 One of them, "Missa Gaude Barbara", is based on a motet of that name by Mouton, and may have been a tribute to his colleague.Motets by Divitis are often for five and six voices, which was another relatively innovative feature in music around the beginning of the 16th century.They are contrapuntal in texture, and two of them ("Ista est speciosa" and "Per lignum crucis") are entirely canonic.