunsu-ri seated Buddha from Baekje, in style shows that both kingdoms were adopting this new approach to seated figures.