 Like contemporaneous examples from Goguryeo, the statue exhibits traits typical of the Northern Wei style, especially in the depiction of the robes.Some similarities with Goguryeo-specific traits include the fairly crude depiction of the flames in the mandorla, simplification being a common trait in extant early sculpture.The roundness of the face, the smile of the central Buddha as well as the harmonious proportions, static nature of the image, and a sense of warmth and humanity are features typically associated with the Southern Dynasties of China, and frequently occur in features of Baekje sculpture as well.